"Autobiographies of great nations are written in three manuscripts – a book of deeds, a book of words, and a book of art. Of the three, I would choose the latter as truest testimony." - Sir Kenneth Smith, Great Civilisations

"I must write each day without fail, not so much for the success of the work, as in order not to get out of my routine." - Leo Tolstoy

I have never believed that one should wait until one is inspired because I think the pleasures of not writing are so great that if you ever start indulging them you will never write again. - John Updike

"The life of every man is a diary in which he means to write one story, and writes another; and his humblest hour is when he compares the volume as it is with what he vowed to make it." - J.M. Barrie, Peter Pan

Poetry is the shadow cast by our streetlight imaginations." - Lawrence Ferlinghetti


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Friday, March 25, 2016

William Wordsworth - The Prelude



More Poems by Wordsworth - Poetry Foundation



Extract from Wordsworth's 'The Prelude'
Analysis for GCSE Eng Lit, Edexcel Conflict Anthology
[extracts from the Moonlight Sonata by Beethoven]


Resources

Wikipedia - The Prelude or, Growth of a Poet's Mind; An Autobiographical Poem is an autobiographical conversation poem[1] in blank verse by the English poet William Wordsworth. Intended as the introduction to the more philosophical Recluse, which Wordsworth never finished, The Prelude is an extremely personal and revealing work on the details of Wordsworth's life. Wordsworth began The Prelude in 1798 at the age of 28 and continued to work on it throughout his life. He never gave it a title; he called it the "Poem (title not yet fixed upon) to Coleridge" and in his letters to Dorothy Wordsworth referred to it as "the poem on the growth of my own mind". The poem was unknown to the general public until published three months after Wordsworth's death in 1850, its final name given to it by his widow Mary. The Prelude is widely regarded as Wordsworth's greatest work.


Amazon.com - The Prelude, 736 pages
First published in July 1850, shortly after Wordsworth's death, The Prelude was the culmination of over fifty years of creative work. The great Romantic poem of human consciousness, it takes as its theme 'the growth of a poet's mind': leading the reader back to Wordsworth's formative moments of childhood and youth, and detailing his experiences as a radical undergraduate in France at the time of the Revolution. Initially inspired by Coleridge's exhortation that Wordsworth write a work upon the French Revolution, The Prelude has ultimately become one of the finest examples of poetic autobiography ever written; a fascinating examination of the self that also presents a comprehensive view of the poet's own creative vision.

















William Wordsworth's English "Lake District"

from The Prelude: Book 1: Childhood and School-time

BY WILLIAM WORDSWORTH | Credits: The Poetry Foundation

—Was it for this
That one, the fairest of all Rivers, lov'd
To blend his murmurs with my Nurse's song,
And from his alder shades and rocky falls,
And from his fords and shallows, sent a voice
That flow'd along my dreams? For this, didst Thou,
O Derwent! travelling over the green Plains
Near my 'sweet Birthplace', didst thou, beauteous Stream
Make ceaseless music through the night and day
Which with its steady cadence, tempering
Our human waywardness, compos'd my thoughts
To more than infant softness, giving me,
Among the fretful dwellings of mankind,
A knowledge, a dim earnest, of the calm
That Nature breathes among the hills and groves.
When, having left his Mountains, to the Towers
Of Cockermouth that beauteous River came,
Behind my Father's House he pass'd, close by,
Along the margin of our Terrace Walk.
He was a Playmate whom we dearly lov'd.
Oh! many a time have I, a five years' Child,
A naked Boy, in one delightful Rill,
A little Mill-race sever'd from his stream,
Made one long bathing of a summer's day,
Bask'd in the sun, and plunged, and bask'd again
Alternate all a summer's day, or cours'd
Over the sandy fields, leaping through groves
Of yellow grunsel, or when crag and hill,
The woods, and distant Skiddaw's lofty height,
Were bronz'd with a deep radiance, stood alone
Beneath the sky, as if I had been born
On Indian Plains, and from my Mother's hut
Had run abroad in wantonness, to sport,
A naked Savage, in the thunder shower.

       Fair seed-time had my soul, and I grew up
Foster'd alike by beauty and by fear;
Much favour'd in my birthplace, and no less
In that beloved Vale to which, erelong,
I was transplanted. Well I call to mind
('Twas at an early age, ere I had seen
Nine summers) when upon the mountain slope
The frost and breath of frosty wind had snapp'd
The last autumnal crocus, 'twas my joy
To wander half the night among the Cliffs
And the smooth Hollows, where the woodcocks ran
Along the open turf. In thought and wish
That time, my shoulder all with springes hung,
I was a fell destroyer. On the heights
Scudding away from snare to snare, I plied
My anxious visitation, hurrying on,
Still hurrying, hurrying onward; moon and stars
Were shining o'er my head; I was alone,
And seem'd to be a trouble to the peace
That was among them. Sometimes it befel
In these night-wanderings, that a strong desire
O'erpower'd my better reason, and the bird
Which was the captive of another's toils
Became my prey; and, when the deed was done
I heard among the solitary hills
Low breathings coming after me, and sounds
Of undistinguishable motion, steps
Almost as silent as the turf they trod.
Nor less in springtime when on southern banks
The shining sun had from his knot of leaves
Decoy'd the primrose flower, and when the Vales
And woods were warm, was I a plunderer then
In the high places, on the lonesome peaks
Where'er, among the mountains and the winds,
The Mother Bird had built her lodge. Though mean
My object, and inglorious, yet the end
Was not ignoble. Oh! when I have hung
Above the raven's nest, by knots of grass
And half-inch fissures in the slippery rock
But ill sustain'd, and almost, as it seem'd,
Suspended by the blast which blew amain,
Shouldering the naked crag; Oh! at that time,
While on the perilous ridge I hung alone,
With what strange utterance did the loud dry wind
Blow through my ears! the sky seem'd not a sky
Of earth, and with what motion mov'd the clouds!

       The mind of Man is fram'd even like the breath
And harmony of music. There is a dark
Invisible workmanship that reconciles
Discordant elements, and makes them move
In one society. Ah me! that all
The terrors, all the early miseries
Regrets, vexations, lassitudes, that all
The thoughts and feelings which have been infus'd
Into my mind, should ever have made up
The calm existence that is mine when I
Am worthy of myself! Praise to the end!
Thanks likewise for the means! But I believe
That Nature, oftentimes, when she would frame
A favor'd Being, from his earliest dawn
Of infancy doth open out the clouds,
As at the touch of lightning, seeking him
With gentlest visitation; not the less,
Though haply aiming at the self-same end,
Does it delight her sometimes to employ
Severer interventions, ministry
More palpable, and so she dealt with me.

       One evening (surely I was led by her)
I went alone into a Shepherd's Boat,
A Skiff that to a Willow tree was tied
Within a rocky Cave, its usual home.
'Twas by the shores of Patterdale, a Vale
Wherein I was a Stranger, thither come
A School-boy Traveller, at the Holidays.
Forth rambled from the Village Inn alone
No sooner had I sight of this small Skiff,
Discover'd thus by unexpected chance,
Than I unloos'd her tether and embark'd.
The moon was up, the Lake was shining clear
Among the hoary mountains; from the Shore
I push'd, and struck the oars and struck again
In cadence, and my little Boat mov'd on
Even like a Man who walks with stately step
Though bent on speed. It was an act of stealth
And troubled pleasure; not without the voice
Of mountain-echoes did my Boat move on,
Leaving behind her still on either side
Small circles glittering idly in the moon,
Until they melted all into one track
Of sparkling light. A rocky Steep uprose
Above the Cavern of the Willow tree
And now, as suited one who proudly row'd
With his best skill, I fix'd a steady view
Upon the top of that same craggy ridge,
The bound of the horizon, for behind
Was nothing but the stars and the grey sky.
She was an elfin Pinnace; lustily
I dipp'd my oars into the silent Lake,
And, as I rose upon the stroke, my Boat
Went heaving through the water, like a Swan;
When from behind that craggy Steep, till then
The bound of the horizon, a huge Cliff,
As if with voluntary power instinct,
Uprear'd its head. I struck, and struck again
And, growing still in stature, the huge Cliff
Rose up between me and the stars, and still,
With measur'd motion, like a living thing,
Strode after me. With trembling hands I turn'd,
And through the silent water stole my way
Back to the Cavern of the Willow tree.
There, in her mooring-place, I left my Bark,
And, through the meadows homeward went, with grave
And serious thoughts; and after I had seen
That spectacle, for many days, my brain
Work'd with a dim and undetermin'd sense
Of unknown modes of being; in my thoughts
There was a darkness, call it solitude,
Or blank desertion, no familiar shapes
Of hourly objects, images of trees,
Of sea or sky, no colours of green fields;
But huge and mighty Forms that do not live
Like living men mov'd slowly through the mind
By day and were the trouble of my dreams.

       Wisdom and Spirit of the universe!
Thou Soul that art the eternity of thought!
That giv'st to forms and images a breath
And everlasting motion! not in vain,
By day or star-light thus from my first dawn
Of Childhood didst Thou intertwine for me
The passions that build up our human Soul,
Not with the mean and vulgar works of Man,
But with high objects, with enduring things,
With life and nature, purifying thus
The elements of feeling and of thought,
And sanctifying, by such discipline,
Both pain and fear, until we recognize
A grandeur in the beatings of the heart.

       Nor was this fellowship vouchsaf'd to me
With stinted kindness. In November days,
When vapours, rolling down the valleys, made
A lonely scene more lonesome; among woods
At noon, and 'mid the calm of summer nights,
When, by the margin of the trembling Lake,
Beneath the gloomy hills I homeward went
In solitude, such intercourse was mine;
'Twas mine among the fields both day and night,
And by the waters all the summer long.

       And in the frosty season, when the sun
Was set, and visible for many a mile
The cottage windows through the twilight blaz'd,
I heeded not the summons:—happy time
It was, indeed, for all of us; to me
It was a time of rapture: clear and loud
The village clock toll'd six; I wheel'd about,
Proud and exulting, like an untired horse,
That cares not for its home.—All shod with steel,
We hiss'd along the polish'd ice, in games
Confederate, imitative of the chace
And woodland pleasures, the resounding horn,
The Pack loud bellowing, and the hunted hare.
So through the darkness and the cold we flew,
And not a voice was idle; with the din,
Meanwhile, the precipices rang aloud,
The leafless trees, and every icy crag
Tinkled like iron, while the distant hills
Into the tumult sent an alien sound
Of melancholy, not unnoticed, while the stars,
Eastward, were sparkling clear, and in the west
The orange sky of evening died away.

       Not seldom from the uproar I retired
Into a silent bay, or sportively
Glanced sideway, leaving the tumultuous throng,
To cut across the image of a star
That gleam'd upon the ice: and oftentimes
When we had given our bodies to the wind,
And all the shadowy banks, on either side,
Came sweeping through the darkness, spinning still
The rapid line of motion; then at once
Have I, reclining back upon my heels,
Stopp'd short, yet still the solitary Cliffs
Wheeled by me, even as if the earth had roll'd
With visible motion her diurnal round;
Behind me did they stretch in solemn train
Feebler and feebler, and I stood and watch'd
Till all was tranquil as a dreamless sleep.

       Ye Presences of Nature, in the sky
And on the earth! Ye Visions of the hills!
And Souls of lonely places! can I think
A vulgar hope was yours when Ye employ'd
Such ministry, when Ye through many a year
Haunting me thus among my boyish sports,
On caves and trees, upon the woods and hills,
Impress'd upon all forms the characters
Of danger or desire, and thus did make
The surface of the universal earth
With triumph, and delight, and hope, and fear,
Work like a sea?

                                          Not uselessly employ'd,
I might pursue this theme through every change
Of exercise and play, to which the year
Did summon us in its delightful round.

       We were a noisy crew, the sun in heaven
Beheld not vales more beautiful than ours,
Nor saw a race in happiness and joy
More worthy of the ground where they were sown.
I would record with no reluctant voice
The woods of autumn and their hazel bowers
With milk-white clusters hung; the rod and line,
True symbol of the foolishness of hope,
Which with its strong enchantment led us on
By rocks and pools, shut out from every star
All the green summer, to forlorn cascades
Among the windings of the mountain brooks.
—Unfading recollections! at this hour
The heart is almost mine with which I felt
From some hill-top, on sunny afternoons
The Kite high up among the fleecy clouds
Pull at its rein, like an impatient Courser,
Or, from the meadows sent on gusty days,
Beheld her breast the wind, then suddenly
Dash'd headlong; and rejected by the storm.

       Ye lowly Cottages in which we dwelt,
A ministration of your own was yours,
A sanctity, a safeguard, and a love!
Can I forget you, being as ye were
So beautiful among the pleasant fields
In which ye stood? Or can I here forget
The plain and seemly countenance with which
Ye dealt out your plain comforts? Yet had ye
Delights and exultations of your own.
Eager and never weary we pursued
Our home amusements by the warm peat-fire
At evening; when with pencil and with slate,
In square divisions parcell'd out, and all
With crosses and with cyphers scribbled o'er,
We schemed and puzzled, head opposed to head
In strife too humble to be named in Verse.
Or round the naked table, snow-white deal,
Cherry or maple, sate in close array,
And to the combat, Lu or Whist, led on
thick-ribbed Army; not as in the world
Neglected and ungratefully thrown by
Even for the very service they had wrought,
But husbanded through many a long campaign.
Uncouth assemblage was it, where no few
Had changed their functions, some, plebeian cards,
Which Fate beyond the promise of their birth
Had glorified, and call'd to represent
The persons of departed Potentates.
Oh! with what echoes on the Board they fell!
Ironic Diamonds, Clubs, Hearts, Diamonds, Spades,
A congregation piteously akin.
Cheap matter did they give to boyish wit,
Those sooty knaves, precipitated down
With scoffs and taunts, like Vulcan out of Heaven,
The paramount Ace, a moon in her eclipse,
Queens, gleaming through their splendour's last decay,
And Monarchs, surly at the wrongs sustain'd
By royal visages. Meanwhile, abroad
The heavy rain was falling, or the frost
Raged bitterly, with keen and silent tooth,
And, interrupting oft the impassion'd game,
From Esthwaite's neighbouring Lake the splitting ice,
While it sank down towards the water, sent,
Among the meadows and the hills, its long
And dismal yellings, like the noise of wolves
When they are howling round the Bothnic Main.

       Nor, sedulous as I have been to trace
How Nature by extrinsic passion first
Peopled my mind with beauteous forms or grand,
And made me love them, may I well forget
How other pleasures have been mine, and joys
Of subtler origin; how I have felt,
Not seldom, even in that tempestuous time,
Those hallow'd and pure motions of the sense
Which seem, in their simplicity, to own
An intellectual charm, that calm delight
Which, if I err not, surely must belong
To those first-born affinities that fit
Our new existence to existing things,
And, in our dawn of being, constitute
The bond of union betwixt life and joy.

       Yes, I remember, when the changeful earth,
And twice five seasons on my mind had stamp'd
The faces of the moving year, even then,
A Child, I held unconscious intercourse
With the eternal Beauty, drinking in
A pure organic pleasure from the lines
Of curling mist, or from the level plain
Of waters colour'd by the steady clouds.

       The Sands of Westmoreland, the Creeks and Bays
Of Cumbria's rocky limits, they can tell
How when the Sea threw off his evening shade
And to the Shepherd's huts beneath the crags
Did send sweet notice of the rising moon,
How I have stood, to fancies such as these,
Engrafted in the tenderness of thought,
A stranger, linking with the spectacle
No conscious memory of a kindred sight,
And bringing with me no peculiar sense
Of quietness or peace, yet I have stood,
Even while mine eye has mov'd o'er three long leagues
Of shining water, gathering, as it seem'd,
Through every hair-breadth of that field of light,
New pleasure, like a bee among the flowers.

       Thus, often in those fits of vulgar joy
Which, through all seasons, on a child's pursuits
Are prompt attendants, 'mid that giddy bliss
Which, like a tempest, works along the blood
And is forgotten; even then I felt
Gleams like the flashing of a shield; the earth
And common face of Nature spake to me
Rememberable things; sometimes, 'tis true,
By chance collisions and quaint accidents
Like those ill-sorted unions, work suppos'd
Of evil-minded fairies, yet not vain
Nor profitless, if haply they impress'd
Collateral objects and appearances,
Albeit lifeless then, and doom'd to sleep
Until maturer seasons call'd them forth
To impregnate and to elevate the mind.
—And if the vulgar joy by its own weight
Wearied itself out of the memory,
The scenes which were a witness of that joy
Remained, in their substantial lineaments
Depicted on the brain, and to the eye
Were visible, a daily sight; and thus
By the impressive discipline of fear,
By pleasure and repeated happiness,
So frequently repeated, and by force
Of obscure feelings representative
Of joys that were forgotten, these same scenes,
So beauteous and majestic in themselves,
Though yet the day was distant, did at length
Become habitually dear, and all
Their hues and forms were by invisible links
Allied to the affections.

                                                       I began
My story early, feeling as I fear,
The weakness of a human love, for days
Disown'd by memory, ere the birth of spring
Planting my snowdrops among winter snows.
Nor will it seem to thee, my Friend! so prompt
In sympathy, that I have lengthen'd out,
With fond and feeble tongue, a tedious tale.
Meanwhile, my hope has been that I might fetch
Invigorating thoughts from former years,
Might fix the wavering balance of my wind,
And haply meet reproaches, too, whose power
May spur me on, in manhood now mature,
To honorable toil. Yet should these hopes
Be vain, and thus should neither I be taught
To understand myself, nor thou to know
With better knowledge how the heart was fram'd
Of him thou lovest, need I dread from thee
Harsh judgments, if I am so loth to quit
Those recollected hours that have the charm
Of visionary things, and lovely forms
And sweet sensations that throw back our life
And almost make our Infancy itself
A visible scene, on which the sun is shining?

       One end hereby at least hath been attain'd,
My mind hath been revived, and if this mood
Desert me not, I will forthwith bring down,
Through later years, the story of my life.
The road lies plain before me; 'tis a theme
Single and of determined bounds; and hence
I chuse it rather at this time, than work
Of ampler or more varied argument.


William Wordsworth's English "Lake District"

from The Prelude: Book 2: School-time (Continued)

BY WILLIAM WORDSWORTH | Credits: The Poetry Foundation

Thus far, O Friend! have we, though leaving much
Unvisited, endeavour'd to retrace
My life through its first years, and measured back
The way I travell'd when I first began
To love the woods and fields; the passion yet
Was in its birth, sustain'd, as might befal,
By nourishment that came unsought, for still,
From week to week, from month to month, we liv'd
A round of tumult: duly were our games
Prolong'd in summer till the day-light fail'd;
No chair remain'd before the doors, the bench
And threshold steps were empty; fast asleep
The Labourer, and the old Man who had sate,
A later lingerer, yet the revelry
Continued, and the loud uproar: at last,
When all the ground was dark, and the huge clouds
Were edged with twinkling stars, to bed we went,
With weary joints, and with a beating mind.
Ah! is there one who ever has been young,
Nor needs a monitory voice to tame
The pride of virtue, and of intellect?
And is there one, the wisest and the best
Of all mankind, who does not sometimes wish
For things which cannot be, who would not give,
If so he might, to duty and to truth
The eagerness of infantine desire?
A tranquillizing spirit presses now
On my corporeal frame: so wide appears
The vacancy between me and those days,
Which yet have such self-presence in my mind
That, sometimes, when I think of them, I seem
Two consciousnesses, conscious of myself
And of some other Being. A grey Stone
Of native rock, left midway in the Square
Of our small market Village, was the home
And centre of these joys, and when, return'd
After long absence, thither I repair'd,
I found that it was split, and gone to build
A smart Assembly-room that perk'd and flar'd
With wash and rough-cast elbowing the ground
Which had been ours. But let the fiddle scream,
And be ye happy! yet, my Friends! I know
That more than one of you will think with me
Of those soft starry nights, and that old Dame
From whom the stone was nam'd who there had sate
And watch'd her Table with its huckster's wares
Assiduous, thro' the length of sixty years.

       We ran a boisterous race; the year span round
With giddy motion. But the time approach'd
That brought with it a regular desire
For calmer pleasures, when the beauteous forms
Of Nature were collaterally attach'd
To every scheme of holiday delight,
And every boyish sport, less grateful else,
And languidly pursued.

                                                       When summer came
It was the pastime of our afternoons
To beat along the plain of Windermere
With rival oars, and the selected bourne
Was now an Island musical with birds
That sang for ever; now a Sister Isle
Beneath the oaks' umbrageous covert, sown
With lillies of the valley, like a field;
And now a third small Island where remain'd
An old stone Table, and a moulder'd Cave,
A Hermit's history. In such a race,
So ended, disappointment could be none,
Uneasiness, or pain, or jealousy:
We rested in the shade, all pleas'd alike,
Conquer'd and Conqueror. Thus the pride of strength,
And the vain-glory of superior skill
Were interfus'd with objects which subdu'd
And temper'd them, and gradually produc'd
A quiet independence of the heart.
And to my Friend, who knows me, I may add,
Unapprehensive of reproof, that hence
Ensu'd a diffidence and modesty,
And I was taught to feel, perhaps too much,
The self-sufficing power of solitude.

       No delicate viands sapp'd our bodily strength;
More than we wish'd we knew the blessing then
Of vigorous hunger, for our daily meals
Were frugal, Sabine fare! and then, exclude
A little weekly stipend, and we lived
Through three divisions of the quarter'd year
In pennyless poverty. But now, to School
Return'd, from the half-yearly holidays,
We came with purses more profusely fill'd,
Allowance which abundantly suffic'd
To gratify the palate with repasts
More costly than the Dame of whom I spake,
That ancient Woman, and her board supplied.
Hence inroads into distant Vales, and long
Excursions far away among the hills,
Hence rustic dinners on the cool green ground,
Or in the woods, or near a river side,
Or by some shady fountain, while soft airs
Among the leaves were stirring, and the sun
Unfelt, shone sweetly round us in our joy.

       Nor is my aim neglected, if I tell
How twice in the long length of those half-years
We from our funds, perhaps, with bolder hand
Drew largely, anxious for one day, at least,
To feel the motion of the galloping Steed;
And with the good old Inn-keeper, in truth,
On such occasion sometimes we employ'd
Sly subterfuge; for the intended bound
Of the day's journey was too distant far
For any cautious man, a Structure famed
Beyond its neighbourhood, the antique Walls
Of that large Abbey which within the vale
Of Nightshade, to St. Mary's honour built,
Stands yet, a mouldering Pile, with fractured Arch,
Belfry, and Images, and living Trees,
A holy Scene! along the smooth green turf
Our Horses grazed: to more than inland peace
Left by the sea wind passing overhead
(Though wind of roughest temper) trees and towers
May in that Valley oftentimes be seen,
Both silent and both motionless alike;
Such is the shelter that is there, and such
The safeguard for repose and quietness.

       Our steeds remounted, and the summons given,
With whip and spur we by the Chauntry flew
In uncouth race, and left the cross-legg'd Knight,
And the stone-Abbot, and that single Wren
Which one day sang so sweetly in the Nave
Of the old Church, that, though from recent showers
The earth was comfortless, and, touch'd by faint
Internal breezes, sobbings of the place,
And respirations, from the roofless walls
The shuddering ivy dripp'd large drops, yet still,
So sweetly 'mid the gloom the invisible Bird
Sang to itself, that there I could have made
My dwelling-place, and liv'd for ever there
To hear such music. Through the Walls we flew
And down the valley, and a circuit made
In wantonness of heart, through rough and smooth
We scamper'd homeward. Oh! ye Rocks and Streams,
And that still Spirit of the evening air!
Even in this joyous time I sometimes felt
Your presence, when with slacken'd step we breath'd
Along the sides of the steep hills, or when,
Lighted by gleams of moonlight from the sea,
We beat with thundering hoofs the level sand.

       Upon the Eastern Shore of Windermere,
Above the crescent of a pleasant Bay,
There stood an Inn, no homely-featured Shed,
Brother of the surrounding Cottages,
But 'twas a splendid place, the door beset
With Chaises, Grooms, and Liveries, and within
Decanters, Glasses, and the blood-red Wine.
In ancient times, or ere the Hall was built
On the large Island, had this Dwelling been
More worthy of a Poet's love, a Hut,
Proud of its one bright fire, and sycamore shade.
But though the rhymes were gone which once inscribed
The threshold, and large golden characters
On the blue-frosted Signboard had usurp'd
The place of the old Lion, in contempt
And mockery of the rustic painter's hand,
Yet to this hour the spot to me is dear
With all its foolish pomp. The garden lay
Upon a slope surmounted by the plain
Of a small Bowling-green; beneath us stood
A grove; with gleams of water through the trees
And over the tree-tops; nor did we want
Refreshment, strawberries and mellow cream.
And there, through half an afternoon, we play'd
On the smooth platform, and the shouts we sent
Made all the mountains ring. But ere the fall
Of night, when in our pinnace we return'd
Over the dusky Lake, and to the beach
Of some small Island steer'd our course with one,
The Minstrel of our troop, and left him there,
And row'd off gently, while he blew his flute
Alone upon the rock; Oh! then the calm
And dead still water lay upon my mind
Even with a weight of pleasure, and the sky
Never before so beautiful, sank down
Into my heart, and held me like a dream.

       Thus daily were my sympathies enlarged,
And thus the common range of visible things
Grew dear to me: already I began
To love the sun, a Boy I lov'd the sun,
Not as I since have lov'd him, as a pledge
And surety of our earthly life, a light
Which while we view we feel we are alive;
But, for this cause, that I had seen him lay
His beauty on the morning hills, had seen
The western mountain touch his setting orb,
In many a thoughtless hour, when, from excess
Of happiness, my blood appear'd to flow
With its own pleasure, and I breath'd with joy.
And from like feelings, humble though intense,
To patriotic and domestic love
Analogous, the moon to me was dear;
For I would dream away my purposes,
Standing to look upon her while she hung
Midway between the hills, as if she knew
No other region; but belong'd to thee,
Yea, appertain'd by a peculiar right
To thee and thy grey huts, my darling Vale!

       Those incidental charms which first attach'd
My heart to rural objects, day by day
Grew weaker, and I hasten on to tell
How Nature, intervenient till this time,
And secondary, now at length was sought
For her own sake. But who shall parcel out
His intellect, by geometric rules,
Split, like a province, into round and square?
Who knows the individual hour in which
His habits were first sown, even as a seed,
Who that shall point, as with a wand, and say,
'This portion of the river of my mind
Came from yon fountain?' Thou, my Friend! art one
More deeply read in thy own thoughts; to thee
Science appears but, what in truth she is,
Not as our glory and our absolute boast,
But as a succedaneum, and a prop
To our infirmity. Thou art no slave
Of that false secondary power, by which,
In weakness, we create distinctions, then
Deem that our puny boundaries are things
Which we perceive, and not which we have made.
To thee, unblinded by these outward shows,
The unity of all has been reveal'd
And thou wilt doubt with me, less aptly skill'd
Than many are to class the cabinet
Of their sensations, and, in voluble phrase,
Run through the history and birth of each,
As of a single independent thing.
Hard task to analyse a soul, in which,
Not only general habits and desires,
But each most obvious and particular thought,
Not in a mystical and idle sense,
But in the words of reason deeply weigh'd,
Hath no beginning.

                                              Bless'd the infant Babe,
(For with my best conjectures I would trace
The progress of our Being) blest the Babe,
Nurs'd in his Mother's arms, the Babe who sleeps
Upon his Mother's breast, who, when his soul
Claims manifest kindred with an earthly soul,
Doth gather passion from his Mother's eye!
Such feelings pass into his torpid life
Like an awakening breeze, and hence his mind
Even [in the first trial of its powers]
Is prompt and watchful, eager to combine
In one appearance, all the elements
And parts of the same object, else detach'd
And loth to coalesce. Thus, day by day,
Subjected to the discipline of love,
His organs and recipient faculties
Are quicken'd, are more vigorous, his mind spreads,
Tenacious of the forms which it receives.
In one beloved presence, nay and more,
In that most apprehensive habitude
And those sensations which have been deriv'd
From this beloved Presence, there exists
A virtue which irradiates and exalts
All objects through all intercourse of sense.
No outcast he, bewilder'd and depress'd;
Along his infant veins are interfus'd
The gravitation and the filial bond
Of nature, that connect him with the world.
Emphatically such a Being lives,
An inmate of this active universe;
From nature largely he receives; nor so
Is satisfied, but largely gives again,
For feeling has to him imparted strength,
And powerful in all sentiments of grief,
Of exultation, fear, and joy, his mind,
Even as an agent of the one great mind,
Creates, creator and receiver both,
Working but in alliance with the works
Which it beholds.—Such, verily, is the first
Poetic spirit of our human life;
By uniform control of after years
In most abated or suppress'd, in some,
Through every change of growth or of decay,
Pre-eminent till death.

                                                    From early days,
Beginning not long after that first time
In which, a Babe, by intercourse of touch,
I held mute dialogues with my Mother's heart
I have endeavour'd to display the means
Whereby this infant sensibility,
Great birthright of our Being, was in me
Augmented and sustain'd. Yet is a path
More difficult before me, and I fear
That in its broken windings we shall need
The chamois' sinews, and the eagle's wing:
For now a trouble came into my mind
From unknown causes. I was left alone,
Seeking the visible world, nor knowing why.
The props of my affections were remov'd,
And yet the building stood, as if sustain'd
By its own spirit! All that I beheld
Was dear to me, and from this cause it came,
That now to Nature's finer influxes
My mind lay open, to that more exact
And intimate communion which our hearts
Maintain with the minuter properties
Of objects which already are belov'd,
And of those only. Many are the joys
Of youth; but oh! what happiness to live
When every hour brings palpable access
Of knowledge, when all knowledge is delight,
And sorrow is not there. The seasons came,
And every season to my notice brought
A store of transitory qualities
Which, but for this most watchful power of love
Had been neglected, left a register
Of permanent relations, else unknown,
Hence life, and change, and beauty, solitude
More active, even, than 'best society',
Society made sweet as solitude
By silent inobtrusive sympathies,
And gentle agitations of the mind
From manifold distinctions, difference
Perceived in things, where to the common eye,
No difference is; and hence, from the same source
Sublimer joy; for I would walk alone,
In storm and tempest, or in starlight nights
Beneath the quiet Heavens; and, at that time,
Have felt whate'er there is of power in sound
To breathe an elevated mood, by form
Or image unprofaned; and I would stand,
Beneath some rock, listening to sounds that are
The ghostly language of the ancient earth,
Or make their dim abode in distant winds.
Thence did I drink the visionary power.
I deem not profitless those fleeting moods
Of shadowy exultation: not for this,
That they are kindred to our purer mind
And intellectual life; but that the soul,
Remembering how she felt, but what she felt
Remembering not, retains an obscure sense
Of possible sublimity, to which,
With growing faculties she doth aspire,
With faculties still growing, feeling still
That whatsoever point they gain, they still
Have something to pursue.

                                                             And not alone,
In grandeur and in tumult, but no less
In tranquil scenes, that universal power
And fitness in the latent qualities
And essences of things, by which the mind
Is mov'd by feelings of delight, to me
Came strengthen'd with a superadded soul,
A virtue not its own. My morning walks
Were early; oft, before the hours of School
I travell'd round our little Lake, five miles
Of pleasant wandering, happy time! more dear
For this, that one was by my side, a Friend
Then passionately lov'd; with heart how full
Will he peruse these lines, this page, perhaps
A blank to other men! for many years
Have since flow'd in between us; and our minds,
Both silent to each other, at this time
We live as if those hours had never been.
Nor seldom did I lift our cottage latch
Far earlier, and before the vernal thrush
Was audible, among the hills I sate
Alone, upon some jutting eminence
At the first hour of morning, when the Vale
Lay quiet in an utter solitude.
How shall I trace the history, where seek
The origin of what I then have felt?
Oft in these moments such a holy calm
Did overspread my soul, that I forgot
That I had bodily eyes, and what I saw
Appear'd like something in myself, a dream,
A prospect in my mind.

                                                       'Twere long to tell
What spring and autumn, what the winter snows,
And what the summer shade, what day and night,
The evening and the morning, what my dreams
And what my waking thoughts supplied, to nurse
That spirit of religious love in which
I walked with Nature. But let this, at least
Be not forgotten, that I still retain'd
My first creative sensibility,
That by the regular action of the world
My soul was unsubdu'd. A plastic power
Abode with me, a forming hand, at times
Rebellious, acting in a devious mood,
A local spirit of its own, at war
With general tendency, but for the most
Subservient strictly to the external things
With which it commun'd. An auxiliar light
Came from my mind which on the setting sun
Bestow'd new splendor, the melodious birds,
The gentle breezes, fountains that ran on,
Murmuring so sweetly in themselves, obey'd
A like dominion; and the midnight storm
Grew darker in the presence of my eye.
Hence by obeisance, my devotion hence,
And hence my transport.

                                                          Nor should this, perchance,
Pass unrecorded, that I still have lov'd
The exercise and produce of a toil
Than analytic industry to me
More pleasing, and whose character I deem
Is more poetic as resembling more
Creative agency. I mean to speak
Of that interminable building rear'd
By observation of affinities
In objects where no brotherhood exists
To common minds. My seventeenth year was come
And, whether from this habit, rooted now
So deeply in my mind, or from excess
Of the great social principle of life,
Coercing all things into sympathy,
To unorganic natures I transferr'd
My own enjoyments, or, the power of truth
Coming in revelation, I convers'd
With things that really are, I, at this time
Saw blessings spread around me like a sea.
Thus did my days pass on, and now at length
From Nature and her overflowing soul
I had receiv'd so much that all my thoughts
Were steep'd in feeling; I was only then
Contented when with bliss ineffable
I felt the sentiment of Being spread
O'er all that moves, and all that seemeth still,
O'er all, that, lost beyond the reach of thought
And human knowledge, to the human eye
Invisible, yet liveth to the heart,
O'er all that leaps, and runs, and shouts, and sings,
Or beats the gladsome air, o'er all that glides
Beneath the wave, yea, in the wave itself
And mighty depth of waters. Wonder not
If such my transports were; for in all things
I saw one life, and felt that it was joy.
One song they sang, and it was audible,
Most audible then when the fleshly ear,
O'ercome by grosser prelude of that strain,
Forgot its functions, and slept undisturb'd.

       If this be error, and another faith
Find easier access to the pious mind,
Yet were I grossly destitute of all
Those human sentiments which make this earth
So dear, if I should fail, with grateful voice
To speak of you, Ye Mountains and Ye Lakes,
And sounding Cataracts! Ye Mists and Winds
That dwell among the hills where I was born.
If, in my youth, I have been pure in heart,
If, mingling with the world, I am content
With my own modest pleasures, and have liv'd,
With God and Nature communing, remov'd
From little enmities and low desires,
The gift is yours; if in these times of fear,
This melancholy waste of hopes o'erthrown,
If, 'mid indifference and apathy
And wicked exultation, when good men,
On every side fall off we know not how,
To selfishness, disguis'd in gentle names
Of peace, and quiet, and domestic love,
Yet mingled, not unwillingly, with sneers
On visionary minds; if in this time
Of dereliction and dismay, I yet
Despair not of our nature; but retain
A more than Roman confidence, a faith
That fails not, in all sorrow my support,
The blessing of my life, the gift is yours,
Ye mountains! thine, O Nature! Thou hast fed
My lofty speculations; and in thee,
For this uneasy heart of ours I find
A never-failing principle of joy,
And purest passion.

                                                Thou, my Friend! wert rear'd
In the great City, 'mid far other scenes;
But we, by different roads at length have gain'd
The self-same bourne. And for this cause to Thee
I speak, unapprehensive of contempt,
The insinuated scoff of coward tongues,
And all that silent language which so oft
In conversation betwixt man and man
Blots from the human countenance all trace
Of beauty and of love. For Thou hast sought
The truth in solitude, and Thou art one,
The most intense of Nature's worshippers
In many things my Brother, chiefly here
In this my deep devotion.

                                                            Fare Thee well!
Health, and the quiet of a healthful mind
Attend thee! seeking oft the haunts of men,
And yet more often living with Thyself,
And for Thyself, so haply shall thy days
Be many, and a blessing to mankind.


William Wordsworth - The Daffodils


Daffodils Prelude to William Wordsworth
Lake District England | Panasonic AG-AC90 (Click 720p)




William Wordsworth, Poet

The Daffodils

William Wordsworth, 1770 - 1850


I wandered lonely as a cloud
   That floats on high o’er vales and hills,
When all at once I saw a crowd,
   A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
   And twinkle on the Milky Way,
They stretched in never-ending line
   Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced, but they
   Out-did the sparkling waves in glee:
A Poet could not but be gay,
   In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
   In vacant or in pensive mood,
They flash upon that inward eye
   Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

- William Wordsworth


Daffodils Song (Wordsworth's poem)



Daffodils by William Wordsworth | Music by Amanda Tosoff




Biography of William Wordsworth
Related Schools & Movements: Romanticism

On April 7, 1770, William Wordsworth was born in Cockermouth, Cumbria, England. Wordsworth’s mother died when he was eight—this experience shapes much of his later work. Wordsworth attended Hawkshead Grammar School, where his love of poetry was firmly established and, it is believed, he made his first attempts at verse. While he was at Hawkshead, Wordsworth’s father died leaving him and his four siblings orphans. After Hawkshead, Wordsworth studied at St. John’s College in Cambridge and before his final semester, he set out on a walking tour of Europe, an experience that influenced both his poetry and his political sensibilities. While touring Europe, Wordsworth came into contact with the French Revolution. This experience as well as a subsequent period living in France, brought about Wordsworth’s interest and sympathy for the life, troubles, and speech of the “common man.” These issues proved to be of the utmost importance to Wordsworth’s work. Wordsworth’s earliest poetry was published in 1793 in the collections An Evening Walkand Descriptive Sketches. While living in France, Wordsworth conceived a daughter, Caroline, out of wedlock; he left France, however, before she was born. In 1802, he returned to France with his sister on a four-week visit to meet Caroline. Later that year, he married Mary Hutchinson, a childhood friend, and they had five children together. In 1812, while living in Grasmere, two of their children—Catherine and John—died.

William Wordsworth, Poet
Equally important in the poetic life of Wordsworth was his 1795 meeting with the poet Samuel Taylor Coleridge. It was with Coleridge that Wordsworth published the famous Lyrical Balladsin 1798. While the poems themselves are some of the most influential in Western literature, it is the preface to the second edition that remains one of the most important testaments to a poet’s views on both his craft and his place in the world. In the preface Wordsworth writes on the need for “common speech” within poems and argues against the hierarchy of the period which valued epic poetry above the lyric.

Wordsworth’s most famous work, The Prelude (1850), is considered by many to be the crowning achievement of English romanticism. The poem, revised numerous times, chronicles the spiritual life of the poet and marks the birth of a new genre of poetry. Although Wordsworth worked on The Prelude throughout his life, the poem was published posthumously. Wordsworth spent his final years settled at Rydal Mount in England, travelling and continuing his outdoor excursions. Devastated by the death of his daughter Dora in 1847, Wordsworth seemingly lost his will to compose poems. William Wordsworth died at Rydal Mount on April 23, 1850, leaving his wife Mary to publish The Prelude three months later.





William Wordsworth - Ode: Intimations of Immortality


William Wordsworth, Poet

Ode on Intimations of Immortality
from Recollections of Early Childhood

William Wordsworth, 1770 - 1850


 There was a time when meadow, grove, and stream,
The earth, and every common sight
                 To me did seem
            Apparelled in celestial light,
The glory and the freshness of a dream.
It is not now as it hath been of yore;—
             Turn wheresoe’er I may,
              By night or day,
The things which I have seen I now can see no more.

            The rainbow comes and goes,
            And lovely is the rose;
            The moon doth with delight
     Look round her when the heavens are bare;
            Waters on a starry night
            Are beautiful and fair;
     The sunshine is a glorious birth;
     But yet I know, where’er I go,
That there hath past away a glory from the earth.

Now, while the birds thus sing a joyous song,
     And while the young lambs bound
            As to the tabor’s sound,
To me alone there came a thought of grief:
A timely utterance gave that thought relief,
            And I again am strong.
The cataracts blow their trumpets from the steep,—
No more shall grief of mine the season wrong:
I hear the echoes through the mountains throng.
The winds come to me from the fields of sleep,
            And all the earth is gay;
                Land and sea
     Give themselves up to jollity,
            And with the heart of May
     Doth every beast keep holiday;—
                Thou child of joy,
Shout round me, let me hear thy shouts, thou happy
        Shepherd-boy!

Ye blesséd Creatures, I have heard the call
     Ye to each other make; I see
The heavens laugh with you in your jubilee;
     My heart is at your festival,
       My head hath its coronal,
The fulness of your bliss, I feel—I feel it all.
         O evil day! if I were sullen
         While Earth herself is adorning
              This sweet May-morning;
         And the children are culling
              On every side
         In a thousand valleys far and wide
         Fresh flowers; while the sun shines warm,
And the babe leaps up on his mother’s arm:—
         I hear, I hear, with joy I hear!
         —But there’s a tree, of many, one,
A single field which I have look’d upon,
Both of them speak of something that is gone:
              The pansy at my feet
              Doth the same tale repeat:
Whither is fled the visionary gleam?
Where is it now, the glory and the dream?

Our birth is but a sleep and a forgetting;
The Soul that rises with us, our life’s Star,
          Hath had elsewhere its setting
               And cometh from afar;
          Not in entire forgetfulness,
          And not in utter nakedness,
But trailing clouds of glory do we come
               From God, who is our home:
Heaven lies about us in our infancy!
Shades of the prison-house begin to close
               Upon the growing Boy,
But he beholds the light, and whence it flows,
               He sees it in his joy;
The Youth, who daily farther from the east
     Must travel, still is Nature’s priest,
          And by the vision splendid
          Is on his way attended;
At length the Man perceives it die away,
And fade into the light of common day.

Earth fills her lap with pleasures of her own;
Yearnings she hath in her own natural kind,
And, even with something of a mother’s mind,
               And no unworthy aim,
          The homely nurse doth all she can
To make her foster-child, her inmate, Man,
               Forget the glories he hath known,
And that imperial palace whence he came.

Behold the Child among his new-born blisses,
A six years’ darling of a pigmy size!
See, where ‘mid work of his own hand he lies,
Fretted by sallies of his mother’s kisses,
With light upon him from his father’s eyes!
See, at his feet, some little plan or chart,
Some fragment from his dream of human life,
Shaped by himself with newly-learned art;
          A wedding or a festival,
          A mourning or a funeral;
               And this hath now his heart,
          And unto this he frames his song:
               Then will he fit his tongue
To dialogues of business, love, or strife;
          But it will not be long
          Ere this be thrown aside,
          And with new joy and pride
The little actor cons another part;
Filling from time to time his ‘humorous stage’
With all the Persons, down to palsied Age,
That life brings with her in her equipage;
          As if his whole vocation
          Were endless imitation.

Thou, whose exterior semblance doth belie
          Thy soul’s immensity;
Thou best philosopher, who yet dost keep
Thy heritage, thou eye among the blind,
That, deaf and silent, read’st the eternal deep,
Haunted for ever by the eternal Mind,—
          Mighty Prophet! Seer blest!
          On whom those truths rest
Which we are toiling all our lives to find,
In darkness lost, the darkness of the grave;
Thou, over whom thy Immortality
Broods like the day, a master o’er a slave,
A Presence which is not to be put by;
          To whom the grave
Is but a lonely bed, without the sense of sight
Of day or the warm light,
A place of thoughts where we in waiting lie;
Thou little child, yet glorious in the might
Of heaven-born freedom on thy being’s height,
Why with such earnest pains dost thou provoke
The years to bring the inevitable yoke,
Thus blindly with thy blessedness at strife?
Full soon thy soul shall have her earthly freight,
And custom lie upon thee with a weight
Heavy as frost, and deep almost as life!
          0 joy! that in our embers
          Is something that doth live,
          That Nature yet remembers
          What was so fugitive!
The thought of our past years in me doth breed
Perpetual benediction: not indeed
For that which is most worthy to be blest,
Delight and liberty, the simple creed
Of Childhood, whether busy or at rest,
With new-fledged hope still fluttering in his breast:—
          —Not for these I raise
          The song of thanks and praise;
     But for those obstinate questionings
     Of sense and outward things,
     Fallings from us, vanishings,
     Blank misgivings of a creature
Moving about in worlds not realized,
High instincts, before which our mortal nature
Did tremble like a guilty thing surprised:
     But for those first affections,
     Those shadowy recollections,
          Which, be they what they may,
Are yet the fountain-light of all our day,
Are yet a master-light of all our seeing;
     Uphold us—cherish—and have power to make
Our noisy years seem moments in the being
Of the eternal Silence: truths that wake,
               To perish never;
Which neither listlessness, nor mad endeavour,
               Nor man nor boy,
Nor all that is at enmity with joy,
Can utterly abolish or destroy!
   Hence, in a season of calm weather
          Though inland far we be,
Our souls have sight of that immortal sea
               Which brought us hither;
          Can in a moment travel thither—
And see the children sport upon the shore,
And hear the mighty waters rolling evermore.

Then, sing, ye birds, sing, sing a joyous song!
          And let the young lambs bound
          As to the tabor’s sound!
     We, in thought, will join your throng,
          Ye that pipe and ye that play,
          Ye that through your hearts to-day
          Feel the gladness of the May!
What though the radiance which was once so bright
Be now for ever taken from my sight,
     Though nothing can bring back the hour
Of splendour in the grass, of glory in the flower;
          We will grieve not, rather find
          Strength in what remains behind;
          In the primal sympathy
          Which having been must ever be;
          In the soothing thoughts that spring
          Out of human suffering;
          In the faith that looks through death,
In years that bring the philosophic mind.

And 0, ye Fountains, Meadows, Hills, and Groves,
Forebode not any severing of our loves!
Yet in my heart of hearts I feel your might;
I only have relinquish’d one delight
To live beneath your more habitual sway;
I love the brooks which down their channels fret
Even more than when I tripp’d lightly as they;
The innocent brightness of a new-born day
               Is lovely yet;
The clouds that gather round the setting sun
Do take a sober colouring from an eye
That hath kept watch o’er man’s mortality;
Another race hath been, and other palms are won.
   Thanks to the human heart by which we live,
   Thanks to its tenderness, its joys, and fears,
   To me the meanest flower that blows can give
   Thoughts that do often lie too deep for tears.

- William Wordsworth


Ode: Intimations of Immortality, by William Wordsworth




About the Author
William Wordsworth, who rallied for “common speech” within poems and argued against the poetic biases of the period, wrote some of the most influential poetry in Western literature, including his most famous work, The Prelude, which is often considered to be the crowning achievement of English romanticism. - poetry.org

Wikipedia Bio - William Wordsworth (7 April 1770 – 23 April 1850) was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literaturewith their joint publication Lyrical Ballads (1798).

Wordsworth's magnum opus is generally considered to be The Prelude, a semiautobiographical poem of his early years that he revised and expanded a number of times. It was posthumously titled and published, before which it was generally known as "the poem to Coleridge".[1] Wordsworth was Britain's Poet Laureate from 1843 until his death in 1850.[2]





Biography

On April 7, 1770, William Wordsworth was born in Cockermouth, Cumbria, England. Wordsworth’s mother died when he was eight—this experience shapes much of his later work. Wordsworth attended Hawkshead Grammar School, where his love of poetry was firmly established and, it is believed, he made his first attempts at verse. While he was at Hawkshead, Wordsworth’s father died leaving him and his four siblings orphans. After Hawkshead, Wordsworth studied at St. John’s College in Cambridge and before his final semester, he set out on a walking tour of Europe, an experience that influenced both his poetry and his political sensibilities. While touring Europe, Wordsworth came into contact with the French Revolution. This experience as well as a subsequent period living in France, brought about Wordsworth’s interest and sympathy for the life, troubles, and speech of the “common man.” These issues proved to be of the utmost importance to Wordsworth’s work. Wordsworth’s earliest poetry was published in 1793 in the collections An Evening Walkand Descriptive Sketches. While living in France, Wordsworth conceived a daughter, Caroline, out of wedlock; he left France, however, before she was born. In 1802, he returned to France with his sister on a four-week visit to meet Caroline. Later that year, he married Mary Hutchinson, a childhood friend, and they had five children together. In 1812, while living in Grasmere, two of their children—Catherine and John—died.

Equally important in the poetic life of Wordsworth was his 1795 meeting with the poet Samuel Taylor Coleridge. It was with Coleridge that Wordsworth published the famous Lyrical Balladsin 1798. While the poems themselves are some of the most influential in Western literature, it is the preface to the second edition that remains one of the most important testaments to a poet’s views on both his craft and his place in the world. In the preface Wordsworth writes on the need for “common speech” within poems and argues against the hierarchy of the period which valued epic poetry above the lyric.

Wordsworth’s most famous work, The Prelude (1850), is considered by many to be the crowning achievement of English romanticism. The poem, revised numerous times, chronicles the spiritual life of the poet and marks the birth of a new genre of poetry. Although Wordsworth worked on The Prelude throughout his life, the poem was published posthumously. Wordsworth spent his final years settled at Rydal Mount in England, travelling and continuing his outdoor excursions. Devastated by the death of his daughter Dora in 1847, Wordsworth seemingly lost his will to compose poems. William Wordsworth died at Rydal Mount on April 23, 1850, leaving his wife Mary to publish The Prelude three months later.







Friday, February 19, 2016

9 Signs You’re An Old Soul




9 Signs You’re An Old Soul
http://themindsjournal.com/9-signs-youre-an-old-soul/

January 25, 2016

How old would you be if you didn’t know how old you are?
~Satchel Paige

There is a special kind of person in our world who finds himself alone and isolated, almost since birth.

His solitary existence isn’t from a preference or an antisocial temperament – he is simply old. Old in heart, old in mind and old in soul, this person is an old soul who finds his outlook on life vastly different and more matured than those around him. As a result, the old soul lives his life internally, walking his own solitary path while the rest around him flock to follow another. Perhaps you’ve experienced this in your own life, or have witnessed it in another person? If so, this article is dedicated to you, in hopes that you will come to define yourself, or understand another better.

The “Old Soul”

Robert Frost, Eckhart Tolle and even Nick Jonas have been called them. Perhaps even you have? I did. Like many of them, this self discovery was made upon meeting Sol, who told me about his childhood as a precocious, intelligent boy who would befriend the teachers instead of the students, just because they were too different from him. As he related his inability to find interest in and connection to the people his age, I discovered that I felt the same, and still do.

If you have not yet discovered whether you’re an old soul, read some of the revealing signs below.

9 Signs You’re An Old Soul

1# You tend to be a solitary loner.

Because old souls are disinterested in the pursuits and interests of the people in their age groups, they find it dissatisfying to make friends with people they find it hard to relate to. This is one of the major problems Old Souls experience. The result is … old souls tend to find themselves alone a lot of the time. People just don’t cut it for them.

2# You love knowledge, wisdom and truth.

Yep … this seems a little grandiose and overly noble, but the old soul finds himself naturally gravitating towards the intellectual side of life. Old souls inherently understand that knowledge is power, wisdom is happiness and truth is freedom, so why not seek after those things? These pursuits are more meaningful to them than reading up on the latest gossip about Snooki’s latest boyfriend, or the latest football scores.

3# You’re spiritually inclined.

More emotional old souls tend to have sensitive and spiritual natures. Overcoming the confines of the ego, seeking enlightenment – as modeled by the Awakened Souls – and fostering love and peace are the main pursuits of these young-in-body Mother Teresa’s. To them it seems the wisest, most fulfilling use of time.

4# You understand the transience of life

Old souls are frequently plagued with reminders of not only their own mortality, but that of everything and everyone around them. This makes the old soul weary and at times withdrawn, but wisely dictates the way they live their lives.

5# You’re thoughtful and introspective.

Old souls tend to think a lot … about everything. Their ability to reflect and learn from their actions and those of others is their greatest teacher in life. One reason why old souls feel so old at heart is because they have learnt so many lessons through their own thought processes, and possess so much insight into life situations from their ability to quietly and carefully observe what if going on around them.

6# You see the bigger picture.

Rarely do old souls get lost in the superficial details of getting useless degrees, job promotions, boob jobs and bigger TV’s. Old souls have the tendency to look at life from a birds eye view, seeing what is the most wise and meaningful way to approach life. When confronted with issues, old souls tend to see them as temporary and passing pains that merely serve to increase the amount of joy felt in the future. Consequently, old souls tend to have placid, stable natures as a result of their approach to life.

7# You aren’t materialistic.

Wealth, status, fame, and the latest version of iPhone … they just bore old souls. The old soul doesn’t see the purpose of pursuing things that can be easily taken away from them. Additionally, old souls have little time and interest for the short-lived things in life, as they bring little meaning or long lasting fulfillment for them.

8# You were a strange, socially maladaptive kid.

This is not always the case, but many old souls exhibit odd signs of maturity at young ages. Often, these children are labelled as being “precocious”, “introverted”, or “rebellious”, failing to fit into the mainstream behaviors. Usually, these children are extremely inquisitive and intelligent, seeing the purposelessness of many things their teachers, parents and peers say and do, and either passively or aggressively resisting them. If you can talk to your child like he/she’s an adult – you’ve probably got an old soul on your hands.

9# You just “feel” old.

Before putting a name to what I felt, I experienced certain sensations of simply being an “old person” inside. The feelings that accompany being an old soul are usually: a feeling of world wariness, mental tiredness, watchful patience, and detached calmness. Unfortunately, this can often be perceived as being aloof and cold, which is only one of many Old Soul Myths.

Just as some old people describe themselves as being “young at heart”, so too can young people be “old at heart”.

Are you an old soul? I’d love to hear your stories below.



* * * * * * * * * *



The Old Soul

The Old Soul came from far, 
Beyond the unlit bound;
There had gone out a star
And a great world was drowned,
Since birth and death and birth
Were hers, upon the earth.

For she had robed anew
Time and time out of mind;
And, as the sphere of dew
Unshapes into the wind,
Her raiment oft had cast
Into the wasting past.

There was no dizzying height
She had not sometime trod,
No dungeon known of night
But she had felt its rod;
The saint, assoiled from sin —
And saint's arch-foe — had been!

At cruel feasts she sate,
Where heartless mirth ran high;
Through famine's portal strait
Had fled her wailful cry;
All human fates had proved,
And those from man removed.

Yea, she had worn the guise
Of creatures lashed and spurned —
Even of those whose eyes
May not on heaven be turned;
No house too dark or base
To be her tarrying place!

The Old Soul came from far;
And, all lives having known,
She nowhere touched a bar,
But all was as her own:
And this could none forget
Who once her look had met!

The Old Soul came from far,
Moving through days and ways
That are not — and that are!
She turned on all her gaze —
Illumed, — deceived, — illumed;
Yet still the road resumed.

The Old Soul came from far,
And toward the far she drew.
" Turn home, mine avatar! "
That voice, long lost, she knew;
She heard, she turned — was free —
No more to dream, but Be!





The Old Soul


The Old Soul had witnessed it all
Every turn, every twist, every little thrawl
But what about the present day
When distractions and disconnect are utterly commonplace

Not use to this environment, The Old Soul copes
The Old Soul hopes
That bonds will be built
Foundations will be laid
Grand Empires on Gold Stilts
Can human relationships be saved?

The Old Soul is a timeless artifact
It was never born, nor did it ever die
Just energy shining through the cracks
Molding the mind in form, for the impossible to strive

The Old Soul I need You now
I know you are within me
I feel your presence
Wisdom for the why, not how
Help me understand the essence
I need your guidance dearly





Old Soul

by Barry Middleton


The old soul cannot escape
the pain that no one sees, 

the pang of war and brutal fear
that nothing can appease.

The first to gaze with human eyes
so many eons hence, 

still must struggle asking why
of grief without pretense.

Why must love and life desist? 
And what is living for? 

Can greed and killing ever cease, 
and bring an end to war? 

The old soul must hide the pain
for they have known the years, 

and time can never stem the tide
of anguish, loss and tears. 






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Monday, February 1, 2016

Being Loved - "Things Someone Who Loved You Should Have Told You"


Things Someone Who Loved You Should Have Told You
http://johnpavlovitz.com/2016/02/01/things-someone-who-loved-you-should-have-told-you/

by John Pavlovitz
February 1, 2016

Words can do incredible damage, but they can’t hold a candle to silence.

Often it is those words that have been withheld which leave the greatest scars upon us. It is in that terrible absence that we are dealt the harshest blow by those who claim to love us.

Somewhere along the line you were denied something you needed to live; something destination-altering and hope-giving that you deserved.

At some point on your path, someone should have encouraged you, but refrained.
  • They should have defended you, but did not.
  • They should have released you, but chose not to.
  • They should have said something—instead of nothing.
Someone should have told you that you were beautiful far beneath the surface, so that you didn’t grow up believing that you were defined by your waistline or by the scale or by the affection of someone else who may have cared far too little for you.

Someone should have told you that you were more than your worst mistake, so that you weren’t still imprisoned there in the spot of that momentary failure so long after it; still stuck trying to undo something that could never be undone and believing it made you less than.


Someone should have told you that God was not angry with you, so that your faith was allowed safe passage to grow and fearlessly move toward the One who made you and adores you without caveat or condition; the One who delights in you as you are.

Someone should have told you that it wasn’t your fault, so that you were relieved of the wasteful, crushing burden of what you were never meant to carry or deserve to still be saddled with; all the guilt and regret that unfairly declare you culpable.

Someone should have told you that you were a bona-fide, freakin’ miracle; a once in history collection of atoms and color and sound, so that you never doubted for a second your inherent worth, and the beautiful mark you’ve made in the places where your feet have landed.

Someone should have told you that you were forgiven, so that you didn’t cling to a vicious grudge against yourself which pronounced you dirty; so you were not tried for the same crime again and again in the court of your own head.

Someone should have told you that your sadness wasn’t a sickness, so you could have allowed yourself to grieve fully; to feel and speak the depth and breadth of your pain, instead of daily burying it beneath a brittle facade of okayness and pretending you weren’t devastated.

Someone should have told you that your best was good enough; that the honest desires of your heart and the diligent work of your hands regardless of the results, made your efforts successful. If they had, you may not have felt failure in anything less than perfection.

Someone should have told you that you were not what people said you were. That might have emancipated you from the expectations of a million voices judging you from a distance, which you believed as gospel. You might have found your identity independent of the shouts from the crowd or the cutting words of the critics.

Someone should have told you that you were loved as you were; not because of anything you did or won or achieved or made, but simply because you were lovable. It may have saved you from so restlessly striving to earn what you already deserved.

I can’t undo the brutal omissions you endured in the past, or the time you’ve squandered or the peace you’ve surrendered as a result.

I can only give you these words now, as a firm and steady spot to plant your foot and pivot as you begin again down another road, one with far fewer demons hiding in the shadows to ambush you.

So stop to listen to the whisper in your ear, that breaks the long and heavy silence and says that you are free. Feel the lightness that only love brings.

Somewhere along the road someone close to you should have told you all this, but they didn’t.

So I am telling you.

Be encouraged.

- JP


http://www.brainyquote.com/quotes/keywords/loved_2.html



10 Signs Your'e an Outgoing Introvert (Ambivert)



10 SIGNS YOU’RE AN OUTGOING INTROVERT
http://introvertdear.com/2015/10/28/signs-youre-an-outgoing-introvert/

by Jenn Granneman
October 28, 2015

So you just found out you’re an introvert. Now you have a new way of understanding yourself and how you relate to the world. You can’t get enough of your new identity, so you’re reading every listicle and blog post about introverts that graces your Facebook news feed. Some articles describe you with frightening accuracy: you like spending time alone, you prefer calm environments, you often think deeply and reflect, and you’d rather text than call.

Yet other articles don’t resonate with you at all: you don’t sit home alone every weekend watching Netflix in your pajamas and you actually enjoy the occasional party. You start to wonder, am I really an introvert?

Bottom line: if you need downtime after socializing, you probably are an introvert. What you actually are is an outgoing introvert.

Introversion and extroversion are not black and white. Think of a continuum with introversion on one end and extroversion on the other. Some people fall closer to the introverted end, while others are near the middle. There’s actually a word for these middle-of-the-road people: ambiverts. An ambivert is someone who displays characteristics of both introversion and extroversion.

Are you an outgoing introvert (or an ambivert)?

Here are 10 signs that you might be:

1. Your energy level is closely tied to your environment. You’re sensitive to how your surroundings look, what kind of music is being played, how many people are present and the volume level of the room. The ambiance of a bar or restaurant can either energize or drain you, depending on if the place fits your preferences. Likewise, a loud rock concert in a crowded stadium might be overwhelming but an up-close-and-personal acoustic set at your favorite local music club relaxes you.

2. You find people to be both intriguing and exhausting. People watching? Yes. Meeting new people and hearing their life stories? Fascinating. Spending every weeknight hanging out with a different group of friends? Not a chance—as much as you enjoy people, you can only endure so much socializing before you need downtime. After a busy weekend or a long day at work, you feel the need to disappear and recharge by being alone or with just one other person (a best friend, a trusted roommate or your significant other).

3. Certain people and interactions drain you while others actually recharge you. You have a few friends who you could hang out with for practically forever. It seems like you never run out of things to talk about and being with them is just easy. You actually feel better after spending time with them, not drained. Other people eventually tire or bore you and you need to get away. Being alone is better than settling for second-rate company.

4. You can be charming but also deeply introspective and reflective. You make small talk when it’s expected of you because you know it can lead to deeper, more authentic conversation. People feel comfortable around you, and you easily get others talking and opening up about themselves. When you’re out on a Saturday night, you make sure your friends have a good time. However, most people don’t realize how “in your head” you really are. Although you appear easy-going and chatty, inside, your mind is always going.

5. When you feel rested and recharged, you reach out to others. Often you’re the one who gets all your friends together on the weekend. Or maybe you organize the weekly after-work happy hour or throw parties at your house. Playing the host allows you to socialize on your own terms. You get to set the parameters, like what time the event starts, where it will happen and who is invited. But when you’re feeling drained, like a true introvert, you go silent and hibernate at home. This is when the Netflix + pajamas thing makes sense.

6. You need time to warm up in social situations. But once you feel comfortable with someone, you have no trouble chatting. Likewise, you won’t spill your entire life story to someone within the first half hour of meeting them, but you will reveal personal details when trust is built up. The more someone gets to know you, the more your quirky personality (and your cherished inner world—the part of you that feels most authentic) comes out.

7. It actually takes less energy to say what’s on your mind than to make small talk. Introverts like talking about ideas or connecting authentically. Fake small talk bores you and drains your life force.

8. You’re selectively social. It’s hard to find people you click with, so you only have a few close friends. But you’re okay with that. You’d rather make your limited “people” energy count by investing it into relationships that are truly fulfilling.

9. You have no interest in trying to prove yourself in a crowd of strangers.“Working the room” isn’t your thing. Nor do you feel the need to draw a lot of attention to yourself. You’re content hanging out at the edges of the party, talking to just one or two people.

10. You’re often confused for an extrovert. Your friends and family don’t buy that you’re an introvert because you’re just so social. In fact, it may have taken a while for you to realize you’re an introvert because you play the extrovert so well. Now you find yourself constantly having to explain your introversion and how you get your energy, but people still don’t get it.

Keep in mind there’s no wrong way to do introversion. It’s all about understanding your needs and honoring your own style—even if that means being the life of the party one night then binge watching Netflix alone the next night.

Are you an introvert? What’s your personality type? We recommend this free, quick test from our partner Personality Hacker.


Thursday, January 28, 2016

Maya Angelou - Portrait of a Legendary Poet, Writer, Playwright, Performer, Civil Rights Activist




Maya Angelou: she refused to be cowed by past mistakes or indiscretions | Photograph: Wayne Miller/Supplied



Maya Angelou and Still I Rise review -
perceptive portrait of legendary writer
http://www.theguardian.com/film/2016/jan/27/maya-angelou-and-still-i-rise-review-iconic-writer?CMP=share_btn_fb


by Lanre Bakare
January 27, 2016

In the opening moments of Maya Angelou and Still I Rise, Hillary Clinton says it would be sad if the poet, thinker, and performer were only to be remembered for one thing, alluding to her classic work I Know Why the Caged Bird Sings. But this documentary – put together by Bob Hercules and first-time film-maker Rita Coburn Whack, shows the varied, creative and often brutal back story that created one of America’s finest writers.

Starting with her upbringing in Stamps, Arkansas, the directors use Angelou’s unmistakably raspy narration to weave a story of abuse and neglect. Her mother leaves home, and a seven-year-old Angelou is raped by her mother’s new boyfriend when they are reunited in St Louis. After she tells people about the rape, her attacker is arrested and released before his corpse is found: seemingly, he has been beaten to death. It’s a moment that profoundly affects Angelou, who not only has to recover from the assault but also the fact that she now believes her words were responsible for his death. She decides not to speak for five years. The thought of Angelou being mute is shocking, not least because the film is so much better thanks to her voice. She could read a shopping list and make it thrilling.

Angelou finds her voice again when learning poetry – she reads every book in the black library. It’s from here we learn about her developing into a performer. She moves to San Francisco and begins a career onstage; she also gives birth to her son Guy Johnson (there’s an amazing moment when she describes losing her virginity and how underwhelming she found the whole process). Johnson steals the show. His accounts of their life together (and apart) are heartbreaking and tinged with anger. He talks about the time American entertainer Pearl Bailey stopped his mother from being her understudy because she considered her too ugly. It was a decision that meant they’d be separated again because Angelou would have to go back on the road in a touring company. There’s a mix of fury and pride as he tells the story of Bailey getting a lifetime achievement award and choosing Angelou as the person who should give it to her. His mother did it happily, without mentioning the pain she had caused.

It’s their relationship that drives the action again as Angelou becomes involved in the civil rights movement, spending time with James Baldwin, Martin Luther King Jr and Malcolm X, as well as operating on the front lines of protest despite the dangers. Throughout everything she is outspoken and defiant, refusing to be cowed by past mistakes or indiscretions. The only times she is withdrawn is when discussing her son’s accident in Ghana, during which he broke his neck and almost died.
What Coburn Whack and Hercules do so well is capture Angelou’s power and elegance, which seems to have increased as she got older. An important figure throughout the 60s, in the 70s and 80s she developed into a maternal figure for black America, ushering in the period of Oprah and black female empowerment. It’s that longevity and creative drive that the film celebrates. No hagiography, it paints a portrait of a life lived to the full and dedicated to being true to oneself.

Still I Rise
Maya Angelou, 1928 - 2014

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.

Does my sassiness upset you?
Why are you beset with gloom?
‘Cause I walk like I’ve got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?

Does my haughtiness offend you?
Don’t you take it awful hard
‘Cause I laugh like I’ve got gold mines
Diggin’ in my own backyard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?

Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.


* * * * * * * * * * *


Poet Maya Angelou
poet

Maya Angelou
1928-2014 , St. Louis , MO


Maya Angelou was an author, poet, historian, songwriter, playwright, dancer,
stage and screen producer, director, performer, singer, and civil rights activist.

Maya Angelou was born Marguerite Johnson in St. Louis, Missouri, on April 4, 1928. She grew up in St. Louis and Stamps, Arkansas. She was an author, poet, historian, songwriter, playwright, dancer, stage and screen producer, director, performer, singer, and civil rights activist. She was best known for her autobiographical books: Mom & Me & Mom (Random House, 2013); Letter to My Daughter (2008); All God’s Children Need Traveling Shoes (1986);The Heart of a Woman (1981); Singin’ and Swingin’ and Gettin’ Merry Like Christmas (1976); Gather Together in My Name (1974); and I Know Why the Caged Bird Sings (1969), which was nominated for the National Book Award.

Among her volumes of poetry are A Brave and Startling Truth (Random House, 1995); The Complete Collected Poems of Maya Angelou (1994); Wouldn’t Take Nothing for My Journey Now (1993); Now Sheba Sings the Song (1987); I Shall Not Be Moved (1990); Shaker, Why Don’t You Sing? (1983); Oh Pray My Wings Are Gonna Fit Me Well (1975); and Just Give Me a Cool Drink of Water ‘fore I Diiie (1971), which was nominated for the Pulitzer Prize.

In 1959, at the request of Dr. Martin Luther King Jr., Angelou became the northern coordinator for the Southern Christian Leadership Conference. From 1961 to 1962 she was associate editor of The Arab Observer in Cairo, Egypt, the only English-language news weekly in the Middle East, and from 1964 to 1966 she was feature editor of the African Review in Accra, Ghana. She returned to the United States in 1974 and was appointed by Gerald Ford to the Bicentennial Commission and later by Jimmy Carter to the Commission for International Woman of the Year. She accepted a lifetime appointment in 1982 as Reynolds Professor of American Studies at Wake Forest University in Winston-Salem, North Carolina. In 1993, Angelou wrote and delivered a poem, “On The Pulse of the Morning," at the inauguration for President Bill Clinton at his request. In 2000, she received the National Medal of Arts, and in 2010 she was awarded the Presidential Medal of Freedom by President Barack Obama.

The first black woman director in Hollywood, Angelou wrote, produced, directed, and starred in productions for stage, film, and television. In 1971, she wrote the original screenplay and musical score for the film Georgia, Georgia, and was both author and executive producer of a five-part television miniseries “Three Way Choice.” She also wrote and produced several prize-winning documentaries, including “Afro-Americans in the Arts, a PBS special for which she received the Golden Eagle Award. Angelou was twice nominated for a Tony award for acting: once for her Broadway debut in Look Away (1973), and again for her performance in Roots (1977).

Angelou died on May 28, 2014, in Winston-Salem, North Carolina, where she had served as Reynolds Professor of American Studies at Wake Forest University since 1982. She was eighty-six.


Alone
Maya Angelou, 1928 - 2014

Lying, thinking
Last night
How to find my soul a home
Where water is not thirsty
And bread loaf is not stone
I came up with one thing
And I don’t believe I’m wrong
That nobody,
But nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.

There are some millionaires
With money they can’t use
Their wives run round like banshees
Their children sing the blues
They’ve got expensive doctors
To cure their hearts of stone.
But nobody
No, nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.

Now if you listen closely
I’ll tell you what I know
Storm clouds are gathering
The wind is gonna blow
The race of man is suffering
And I can hear the moan,
‘Cause nobody,
But nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.


*From Oh Pray My Wings Are Gonna Fit Me Well by Maya Angelou. Copyright © 1975 by Maya Angelou. Reprinted with permission of Random House, Inc. For online information about other Random House, Inc. books and authors, visit the website at www.randomhouse.com.