"Autobiographies of great nations are written in three manuscripts – a book of deeds, a book of words, and a book of art. Of the three, I would choose the latter as truest testimony." - Sir Kenneth Smith, Great Civilisations
"I must write each day without fail, not so much for the success of the work, as in order not to get out of my routine." - Leo Tolstoy
I have never believed that one should wait until one is inspired because I think the pleasures of not writing are so great that if you ever start indulging them you will never write again. - John Updike
"The life of every man is a diary in which he means to write one story, and writes another; and his humblest hour is when he compares the volume as it is with what he vowed to make it." - J.M. Barrie, Peter Pan
Poetry is the shadow cast by our streetlight imaginations." - Lawrence Ferlinghetti
[Note - If any article requires updating or correction please notate this in the comment section. Thank you. - res]
The French artist, astronomer and amateur entomologist Étienne Léopold Trouvelot is noted for two major contributions in his lifetime. The first, and the one we are celebrating in this post, is the 7000 or so illustrations he created from his astronomical observations, the quality of which reached their zenith in the 15 exquisite pastel works which were published as The Trouvelot Astronomical Drawings in 1882 (and reproduced in this post). Trouvelot was invited onto the staff of the Harvard College Observatory when the then director Joseph Winlock saw the quality of his illustrations, and in 1875 he was invited to use the U. S. Naval Observatory's 26-inch refractor for a year. As well as his illustrations, Trouvelot also published some 50 scientific papers, and was credited with discovering "veiled spots" on the Sun in 1875.
The second and rather more unfortunate legacy Trouvelot left the world was the accidental widespread introduction of the highly destructive European Gyspy moth onto North American soil. With the intention of interbreeding Gypsy moths with silk worms to develop a silkworm industry, he'd brought some egg masses over from Europe in the mid-1860s and began raising gypsy moth larvae in the forest behind his house. It is unclear what exactly happened, but some of the larvae ended up escaping into the nearby woods. Although he reportedly notified some nearby entomologists and relevant officials no action was taken. A few decades later the species was rife.
The first photo of the moon was taken in 1850 by Louis Daguerre, from whom the daguerrotype gets its name. We have no idea what that first image looked like as it was lost in a studio fire. But the need to catalog the heavens with modern tools had started, and was both fascinating as it was lacking. Into this evolution of science and art stepped Étienne Léopold Trouvelot, the French immigrant, living in the States, an amateur scientist and an illustrator. He would dismiss photography of the heavens as “so blurred and indistinct that no details of any great value can be secured.” And by illustrating instead by he saw through telescopes, he secured a place in art *and* science history.
Trouvelot might have thought his scientific papers would be his legacy. He wrote fifty in his lifetime. Instead it is his roughly 7,000 illustrations of planets, comets, and other phenomena that still please us to this day. The New York Public Library has put 15 of his best up on their site, and over at this page, you can compare what Trouvelot saw—-the great astronomer Emma Converse called Trouvelot the “prince of observers”—-to photos from NASA’s archive.
Even if his Mars is a bit fanciful, looking translucent like a fish egg, his understanding of the planet echoes in the following century of sci-fi paranoia. Something strange must be there, he suggests.
Harvard hired him to sketch at their college’s observatory, and he used pastels to bring the planets to life. Engraving or ink would not have worked as well as these soft shapes and determined lines. His rendering of the moon surface is accurate but also fanciful, like whipped cream. And his sun spots might not be accurate, but they replicated the god-like forces at work on its tumultuous surface. His Saturn is the most realistic of them all. Even the NASA image doesn’t look too different to Trouvelot’s art.
These images also help rehabilitate Trouvelot’s other legacy—-the dreaded Gypsy Moth. Before his stint as amateur scientist, he was also an amateur entomologist, and while researching silkworms and silk production, accidentally let European gypsy moths into North America, where they wreaked havoc on the forests of North America. Saturn’s rings may look the same back then as they do now, but so does the damage of the gypsy moth, which according to Wikipedia is up to $868 million in damages per year.
Étienne Léopold Trouvelot (December 26, 1827 – April 22, 1895) was a Frenchartist, astronomer and amateur entomologist.[1][2] He is noted for the import and release of the gypsy moth into North America. The spread of the moths as an invasive species has resulted in the destruction of millions of hardwood trees throughout the eastern United States.
Trouvelot had an interest as an amateur entomologist. In the U.S., silk-producing moths were being killed off by various diseases. Trouvelot was very interested in Lepidopteralarvae including native North American silk moths which he believed could potentially be used for silk production. For reasons that remain unknown, Trouvelot brought some gypsy moth egg masses from Europe in the mid-1860s and was raising gypsy moth larvae in the forest behind his house. Unfortunately, some of the larvae escaped into the nearby woods. There are conflicting reports on the resulting actions. One states that despite issuing oral and written warnings of possible consequences, no officials were willing to assist in searching out and destroying the moths.[4] The other notes that he was aware of the risk and there is no direct evidence that he contacted government officials.[5]
Shortly following this incident, Trouvelot lost interest in entomology and turned again to astronomy. In this field he could put his skills as an artist to good use by illustrating his observations. His interest in astronomy was apparently aroused in 1870 when he witnessed several auroras.
When Joseph Winlock, the director of Harvard College Observatory, saw the quality of his illustrations, he invited Trouvelot to join the staff there in 1872. In 1875, he was invited to use the U. S. Naval Observatory to use the 26-inch refractor for a year. During the course of his life he produced about 7,000 quality astronomical illustrations. Fifteen of his most superb pastel illustrations were published by Charles Scribner's Sons in 1881. He was particularly interested in the Sun, and discovered "veiled spots" in 1875. He was elected a fellow of the American Academy of Arts and Sciences in 1877.[6]
Besides his illustrations, he published about 50 scientific papers.
By 1882, Trouvelot had returned to France and joined the Meudon Observatory where he worked with photography and became engaged in a bitter rivalry with his boss, the astronomer Jules Janssen.[7] This was a few years before the magnitude of the problem caused by his gypsy moth release became apparent to the local government of Massachusetts. He died in Meudon, France. The gypsy moth was considered a serious pest and attempts were underway to eradicate it (ultimately these were unsuccessful). To this date, the gypsy moth continues to expand its range in the United States, and together with other foliage-eating pests, cause an estimated $868 million in annual damages.[8]
When I heard the learn’d astronomer, When the proofs, the figures, were ranged in columns before me, When I was shown the charts and diagrams, to add, divide, and measure them, When I sitting heard the astronomer where he lectured with much applause in the lecture-room, How soon unaccountable I became tired and sick, Till rising and gliding out I wander’d off by myself, In the mystical moist night-air, and from time to time, Look’d up in perfect silence at the stars.
Hesiod, the Homeric hymns and Homerica
by Hesiod; Homer; Evelyn-White, Hugh G. (Hugh Gerard), d. 1924
Today we explore the creation myth of Greek Mythology. How Gaia and the other Primordial Gods and Goddesses came to be. How the Earth, the Sky, and the Ocean were formed. Come discover the story that lead to amazing characters, epic adventures, ferocious creatures and incredible legends.
MIDNIGHT
by Dorothy Parker
The stars are soft as flowers, and as near;
The hills are webs of shadow, slowly spun;
No separate leaf or single blade is here-
All blend to one.
No moonbeam cuts the air; a sapphire light
Rolls lazily. and slips again to rest.
There is no edged thing in all this night,
Save in my breast.
Sonnet 14
by William Shakespeare
Not from the stars do I my judgement pluck;
And yet methinks I have Astronomy,
But not to tell of good or evil luck,
Of plagues, of dearths, or seasons’ quality;
Nor can I fortune to brief minutes tell,
Pointing to each his thunder, rain and wind,
Or say with princes if it shall go well
By oft predict that I in heaven find...
Song to the Evening Star
by Thomas Campbell
Star that bringest home the bee,
And sett'st the weary labourer free!
If any star shed peace, 'tis thou,
That send'st it from above,
Appearing when Heaven's breath and brow
Are sweet as hers we love.
Come to the luxuriant skies
Whilst the landscape's odours rise,
Whilst far-off lowing herds are heard,
And songs, when toil is done,
From cottages whose smoke unstirred
Curls yellow in the sun.
Star of lover's soft interviews,
Parted lovers on thee muse;
Their remembrancer in heaven
Of thrilling vows thou art,
Too delicious to be riven
By absence from the heart.
Evening Star
by Edgar Allan Poe
'Twas noontide of summer,
And mid-time of night;
And stars, in their orbits,
Shone pale, thro' the light
Of the brighter, cold moon,
'Mid planets her slaves,
Herself in the Heavens,
Her beam on the waves.
I gazed awhile
On her cold smile;
Too cold- too cold for me-
There pass'd, as a shroud,
A fleecy cloud,
And I turned away to thee,
Proud Evening Star,
In thy glory afar,
And dearer thy beam shall be;
For joy to my heart
Is the proud part
Thou bearest in Heaven at night,
And more I admire
Thy distant fire,
Than that colder, lowly light.
Bright Star
by John Keats
Bright star, would I were stedfast as thou art—
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature’s patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth’s human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors—
No—yet still stedfast, still unchangeable,
Pillow’d upon my fair love’s ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever—or else swoon to death.
Lost Star
by Rabindranath Tagore
When the creation was new and all the stars shone in their first splendor, the gods held their assembly in the sky and sang `Oh, the picture of perfection! the joy unalloyed!'
But one cried of a sudden ---`It seems that somewhere there is a break in the chain of light and one of the stars has been lost.'
The golden string of their harp snapped, their song stopped, and they cried in dismay ---`Yes, that lost star was the best, she was the glory of all heavens!'
From that day the search is unceasing for her, and the cry goes on from one to the other that in her the world has lost its one joy!
Only in the deepest silence of night the stars smile and whisper among themselves ---`Vain is this seeking! unbroken perfection is over all!'
