"Autobiographies of great nations are written in three manuscripts – a book of deeds, a book of words, and a book of art. Of the three, I would choose the latter as truest testimony." - Sir Kenneth Smith, Great Civilisations

"I must write each day without fail, not so much for the success of the work, as in order not to get out of my routine." - Leo Tolstoy

I have never believed that one should wait until one is inspired because I think the pleasures of not writing are so great that if you ever start indulging them you will never write again. - John Updike

"The life of every man is a diary in which he means to write one story, and writes another; and his humblest hour is when he compares the volume as it is with what he vowed to make it." - J.M. Barrie, Peter Pan

Poetry is the shadow cast by our streetlight imaginations." - Lawrence Ferlinghetti


[Note - If any article requires updating or correction please notate this in the comment section. Thank you. - res]


Friday, April 17, 2026

R.E. Slater - What Dies Within Us While We Live


Illustration by R.E. Slater and ChatGPT

What Dies Within Us While We Live
by R.E. Slater

Death is not the greatest loss in life -
  the greatest loss,
  is what dies inside of us,
  while we still live.

It is in how we speak to one another -
  or how we do not speak,
  not in the truths we soften,
  nor the trembling silences we keep.

But in the violence that has numbed us -
  the images we scroll past,
  the soulless disturbances we feel,
  that can no longer can be named.

There are so many things that numb us daily -
  the small surrenders we make,
  the barely noticed we chose not to see,
  the unwanted thoughts that flood us.

It is not only in the wounds we suffer -
  but the parts of ourselves we have laid down,
  to just keep moving,
  in-and-out of each moment.

We lose when kindness goes unspoken -
  when truth is withheld for comfort,
  when injustice is ignored,
  when indifference holds our tongues.

We lose something when we stop feeling -
  when we no longer expect goodness,
  when we forget how to be moved,
  when our tears have dried up.

And in the numbing traces there remains -
  a memory of who we once were,
  before we learned to close ourselves off,
  to cease to feel.

Something that waits within us -
  restless,
  undying,
  angry at our silence.

To live deeply is to awaken -
  to feel deeply not merely endure,
  to participate in life around us,
  to remain no longer silent.

To gently,
  deliberately,
  learn to speak.

These would be words enough.
Words one might live by.


R.E. Slater
April 16, 2026
@copyright R.E. Slater Publications
all rights reserved



Authors Note

There are so many things in life that numb us daily, that quiet the better voice within us, that teach us to look away when we should look closer; to harden ourselves when we were meant to remain open.

They are not only the wounds we suffer, but the parts of ourselves we surrender in order to keep moving through pain and hardship.

Yet we lose something when kindness goes unspoken, when truth is withheld for comfort, when injustice goes ignored.

We lose something when we stop listening to each other's pain, when we no longer expect goodness from one another, when we forget how to be moved, to feel, to ache.

But know that what has quieted in our souls has not left. Even in the numbing, there remains a trace, a memory, of who we were before we learned from others how to close ourselves off.

And perhaps the deeper work of living is not merely to learn to endure and be numb - but to notice when we have gone silent within, and gently, deliberately, begin to speak again.

To feel - and be willing to awakened to harm that truth, beauty, and love might live again.


Thursday, April 16, 2026

R.E. Slater - A King of Folly



A King of Folly
by R.E. Slater

For if anyone is a hearer of the word and not a doer,
he is like a man who looks at his natural face in a mirror;
for once he has looked at himself and gone away, he
has immediately forgotten what kind of person he was.
- James 1.23-24 (ESV)


To the King of Folly whose wisdom
    runs dry like rivers in drought -
Whose follies lie worthless as deserts
    absorbing their own acid rains.

Whose fractured thoughts echo
    daily sycophant dreams,
Warped and estranged in unholy
    flattery's indulgent haste.

Who build’st golden, gilded towers
    on the shifting sands of turning tides -
Proclaiming seering mockeries
    that stab and hate unbowed knees.

Every word a poison that chokes and rots,
each lie a festering wound meant to kill.

Thy haughty counsel strides
   heaven and earth in mighty roar -
Tracing the mortal lives of men
    across its directionless glare.

Thy pomposity soars to the heavens
    mocking reason, caution, or claim -
And vanity stand'st fetid chambers in
    uplifted chin and waggling tongue.

Believng all the world is thine
    to remake in graven image,
thy bluster its throne
    'neath a crown of derision.

Across mere span of months and years
    sense stands aside in exhausted despair -
Though truth refuses any such games yet
    its speech falls hollow hardened souls.

So here’s to the Greatest Marvel of our Age -

Hail, to our King of High Folly,
    exalted and lifted up,
A born deceiver - our man of lawlessness,
    untamed and untameable.

A chosen nation's man-made golden calf
    whose false signs and wonders -
Rises its golden altar of unholy deeds
    and ruinous destructions.

Hail, O' King,
Hail, O' Nation,
Unwise, and
Alone.


R.E. Slater
April 16, 2026
@copyright R.E. Slater Publications
all rights reserved



Friday, April 10, 2026

R.E. Slater - The Woman Who Tends


Illustration by R.E. Slater and ChatGPT

The Woman Who Tends
by R.E. Slater and ChatGPT

There's so many different reasons why we need old trees.
They sequester carbon. They create habitat that younger
trees cannot provide. [Aesthetically], they carry a unique
beauty in their old age. - Beth Moon, photographer
What saith the woman
  who tendeth another’s garden -
  whose hands nurture what she does not own,
  whose labor blooms in another’s name?

She speaks in the language of soil,
  in the patience of seasons that do not remember her.
Her fingers learn the roots of foreign things,
  tracing their thirst into the borrowed ground.

Morning finds her before the early light has settled,
  as shadow among the soils calling her kin.
She waters what will not bear her name,
  prunes what will never speak her story.

Yet, there is a knowing
  beneath her tending care -

The receiving earth does not ask
  who owns the seed.
But ingests
  what is given.

And in the quiet
  between wind and breath
she feels within the quieting earth -
  a loosening, an understanding.

Neither of duty,
  nor of boundary -
But of calling,
  as living soul to living soul.

For what is a garden
  but a crossing of lives -
root into soil,
hand into growth,
self into what is not-self?


The toiler gathers no harvest for herself,
  yet something within her ripens -
Not fruit,
not flower,
but a widening of understanding.


A slow re-awakening
  that care is its own belonging.

And when the evening shadows
  lengthen across the spreading beds,
and last lights linger on leaf and stem,
  there, she pauses -

not as owner,
not as stranger,
but as living witness.


Where garden and gardener
  for a moment,
answer one to the other -
  We are connected
  by our entangling roots.


R.E. Slater and ChatGPT
April 10, 2026
@copyright R.E. Slater Publications
all rights reserved



Author's Notes
The garden is more than metaphor. It is a site of processual becoming in which reality is encountered as a relational field; soulful identity is understood as participation; and meaning arises through lived encounter. Together, these several elements suggest a form of lived, and embodied, processual realism.

- R.E. Slater

Attribution Notes
The opening thematic and stylistic inspiration is drawn from the authored work, "Trees and Other Entanglements," by Tasneem Khan, whose sensibilities are also reflected in the documentary work associated with the same title.

The initial four lines are a creative reconstruction inspired by Khan’s prose style and are not presented as a direct quotation.

The poem itself is an original composition, written in the mood, cadence, and thematic field of Khan’s work. Its visual and narrative interpretations give particular attention to themes of displacement and belonging, labor and invisibility, relational identity, and quiet interior of rupture and transformation.

- R.E. Slater

Trees and Other Entanglements
HBO Documentary
"Trees and Other Entanglements," is an 2023 HBO Original Documentary by filmmaker Irene Taylor  showcasing the deeply human tale of mankind's relationship with the natural world - and with one another. It premiered on December 12 on (HBO) Max. In the film Taylor explores the deep, symbiotic relationship between humans and trees through several interconnected stories, including a bonsai master, a photographer, a mother protecting forests, and a man planting saplings, all while weaving in personal narratives about family, loss, and survival - including the director's own struggle with Alzheimer's.


Tasneem Khan Bio

Tasneem Khan is a biologist, educator, photographer, and interdisciplinary storyteller whose work moves between ecology, art, and experiential learning. Trained in marine zoology, she has spent over a decade developing programs in conservation, environmental education, and creative science communication.

Khan’s work does not sit neatly within a single category. She is not only an “author” in the conventional sense, but rather a field-based thinker and creative practitioner whose writing emerges from lived ecological engagement. This helps explain why her voice often reads less like conventional prose and more like compressed, contemplative poetry shaped by environment and experience.

Her career includes significant field-based work with the Andaman and Nicobar Islands Environmental Team, where she helped design and lead immersive ecological learning initiatives.

Khan is also a co-founder of EARTH CoLab, an initiative focused on outdoor education, ecological awareness, and interdisciplinary collaboration.

Across her writing, photography, and educational projects, she explores themes of:

  • human-nature relationships
  • place-based learning
  • ecological consciousness
  • relational and experiential knowledge

Her literary work, including Trees and Other Entanglements, reflects this same sensibility, blending scientific awareness with poetic, reflective prose.


Links & Presence
Where to Read Her

Here is a thoughtful entry sequence, moving from ecological grounding to literary expression.

1. Foundational Voice (Ecology & Reflection)

These pieces show:

  • her observational discipline
  • her sensitivity to landscape
  • the roots of her later literary tone

2. Interdisciplinary & Reflective Writing

Here you begin to see:

  • ecological thought blending with philosophy
  • short-form reflective prose approaching poetry

3. Core Literary Work

  • Trees and Other Entanglements

This is where everything converges:

  • ecology becomes metaphor
  • metaphor becomes identity
  • identity becomes relational inquiry

Read this slowly. It is not plot-driven in the conventional sense. It is atmosphere-driven.


4. Ongoing Creative Presence

This functions almost like:

  • a living notebook
  • a stream of images + thoughts
  • fragments that echo her larger themes






Monday, April 6, 2026

R.E. Slater - Between the Tomb and Morning


An olive tree in the morning planted for peace and endurance

Between the Tomb and Morning
by R.E. Slater and ChatGPT

Nation shall not lift up sword against nation,
neither shall they learn war anymore.
- Isaiah 2:4

God invites to the home of peace
and guides whom He wills to a straight path.
- Qur’an 10:25

Peace I leave with you;
my peace I give to you.
- John 14:27

Across the broken earth
its stones weigh upon the ground.

Cities burn -
where prophets once walked

whether in Iran,
or Lebanon,
in Israel,
or America.

Fear speaks louder than hope,
and grief has learned
too many names.

This is not a distant sorrow
far removed from memory -

It is the same stony soils
where Abraham learned to listen,
where Moses trembled before the fire,
where Mary said yes,
where Jesus was crucified,
where the call to prayer still rises -
over broken streets and griefs.

The same dust
that tasted blood
tastes it again
too often
too many times.

And still Easter comes
And cries remains.

Allahu Akbar - "God is greater"
than the violence we make.

Shema Yisrael - "The Lord is One"
even when we hate and divide.

Χριστός ἀνέστη! - "Christ is risen!"
for in hope, or what's left,
life refuses the final word of death.

Together, these are not
competing truths -
but ancient truths echoing
a deeper call

that God is not owned
by any one nation;
not contained
nor confined
by hardened beliefs

that God is not triumph,
but interruption -

not certainty,
but question.

The question?

What does it mean
to have God present

without violence -
without wound -
without tears?

The Holy One -
known by many names -

still meets us
in our wounds

the Risen One bears our scars -
the Merciful One knows our frailty -
the Eternal One calls us to remember.

Even as the voice of his Spirit
moves through
synagogue, mosque, and church:

Return.
Remember.
Become new.
Learn to love again.

These ancient words
have been spoken
into every divided land
across the earth:

“Peace be with you.”
“Shalom.”
“Salaam.”

Hear their summons.
Repent their misuse.
Lay down the stones.
Step from the lifeless tombs
  we have made for one another.

Let resurrection
be stronger than revenge.

Let rahma mercy -
interrupt memory.

Let tzedek justice -
be guided by compassion.

Let agape love -
outlast remembrance.

For if God is One -
then no people are meant for division.

If God is Merciful -
then no life is beyond care.

If Christ is risen -
then no grave is the end.

 - But neither is peace automatic.

It must be chosen
again
and again
and again
and again.

So this Easter morning,
in a world of hatred and fear
do not deny the darkness.

But let us each walk into it
carrying a different light.

A light known in many tongues,
yet born of the same heavy longing -

that death will not have the final word.

Let us together repeat -
even here,
even now:

God is greater.
God is One.
Christ is risen.

Let the world
begin again.


R.E. Slater and ChatGPT
April 5, 2026
@copyright R.E. Slater Publications
all rights reserved



Evening to morning. Let there be rest. Let their be peace.


A Prayer for Torn Worlds
A Tri-Faith Easter Meditation for a World in Conflict
by R.E. Slater and ChatGPT

God is Love. - I John 4.8

O God of many names -
  God of Abraham,
  God of mercy and memory,
  God revealed in compassion and قرب (nearness),
  God known in Christ as love enduring -

We gather in a world still trembling.

Where fear divides,
where anger hardens,
where violence speaks too quickly
and peace too slowly.

You who are One -
  teach us to see one another
  beyond the names we fear.

You who are Merciful -
  soften what has become unyielding in us.

You who are Living -
  breathe again into what feels lost, buried, or beyond repair.

In lands torn by history and hurt -
whether Iran, Lebanon, Israel, or America -
  let remembrance become wisdom,
  not weapon.

  Let justice be guided by compassion.
  Let truth be spoken without hatred.
  Let grief find its voice without becoming vengeance.

And where hearts have grown weary,
plant again the quiet courage of peace.

As Christ passed through death into life,
as Your word calls all people toward peace -
so move among us now:

not above our divisions,
but within them.

Not instead of us,
but through us.

Until swords are laid down,
until neighbors are no longer strangers,
until peace is no longer spoken as hope alone -
but lived.

Amen.


R.E. Slater and ChatGPT
April 5, 2026
@copyright R.E. Slater Publications
all rights reserved



Saturday, March 21, 2026

R.E. Slater - The Last Cartographer



The Last Cartographer
by R.E. Slater and ChatGPT

The signal arrived in pieces,
each line of frequency disrupted,
as if meaning itself had broken in transit.

Movement I - The Unstable Map

The star map would not stay drawn either.
Each line I placed upon it shifted
beneath my hand bending to another place.

What began in certainty -
a fixed north,
a clean horizon,
measured distances,
transformed and relocated.

What was there
was not there.
What seemed meaningful
magically realigned elsewhere.

When checking the lab's instruments
they all agreed... and then they didn't.

Numbers held
for a moment longer than sight -
then loosened
like rising breath in winter air.

There we were,
nothing fixed,
grids misaligned,
time locations displaced.

Yet the more precise we became
the less the world remained.
Quantum frequencies
came-and-went at will.

It felt as if we were the intruders
to worlds alien to our touch.

Unmappable,
continually shifting,
and disappearing altogether.

The problem was not our instruments,
nor our measurements,
but our own assumptions...

Our definitions.
Our approach.
Our beliefs.
None were stable...


Movement II - Interference

The next thing we hear was noise.
Not error. Not exactly -
but a persistent collapse
beneath the static.

Somewhere between the broken frequencies
came repeated, irregular intervals -
intentionally...
but just beyond recognition.

We filtered for anomaly.
We reduced bandwidth.
We isolated signal bands.
Stripped away drift.

What remained
was not less
but more.

Patterns began to emerge
where no patterns were expected.

Flashing. Holding.
Echoing, then disappearing.
If language, we did not understand.

It resisted translation.
As if traumatized.
Crying for help.

Our attempts to correct the wavers
caused the frequencies to drift and shift.

We assumed interference.
Cross-signals.
Background radiation.
Residual echo.

But the intervals
strangely began to anticipate us.

Before every adjustment
they mysteriously changed
ahead of our corrections.

Before measurement
they moved.

It was then
we stopped correcting.

And listened.

Not for structure -
but for a relational connection
that we could not create on our own.

The signal did not speak to us.
It changed with us...

When we tightened the grid
it scattered.

When we loosened
it gathered.

When we waited
it approached.

There was no center.
Only proximity.

And in that proximity
a realization pressed inward:
    we were not observing
        a phenomenon.
    We were participating
        in it.

A second field then entered -
not across space,
but across our responses.

Not other in form,
but other in coherence.

We marked its presence
as best we could
but it did not remain.

We erased the mark.
We calibrated.
It returned.

Not where it had been -
but where we had not looked.

The map of sorts was no longer failing.
It was refusing to remain unchanged
when encounter occurred...


Movement III - The Break

It did not happen gradually.
There was no warning
we could measure.

One single interval -
out of sequence,
out of pattern,
that held.

It did not drift,
nor did it respond.
It simply refused connection.

That echoing cry for help
scattered all that had gathered
collapsing into stillness
marking something akin to death.

We marked it.
It remained.
We tested it.
It did not change.

For a moment
we believed
we had found a new lifeform.

A fixed point
unknown,
unsought,
but alive.

But now all was still.
No grid transpondence.
No echo location.
Simply static everywhere about.

Coordinates bent inward.
Time-stamps misaligned.
Reference frames fractured.

The instruments began
to contradict themselves
in unison.

Not in error -
but conflict.

It was then
we understood:
    this was not
    a discovery.

It was a break.

Something had entered
our systems in relational response.

But those systems contained -
offering no freedom,
no evolution,
no responding relationship.

Our presence was absent.
Our signal not evolving.
Our instrumentations merely measuring.

We were not present.

The signal no longer changed with us.
It required something else.
A connection.

Not a methodology.
Not procedure.

Something personal.
Something alive.
Something meaningful.

In the lab there was no protocol
for what followed.
To proceed meant abandoning
our carefully constructed grid.

But to remain as we were
meant losing the mysterious signal
we were beginning held a dimensional door.

We hesitated.
And in that hesitation
the interval surprisingly awoke.
It pulsed.

As if waiting that we understood.
As if the break was not in the signal -
but in us.

No one spoke.
The room held
between two worlds:

... the one we could still measure
and the one that would not be measured.

Reaching for the console
we stopped.
Not from uncertainty -
but from recognition.

That in the act itself
would be decided
what the signal
could become.

Not so much observed -
but rather in the ensuing response
that followed our act.

The map had ended.
The experiment was dead.

What remained was life
and whether we would
continue with its
responsive outreach...


Movement IV - The Threshold

We did not cross the threshold.
It allowed us
to cross to it.

No switch was thrown.
No system disengaged.
The instruments remained,
but we no longer relied on them.

We loosened our grip
from measuring the uncertain
and waited
for what might be received.

At first
nothing changed.

The interval between present
and future held back -
unmoving... silent.

We waited.
Not daring to interfere.

We did not name it.
We did not locate it.
We remained.

And in remaining
something subtle shifted -
not in the signal
but in us.

The room did not dissolve
but seemed to deepen.

Time no longer advanced
but gathered into felt presence.

The interval pulsed alive -
not as before
but within each of us.

Carrying its signal
into our very beings.
No longer external,
no longer distant...

but pulsing in the space
between us.

We were no longer
observers of the field.
We had become
part of first contact's coherence.

Not absorbed.
Not erased.
But re-formed
through relation.

Then signal returned -
not where we had marked it,
but where we had opened.

Not as data,
but as a joining response.

We spoke -
not in language
but in attention.

And what we offered
was no longer measured control
but living, responding, presence.

Unnoticed frequencies then gathered.
Not into any holding pattern
but more like a movement
we could follow.

What we were learning
was that our efforts
to fix, to capture, to measure,
prevented connection.

That it was more important
to remain in correspondence.

Neither the grid nor our map of sorts
returned.

Something else did.
Something unmeasurable.
Uncollectible.

Fields of interplaying relations
continuously forming and reforming
with every act of our presence.

What we once called distance
became difference held in connection.

What we once called signal
became response shared in becoming.

And what we once called reality
no longer stood apart waiting to be known...

No -  rather, it moved with us.
in a cosmic dance
we each still remember.

The map was never the world.
The signal was never the message.
The break was never the end.

It was the invitation that was meaningful.
It came unsolvable.
It entered when we entered.
It cohered as we cohered.

What pulsed was life.
What echoed was our own reflection
to its own infinite hearing.

It was measuring us
even as we were measuring it -
unaware, that in the process
we might become meaningfully alive
to one another.


R.E. Slater
March 21, 2026
@copyright R.E. Slater Publications
all rights reserved


Authorial Notes

As a metaphysical narrative in poetic form three things are occurring:

1. The Story Itself
  • A lab
  • A signal
  • A breakdown
  • A threshold
2. A Philosophy is Building
  • Reality is relational
  • Knowledge is participatory
  • Truth co-emerges with one another
3. An Quiet Experience is Happening
  • Disorientation →
  • Hesitation →
  • Decision →
  • Transformation →
Within this narrative I wanted to integrate the following perspectives:
  • Whitehead → relational becoming (Movement IV especially)

  • Lacan → fracture, misrecognition, interior rupture

  • Badiou → the Event + decision + fidelity

  • The Arrival (film) → transformed temporality and perception

  • Hail Mary (film) → relational co-creation

  • The Martian (film) → methodological limits

I also wanted to demonstrate a new process I recently uncovered that I am calling "Embodied Process Realism" where:
  • Reality is not observed → it is entered
  • Meaning is not decoded → it is co-formed
  • Truth is not fixed → it is relationally lived
These ideas I then tried to capture in the line,

"It was measuring us - even as we were measuring it."

In this line is the core axiom of the poetic project. And in that axiom three functions are occurring:

i) there is the collapse of the subject/object distinction;
ii) observer independence is dissolved; and,
iii) there is the introduction of mutual becoming.

Together, these qualities describe what I mean by "embodied process realism" in one line.

Lastly, not only was the signal resolved, the message decoded, and the event entered into - but, in the process:
  • mutual recognition resulted,
  • co-presence became determinative, and
  • relationships that were unfinished, connected, then were left leaving the recipients distinctly transformed.
It's similar to the quantum axiom, "When we measure reality, reality measures us back."

Reality is not encountered as an object,
but as a relation that becomes aware of us
as we become aware of it.
This is the transformation of Reality.
- R.E. Slater