"Autobiographies of great nations are written in three manuscripts – a book of deeds, a book of words, and a book of art. Of the three, I would choose the latter as truest testimony." - Sir Kenneth Smith, Great Civilisations

"I must write each day without fail, not so much for the success of the work, as in order not to get out of my routine." - Leo Tolstoy

I have never believed that one should wait until one is inspired because I think the pleasures of not writing are so great that if you ever start indulging them you will never write again. - John Updike

"The life of every man is a diary in which he means to write one story, and writes another; and his humblest hour is when he compares the volume as it is with what he vowed to make it." - J.M. Barrie, Peter Pan

Poetry is the shadow cast by our streetlight imaginations." - Lawrence Ferlinghetti


[Note - If any article requires updating or correction please notate this in the comment section. Thank you. - res]


Monday, December 31, 2012

A Select List of New Year’s Poems

New Year's Day Nap
by Coleman Barks
 
Fiesta Bowl on low.
My son lying here on the couch
on the "Dad" pillow he made for me
in the Seventh Grade. Now a sophomore
at Georgia Southern, driving back later today,
he sleeps with his white top hat over his face.
 
I'm a dancin' fool.

Twenty years ago, half the form
he sleeps within came out of nowhere
with a million micro-lemmings who all died but one
piercer of membrane, specially picked to start a brainmaking,
egg-drop soup, that stirred two sun and moon centers
for a new-painted sky in the tiniest
ballroom imaginable.

Now he's rousing, six feet long,
turning on his side. Now he's gone.

Coleman Barks, from Gourd See


A Song for New Year's Eve, by William Cullen Bryant
 
Auld Lang Syne, by Robert Burns
 
The Old Year, by John Clare
 
 
One Year ago - jots what?
by Emily Dickinson
 
One Year ago - jots what?
God - spell the word! I - can't -
Was't Grace? Not that -
Was't Glory? That - will do -
Spell slower - Glory -
Such Anniversary shall be -
 
 
 
The Darkling Thrush, by Thomas Hardy
 
 
 
New Year’s morning
by Kobayashi Issa (Translated by Robert Hass)
 
New Year's morning:
the ducks on the pond
quack and quack.
 
 
New Year’s Day
by Kobayashi Issa (Translated by Robert Hass)
 
New Year's Day -
everything is in blossom!
I feel about average.
 
 
New Year's Morning, by Helen Hunt Jackson
 
 
On a New Year's Eve
by June Jordan from Things I Do in the Dark, 1977
 
[...]
and even the stars and even the snow and even
the rain
do not amount to much
unless these things submit to some disturbance
some derangement such
as when I yield myself/belonging
to your unmistaken
body
 
 
New Year on Dartmoor, by Sylvia Plath
 
Te Deum, by Charles Reznikoff
 
Archaic Torso of Apollo, by Rainer Maria Rilke
 
The Passing of the Year, by Robert W. Service
 
 
In Memoriam, by Alfred, Lord Tennyson
 
 
 
* * * * * * * * * * * * * *

 
 
From Poets.org:
 
Eighteenth-century Scottish poet Robert Burns may well be most famous not for a poem he wrote, exactly, but for a poem he wrote down. According to Burns Country, a comprehensive website devoted to the poet, Burns, in a letter to an acquaintance, wrote, "There is an old song and tune which has often thrilled through my soul. You know I am an enthusiast in old Scotch songs. I shall give you the verses on the other sheet... Light be the turf on the breast of the heaven-inspired poet who composed this glorious fragment! There is more of the fire of native genius in it than in half a dozen of modern English Bacchanalians."
 
That song was a version that Burns fashioned of "Auld Lang Syne," which annually rings in the New Year at parties across the world, though most often sung out of tune and with improvised lyrics, as it has been described as "the song that nobody knows." Though the history of the authorship of the poem is labyrinthine and disputed, Burns is generally credited with penning at least two original stanzas to the version that is most familiar to revelers of the New Year. Here are the first two stanzas as Burns recorded them:
Should auld acquaintance be forgot,
And never brought to mind?
Should auld acquaintance be forgot,
And auld lang syne!

Chorus.-For auld lang syne, my dear,
For auld lang syne.
We'll tak a cup o' kindness yet,
For auld lang syne.
Undoubtedly, some rousing version of the Scottish song echoed through the New Year’s night near where Thomas Hardy wrote his haunting goodbye to the ninteenth century, "The Darkling Thrush." Dated December 30, 1900, which signaled the end of the century in Hardy’s view, the poem intones a much more somber sense of the end of one time and beginning of another. Consider the last lines of the opening stanza, which set a grim scene:
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
But century’s end, for Hardy, was possibly an arbitrary marking, too, and there was hope to be found, in the form of the sudden song issued from a thrush’s voice, a "full-hearted evensong / Of joy illimited."
 
For centuries, it has been the charge of Britain’s Poet Laureate to write a poem to ring in the New Year. Laureate Nahum Tate established this practice, having written eight New Year odes between 1693 and 1708. And the phrase "ring out the old, ring in the new" first comes from another laureate’s pen, Lord Alfred Tennyson, from his most well-known poem, "In Memoriam":
Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.
Finally, Kobayashi Issa, a great practitioner of the haiku form, approached the new year with a sense of humility and reverence:
New Year's Day--
everything is in blossom!
I feel about average.