"Autobiographies of great nations are written in three manuscripts – a book of deeds, a book of words, and a book of art. Of the three, I would choose the latter as truest testimony." - Sir Kenneth Smith, Great Civilisations

"I must write each day without fail, not so much for the success of the work, as in order not to get out of my routine." - Leo Tolstoy

I have never believed that one should wait until one is inspired because I think the pleasures of not writing are so great that if you ever start indulging them you will never write again. - John Updike

"The life of every man is a diary in which he means to write one story, and writes another; and his humblest hour is when he compares the volume as it is with what he vowed to make it." - J.M. Barrie, Peter Pan

Poetry is the shadow cast by our streetlight imaginations." - Lawrence Ferlinghetti


[Note - If any article requires updating or correction please notate this in the comment section. Thank you. - res]


Showing posts with label Wendell Berry. Show all posts
Showing posts with label Wendell Berry. Show all posts

Tuesday, September 21, 2021

Wendell Berry - Short Poems





What a Poem Looks Like | Wendell Berry's "Sycamore"
"That We Might Become Native to the Places We Live." - Luke Turpin
Apr 25, 2020





“Whether we and our politicians know it or not,
Nature is party to all our deals and decisions,
and she has more votes, a longer memory,
and a sterner sense of justice than we do.”

- Wendell Berry




Stay Home by Wendell Berry - Poetry Read Aloud
Mar 25, 2020




"A Vision" by Wendell Berry
Jan 14, 2021





“Telling a story is like reaching into a granary
full of wheat and drawing out a handful.
There is always more to tell than can be told.”

- Wendell Berry, Jayber Crow



Theoretical Fragments (6/11):Wendell Berry and the question of place
Aug 22, 2020




How To Be A Poet (To Remind Myself) by Wendell Berry
Sep 30, 2016





“I go among trees and sit still. All my stirring becomes quiet around me like circles on water. My task lie in their places where I left them, asleep like cattle.” - Wendell Berry
 


“The Peace of Wild Things” by Wendell Berry,
A Poetry Film by Charlotte Ager & Katy Wang
Oct 26, 2020




The Seer: A Portrait of Wendell Berry - Movie Clip
May 25, 2016


The Seer: A Portrait of Wendell Berry is a cinematic portrait of the changing landscapes and shifting values of rural America in the era of industrial agriculture, as seen through the mind’s eye of one of the most influential writers of the past half-century.



Wendell Berry's Thoughts in the Presence of Fear
Sep 11, 2017





“The Peace of Wild Things

When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.”

- Wendell Berry




Wendell Berry on His Hopes for Humanity
No Compromise: A Defense For the Earth
Nov 4, 2013





Suggested Books to Read for Beginners











Friday, August 21, 2020

Wendell Berry - That Distant Land: Biography & Books In Date Order



Author, Environmentalist Wendell Berry | Photo by Dan Carraco



"Port William had little written history. Its history was its living memory of itself,
which passed over the years like a moving beam of light. It had a beginning
that  it had forgotten, and would have an end that it did not yet know. It 
seemed to have been there forever." - Jayber Crow



Wendell Berry



Poet, novelist, and environmentalist Wendell Berry lives in Port Royal, Kentucky near his birthplace, where he has maintained a farm for over 40 years. Mistrustful of technology, he holds deep reverence for the land and is a staunch defender of agrarian values. He is the author of over 50 books of poetry, fiction, and essays. His poetry celebrates the holiness of life and everyday miracles often taken for granted. In 2016, Berry was awarded the Ivan Sandrof Lifetime Achievement Award by the National Books Critics Circle. In 2010, Barack Obama awarded him with the National Humanities Medal. Berry’s other honors include the T.S. Eliot Prize, the Aiken Taylor Award for poetry, the John Hay Award of the Orion Society, and the Richard C. Holbrooke Distinguished Achievement Award of the Dayton Literary Peace Prize. Berry’s poetry collections include This Day: Collected & New Sabbath Poems (2014), Given (2005), A Timbered Choir: The Sabbath Poems 1979-1997Entries: Poems (1994), Traveling at Home (1989), The Selected Poems of Wendell Berry (1988), Collected Poems 1957-1982 (1985), Clearing (1977), There Is Singing Around Me (1976), and The Broken Ground (1964).

Critics and scholars have acknowledged Wendell Berry as a master of many literary genres, but whether he is writing poetry, fiction, or essays, his message is essentially the same: humans must learn to live in harmony with the natural rhythms of the earth or perish. His book The Unsettling of America: Culture and Agriculture (1977), which analyzes the many failures of modern, mechanized life, is one of the key texts of the environmental movement. Berry has criticized environmentalists as well as those involved with big businesses and land development. In his opinion, many environmentalists place too much emphasis on wild lands without acknowledging the importance of agriculture to our society. Berry strongly believes that small-scale farming is essential to healthy local economies, and that strong local economies are essential to the survival of the species and the wellbeing of the planet. In an interview with New Perspectives Quarterly editor Marilyn Berlin Snell, Berry explained: “Today, local economies are being destroyed by the ‘pluralistic,’ displaced, global economy, which has no respect for what works in a locality. The global economy is built on the principle that one place can be exploited, even destroyed, for the sake of another place.”








Berry further believes that traditional values, such as marital fidelity and strong community ties, are essential for the survival of humankind. In his view, the disintegration of communities can be traced to the rise of agribusiness: large-scale farming under the control of giant corporations. Besides relying on chemical pesticides and fertilizers, promoting soil erosion, and causing depletion of ancient aquifers, agribusiness has driven countless small farms out of existence and destroyed local communities in the process. In a New Perspectives Quarterly interview Berry commented that such large-scale agriculture is morally as well as environmentally unacceptable: “We must support what supports local life, which means community, family, household life—the moral capital our larger institutions have to come to rest upon. If the larger institutions undermine the local life, they destroy that moral capital just exactly as the industrial economy has destroyed the natural capital of localities—soil fertility and so on. Essential wisdom accumulates in the community much as fertility builds in the soil.”

Berry’s themes are reflected in his life. As a young man, he spent time in California, Europe, and New York City. Eventually, however, he returned to the Kentucky land that had been settled by his forebears in the early 19th century. He taught for many years at the University of Kentucky, but eventually resigned in favor of full-time farming. He uses horses to work his land and employs organic methods of fertilization and pest control; he also worked as a contributing editor to New Farm Magazine and Organic Gardening and Farming, which have published his poetry as well as his agricultural treatises.


It was as a poet that Berry first gained literary recognition. In volumes such as The Country of Marriage (1973), Farming: A Handbook (1970), Openings: Poems (1968), and The Broken Ground (1964), he wrote of the countryside, the turning of the seasons, the routines of the farm, the life of the family, and the spiritual aspects of the natural world. Reviewing Collected Poems, 1957-1982New York Times Book Review contributor David Ray called Berry’s style “resonant” and “authentic,” and claimed that the poet “can be said to have returned American poetry to a Wordsworthian clarity of purpose. ... There are times when we might think he is returning us to the simplicities of John Clare or the crustiness of Robert Frost. ... But, as with every major poet, passages in which style threatens to become a voice of its own suddenly give way, like the sound of chopping in a murmurous forest, to lines of power and memorable resonance. Many of Mr. Berry’s short poems are as fine as any written in our time.”

It is perhaps Berry’s essays that have brought him the greatest broad readership. In one of his most popular early collections, The Unsettling of America: Culture and Agriculture, he argues that agriculture is the foundation of America’s greater culture. He makes a strong case against the U.S. government’s agricultural policy, which promotes practices leading to overproduction, pollution, and soil erosion. Dictionary of Literary Biography contributor Leon V. Driskell termed The Unsettling of America “an apocalyptic book that places in bold relief the ecological and environmental problems of the American nation.”

Another essay collection, Recollected Essays, 1965-1980, has been compared by several critics to Henry David Thoreau's Walden. Charles Hudson, writing in the Georgia Review, noted that, “like Thoreau, one of Berry’s fundamental concerns is working out a basis for living a principled life. And like Thoreau, in his quest for principles Berry has chosen to simplify his life, and much of what he writes about is what has attended this simplification, as well as a criticism of modern society from the standpoint of this simplicity.”

In Sex, Economy, Freedom, and Community: Eight Essays (1993), Berry continues to berate those who carelessly exploit the natural environment and damage the underlying moral fabric of communities. David Rains Wallace observed in the San Francisco Review of Books, “There’s no living essayist better than Wendell Berry. His prose is exemplary of the craftsmanship he advocates. It’s like master cabinetry or Shaker furniture, drawing elegance from precision and grace from simplicity.” Wallace allowed that at times, “Berry may overestimate agriculture’s ability to assure order and stability,” yet he maintained that the author’s “attempts to integrate ecological and agricultural thinking remain of the first importance.”

Life Is a Miracle: An Essay against Modern Superstition (2000) addresses the assumption, held by many, that science will provide solutions to all the world’s problems and mysteries. Berry conceived this book as a rebuttal to prominent Harvard University biologist Edward O. Wilson’s Consilience, which put forth as a thesis the overarching power of science. Wilson Quarterly contributor Gregg Easterbrook called Berry’s book “a nuanced and thought-provoking critique,” while Washington Monthly reviewer Bill McKibben observed that “Berry offers a rich variety of responses, never intimidated by the scientific prowess of his rival.” Jonathan Z. Larsen suggested in the Amicus Journal, though, that perhaps “Wilson has [been] made too convenient a whipping boy,” and noted that Wilson and Berry have taken some similar stands, with both voicing great concern about the environment. Larsen also maintained that Berry needs to provide more detailed prescriptions for achieving his ideal society, one filled with reverence for one’s land and community. Larsen had praise for the book as well, especially for Berry’s writing style, which works at “winning the reader over almost as much through poetry as through logic.”

Berry’s Citizenship Papers (2003) characteristically focuses on agrarian concerns, but also turns its attention to the post-9/11 world in several of its 19 essays. “A Citizen’s Response to the New National Security Strategy” focuses on the U.S. government’s response to terrorist threats via the Patriotism Act; originally published in the New York Times, the four-part statement “probes the definitions of terrorism and security; the role of a government in combating evil; national security based on charity, civility, independence, true patriotism, and rule of law; and the failure of Christianity, Judaism, and Islam to reject war as a vehicle to peace,” explained Sojourners contributor Rose Marie Berger. In Booklist Ray Olson dubbed the author “one of English’s finest stylists, as perspicuous as T.H. Huxley at his best and as perspicacious as John Ruskin at his.” While Olson maintained that Berry adopts an approach to America’s ills “embracing life and community,” a Kirkus contributor wrote that in the “clangor of worries” echoing in Citizenship Papers Berry presents readers with “the antidotes of civility, responsibility, curiosity, skill, kindness, and an awareness of the homeplace.”

Farming and community are central to Berry’s fiction as well as his poetry and essays. Most of his novels and short stories are set in the fictional Kentucky town of Port William. Like his real-life home town, Port Royal, Port William is a long-established farming community situated near the confluence of the Ohio and Kentucky Rivers. In books such as Jayber Crow: The Life Story of Jayber Crow, Barber, of the Port William Membership (2000), The Wild Birds: Six Stories of the Port William Membership (1986), Nathan Coulter: A Novel (1985), and A Place on Earth: A Novel (1983), Berry presents the lives of seven generations of farm families. Although Fidelity: Five Stories (1992) examines Port William in the early 1990s, most of Berry’s narratives about the community take place in the first half of the 20th century; as Dictionary of Literary Biography contributor Gary Tolliver explained, “This represents the final days of America’s traditional farm communities just prior to the historically critical period when they began to break apart under the influence of technological and economic forces at the end of World War II.” Connecting all the stories is the theme of stewardship of the land, which Tolliver said is “often symbolized as interlocking marriages between a man and his family, his community, and the land.” What emerges, Los Angeles Times Book Review contributor Noel Perrin commented, “is a wounded but still powerful culture.”


Jayber Crow, dealing in part with the title character’s unrequited love for a married woman, also “strives for something greater, becoming nothing less than a sad and sweeping elegy for the idea of community, a horrifying signal of what we lost in the 20th century in the name of economic and social progress,” related Dean Bakopoulos in the ProgressiveWorld and I reviewer Donald Secreast observed that this novel’s “basic building block is the recurring metaphor of place as character, a concern that also dominates Berry’s nonfiction and poetry. ... The relationship between landscape and personality is the core concern of Berry’s campaign to make people more responsible, more accountable for the effects their lifestyles have on local environments.” A flaw Secreast saw in Jayber Crow is the sketchy characterization of women and the lack of importance attached to their role in the community. While rural societies have traditionally been male-dominated, Secreast noted, Berry’s Port William seems to be less a reflection of rural life as it once existed than a portrayal of rural life as it should be, or should have been. “So if he’s not being nostalgic, why should he be bound by the actual dynamics of a real rural community?” Secreast wrote. “Why must Jayber Crow, despite his sensitivity, insist upon his marginalization from the womanhood of Port William?”

Amazon Link

(2000) “This is a book about Heaven,” says Jayber Crow, “but I must say too that . . . I have wondered sometimes if it would not finally turn out to be a book about Hell.” It is 1932 and he has returned to his native Port William to become the town's barber.
Orphaned at age ten, Jayber Crow’s acquaintance with loneliness and want have made him a patient observer of the human animal, in both its goodness and frailty.
He began his search as a "pre-ministerial student" at Pigeonville College. There, freedom met with new burdens and a young man needed more than a mirror to find himself. But the beginning of that finding was a short conversation with "Old Grit," his profound professor of New Testament Greek.
"You have been given questions to which you cannot be given answers. You will have to live them out―perhaps a little at a time."
"And how long is that going to take?"
"I don't know. As long as you live, perhaps."
"That could be a long time."
"I will tell you a further mystery," he said. "It may take longer."
Wendell Berry’s clear-sighted depiction of humanity’s gifts―love and loss, joy and despair―is seen though his intimate knowledge of the Port William Membership.

Amazon Link

(2004) Hannah Coulter is Wendell Berry’s seventh novel and his first to employ the voice of a woman character in its telling. Hannah, the now-elderly narrator, recounts the love she has for the land and for her community. She remembers each of her two husbands, and all places and community connections threatened by twentieth-century technologies. At risk is the whole culture of family farming, hope redeemed when her wayward and once lost grandson, Virgil, returns to his rural home place to work the farm.


Amazon Link

(1960) Nathan Coulter, Wendell Berry’s first book, was published in 1960 when he was twenty-seven. In his first novel, the author presents his readers with their first introduction to what would become Berry’s life’s work, chronicling through fiction a place where the inhabitants of Port William form what is more than community, but rather a “membership” in interrelatedness, a spiritual community, united by duty and bonds of affection for one another and for the land upon which they make their livelihood.
When young Nathan loses his grandfather, Berry guides readers through the process of Nathan's grief, endearing the reader to the simple humanity through which Nathan views the world. Echoing Berry's own strongly held beliefs, Nathan tells us that his grandfather's life "couldn't be divided from the days he'd spent at work in his fields." Berry has long been compared to Faulkner for his ability to erect entire communities in his fiction, and his heart and soul have always lived in Port William, Kentucky. In this eloquent novel about duty, community, and a sweeping love of the land, Berry gives readers a classic book that takes them to that storied place.

On the other hand, Hannah Coulter: A Novel (2004) centers fully on Port William life from a woman’s perspective. In the style of a memoir, Hannah muses on her life in a countryside that she never expected to change. Hannah’s first marriage in 1940 leaves her a widow of World War II and a single mother. Her subsequent marriage to farmer Nathan Coulter ensues, enriching her life with additional children, none of whom remain on the land to work the family farm. Will Nathan’s death mark the end of life as Hannah knew it and as she presumed it would remain? A Publishers Weekly contributor complimented Berry for his “delicate, shimmering prose” and recommended the novel as “an impassioned, literary vision of American rural life and values.” In similar fashion, a Kirkus Reviews writer called Hannah Coulter “a kind of elegy for the starkly beautiful country life that ... faded into history, victim of economic and social change.”

For a more general overview of life in Port William, readers can immerse themselves in That Distant Land: The Collected Stories of Wendell Berry. The stories, which include four not previously published, span a century in the life of the fictional farming community. The locale connects its diverse inhabitants—man, woman, farmer, teacher, lawyer, each struggling in his or her own way to maintain the simple lifestyle of times almost gone by. “Berry is an American treasure,” wrote Ann H. Fisher in Library Journal review of the collection. A contributor to Publishers Weekly observed that the author’s “feel for the inner lives of his quirky rural characters makes for many memorable portraits.”


Family Trees of Port William Families


"The town of Port William stands less than a mile from the river on an upland deeply grooved
by branching valleys and hollows. The human geography of the countryside around it is
inscribed by roads winding out along open ridges that give way at their edges to wooded
bluffs, and by roads winding through the valleys of the larger streams." - Andy Catlett



Port William Map


Berry’s writing style varies greatly from one book to the next. Nathan Coulter, for example, is an example of the highly stylized, formal, spare prose that dominated the late 1950s, while A Place on Earth was described by Tolliver as “long, brooding, episodic” and “more a document of consciousness than a conventional novel.” Several critics have praised Berry’s fiction, both for the quality of his prose and for the way he brings his concerns for farming and community to life in his narratives. As Gregory L. Morris stated in Prairie Schooner, “Berry places his emphasis upon the rightness of relationships—relationships that are elemental, inherent, inviolable. ... Berry’s stories are constructed of humor, of elegy, of prose that carries within it the cadences of the hymn. The narrative voice most successful in Berry’s novels ... is the voice of the elegist, praising and mourning a way of life and the people who have traced that way in their private and very significant histories.”

Considering Berry’s body of work, Charles Hudson pointed out the author’s versatility and commended him for his appreciation of the plain things in life. “In an age when many writers have committed themselves to their ‘specialty’—even though doing so can lead to commercialism, preciousness, self-indulgence, social irresponsibility, or even nihilism—Berry has refused to specialize,” Hudson wrote in the Georgia Review. “He is a novelist, a poet, an essayist, a naturalist, and a small farmer. He has embraced the commonplace and has ennobled it.”


* * * * * * * * * * * * *




AMAZON'S WENDELL BERRY HOME PAGE


          



* * * * * * * * * * * * *

Publication Order of Port William Books

Nathan Coulter(1960)Hardcover  Paperback  Kindle
The Wild Birds(1986)Hardcover  Paperback  Kindle
Remembering(1988)Hardcover  Paperback  Kindle
A World Lost(1996)Hardcover  Paperback  Kindle
Two More Stories of the Port William Membership(1997)Hardcover  Paperback  Kindle
Jayber Crow(2000)Hardcover  Paperback  Kindle
That Distant Land(2002)Hardcover  Paperback  Kindle
Hannah Coulter(2004)Hardcover  Paperback  Kindle
Andy Catlett(2006)Hardcover  Paperback  Kindle
A Place in Time(2012)Hardcover  Paperback  Kindle

Publication Order of Port William Membership Books

A Place on Earth(1967)Hardcover  Paperback  Kindle
The Memory of Old Jack(1974)Hardcover  Paperback  Kindle

Publication Order of Standalone Novels

To Know the Dark(1989)Hardcover  Paperback  Kindle
Sonata At Payne Hollow(2001)Hardcover  Paperback  Kindle
Stand By Me(2019)Hardcover  Paperback  Kindle

Publication Order of Collections

November Twenty Six Nineteen Hundred Sixty Three, A Poem (poems)(1963)Hardcover  Paperback  Kindle
The Broken Ground (poems)(1964)Hardcover  Paperback  Kindle
Openings (poems)(1968)Hardcover  Paperback  Kindle
The Rise (poems)(1968)Hardcover  Paperback  Kindle
Findings (poems)(1969)Hardcover  Paperback  Kindle
Farming : A Handbook (poems)(1970)Hardcover  Paperback  Kindle
The Country of Marriage (poems)(1973)Hardcover  Paperback  Kindle
Horses (poems)(1975)Hardcover  Paperback  Kindle
The Kentucky River (poems)(1975)Hardcover  Paperback  Kindle
Sayings and Doings; And, an Eastward Look (poems)(1975)Hardcover  Paperback  Kindle
There Is Singing Around Me (poems)(1976)Hardcover  Paperback  Kindle
Three Memorial Poems (poems)(1977)Hardcover  Paperback  Kindle
Clearing(1977)Hardcover  Paperback  Kindle
The Gift of Gravity (poems)(1979)Hardcover  Paperback  Kindle
The Salad (poems)(1980)Hardcover  Paperback  Kindle
The Wheel (poems)(1980)Hardcover  Paperback  Kindle
A Part (poems)(1980)Hardcover  Paperback  Kindle
The Selected Poems (poems)(1985)Hardcover  Paperback  Kindle
The Wild Rose (poems)(1986)Hardcover  Paperback  Kindle
I Go from the Woods Into the Cleared Field (poems)(1987)Hardcover  Paperback  Kindle
The Landscape of Harmony (poems)(1987)Hardcover  Paperback  Kindle
Sabbaths (poems)(1987)Hardcover  Paperback  Kindle
Traveling At Home (poems)(1989)Hardcover  Paperback  Kindle
Fidelity(1992)Hardcover  Paperback  Kindle
The Storm (poems)(1994)Hardcover  Paperback  Kindle
Entries (poems)(1994)Hardcover  Paperback  Kindle
Watch With Me(1994)Hardcover  Paperback  Kindle
The Farm (poems)(1995)Hardcover  Paperback  Kindle
Three On Community (poems) (with Carole Koda and Gary Snyder)(1996)Hardcover  Paperback  Kindle
January, Nineteen Seventy-five (poems)(1998)Hardcover  Paperback  Kindle
A Timbered Choir (poems)(1998)Hardcover  Paperback  Kindle
Pattern of a Man(2001)Hardcover  Paperback  Kindle
Given (poems)(2005)Hardcover  Paperback  Kindle
Window Poems (poems)(2007)Hardcover  Paperback  Kindle
The Mad Farmer (poems)(2008)Hardcover  Paperback  Kindle
Leavings (poems)(2009)Hardcover  Paperback  Kindle
The Poetry of William Carlos Williams of Rutherford (poems)(2011)Hardcover  Paperback  Kindle
New Collected Poems (poems)(2012)Hardcover  Paperback  Kindle
This Day (poems)(2013)Hardcover  Paperback  Kindle
Terrapin (poems)(2014)Hardcover  Paperback  Kindle
A Small Porch (poems)(2016)Hardcover  Paperback  Kindle

Publication Order of Short Stories/Novellas

Whitefoot(2008)Hardcover  Paperback  Kindle
The Discovery of Kentucky(1991)Hardcover  Paperback  Kindle
How Ptolemy Proudfoot Lost a Bet(1992)Hardcover  Paperback  Kindle

Publication Order of Non Fiction Books


The Long-legged House(1969)Hardcover  Paperback  Kindle
The Hidden Wound(1970)Hardcover  Paperback  Kindle
The Unforeseen Wilderness(1971)Hardcover  Paperback  Kindle
A Continuous Harmony(1973)Hardcover  Paperback  Kindle
The Agricultural Crisis(1977)Hardcover  Paperback  Kindle
The Unsettling of America(1977)Hardcover  Paperback  Kindle
Standing By Words(1980)Hardcover  Paperback  Kindle
Recollected Essays 1965 1980(1981)Hardcover  Paperback  Kindle
The Gift of Good Land(1981)Hardcover  Paperback  Kindle
Meeting the Expectations of the Land (with Wes Jackson)(1985)Hardcover  Paperback  Kindle
Preserving Wildness(1986)Hardcover  Paperback  Kindle
Home Economics(1987)Hardcover  Paperback  Kindle
Another Turn of the Crank(1988)Hardcover  Paperback  Kindle
What Are People For(1990)Hardcover  Paperback  Kindle
Harlan Hubbard(1990)Hardcover  Paperback  Kindle
Standing On Earth(1991)Hardcover  Paperback  Kindle
Late Harvest (with Edward Abbey, Carolyn Chute, Annie Dillard, William Gass, Garrison Keillor, Bobbie Ann Mason and Wallace Stegner)(1992)Hardcover  Paperback  Kindle
Sex, Economy, Freedom & Community(1993)Hardcover  Paperback  Kindle
A Place Not Forgotten(1999)Hardcover  Paperback  Kindle
Life Is a Miracle(2000)Hardcover  Paperback  Kindle
In the Presence of Fear: Three Essays for a Changed World(2001)Hardcover  Paperback  Kindle
The Art of the Commonplace(2002)Hardcover  Paperback  Kindle
Citizens Dissent: Security, Morality, and Leadership in an Age of Terror(2003)Hardcover  Paperback  Kindle
Citizenship Papers(2004)Hardcover  Paperback  Kindle
Tobacco Harvest(2004)Hardcover  Paperback  Kindle
Blessed Are the Peacemakers(2005)Hardcover  Paperback  Kindle
The Way of Ignorance(2005)Hardcover  Paperback  Kindle
Conversations with Wendell Berry(2007)Hardcover  Paperback  Kindle
Bringing It to the Table(2009)Hardcover  Paperback  Kindle
Imagination in Place(2010)Hardcover  Paperback  Kindle
What Matters?(2010)Hardcover  Paperback  Kindle
It All Turns on Affection(2012)Hardcover  Paperback  Kindle
Distant Neighbors (2014) (with Gary Snyder)(2014)Hardcover  Paperback  Kindle
Our Only World(2015)Hardcover  Paperback  Kindle
The World-Ending Fire(2017)Hardcover  Paperback  Kindle