"Autobiographies of great nations are written in three manuscripts – a book of deeds, a book of words, and a book of art. Of the three, I would choose the latter as truest testimony." - Sir Kenneth Smith, Great Civilisations

"I must write each day without fail, not so much for the success of the work, as in order not to get out of my routine." - Leo Tolstoy

I have never believed that one should wait until one is inspired because I think the pleasures of not writing are so great that if you ever start indulging them you will never write again. - John Updike

"The life of every man is a diary in which he means to write one story, and writes another; and his humblest hour is when he compares the volume as it is with what he vowed to make it." - J.M. Barrie, Peter Pan

Poetry is the shadow cast by our streetlight imaginations." - Lawrence Ferlinghetti


[Note - If any article requires updating or correction please notate this in the comment section. Thank you. - res]


Monday, October 31, 2011

Rudyard Kipling's Literary Quotes


Rudyard Kipling Literary Quotes

...One of my favorite authors –RE Slater


Rudyard Kipling - 1865 to 1936



“Words are, of course, the most powerful drug used by mankind.”
Rudyard Kipling



 “I never made a mistake in my life; at least, never one that I couldn't explain away afterwards.”
Rudyard Kipling



 “If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too!”
Rudyard Kipling, If: A Father's Advice to His Son



 “If you can walk with the crowd and keep your virtue, or walk with Kings-nor lose the common touch; If neither foes nor loving friends can hurt you; If all men count with you, but none too much; If you can fill the unforgiving minute with 60 seconds worth of distance run- Yours is the earth and everything that's in it, And-which is more-you'll be a man my son.”
Rudyard Kipling, If: A Father's Advice to His Son



 “I always prefer to believe the best of everybody; it saves so much trouble”
Rudyard Kipling



 “A woman's guess is much more accurate than a man's certainty.”
Rudyard Kipling



“If history were taught in the form of stories, it would never be forgotten.”
Rudyard Kipling



“For the female of the species is more deadly than the male.”
Rudyard Kipling



“Take everything you like seriously, except yourselves.”
Rudyard Kipling



“For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack.”
Rudyard Kipling, The Jungle Book



“I keep six honest serving men (they taught me all i knew); Theirs names are What and Why and When And How And Where and Who.”
Rudyard Kipling



“You must learn to forgive a man when he's in love. He's always a nuisance.”
Rudyard Kipling, The Light That Failed



“God could not be everywhere, and therefore he made mothers.”
Rudyard Kipling



“War is an ill thing, as I surely know. But 'twould be an ill world for weaponless dreamers if evil men were not now and then slain.”
Rudyard Kipling



“Buy a pup and your money will buy
Love unflinching that cannot lie.”
Rudyard Kipling



“IF you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:
If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools:

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: 'Hold on!'

If you can talk with crowds and keep your virtue,
' Or walk with Kings - nor lose the common touch,
if neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!”
Rudyard Kipling



“A man can never have too much red wine, too many books, or too much ammunition”
Rudyard Kipling



“The Cat. He walked by himself, and all places were alike to him.”
Rudyard Kipling



“My heart is so tired”
Rudyard Kipling



“I will remember what I was, I am sick of rope and chains -
I will remember my old strength and all my forest affairs.
I will not sell my back to man for a bundle of sugar cane;
I will go out to my own kind, and the wood-folk in their lairs.
I will go out until the day, until the morning break -
Out to the wind's untainted kiss, the water's clean caress;
I will forget my ankle-ring and snap my picket stake.
I will revisit my lost love and playmates masterless!”
Rudyard Kipling, The Jungle Books



“And the first rude sketch that the world has seen
was joy to his mighty heart,
Till the Devil whispered behind the leaves, "It's pretty, but is it art?”
Rudyard Kipling, The Barrack-Room Ballads and Other Verses



 “He wrapped himself in quotations as a beggar would enfold himself in the purple of Emperors.”
Rudyard Kipling



 “Now this is the Law of the Jungle -- as old and as true as the sky;
And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die.
As the creeper that girdles the tree-trunk the Law runneth forward and back --
For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack.”
Rudyard Kipling



 “When young lips have drunk deep of the bitter waters of hate, suspicion and despair, all the love in the world will not wholly take away that knowledge. Though it may turn darkened eyes for a while to the light, and teach faith where no faith was. ”
Rudyard Kipling



“If you can wait and not be tired of waiting, or being lied about, don't deal in lies. Or being hated, don't give way to hating, and yet don't look too good, nor talk too wise.”
Rudyard Kipling, If: A Father's Advice to His Son



“At two o'clock in the morning, if you open your window and listen,
You will hear the feet of the Wind that is going to call the sun.
And the trees in the Shadow rustle and the trees in the moonlight glisten,
And though it is deep, dark night, you feel that the night is done.”
Rudyard Kipling



“Of all the liars in the world, sometimes the worst are our own fears.”
Rudyard Kipling



“We had a kettle; we let it leak:
Our not repairing made it worse.
We haven't had any tea for a week...
The bottom is out of the Universe.”
Rudyard Kipling



 “I have struck a city - a real city - and they call it Chicago. The other places don’t count. Having seen it, I urgently desire never to see it again. It is inhabited by savages”
Rudyard Kipling



 “Asia is not going to be civilised after the methods of the West. There is too much Asia and she is too old.”
Rudyard Kipling



“How can you do anything until you have seen everything,or as much as you can?”
Rudyard Kipling, The Light That Failed



“All the people like us are we, and everyone else is they.”
Rudyard Kipling



“The glory of the garden lies in more than meets the eye.”
Rudyard Kipling



“The first condition of understanding a foreign country is to smell it.”
Rudyard Kipling



“They will come back, come back again,
As long as the red earth rolls.
He never wasted a leaf or a tree.
Do you think he would squander souls?”
Rudyard Kipling



“The python dropped his head lightly for a moment on Mowgli's shoulders. "A brave heart and a courteous tongue," said he. "They shall carry thee far through the jungle, manling. But now go hence quickly with thy friends. Go and sleep, for the moon sets and what follows it is not well that thou shouldst see.”
Rudyard Kipling, The Jungle Books



“There is but one task for all-
One life for each to give.
What stands if Freedom fall?”
Rudyard Kipling



“A black shadow dropped down into the circle. It was Bagheera the Black Panther, inky black all over, but with the panther markings showing up in certain lights like the pattern of watered silk. Everybody knew Bagheera, and nobody cared to cross his path, for he was as cunning as Tabaqui, as bold as the wild buffalo, and as reckless as the wounded elephant. But he had a voice as soft as wild honey dripping from a tree, and a skin softer than down.”
Rudyard Kipling, The Jungle Books



“They are fools who kiss and tell'--
Wisely has the poet sung.
Man may hold all sorts of posts
If he'll only hold his tongue.”
Rudyard Kipling



“Now India is a place beyond all others where one must not take things too seriously—the midday sun always excepted.”
Rudyard Kipling, Plain Tales from the Hills



“As surely as Water will wet us, as surely as Fire will burn,
The Gods of the Copybook Headings with terror and slaughter return!”
Rudyard Kipling



“If you can think–and not make thoughts your aim.”
Rudyard Kipling, If: A Father's Advice to His Son



“These are the four that are never content: that have never been filled since the dew began-
Jacala's mouth, and the glut of the kite, and the hands of the ape, and the eyes of Man.”
Rudyard Kipling, The Jungle Books



“If you can meet with Triumph and Disaster
And treat those two impostors just the same.”
Rudyard Kipling



“Of course the Man was wild too. He was dreadfully wild. He didn't even begin to be tame till he met the Woman, and she told him that she did not like living in his wild ways. She picked out a nice dry Cave, instead of a heap of wet leaves, to lie down in; and she strewed clean sand on the floor; and she lit a nice fire of wood at the back of the Cave; and she hung a dried wild-horse skin, tail down, across the opening of the Cave; and she said, 'Wipe your feet, dear, when you come in, and now we'll keep house.”
Rudyard Kipling, Just So Stories



“Yet there be certain times in a young man’s life, when, through great sorrow or sin, all the boy in him is burnt and seared away so that he passes at one step to the more sorrowful state of manhood”
Rudyard Kipling



“All we have of freedom
All we use or know
This our fathers bought for us
Long and long ago”
Rudyard Kipling



“The tumalt and shouting dies,
The captains and the kings depart.
Still stands thine ancient sacrifice,
An humble and a contrite heat.
Lord God of Hosts, be with us yet,
Lest we forget, lest we forget.”
Rudyard Kipling



“There are few things sweeter in this world than the guileless, hotheaded,
intemperate, open admiration of a junior. Even a woman in
her blindest devotion does not fall into the gait of the man she
adores, tilt her bonnet to the angle at which he wears his hat, or
interlard her speech with his pet oaths.”
Rudyard Kipling, Indian Tales



“Something I owe to the soil that grew—
More to the life that fed—
But most to Allah who gave me two
Separate sides to my head.”
Rudyard Kipling, Kim



“TWENTY bridges from Tower to Kew -
Wanted to know what the River knew,
Twenty Bridges or twenty-two,
For they were young, and the Thames was old
And this is the tale that River told:”
Rudyard Kipling



“Good Lord! who can account for the fathomless folly of the public?”
Rudyard Kipling, The Light That Failed




“She is intensely human, and lives to look upon life.”
Rudyard Kipling



“It is not a good fancy,' said the llama. 'What profit to kill men?'
Very little - as I know; but if evil men were not now and then slain it would not be a good world for weaponless dreamers.”
Rudyard Kipling, Kim



Outsong in the Jungle

[Baloo:] For the sake of him who showed
One wise Frog the Jungle-Road,
Keep the Law the Man-Pack make
For thy blind old Baloo's sake!
Clean or tainted, hot or stale,
Hold it as it were the Trail,
Through the day and through the night,
Questing neither left nor right.
For the sake of him who loves
Thee beyond all else that moves,
When thy Pack would make thee pain,
Say: "Tabaqui sings again."
When thy Pack would work thee ill,
Say: "Shere Khan is yet to kill."
When the knife is drawn to slay,
Keep the Law and go thy way.
(Root and honey, palm and spathe,
Guard a cub from harm and scathe!)

Wood and Water, Wind and Tree,
Jungle-Favour go with thee!

[Kaa:] Anger is the egg of Fear--
Only lidless eyes see clear.
Cobra-poison none may leech--
Even so with Cobra-speech.
Open talk shall call to thee
Strength, whose mate is Courtesy.
Send no lunge beyond thy length.
Lend no rotten bough thy strength.
Gauge thy gape with buck or goat,
Lest thine eye should choke thy throat.
After gorging, wouldst thou sleep ?
Look thy den be hid and deep,
Lest a wrong, by thee forgot,
Draw thy killer to the spot.
East and West and North and South,
Wash thy hide and close thy mouth.
(Pit and rift and blue pool-brim,
Middle-Jungle follow him!)

Wood and Water, Wind and Tree,
Jungle-Favour go with thee!

[Bagheera:] In the cage my life began;
Well I know the worth of Man.
By the Broken Lock that freed--
Man-cub, ware the Man-cub's breed!
Scenting-dew or starlight pale,
Choose no tangled tree-cat trail.
Pack or council, hunt or den,
Cry no truce with Jackal-Men.
Feed them silence when they say:
"Come with us an easy way."
Feed them silence when they seek
Help of thine to hurt the weak.
Make no bandar's boast of skill;
Hold thy peace above the kill.
Let nor call nor song nor sign
Turn thee from thy hunting-line.
(Morning mist or twilight clear,
Serve him, Wardens of the Deer!)

Wood and Water, Wind and Tree,
Jungle-Favour go with thee!

[The Three:] On the trail that thou must tread
To the threshold of our dread,
Where the Flower blossoms red;
Through the nights when thou shalt lie
Prisoned from our Mother-sky,
Hearing us, thy loves, go by;
In the dawns when thou shalt wake
To the toil thou canst not break,
Heartsick for the Jungle's sake;
Wood and Water, Wind air Tree,
Wisdom, Strength, and Courtesy,
Jungle-Favour go with thee!”
Rudyard Kipling, The Jungle Books



 “I am the Cat who walks by himself, and all places are alike to me.”
Rudyard Kipling, Just So Stories



 “God help us for we knew the worst too young.”
Rudyard Kipling, The Light That Failed



 “There is sorrow enough in the natural way
From men and woman to fill our day;
But when we are certain of sorrow in store,
Why do we always arrange for more?
Brothers & Sisters, I bid you beware
Of giving your heart to a dog to tear.”
Rudyard Kipling



 “At twenty the things for which one does not care a damn should, properly, be many.”
Rudyard Kipling



“OH, East is East, and West is West, and never the twain shall meet,
Till Earth and Sky stand presently at God’s great Judgment Seat;
But there is neither East nor West, Border, nor Breed, nor Birth,
When two strong men stand face to face, tho’ they come from the ends of the earth!”
Rudyard Kipling, Poems



“Also, we will make promise. So long as The Blood endures,
I shall know that your good is mine: ye shall feel that my strength is yours:
In the day of Armageddon, at the last great fight of all,
That Our House stand together and the pillars do not fall.”
Rudyard Kipling



“If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And hold on when there's nothing in you
Except the Will which says to them: "Hold on!”
Rudyard Kipling



“O it's Tommy this, and Tommy that, and Tommy 'ow's your soul/But it's thin red line of heroes when the drums begin to roll.”
Rudyard Kipling, The Barrack-Room Ballads and Other Verses



“Too much work and too much energy kill a man just as effectively as too much assorted vice or too much drink”
Rudyard Kipling

“All good people agree,
And all good people say,
All nice people, like Us, are We
And every one else is They:
But if you cross over the sea,
Instead of over the way,
You may end by (think of it!) looking on We
As only a sort of They!”
Rudyard Kipling



 “If you hit a pony over the nose at the outset of your acquaintance, he may not love you but he will take a deep interest in your movements ever afterwards”
Rudyard Kipling



 “I had never seen the jungle. They fed me behind bars from an iron pan till one night I felt that I was Bagheera - the Panther - and no man's plaything, and I broke the silly lock with one blow of my paw and came away; and because I had learned the ways of men, I became more terrible in the jungle than Shere Khan.”
Rudyard Kipling, The Jungle Books



“Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can;
But kill not for pleasure of killing, and seven times never kill Man!”
Rudyard Kipling



A Ripple Song

Once a ripple came to land
In the sunset burning-
Lapped against a maiden's hand,
By the ford returning.

Dainty foot and gentle breast-
Here, across, be glad and rest.
"Maiden, wait," the ripple saith
"Wait awhile, for I am Death!"

'Where my lover calls I go-
Shame it were to treat him coldly-
'Twas a fish that circled so,
Turning over boldly.'

Dainty foot and tender heart,
Wait the loaded ferry-cart.
"Wait, ah, wait!" the ripple saith;
"Maiden, wait, for I am Death!"

'When my lover calls I haste-
Dame Disdain was never wedded!'
Ripple-ripple round her waist,
Clear the current eddied.

Foolish heart and faithful hand,
Little feet that touched no land.
Far away the ripple sped,
Ripple-ripple-running red!”
Rudyard Kipling, The Jungle Books



“We have forty million reasons for failure, but not a single excuse.”
Rudyard Kipling



“If you can fill the unforgiving minute with sixty seconds worth of distance run- Yours is the Earth and everything in it...”
Rudyard Kipling



“The Man went to sleep in front of the fire ever so happy; but the Woman sat up, combing her hair. She took the bone of the shoulder of mutton – the big fat blade bone – and she looked at the wonderful marks on it, and she threw more wood on the fire, and she made a Magic. She made the first Singing Magic in the world.”
Rudyard Kipling, Just So Stories



“No doubt but ye are the People - absolute, strong and wise;
Whatever your hear has desired ye have not withheld from your eyes.
On your own heads, in your own hands, the sin and the saving lies!”
Rudyard Kipling



“If you can keep your head when all about you are losing theirs”
Rudyard Kipling



“Hear and attend and listen; for this befell and behappened and became and was: O my Best Beloved, when the tame animals were wild”
Rudyard Kipling, Just So Stories



“You perceive, do you not, that our national fairy tales reflect the inmost desires of the Briton and the Gaul?”
Rudyard Kipling



“Winds of the World, give answer! They are whimpering to and fro—
And what should they know of England who only England know?

The English Flag, Stanza 1 (1891)”
Rudyard Kipling



“Only the keeper sees
that,where the ring-dove broods
and the badgers roll at ease,
there was once a road through the woods”
Rudyard Kipling



“Our hearts where they rocked our cradle,
Our love where we spent our toil,
And our faith, and our hope, and our honor,
We pledge to our native soil.
God gave all men all earth to love,
But since our hearts are small,
Ordained for each one spot should prove
Beloved over all.”
Rudyard Kipling



“Many wear the robes, but few walk the Way." (The Lama in Kim)
Rudyard Kipling, Kim



“I follow the Law—the Most Excellent Law.' the Lama”
Rudyard Kipling, Kim



“It takes a great deal of Christianity to wipe out uncivilised Eastern instincts, such as falling in love at first sight.”
Rudyard Kipling, Plain Tales from the Hills



“What is a woman that you forsake her
And the hearth fire and the home acre
To go with that old grey widow-maker?”
Rudyard Kipling



“This is a brief life, but in its brevity it offers us some splendid moments, some meaningful adventures.”
Rudyard Kipling, Kim



“(an unhappy childhood was not) an unsuitable preparation for my future, in that it demanded a constant wariness, the habit of observation, and the attendance on moods and tempers; the noting of discrepancies between speech and action; a certain reserve of demeanour; and automatic suspicion of sudden favours.”
Rudyard Kipling



“They believed us and perished for it. Our statecraft, our learning
Delivered them bound to the Pit and alive to the burning
Whither they mirthfully hastened as jostling for honour -
Not since her birth has our Earth seen such worth loosed upon her.
Nor was their agony brief, or once only imposed on them.
The wounded, the war-spent, the sick received no exemption:
Being cured they returned and endured and achieved our redemption,
Hopeless themselves of relief, till Death, marvelling, closed on them.
That flesh we had nursed from the first in all cleanness was given
To corruption unveiled and assailed by the malice of Heaven -
By the heart-shaking jests of Decay where it lolled on the wires -
To be blanched or gay-painted by fumes - to be cindered by fires -
To be senselessly tossed and retossed in stale mutilation
From crater to crater. For this we shall take expiation.
But who shall return us the children?”
Rudyard Kipling, War Stories and Poems



“Gardens are not made by singing 'Oh, how beautiful!' and sitting in the shade.”
Rudyard Kipling



“...If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: 'Hold on!”
Rudyard Kipling



“Something I owe to the soil that grew--More to the life that fed--But most to Allah who gave me two Separate sides of my head. I would go without shirt or shoes, Friends, tobacco, or bread Sooner than for an instant lose Either side of my head.”
Rudyard Kipling, Kim



“Cites and Thrones and Powers
Stand in Time's eye
Which daily die;
But, as new buds put forth
To glad new men,
Out of the spend and unconsidered Earth,
The cities will rise again”
Rudyard Kipling, Puck of Pook's Hill



“If any Question why We Died Tell them because our Father's Lied.”
Rudyard Kipling



“For the world is wondrous large,
Seven seas from marge to marge,
And it holds a vast of various kinds of man.
And the wildest dreams of Kew
Are the facts of Khatmandu,
And the crimes of Clapham chaste in Martaban.
MORAL: Judge not that ye be not judged.”
Rudyard Kipling



“Across a world where all men grieve
And grieving strive the more,
The great days range like tides and leave
Our dead on every shore.”
Rudyard Kipling, The Collected Poems of Rudyard Kipling



“And it is I, Raksha [The Demon], who answers. The man’s cub is mine, Lungri–mine to me! He shall not be killed. He shall live to run with the Pack and to hunt with the Pack; and in the end, look you, hunter of little naked cubs–frog-eater– fish-killer–he shall hunt thee!”
Rudyard Kipling, The Jungle Book



“Yes, makin' mock o' uniforms that guards you while you sleep/is cheaper than them uniforms, and they're starvations cheap/and hustling drunken soldiers when they're going large a bit/is ten times better business than parading in full kit.”
Rudyard Kipling, The Barrack-Room Ballads and Other Verses



I Keep Six Honest Serving Men

I keep six honest serving-men
(They taught me all I knew);
Their names are What and Why and When
And How and Where and Who.

I send them over land and sea,
I send them east and west;
But after they have worked for me,
I give them all a rest.

I let them rest from nine till five,
For I am busy then,
As well as breakfast, lunch, and tea,
For they are hungry men.

But different folk have different views;
I know a person small—
She keeps ten million serving-men,
Who get no rest at all!

She sends'em abroad on her own affairs,
From the second she opens her eyes—
One million Hows, two million Wheres,
And seven million Whys!”
Rudyard Kipling, The Elephant's Child



“...I saw the infernal Thing blocking my path in the twilight. The dead travel fast, and by short cuts unknown to ordinary coolies. I laughed aloud a second time, and checked my laughter suddenly, for I was afraid I was going mad.”
Rudyard Kipling, The Phantom Rickshaw and Other Ghost Stories



“[A Buddhist monk on a pilgrimage speaks to a museum curator.]
And I come here alone. For five--seven--eighteen--forty years it was in my mind that the old Law was not well followed; being overlaid, as thou knowest, with devildom, charms, and idolatry....'
So it comes with all faiths.”
Rudyard Kipling, Kim



“If all men count with you, but none too much; If you can fill the unforgiving minute with 60 seconds worth of distance run- Yours is the earth and everything that's in it, And-which is more-you'll be a man my son.”
Rudyard Kipling



 “It you can meet with triumph and disaster, and treat those two imposters just the same....”
Rudyard Kipling



“...and if somehow my conduct ain't all your fancy paints, why single men in barracks don't grow into plaster saints.. From 'Tommy”
Rudyard Kipling, The Barrack-Room Ballads and Other Verses



“Holden found one helpless little hand that closed feebly on his finger. And the clutch ran through his body till it settled about his heart. Till then his sole thought had been for Ameera. He began to realise that there was some one else in the world,...”
Rudyard Kipling, Rudyard Kipling: Stories from India



“Open the old cigar-box .....let me consider anew..... Old friends,
and who is Maggie that I should abandon you?
A million surplus Maggies are willing 'o bear the yoke;
And a woman is only a woman, but a good cigar is a Smoke.
Light me another Cuba..... I hold to my first-sworn vows,
If Maggie will have no rival, I'll have no Maggie for spouse!”
Rudyard Kipling



“If a man brings a good mind to what he reads he may become, as it were, the spiritual descendant to some extent of great men, and this link, this spiritual hereditary tie, may help to just kick the beam in the right direction at a vital crisis; or may keep him from drifting through the long slack times when, so to speak, we are only fielding and no balls are coming our way.”
Rudyard Kipling



“What is this," said the leopard,"that is so 'sclusively dark, and yet so full of little pieces of light?”
Rudyard Kipling, Just So Stories



“When Earth's last picture is painted And the tubes are twisted and dried When the oldest colors have faded
And the youngest critic has died
We shall rest, and faith, we shall need it
Lie down for an aeon or two
'Till the Master of all good workmen Shall put us to work anew
And those that were good shall be happy They'll sit in a golden chair
They'll splash at a ten league canvas With brushes of comet's hair
They'll find real saints to draw from Magdalene, Peter, and Paul
They'll work for an age at a sitting And never be tired at all.
And only the Master shall praise us. And only the Master shall blame.
And no one will work for the money.
No one will work for the fame.
But each for the joy of the working, And each, in his separate star,
Will draw the thing as he sees it.
For the God of things as they are!”
Rudyard Kipling



“Now whither does THIS trail lead?" Kaa's voice was gentler. "Not a moon since there was a Manling with a knife threw stones at my head and called me bad little tree-cat names, because I lay asleep in the open.”
Rudyard Kipling



“El éxito comienza en la voluntad”
Rudyard Kipling



“Gentlemen-rankers out on the spree
Damned from here to Eternity,
God ha' mercy on such as we,
Baa! Yah! Bah!”
Rudyard Kipling



“You must not forget the suspenders, Best Beloved.”
Rudyard Kipling, Just So Stories



“Cross that rules the Southern Sky!
Stars that sweep, and turn, and fly
Hear the Lovers' Litany: -
'Love like ours can never die!”
Rudyard Kipling, The Collected Poems of Rudyard Kipling



“As it will be in the future, it was at the birth of Man-
There are only four things certain since Social Progress began:-
That the Dog returns to his Vomit and the Sow returns to her Mire,

And the burnt Fool's bandaged finger goes wabbling back to the Fire;
And that after this is accomplished, and the brave new world begins"
From "The Gods of the Copybook Headings”
Rudyard Kipling



“Englishmen are not usually softened by appeals to the memory of their mothers.”
Rudyard Kipling, the-man-who-would-be-king



“They talk of rich folk being stuck-up and genteel, but for pure cast-iron pride of respectability there's naught like poor chapel folk. Why, 'tis as cold as the wind on Greenhow Hill -- aye, and colder, too, for it will never change.”
Rudyard Kipling, Soldiers Three and other stories



“Among the young ravens driven to roost awhile on Graydon's ark was James Andrew Manallace - a darkish, slow northerner of a type that does not ignite, but must be detonated. ("Dayspring Mishandled")”
Rudyard Kipling



“His line was the jocundly-sentimental Wardour Street brand of adventure, told in a style that exactly met, but never exceeded, every expectation.”
Rudyard Kipling



 “A boy of to-day is affected by every change of tone and gust of opinion, so that he lies even when he desires to speak the truth”
Rudyard Kipling




Thursday, October 27, 2011

T.S. Eliot - The Waste Land

T.S. Eliot (1888–1965). The Waste Land. 1922.


The  Waste  Land
http://www.bartleby.com/201/1.html
 

"I saw with my own eyes the Sibyl of Cumae hanging in a jar, and when
 the boys said to her, Sibyl, what do you want? she replied I want to die."
 


I. THE BURIAL OF THE DEAD

APRIL is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering 5
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten, 10
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm’ aus Litauen, echt deutsch.
And when we were children, staying at the archduke’s,
My cousin’s, he took me out on a sled,
And I was frightened. He said, Marie, 15
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.

What are the roots that clutch, what branches grow
Out of this stony rubbish? Son of man, 20
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock, 25
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust. 30
          Frisch weht der Wind
          Der Heimat zu,
         Mein Irisch Kind,
         Wo weilest du?
“You gave me hyacinths first a year ago; 35
They called me the hyacinth girl.”
—Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew nothing, 40
Looking into the heart of light, the silence.
Öd’ und leer das Meer.

Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe, 45
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations. 50
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water. 55
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.

Unreal City, 60
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
Sighs, short and infrequent, were exhaled,
And each man fixed his eyes before his feet. 65
Flowed up the hill and down King William Street,
To where Saint Mary Woolnoth kept the hours
With a dead sound on the final stroke of nine.
There I saw one I knew, and stopped him, crying “Stetson!
You who were with me in the ships at Mylae! 70
That corpse you planted last year in your garden,
Has it begun to sprout? Will it bloom this year?
Or has the sudden frost disturbed its bed?
Oh keep the Dog far hence, that’s friend to men,
Or with his nails he’ll dig it up again! 75
You! hypocrite lecteur!—mon semblable,—mon frère!”

II. A GAME OF CHESS

The Chair she sat in, like a burnished throne,
Glowed on the marble, where the glass
Held up by standards wrought with fruited vines
From which a golden Cupidon peeped out 80
(Another hid his eyes behind his wing)
Doubled the flames of sevenbranched candelabra
Reflecting light upon the table as
The glitter of her jewels rose to meet it,
From satin cases poured in rich profusion; 85
In vials of ivory and coloured glass
Unstoppered, lurked her strange synthetic perfumes,
Unguent, powdered, or liquid—troubled, confused
And drowned the sense in odours; stirred by the air
That freshened from the window, these ascended 90
In fattening the prolonged candle-flames,
Flung their smoke into the laquearia,
Stirring the pattern on the coffered ceiling.
Huge sea-wood fed with copper
Burned green and orange, framed by the coloured stone, 95
In which sad light a carvèd dolphin swam.
Above the antique mantel was displayed
As though a window gave upon the sylvan scene
The change of Philomel, by the barbarous king
So rudely forced; yet there the nightingale 100
Filled all the desert with inviolable voice
And still she cried, and still the world pursues,
“Jug Jug” to dirty ears.
And other withered stumps of time
Were told upon the walls; staring forms 105
Leaned out, leaning, hushing the room enclosed.
Footsteps shuffled on the stair,
Under the firelight, under the brush, her hair
Spread out in fiery points
Glowed into words, then would be savagely still.

110
“My nerves are bad to-night. Yes, bad. Stay with me.
Speak to me. Why do you never speak? Speak.
What are you thinking of? What thinking? What?
I never know what you are thinking. Think.”

I think we are in rats’ alley 115
Where the dead men lost their bones.

“What is that noise?”
          The wind under the door.
“What is that noise now? What is the wind doing?”
          Nothing again nothing. 120
                         “Do
You know nothing? Do you see nothing? Do you remember
Nothing?”
         I remember
                 Those are pearls that were his eyes. 125
“Are you alive, or not? Is there nothing in your head?”
                                But
O O O O that Shakespeherian Rag—
It’s so elegant
So intelligent

130
“What shall I do now? What shall I do?
I shall rush out as I am, and walk the street
With my hair down, so. What shall we do to-morrow?
What shall we ever do?”
                   The hot water at ten. 135
And if it rains, a closed car at four.
And we shall play a game of chess,
Pressing lidless eyes and waiting for a knock upon the door.

When Lil’s husband got demobbed, I said,
I didn’t mince my words, I said to her myself, 140
HURRY UP PLEASE ITS TIME
Now Albert’s coming back, make yourself a bit smart.
He’ll want to know what you done with that money he gave you
To get yourself some teeth. He did, I was there.
You have them all out, Lil, and get a nice set, 145
He said, I swear, I can’t bear to look at you.
And no more can’t I, I said, and think of poor Albert,
He’s been in the army four years, he wants a good time,
And if you don’t give it him, there’s others will, I said.
Oh is there, she said. Something o’ that, I said. 150
Then I’ll know who to thank, she said, and give me a straight look.
HURRY UP PLEASE ITS TIME
If you don’t like it you can get on with it, I said,
Others can pick and choose if you can’t.
But if Albert makes off, it won’t be for lack of telling. 155
You ought to be ashamed, I said, to look so antique.
(And her only thirty-one.)
I can’t help it, she said, pulling a long face,
It’s them pills I took, to bring it off, she said.
(She’s had five already, and nearly died of young George.) 160
The chemist said it would be alright, but I’ve never been the same.
You are a proper fool, I said.
Well, if Albert won’t leave you alone, there it is, I said,
What you get married for if you don’t want children?
HURRY UP PLEASE ITS TIME 165
Well, that Sunday Albert was home, they had a hot gammon,
And they asked me in to dinner, to get the beauty of it hot—
HURRY UP PLEASE ITS TIME
HURRY UP PLEASE ITS TIME
Goonight Bill. Goonight Lou. Goonight May. Goonight. 170
Ta ta. Goonight. Goonight.
Good night, ladies, good night, sweet ladies, good night, good night.

III. THE FIRE SERMON

The river’s tent is broken: the last fingers of leaf
Clutch and sink into the wet bank. The wind
Crosses the brown land, unheard. The nymphs are departed. 175
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights. The nymphs are departed.
And their friends, the loitering heirs of city directors; 180
Departed, have left no addresses.
By the waters of Leman I sat down and wept…
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear 185
The rattle of the bones, and chuckle spread from ear to ear.
A rat crept softly through the vegetation
Dragging its slimy belly on the bank
While I was fishing in the dull canal
On a winter evening round behind the gashouse. 190
Musing upon the king my brother’s wreck
And on the king my father’s death before him.
White bodies naked on the low damp ground
And bones cast in a little low dry garret,
Rattled by the rat’s foot only, year to year. 195
But at my back from time to time I hear
The sound of horns and motors, which shall bring
Sweeney to Mrs. Porter in the spring.
O the moon shone bright on Mrs. Porter
And on her daughter 200
They wash their feet in soda water
Et, O ces voix d’enfants, chantant dans la coupole!

Twit twit twit
Jug jug jug jug jug jug
So rudely forc’d. 205
Tereu

Unreal City
Under the brown fog of a winter noon
Mr Eugenides, the Smyrna merchant
Unshaven, with a pocket full of currants 210
C. i. f. London: documents at sight,
Asked me in demotic French
To luncheon at the Cannon Street Hotel
Followed by a week-end at the Metropole.

At the violet hour, when the eyes and back 215
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female breasts, can see
At the violet hour, the evening hour that strives 220
Homeward, and brings the sailor home from sea,
The typist home at tea-time, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun’s last rays, 225
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest—
I too awaited the expected guest. 230
He, the young man carbuncular, arrives,
A small house-agent’s clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses, 235
The meal is ended, she is bored and tired,
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence; 240
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on this same divan or bed;
I who have sat by Thebes below the wall 245
And walked among the lowest of the dead.)
Bestows one final patronizing kiss,
And gropes his way, finding the stairs unlit…

She turns and looks a moment in the glass,
Hardly aware of her departed lover; 250
Her brain allows one half-formed thought to pass:
“Well now that’s done: and I’m glad it’s over.”
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand, 255
And puts a record on the gramophone.

“This music crept by me upon the waters”
And along the Strand, up Queen Victoria Street.
O City City, I can sometimes hear
Beside a public bar in Lower Thames Street, 260
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.

265
The river sweats
Oil and tar
The barges drift
With the turning tide
Red sails 270
Wide
To leeward, swing on the heavy spar.
The barges wash
Drifting logs
Down Greenwich reach 275
Past the Isle of Dogs.
             Weialala leia
             Wallala leialala
Elizabeth and Leicester
Beating oars 280
The stern was formed
A gilded shell
Red and gold
The brisk swell
Rippled both shores 285
South-west wind
Carried down stream
The peal of bells
White towers
           Weialala leia 290
           Wallala leialala

“Trams and dusty trees.
Highbury bore me. Richmond and Kew
Undid me. By Richmond I raised my knees
Supine on the floor of a narrow canoe.“

295
“My feet are at Moorgate, and my heart
Under my feet. After the event
He wept. He promised ‘a new start.’
I made no comment. What should I resent?”

“On Margate Sands. 300
I can connect
Nothing with nothing.
The broken finger-nails of dirty hands.
My people humble people who expect
Nothing.”

305
           la la

To Carthage then I came

Burning burning burning burning
O Lord Thou pluckest me out
O Lord Thou pluckest

310
burning

IV. DEATH BY WATER

Phlebas the Phoenician, a fortnight dead,
Forgot the cry of gulls, and the deep seas swell
And the profit and loss.
                   A current under sea 315
Picked his bones in whispers. As he rose and fell
He passed the stages of his age and youth
Entering the whirlpool.
                   Gentile or Jew
O you who turn the wheel and look to windward, 320
Consider Phlebas, who was once handsome and tall as you.

V. WHAT THE THUNDER SAID

After the torch-light red on sweaty faces
After the frosty silence in the gardens
After the agony in stony places
The shouting and the crying 325
Prison and place and reverberation
Of thunder of spring over distant mountains
He who was living is now dead
We who were living are now dying
With a little patience

330
Here is no water but only rock
Rock and no water and the sandy road
The road winding above among the mountains
Which are mountains of rock without water
If there were water we should stop and drink 335
Amongst the rock one cannot stop or think
Sweat is dry and feet are in the sand
If there were only water amongst the rock
Dead mountain mouth of carious teeth that cannot spit
Here one can neither stand nor lie nor sit 340
There is not even silence in the mountains
But dry sterile thunder without rain
There is not even solitude in the mountains
But red sullen faces sneer and snarl
From doors of mud-cracked houses
                                 If there were water
345
And no rock
If there were rock
And also water
And water
A spring 350
A pool among the rock
If there were the sound of water only
Not the cicada
And dry grass singing
But sound of water over a rock 355
Where the hermit-thrush sings in the pine trees
Drip drop drip drop drop drop drop
But there is no water

Who is the third who walks always beside you?
When I count, there are only you and I together 360
But when I look ahead up the white road
There is always another one walking beside you
Gliding wrapt in a brown mantle, hooded
I do not know whether a man or a woman
—But who is that on the other side of you?

365
What is that sound high in the air
Murmur of maternal lamentation
Who are those hooded hordes swarming
Over endless plains, stumbling in cracked earth
Ringed by the flat horizon only 370
What is the city over the mountains
Cracks and reforms and bursts in the violet air
Falling towers
Jerusalem Athens Alexandria
Vienna London 375
Unreal

A woman drew her long black hair out tight
And fiddled whisper music on those strings
And bats with baby faces in the violet light
Whistled, and beat their wings 380
And crawled head downward down a blackened wall
And upside down in air were towers
Tolling reminiscent bells, that kept the hours
And voices singing out of empty cisterns and exhausted wells.

In this decayed hole among the mountains 385
In the faint moonlight, the grass is singing
Over the tumbled graves, about the chapel
There is the empty chapel, only the wind’s home.
It has no windows, and the door swings,
Dry bones can harm no one. 390
Only a cock stood on the roof-tree
Co co rico co co rico
In a flash of lightning. Then a damp gust
Bringing rain
Ganga was sunken, and the limp leaves 395
Waited for rain, while the black clouds
Gathered far distant, over Himavant.
The jungle crouched, humped in silence.
Then spoke the thunder
DA 400
Datta: what have we given?
My friend, blood shaking my heart
The awful daring of a moment’s surrender
Which an age of prudence can never retract
By this, and this only, we have existed 405
Which is not to be found in our obituaries
Or in memories draped by the beneficent spider
Or under seals broken by the lean solicitor
In our empty rooms
DA 410
Dayadhvam: I have heard the key
Turn in the door once and turn once only
We think of the key, each in his prison
Thinking of the key, each confirms a prison
Only at nightfall, aetherial rumours 415
Revive for a moment a broken Coriolanus
DA
Damyata: The boat responded
Gaily, to the hand expert with sail and oar
The sea was calm, your heart would have responded 420
Gaily, when invited, beating obedient
To controlling hands

                      I sat upon the shore
Fishing, with the arid plain behind me
Shall I at least set my lands in order?

425
London Bridge is falling down falling down falling down

Poi s’ascose nel foco che gli affina
Quando fiam ceu chelidon—O swallow swallow
Le Prince d’Aquitaine à la tour abolie
These fragments I have shored against my ruins 430
Why then Ile fit you. Hieronymo’s mad againe.
Datta. Dayadhvam. Damyata.

                      Shantih shantih shantih




NOTES

Not only the title, but the plan and a good deal of the incidental symbolism of the poem were suggested by Miss Jessie L. Weston’s book on the Grail legend: From Ritual to Romance (Macmillan). Indeed, so deeply am I indebted, Miss Weston’s book will elucidate the difficulties of the poem much better than my notes can do; and I recommend it (apart from the great interest of the book itself) to any who think such elucidation of the poem worth the trouble. To another work of anthropology I am indebted in general, one which has influenced our generation profoundly; I mean The Golden Bough; I have used especially the two volumes Attis Adonis Osiris. Anyone who is acquainted with these works will immediately recognise in the poem certain references to vegetation ceremonies.

I. THE BURIAL OF THE DEAD
Line 20 Cf. Ezekiel II, i.

23. Cf. Ecclesiastes XII, v.

31. V. Tristan und Isolde, I, verses 5–8.

42. Id. III, verse 24.

46. I am not familiar with the exact constitution of the Tarot pack of cards, from which I have obviously departed to suit my own convenience. The Hanged Man, a member of the traditional pack, fits my purpose in two ways: because he is associated in my mind with the Hanged God of Frazer, and because I associate him with the hooded figure in the passage of the disciples to Emmaus in Part V. The Phoenician Sailor and the Merchant appear later; also the “crowds of people,” and Death by Water is executed in Part IV. The Man with Three Staves (an authentic member of the Tarot pack) I associate, quite arbitrarily, with the Fisher King himself.

60. Cf. Baudelaire:“Fourmillante cité, cité pleine de rèves,Où le spectre en plein jour raccroche le passant.”

63. Cf. Inferno, III. 55–57: “si lunga trattadi gente, ch’io non avrei mai credutoche morte tanta n’avesse disfatta.”

64. Cf. Inferno, IV. 25–27:“Quivi, secondo che per ascoltare,“non avea pianto, ma’ che di sospiri,“che l’aura eterna facevan tremare.”

68. A phenomenon which I have often noticed.

74. Cf. the Dirge in Webster’s White Devil.

76. V. Baudelaire, Preface to Fleurs du Mal.

II. A GAME OF CHESS
77. Cf. Antony and Cleopatra, II., ii. l. 190.

92. Laquearia. V. Aeneid, I, 726: dependent lychni laquearibus aureisincensi, et noctem flammis funalia vincunt.

98. Sylvan scene. V. Milton, Paradise Lost, IV. 140.

99. V. Ovid, Metamorphoses, VI, Philomela.

100. Cf. Part III, l. 204.

115. Cf. Part III, l. 195.

118. Cf. Webster: “Is the wind in that door still?”

126. Cf. Part I, l. 37, 48.

138. Cf. the game of chess in Middleton’s Women beware Women.


III. THE FIRE SERMON




176. V. Spenser, Prothalamion.

192. Cf. The Tempest, I, ii.

196. Cf. Day, Parliament of Bees:“When of the sudden, listening, you shall hear,“A noise of horns and hunting, which shall bring“Actaeon to Diana in the spring,“Where all shall see her naked skin…“

197. Cf. Marvell, To His Coy Mistress.

199. I do not know the origin of the ballad from which these lines are taken; it was reported to me from Sydney, Australia.

202. V. Verlaine, Parsifal.

210. The currants were quoted at a price “carriage and insurance free to London”; and the Bill of Lading, etc. were to be handed to the buyer upon payment of the sight draft.

218. Tiresias, although a mere spectator and not indeed a “character,” is yet the most important personage in the poem, uniting all the rest. Just as the one-eyed merchant, seller of currants, melts into the Phoenician Sailor, and the latter is not wholly distinct from Ferdinand Prince of Naples, so all the women are one woman, and the two sexes meet in Tiresias. What Tiresias sees, in fact, is the substance of the poem. The whole passage from Ovid is of great anthropological interest:

 …Cum Iunone iocos et maior vestra profecto est
Quam, quae contingit maribus’, dixisse, ‘voluptas.’
Illa negat; placuit quae sit sententia docti
Quaerere Tiresiae: venus huic erat utraque nota.
Nam duo magnorum viridi coeuntia silva
Corpora serpentum baculi violaverat ictu
Deque viro factus, mirabile, femina septem
Egerat autumnos; octavo rursus eosdem
Vidit et ‘est vestrae si tanta potentia plagae,’
Dixit ‘ut auctoris sortem in contraria mutet,
Nunc quoque vos feriam!’ percussis anguibus isdem
Forma prior rediit genetivaque venit imago.
Arbiter hic igitur sumptus de lite iocosa
Dicta Iovis firmat; gravius Saturnia iusto
Nec pro materia fertur doluisse suique
Iudicis aeterna damnavit lumina nocte,
At pater omnipotens (neque enim licet inrita cuiquam
Facta dei fecisse deo) pro lumine adempto
Scire futura dedit poenamque levavit honore.


221. This may not appear as exact as Sappho’s lines, but I had in mind the “longshore” or “dory” fisherman, who returns at nightfall.

253. V. Goldsmith, the song in The Vicar of Wakefield.

257. V. The Tempest, as above.

264. The interior of St. Magnus Martyr is to my mind one of the finest among Wren’s interiors. See The Proposed Demolition of Nineteen City Churches: (P. S. King & Son, Ltd.).

266. The Song of the (three) Thames-daughters begins here. From line 292 to 306 inclusive they speak in turn. V. Götterdämmerung, III, i: The Rhinedaughters.

279. V. Froude, Elizabeth, Vol. I, ch. iv, letter of De Quadra to Philip of Spain:“In the afternoon we were in a barge, watching the games on the river. (The queen) was alone with Lord Robert and myself on the poop, when they began to talk nonsense, and went so far that Lord Robert at last said, as I was on the spot there was no reason why they should not be married if the queen pleased.”

293. Cf. Purgatorio, V. 133: “Ricorditi di me, che son la Pia; “Siena mi fe’, disfecemi Maremma.”

307. V. St. Augustine’s Confessions: “to Carthage then I came, where a cauldron of unholy loves sang all about mine ears.”

308. The complete text of the Buddha’s Fire Sermon (which corresponds in importance to the Sermon on the Mount) from which these words are taken, will be found translated in the late Henry Clarke Warren’s Buddhism in Translation (Harvard Oriental Series). Mr. Warren was one of the great pioneers of Buddhist studies in the occident.

309. From St. Augustine’s Confessions again. The collocation of these two representatives of eastern and western asceticism, as the culmination of this part of the poem, is not an accident.


V. WHAT THE THUNDER SAID

In the first part of Part V three themes are employed: the journey to Emmaus, the approach to the Chapel Perilous (see Miss Weston’s book), and the present decay of eastern Europe.

357. This is Turdus aonalaschkae pallasii, the hermit-thrush which I have heard in Quebec County. Chapman says (Handbook of Birds in Eastern North America) “it is most at home in secluded woodland and thickety retreats.… Its notes are not remarkable for variety or volume, but in purity and sweetness of tone and exquisite modulation they are unequaled.” Its “water-dripping song” is justly celebrated.

360. The following lines were stimulated by the account of one of the Antarctic expeditions (I forget which, but I think one of Shackleton’s): it was related that the party of explorers, at the extremity of their strength, had the constant delusion that there was one more member than could actually be counted.

366–76. Cf. Hermann Hesse, Blick ins Chaos: “Schon ist halb Europa, schon ist zumindest der halbe Osten Europas auf dem Wege zum Chaos, fährt betrunken im heiligem Wahn am Abgrund entlang und singt dazu, singt betrunken und hymnisch wie Dmitri Karamasoff sang. Ueber diese Lieder lacht der Bürger beleidigt, der Heilige und Seher hört sie mit Tränen.”

401. “Datta, dayadhvam, damyata” (Give, sympathise, control). The fable of the meaning of the Thunder is found in the Brihadaranyaka—Upanishad, 5, 1. A translation is found in Deussen’s Sechzig Upanishads des Veda, p. 489.

407. Cf. Webster, The White Devil, V, vi: “…they’ll remarryEre the worm pierce your winding-sheet, ere the spiderMake a thin curtain for your epitaphs.”

411. Cf. Inferno, XXXIII, 46:“ed io sentii chiavar l’uscio di sottoall’orribile torre.” Also F. H. Bradley, Appearance and Reality, p. 346.“My external sensations are no less private to myself than are my thoughts or my feelings. In either case my experience falls within my own circle, a circle closed on the outside; and, with all its elements alike, every sphere is opaque to the others which surround it.… In brief, regarded as an existence which appears in a soul, the whole world for each is peculiar and private to that soul.”

424. V. Weston, From Ritual to Romance; chapter on the Fisher King.

427. V. Purgatorio, XXVI, 148.“‘Ara vos prec, per aquella valor‘que vos guida al som de l’escalina,‘sovegna vos a temps de ma dolor.’Poi s’ascose nel foco che gli affina.”

428. V. Pervigilium Veneris. Cf. Philomela in Parts II and III.

429. V. Gerard de Nerval, Sonnet El Desdichado.

431. V. Kyd’s Spanish Tragedy.

433. Shantih. Repeated as here, a formal ending to an Upanishad. “The Peace which passeth understanding” is a feeble translation of the content of this word.

 


For More Information
& Commentary

Wikipedia - http://en.wikipedia.org/wiki/The_Waste_Land

Modern American Poetry Commentary - http://www.english.illinois.edu/maps/poets/a_f/eliot/composition.htm