I
De ce terrible paysage,
Tel que jamais mortel n'en vit,
Ce matin encore l'image,
Vague et lointaine, me ravit.
Le sommeil est plein de miracles!
Par un caprice singulier
J'avais banni de ces spectacles
Le végétal irrégulier,
Et, peintre fier de mon génie,
Je savourais dans mon tableau
L'enivrante monotonie
Du métal, du marbre et de l'eau.
Babel d'escaliers et d'arcades,
C'était un palais infini
Plein de bassins et de cascades
Tombant dans l'or mat ou bruni;
Et des cataractes pesantes,
Comme des rideaux de cristal
Se suspendaient, éblouissantes,
À des murailles de métal.
Non d'arbres, mais de colonnades
Les étangs dormants s'entouraient
Où de gigantesques naïades,
Comme des femmes, se miraient.
Des nappes d'eau s'épanchaient, bleues,
Entre des quais roses et verts,
Pendant des millions de lieues,
Vers les confins de l'univers:
C'étaient des pierres inouïes
Et des flots magiques, c'étaient
D'immenses glaces éblouies
Par tout ce qu'elles reflétaient!
Insouciants et taciturnes,
Des Ganges, dans le firmament,
Versaient le trésor de leurs urnes
Dans des gouffres de diamant.
Architecte de mes féeries,
Je faisais, à ma volonté,
Sous un tunnel de pierreries
Passer un océan dompté;
Et tout, même la couleur noire,
Semblait fourbi, clair, irisé;
Le liquide enchâssait sa gloire
Dans le rayon cristallisé.
Nul astre d'ailleurs, nuls vestiges
De soleil, même au bas du ciel,
Pour illuminer ces prodiges,
Qui brillaient d'un feu personnel!
Et sur ces mouvantes merveilles
Planait (terrible nouveauté!
Tout pour l'oeil, rien pour les oreilles!)
Un silence d'éternité.
II
En rouvrant mes yeux pleins de flamme
J'ai vu l'horreur de mon taudis,
Et senti, rentrant dans mon âme,
La pointe des soucis maudits;
La pendule aux accents funèbres
Sonnait brutalement midi,
Et le ciel versait des ténèbres
Sur le triste monde engourdi.
— Charles Baudelaire
Parisian Dream
To Constantin Guys
I
This morning I am still entranced
By the image, distant and dim,
Of that awe-inspiring landscape
Such as no mortal ever saw.
Sleep is full of miracles!
Obeying a curious whim,
I had banned from that spectacle
Irregular vegetation,
And, painter proud of his genius,
I savored in my picture
The delightful monotony
Of water, marble, and metal.
Babel of arcades and stairways,
It was a palace infinite,
Full of basins and of cascades
Falling on dull or burnished gold,
And heavy waterfalls,
Like curtains of crystal,
Were hanging, bright and resplendent,
From ramparts of metal.
Not with trees but with colonnades
The sleeping ponds were encircled;
In these mirrors huge naiads
Admired themselves like women.
Streams of blue water flowed along
Between rose and green embankments,
Stretching away millions of leagues
Toward the end of the universe;
There were indescribable stones
And magic waves; there were
Enormous glaciers bedazzled
By everything they reflected!
Insouciant and taciturn,
Ganges, in the firmament,
Poured out the treasure of their urns
Into chasms made of diamonds.
Architect of my fairyland,
Whenever it pleased me I made
A vanquished ocean flow
Into a tunnel of jewels;
And all, even the color black,
Seemed polished, bright, iridescent,
Liquid enchased its own glory
In the crystallized rays of light.
Moreover, no star, no glimmer
Of sun, even at the sky's rim,
Illuminated these marvels
That burned with a personal fire!
And over these shifting wonders
Hovered (terrible novelty!
All for the eye, naught for the ear!)
The silence of eternity.
II
Opening my eyes full of flames
I saw my miserable room
And felt the cursed blade of care
Sink deep into my heart again;
The clock with its death-like accent
Was brutally striking noon;
The sky was pouring down its gloom
Upon the dismal, torpid world.
— William Aggeler, The Flowers of Evil (Fresno, CA: Academy Library Guild, 1954)
Parisian Dream
To Constantin Guys
I
Of the dread landscape that I saw,
Where human eyes were never set,
I still am ravished by the awe
That, vague and distant, haunts me yet.
Sleep is of miracles so fain
That I (O singular caprice!)
As being formless, could obtain
That vegetable life should cease.
A painter, in my genius free,
I there exulted in the fettle
Derived from a monotony
Composed of marble, lymph, and metal.
Babels of stairways and arcades,
Endless and topless to behold,
With ponds, and jets, and steep cascades
Filling receptacles of gold:
Ponderous cataracts there swung
Like crystal curtains, foaming shawls —
Dazzling and glittering they hung
Suspended from the metal walls.
Not trees, but colonnades, enclosed
Motionless lakes, besides whose shelves
Gigantic naiades reposed,
Like women, gazing at themselves.
Blue sheets of water interlay
Unnumbered quays of green and rose,
That stretched a million leagues away
To where the bounds of space impose.
'Twas formed of unknown stones that blazed
And magic waves that intersect,
Where icebergs floated, seeming dazed
With all they mirror and reflect.
Impassive, cold, and taciturn,
Great Ganges, through the sky's vast prism,
Each poured the treasures of its urn
Into a diamond abysm.
Architect of my fairy scene,
I willed, by wondrous stratagems,
An ocean, tamed, to pass between
A tunnel that was made of gems.
There all things, even the colour black,
Seemed irridescently to play,
And liquid crystalised its lack
Of outline in a frozen ray.
No star, no sun could be discerned,
Even low down, in that vast sky:
The fire was personal that burned
To show these marvels to the eye.
Above these moving wonders sheer
There soared (that such a thing should be!
All for the eye, none for the ear!)
A silence of eternity.
II
My opening eyes, as red as coal,
The horror of my lodging met.
I felt re-entering my soul
The knife of cares and vain regret.
The clock with brutal accent played
Funereal chimes. The time was noon
And heaven covered, with its shade,
The world, this fatuous balloon!
— Roy Campbell, Poems of Baudelaire (New York: Pantheon Books, 1952)
Parisian Dream
I
That marvelous landscape of my dream —
Which no eye knows, nor ever will —
At moments, wide awake, I seem
To grasp, and it excites me still.
Sleep, how miraculous you are —
A strange caprice had urged my hand
To banish, as irregular,
All vegetation from that land;
And, proud of what my art had done,
I viewed my painting, knew the great
Intoxicating monotone
Of marble, water, steel and slate.
Staircases and arcades there were
In a long labyrinth, which led
To a vast palace; fountains there
Were gushing gold, and gushing lead.
And many a heavy cataract
Hung like a curtain, — did not fall,
As water does, but hung, compact,
Crystal, on many a metal wall.
Tall nymphs with Titan breasts and knees
Gazed at their images unblurred,
Where groves of colonnades, not trees,
Fringed a deep pool where nothing stirred.
Blue sheets of water, left and right,
Spread between quays of rose and green,
To the world's end and out of sight,
And still expanded, though unseen.
Enchanted rivers, those — with jade
And jasper were their banks bedecked;
Enormous mirrors, dazzled, made
Dizzy by all they did reflect.
And many a Ganges, taciturn
And heedless, in the vaulted air,
Poured out the treasure of its urn
Into a gulf of diamond there.
As architect, it tempted me
To tame the ocean at its source;
And this I did, — I made the sea
Under a jeweled culvert course.
And every color, even black,
Became prismatic, polished, bright;
The liquid gave its glory back
Mounted in iridescent light.
There was no moon, there was no sun, —
For why should sun and moon conspire
To light such prodigies? — each one
Blazed with its own essential fire!
A silence like eternity
Prevailed, there was no sound to hear;
These marvels all were for the eye,
And there was nothing for the ear.
II
I woke; my mind was bright with flame;
I saw the cheap and sordid hole
I live in, and my cares all came
Burrowing back into my soul.
Brutally the twelve strokes of noon
Against my naked ear were hurled;
And a gray sky was drizzling down
Upon this sad, lethargic world.
— Edna St. Vincent Millay, Flowers of Evil (NY: Harper and Brothers, 1936)
* * * * * * *
Place De La Bastille, Paris
by Dante Gabriel Rossetti
How dear the sky has been above this place!
Small treasures of this sky that we see here
Seen weak through prison-bars from year to year;
Eyed with a painful prayer upon God's grace
To save, and tears which stayed along the face
Lifted at sunset. Yea, how passing dear
Those nights when through the bars a wind left clear
The heaven, and moonlight soothed the limpid space!
So was it, till one night the secret kept
Safe in low vault and stealthy corridor
Was blown abroad on gospel-tongues of flame.
O ways of God, mysterious evermore!
How many on this spot have cursed and wept
That all might stand here now and own Thy Name.
by Arthur Symons
My Paris is a land where twilight days
Merge into violent nights of black and gold;
Where, it may be, the flower of dawn is cold:
Ah, but the gold nights, and the scented ways!
Eyelids of women, little curls of hair,
A little nose curved softly, like a shell,
A red mouth like a wound, a mocking veil:
Phantoms, before the dawn, how phantom-fair!
And every woman with beseeching eyes,
Or with enticing eyes, or amorous,
Offers herself, a rose, and craves of us
A rose's place among our memories.
A gay young wind's a-blowing,
The little shower is done.
But the rain-drops still are clinging
And falling one by one --
Oh it's Paris, it's Paris,
And spring-time has begun.
I know the Bois is twinkling
In a sort of hazy sheen,
And down the Champs the gray old arch
Stands cold and still between.
But the walk is flecked with sunlight
Where the great acacias lean,
Oh it's Paris, it's Paris,
And the leaves are growing green.
The sun's gone in, the sparkle's dead,
There falls a dash of rain,
But who would care when such an air
Comes blowing up the Seine?
And still Ninette sits sewing
Beside her window-pane,
When it's Paris, it's Paris,
And spring-time's come again.
In a Station of the Metro
by Ezra Pound
The apparition of these faces in the crowd;
Petals on a wet, black bough.
At last you're tired of this elderly world
Shepherdess O Eiffel Tower this morning the bridges are bleating
You're fed up living with antiquity
Even the automobiles are antiques
Religion alone remains entirely new religion
Remains as simple as an airport hangar
In all Europe only you O Christianism are not old
The most modem European Pope Pius X it's you
The windows watch and shame has sealed
The confessionals against you this morning
Flyers catalogs hoardings sing aloud
Here's poetry this morning and for prose you're reading the tabloids
Disposable paperbacks filled with crimes and police
Biographies of great men a thousand various titles
I saw a pretty street this morning I forgot the name
New and cleanly it was the sun's clarion
Executives laborers exquisite stenographers
Criss-cross Monday through Saturday four times daily
Three times every morning sirens groan
At the lunch hour a rabid bell barks
The lettering on the walls and billboards
the doorplates and posters twitters parakeet-style
I love the swank of that street
Situated in Paris between the rue Aumont-Thieville and the avenue des Ternes
Here's the young street and you're still a baby
Dressed by your mother in blue and white only
You're very pious and with your oldest friend Rene Dalize
Nothing is more fun than Masses and Litanies
It's nine o'clock the gaslight is low you leave your bed
You pray all night in the school chapel
Meanwhile an eternal adorable amethyst depth
Christ's flamboyant halo spins forever
Behold the beautiful lily of worship
Behold the red-haired torch inextinguishable
Behold the pale son and scarlet of the dolorous Mother
Behold the tree forever tufted with prayer
Behold the double gallows honor and eternity
Behold the six-pointed star
Behold the God who dies on Friday and rises on Sunday
Behold the Christ who flies higher than aviators
He holds the world's record for altitude
Christ pupil of the eye
Twentieth pupil of the centuries knows its stuff
And bird-changed this century like Jesus climbs the sky
Devils in the abyss look up to watch
They say this century mimics Simon Magus in Judea
It takes a thief to catch a thief they cry
Angels flutter around the pretty trapeze act
Icarus Enoch Elijah Apollonius of Tyana
Hover as close to the airplane as they can
Sometimes they give way to other men hauling the Eucharist
Priests eternally climbing the elevating Host
The plane descends at last its wings unfolded
bursts into a million swallows
Full speed come the crows the owls and falcons
From Africa ibis storks flamingoes
The Roc-bird famous with writers and poets
Glides Adam's skull the original head in its talons
The horizon screams an eagle pouncing
And from America there comes a hummingbird
From China sinuous peehees
Who have only one wing and who fly in couples
And here's a dove immaculate spirit
Escorted by lyre-bird and shimmery peacock
Phoenix the pyre the self-resurrected
Obscures everything ardently briefly with ash
The sirens abandon their perilous channels
Each one singing more beautifully arrives
Everyone eagle Phoenix Chinese peehees
Eager to befriend a machine that flies
You are walking in Paris alone inside a crowd
Herds of buses bellow and come too close
Love-anguish clutches your throat
You must never again be loved
In the Dark Ages you would have entered a monastery
You are ashamed to overhear yourself praying
You laugh at yourself and the laughter crackles like hellfire
The sparks gild the ground and background of your life
Your life is a painting in a dark museum
And sometimes you examine it closely
You are walking in Paris the women are bloodsoaked
It was and I have no wish to remember it was the end of beauty
In Chartres from her entourage of flames Our Lady beamed at me
The blood of your Sacred Heart drenched me in Montmartre
I'm sick of hearing blissful promises
The love I feel is a venereal disease
And the image possessing you in your pain your insomnia
Vanishes and it is always near you
And now you are on the Riviera
Under lemon trees that never stop blooming
You are boating with friends
One is from Nice one is from Menton two from La Turbie
We are staring terrified at giant squid
At fish the symbols of Jesus swimming through seaweed
You are in the garden at an inn outside of Prague
You are completely happy a rose is on the table
And instead of getting on with your short-story
You watch the rosebug sleeping in the rose's heart
Appalled you see yourself reproduced in the agates of Saint Vitus
You were sad near to death to see yourself there
You looked as bewildered as Lazarus
In the Jewish ghetto the clock runs backwards
And you go backwards also through a slow life
Climbing the Hradchen listening at nightfall
To Bohemian songs in the singing taverns
You in Marseilles among the watermelons
Yu in Coblenz at the Hotel Gigantic
You in Rome beneath a Japanese tree
You in Amsterdam with a girl you find pretty who is ugly
She's engaged to marry a student from Leyden
Where you can rent rooms in Latin Cubicula locanda
I remember spending three days there and three in Gouda
You are in Paris hauled before the magistrate
You are under arrest you are a criminal now
You went on sorrowful and giddy travels
Ignorant still of dishonesty and old age
Love afflicted you at twenty and again at thirty
I've lived like a fool and I've wasted my time
You dare not look at your hands I want to weep all the time
On you on the one I love on everything that frightened you
And now you are crying at the sight of refugees
Who believe in God who pray whose women nurse babies
The hall of the train station is filled with the refugee-smell
Like the Magi refugees believe in their star
They expect to find silver mines in the Argentine
And to return like kings to their abandoned countries
One family carries a red eiderdown you carry your heart
Eiderdown and dreams are equally fantastic
Some of the refugees stay on in Paris settling
Into slums on the rue des Rosiers or the rue des Ecouffes
I have seen them often at dusk they breathe at their doorways
They budge from home as reluctantly as chessmen
They are chiefly Jewish the women wear wigs
And haunt backrooms of little shops in little chairs
You're standing at the metal counter of some dive
Drinking wretched coffee where the wretched live
You are in a cavernous restaurant at night
These women are not evil they are used-up regretful
Each has tormented someone even the ugliest
She is the daughter of a police sergeant from Jersey
Her hands I'd never noticed are hard and cracked
My pity aches along the seams of her belly
I humble my mouth to her grotesque laughter
You're alone when morning comes
The milkmen jingle bottles in the street
Night beautiful courtesan the night withdraws
Fraudulent Ferdine or careful Leah
And you drink an alcohol as caustic as your life
Your life you drink as alcohol
You walk to Auteuil you want to go on foot to sleep
At home among your South Sea and Guinean fetishes
Christs of another shape another faith
Subordinate Christs of uncertain hopes
Goodbye Goodbye
Sun cut throated
