"Autobiographies of great nations are written in three manuscripts – a book of deeds, a book of words, and a book of art. Of the three, I would choose the latter as truest testimony." - Sir Kenneth Smith, Great Civilisations

"I must write each day without fail, not so much for the success of the work, as in order not to get out of my routine." - Leo Tolstoy

I have never believed that one should wait until one is inspired because I think the pleasures of not writing are so great that if you ever start indulging them you will never write again. - John Updike

"The life of every man is a diary in which he means to write one story, and writes another; and his humblest hour is when he compares the volume as it is with what he vowed to make it." - J.M. Barrie, Peter Pan

Poetry is the shadow cast by our streetlight imaginations." - Lawrence Ferlinghetti


[Note - If any article requires updating or correction please notate this in the comment section. Thank you. - res]


Thursday, October 22, 2015

R.E. Slater - A Soulful Solaris





Hang Massive - Once Again, 2011
(hang drum duo ) ( HD )




A Soulful Solaris
by R.E. Slater


Unbeing's ensnaring folds slip silently by
spanning vast churning emptied voids
filling tymphonous timelike strands
like so many aethereal filaments haunting
endless infinity's dread immortal hands
hollowed of praise but not of glory.

Heedless we rise to time's weary laments
unconsciously awakening body with soul
feeding frail spirits' spiritual hungers
too easily sated ruined pains and cheap wines
eucharist to gallowed death's spinning wheels
connecting nothingness to present hopelessness.

Refusing release to neverland's turbulent colors
painted on canvases rupturing prismatic dreams
swirling warily around aethers bursting with life
lived eons ago devoid burdensome burdens
affixed solaris' gentle rhythms wooing home
before toxic trances formed our hypnotic selves.

A solaris promising deep glorious peace
against chafing ills presently bourne
become nether haven to worn spirits within
seeking soul's rest nigh long journey's trek
emptied of life but not of its stubborn will
nor of hope nor fairest love's bursting songs
sirens to life everlasting without start or end.


- R.E. Slater
October 22, 2015; rev. October 26, 2015

@copyright R.E. Slater Publications
all rights reserved



Tuesday, October 20, 2015

Edgar Allan Poe - The Raven



Edgar Allan Poe
1809–1849



Christopher Walken reads "The Raven" by Edgar Allan Poe
with English subtitles.





The Raven
BY EDGAR ALLAN POE


Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
    While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
            Only this and nothing more.”

    Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow;—vainly I had sought to borrow
    From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
            Nameless here for evermore.

    And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
    So that now, to still the beating of my heart, I stood repeating
    “’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
            This it is and nothing more.”

    Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
    But the fact is I was napping, and so gently you came rapping,
    And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
            Darkness there and nothing more.

    Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
    But the silence was unbroken, and the stillness gave no token,
    And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
            Merely this and nothing more.

    Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
    “Surely,” said I, “surely that is something at my window lattice;
      Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
            ’Tis the wind and nothing more!”

    Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
    Not the least obeisance made he; not a minute stopped or stayed he;
    But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
            Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
            Quoth the Raven “Nevermore.”

    Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
    For we cannot help agreeing that no living human being
    Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
            With such name as “Nevermore.”

    But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
    Nothing farther then he uttered—not a feather then he fluttered—
    Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
            Then the bird said “Nevermore.”

    Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
    Caught from some unhappy master whom unmerciful Disaster
    Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
            Of ‘Never—nevermore’.”

    But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
    Then, upon the velvet sinking, I betook myself to linking
    Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
            Meant in croaking “Nevermore.”

    This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
    This and more I sat divining, with my head at ease reclining
    On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
            She shall press, ah, nevermore!

    Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
    Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
    Desolate yet all undaunted, on this desert land enchanted—
    On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
    Tell this soul with sorrow laden if, within the distant Aidenn,
    It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
            Quoth the Raven “Nevermore.”

    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
    Leave no black plume as a token of that lie thy soul hath spoken!
    Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
            Quoth the Raven “Nevermore.”

    And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
    And his eyes have all the seeming of a demon’s that is dreaming,
    And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
            Shall be lifted—nevermore!



References

Wikipedia - "The Raven"


Poetry Foundation - Biography of Poet







Thursday, October 15, 2015

Chinese Book of Songs - Ripe Plums Are Falling





ripe plums are falling
now there are only five
may a fine lover come for me
while there is still time

ripe plums are falling
now there are only three
may a fine lover come for me
while there is still time

ripe plums are falling
I gather them in a shallow basket
may a fine lover come for me
tell me his name

- Chinese Book of Songs




Here is a poem sung to the measured rhythms of harvest where plums drop one by one from the vines of birth until, at the last, each as died, full of age and days of youth. So then is a young lover's wistfulness spent upon the measures of the day wooing the plums, the trees, the air, to tell her where she might find her lover. A love which aches in her heart ripened to the point of being tasted, eaten, devoured, until heart and soul are betrothed in time and being and satisfaction. But with each passing youthful wist wished upon the hands of time the young lover's aching prayer is not answered. The lover's name not known. And there, alone, heaves the lover's broken, heavy heart torn in the throes of love with none to love but only whispers upon the wind settling upon the dying echoes of day's dusks. And as night falls so does love's hopes and dreams spent of wasted passion withered upon the vine with none to love in the imaginations of the heart broken of hope and dream. - r.e. slater


References

Dr. Robert Churchill's Handbook for the Study of Easter Literatures: Book of Songs -


Crossing Delancey: Ripe Plums Are Falling






One of the five Confucian classics, The Book of Songs (Shijing) is the oldest collection of poetry in world literature and the finest treasure of traditional songs left from antiquity. Where the other Confucian classics treat “outward things: deeds, moral precepts, the way the world works,” as Stephen Owen tells us in his foreword, The Book of Songs is “the classic of the human heart and the human mind.” - Amazon Book Description









Monday, August 31, 2015

Rudyard Kipling - A School Song (Prelude to "Stalky & Co.")




"Let us now praise famous men"--
Men of little showing-- 
For their work continueth, 
And their work continueth, 
Broad and deep continues,
Greater then their knowing!

Western wind and open surge
Took us from our mothers--
Flung us on a naked shore
(Twelve bleak houses by the shore.
Seven summers by the shore! )
'Mid two hundred brothers.

There we met with famous men
Set in office o'er us;
And they beat on us with rods-- 
Faithfully with many rods--
Daily beat us on with rods,
For the love they bore us!

Out of Egypt unto Troy--
Over Himalaya--
Far and sure our bands have gone--
Hy-Brazil or Babylon,
Islands of the Southern Run,
And Cities of Cathaia!

And we all praise famous men--
Ancients of the College;
For they taught us common sense--
Tried to teach us common sense--
Truth and God's Own Common Sense,
Which is more than knowledge!

Each degree of Latitude
Strung about Creation
Seeth one or more of us
(Of one muster each of us),
Diligent in that he does,
Keen in his vocation.

This we learned from famous men,
Knowing not its uses,
When they showed, in daily work--
Man must finish off his work--
Right or wrong, his daily work--
And without excuses.

Servant of the Staff and chain,
Mine and fuse and grapnel--
Some, before the face of Kings,
Stand before the face of Kings;
Bearing gifts to divers Kings--
Gifts of case and shrapnel.

This we learned from famous men
Teaching in our borders,
Who declared it was best,
Safest, easiest, and best--
Expeditious, wise, and best--
To obey your orders.

Some beneath the further stars
Bear the greater burden:
Set to serve the lands they rule,
(Save he serve no man may rule ),
Serve and love the lands they rule;
Seeking praise nor guerdon.

This we learned from famous men,
Knowing not we learned it.
Only, as the years went by--
Lonely, as the years went by--
Far from help as years went by,
Plainer we discerned it.

Wherefore praise we famous men
From whose bays we borrow--
They that put aside To-day--
All the joys of their To-day--
And with toil of their To-day
Bought for us To-morrow!

Bless and praise we famous men--
Men of little showing--
For their work continueth,
And their work continueth,
Broad and deep continueth,
Great beyond their knowing!



* * * * * * * * * * * *



Sources of Poem

Who is the speaker in "Let us now praise famous men..."?


I. First Answer

"A poem of scorn towards British Imperialism and of private praise for those worthies accepting their empire's call to arms against the unworthies of liberty who inadvertantly surplanted one kind of oppression (national) for another kind of oppression (international). Especially as this poem relates to Kipling's loss of his son in World War I accompanied by his disillusionment with war and his later work in the criticism and construction of international peace communication against Isolationism, Bolshevism (Communism), and the promotion of classic liberal (political) ideals of reconstruction and reconciliation between nations." - r.e. slater


II. Second Answer

It comes from Ecclesiasticus - a.k.a. Sirach - a book included in the Biblical Apocrypha by some denomations of Christianity. The speaker is Ben Sira, the nominal author (or maybe compiler).



III. Third (Best) Answer:

The anthem originates in the Apocrypha, Sirach [or Ecclesiasticus] 44:1. The author is given in the text as "Jesus the son of Sirach of Jerusalem." This is not, of course, Jesus of Nazareth. The names Jesus and Joshua can be used interchangeably, depending on dialect; another source gives "Simon, son of Joshua, son of Eleazar ben Sira" (1).

Here is the anthem as it begins in the Apocrypha. Portions were transferred from the Apocrypha into the English Book of Common Prayer. 

Sirach 44:
1: Let us now praise famous men, and our fathers that begat us. 
2: The Lord hath wrought great glory by them through his great power from the beginning. 
3: Such as did bear rule in their kingdoms, men renowned for their power, giving counsel by their understanding, and declaring prophecies: 
4: Leaders of the people by their counsels, and by their knowledge of learning meet for the people, wise and eloquent are their instructions: 
5: Such as found out musical tunes, and recited verses in writing: 
6: Rich men furnished with ability, living peaceably in their habitations: 
7: All these were honoured in their generations, and were the glory of their times. 
8: There be of them, that have left a name behind them, that their praises might be reported. 
9: And some there be, which have no memorial; who are perished, as though they had never been; and are become as though they had never been born; and their children after them. 
10: But these were merciful men, whose righteousness hath not been forgotten. 
11: With their seed shall continually remain a good inheritance, and their children are within the covenant. 
12: Their seed standeth fast, and their children for their sakes. 
13: Their seed shall remain for ever, and their glory shall not be blotted out. 
14: Their bodies are buried in peace; but their name liveth for evermore. 
15: The people will tell of their wisdom, and the congregation will shew forth their praise. (2) 


Kipling prefaced "Stalky & Co." with his own version, which is a school song. As such it would be sung by the student body: 

"Let us now praise famous men"-- 
Men of little showing-- 
For their work continueth, 
And their work continueth, 
Greater than their knowing. 

Western wind and open surge 
Tore us from our mothers; 
Flung us on a naked shore 
(Twelve bleak houses by the shore! 
Seven summers by the shore!) 
'Mid two hundred brothers. 

There we met with famous men 
Set in office o'er us. 
And they beat on us with rods-- 
Faithfully with many rods-- 
Daily beat us on with rods-- 
For the love they bore us! 

Out of Egypt unto Troy-- 
Over Himalaya-- 
Far and sure our bands have gone-- 
Hy-Brasil or Babylon, 
Islands of the Southern Run, 
And cities of Cathaia! 

And we all praise famous men-- 
Ancients of the College; 
For they taught us common sense--- 
Tried to teach us common sense-- 
Truth and God's Own Common Sense 
Which is more than knowledge! 

Each degree of Latitude 
Strung about Creation 
Seeth one (or more) of us, 
(Of one muster all of us-- 
Of one master all of us--) 
Keen in his vocation. 

This we learned from famous men 
Knowing not its uses 
When they showed in daily work 
Man must finish off his work-- 
Right or wrong, his daily work-- 
And without excuses. 

Servants of the staff and chain, 
Mine and fuse and grapnel-- 
Some before the face of Kings, 
Stand before the face of Kings; 
Bearing gifts to divers Kings-- 
Gifts of Case and Shrapnel. 

This we learned from famous men 
Teaching in our borders. 
Who declare'd it was best, 
Safest, easiest and best-- 
Expeditious, wise and best-- 
To obey your orders. 

Some beneath the further stars 
Bear the greater burden. 
Set to serve the lands they rule, 
(Save he serve no man may rule) 
Serve and love the lands they rule; 
Seeking praise nor guerdon. 

This we learned from famous men 
Knowing not we learned it. 
Only, as the years went by-- 
Lonely, as the years went by-- 
Far from help as years went by 
Plainer we discerned it. 

Wherefore praise we famous men 
Prom whose bays we borrow-- 
They that put aside Today-- 
All the joys of their Today-- 
And with toil of their Today 
Bought for us Tomorrow! 

Bless and praise we famous men 
Men of little showing! 
For their work continueth 
And their work continueth 
Broad and deep continueth 
Great beyond their knowing! (3) 


["Let Us Now Praise Famous Men" is also the title of a splendid book by James Agee and photographer Walker Evans.]


Source(s):

3. Kipling, Rudyard. "Stalky & Co." Downloaded from <http://www.gutenberg.org/ >
anobium625 · 6 years ago


* * * * * * * * * * * *


Biography of Rudyard Kipling
30 December 1865 – 18 January 1936





Poetry Foundation Excerpt

"Kipling wrote many other works during the periods that he produced his children's classics. He was actively involved in the Boer War in South Africa as a war correspondent, and in 1917 he was assigned the post of 'Honorary Literary Advisor' to the Imperial War Graves Commission—the same year that his son John, who had been missing in action for two years, was confirmed dead. In his last years, explains O'Toole, he became even more withdrawn and bitter, losing much of his audience because of his unpopular political views—such as compulsory military service—and a "cruelty and desire for vengeance [in his writings] that his detractors detested." Modern critical opinions, O'Toole continues, "are contradictory because Kipling was a man of contradictions. He had enormous sympathy for the lower classes ... yet distrusted all forms of democratic government." He declined awards offered him by his own government, yet accepted others from foreign nations. He finally succumbed to a painful illness early in 1936. "He remains an intriguing personality and writer," O'Toole explains, and "for all his limitations," declares Blackburn, "he was a gifted and courageous and honest man.""

Wikipedia Excerpts

Devon

By September 1896, the Kiplings were in Torquay, Devon, on the southwestern coast of England, in a hillside home overlooking the English Channel. Although Kipling did not much care for his new house, whose design, he claimed, left its occupants feeling dispirited and gloomy, he managed to remain productive and socially active.[17]

Kipling was now a famous man, and in the previous two or three years, had increasingly been making political pronouncements in his writings. The Kiplings had welcomed their first son, John, in August 1897. Kipling had begun work on two poems, "Recessional" (1897) and "The White Man's Burden" (1899) which were to create controversy when published. Regarded by some as anthems for enlightened and duty-bound empire-building (that captured the mood of the Victorian age), the poems equally were regarded by others as propaganda for brazenfacedimperialism and its attendant racial attitudes; still others saw irony in the poems and warnings of the perils of empire.[17]


Take up the White Man's burden—
Send forth the best ye breed—
Go, bind your sons to exile
To serve your captives' need;
To wait, in heavy harness,
On fluttered folk and wild—
Your new-caught sullen peoples,
Half devil and half child.

—The White Man's Burden[42]

There was also foreboding in the poems, a sense that all could yet come to naught.[43]


Far-called, our navies melt away;
On dune and headland sinks the fire:
Lo, all our pomp of yesterday
Is one with Nineveh and Tyre!
Judge of the Nations, spare us yet.
Lest we forget—lest we forget!

—Recessional[44]

A prolific writer during his time in Torquay, he also wrote Stalky & Co., a collection of school stories (born of his experience at the United Services College in Westward Ho!) whose juvenile protagonists displayed a know-it-all, cynical outlook on patriotism and authority. According to his family, Kipling enjoyed reading aloud stories from Stalky & Co. to them, and often went into spasms of laughter over his own jokes.[17]


Visits to South Africa

In early 1898 the Kiplings travelled to South Africa for their winter holiday, thus beginning an annual tradition which (excepting the following year) was to last until 1908. They always stayed in "The Woolsack", a house on Cecil Rhodes' estate at Groote Schuur (and now a student residence for the University of Cape Town); it was within walking distance of Rhodes' mansion.[45]


With his new reputation as Poet of the Empire, Kipling was warmly received by some of the most influential politicians of the Cape Colony, including Rhodes, Sir Alfred Milner, and Leander Starr Jameson. Kipling cultivated their friendship and came to admire the men and their politics. The period 1898–1910 was crucial in the history of South Africa and included the Second Boer War (1899–1902), the ensuing peace treaty, and the 1910 formation of the Union of South Africa. Back in England, Kipling wrote poetry in support of the British cause in the Boer War and on his next visit to South Africa in early 1900, he became a correspondent for The Friend newspaper in Bloemfontein, which had been commandeered by Lord Roberts for British troops.[46]

Although his journalistic stint was to last only two weeks, it was Kipling's first work on a newspaper staff since he left The Pioneer in Allahabad more than ten years earlier.[17] At The Friendhe made lifelong friendships with Perceval Landon, H. A. Gwynne and others.[47] He also wrote articles published more widely expressing his views on the conflict.[48] Kipling penned an inscription for the Honoured Dead Memorial (Siege memorial) in Kimberley.

During this period Kipling travelled throughout South Africa and told stories of these places through his poetry, such as the well known poem "Lichtenberg" which relates the story of a combatant and his journey towards death in a foreign land. Trooper Aberline’s sacrifice was to have an impact on the Boers and his legacy went far beyond his rusting cross in the Lichtenburg cemetery which lies close to that of Edith Mathews.[49]

---

Death of son
[cf. Words to my Son, "IF"]

Kipling actively encouraged his young son to go to war. Kipling's son John died in the First World War, at the Battle of Loos in September 1915, at age 18. John had initially wanted to join the Royal Navy, but having had his application turned down after a failed medical examination due to poor eyesight, he opted to apply for military service as an Army officer. But again, his eyesight was an issue during the medical examination. In fact, he tried twice to enlist, but was rejected. His father had been lifelong friends with Lord Roberts, commander-in-chief of the British Army, and colonel of the Irish Guards, and at Rudyard's request, John was accepted into the Irish Guards.[65]

He was sent to Loos two days into the battle in a reinforcement contingent. He was last seen stumbling through the mud blindly, screaming in agony after an exploding shell had ripped his face apart. A body identified as his was not found until 1992, although that identification has been challenged.[69][70]

After his son's death, Kipling wrote, "If any question why we died/ Tell them, because our fathers lied." It is speculated that these words may reveal his feelings of guilt at his role in getting John a commission in the Irish Guards.[71] Others such as English professor Tracy Bilsing contend that the line is referring to Kipling's disgust that British leaders failed to learn the lessons of the Boer War, and were not prepared for the struggle with Germany in 1914 with the "lie" of the "fathers" being that the British Army was prepared for any war before 1914 when it was not.[72]

John's death has been linked to Kipling's 1916 poem "My Boy Jack", notably in the play My Boy Jack and its subsequent television adaptation, along with the documentary Rudyard Kipling: A Remembrance Tale. However, the poem was originally published at the head of a story about the Battle of Jutland and appears to refer to a death at sea; the 'Jack' referred to is probably a generic 'Jack Tar'.[73] Kipling was said to help assuage his grief over the death of his son through reading the novels of Jane Austen aloud to his wife and daughter.[74]

During the war, he wrote a booklet The Fringes of the Fleet[75] containing essays and poems on various nautical subjects of the war. Some of the poems were set to music by English composer Edward Elgar.

Kipling became friends with a French soldier whose life had been saved in the First World War when his copy of Kim, which he had in his left breast pocket, stopped a bullet. The soldier presented Kipling with the book (with bullet still embedded) and his Croix de Guerre as a token of gratitude. They continued to correspond, and when the soldier, Maurice Hammoneau, had a son, Kipling insisted on returning the book and medal.[76]

On 1 August 1918, a poem—"The Old Volunteer"—appeared under his name in The Times. The next day he wrote to the newspaper to disclaim authorship, and a correction appeared. Although The Times employed a private detective to investigate (and the detective appears to have suspected Kipling himself of being the author), the identity of the hoaxer was never established.[77]


Thursday, August 27, 2015

Life Letters From a Father to His Son



When I’m Gone
https://medium.com/life-tips/when-i-m-gone-f1611ceb759f

by Rafael Zoehler
July 29, 2015

Death is always a surprise. No one expects it. Not even terminal patients think they are going to die in a day or two. In a week, maybe. But only when this particular week is the next week.

We are never ready. It is never the right time. By the time it comes, you will not have done all the things that we wanted to. The end always comes as a surprise, and it’s a tearful moment for widows, and a "bore" for the children who don’t really understand what a funeral is (thank God).

It was no different with my father. In fact, his death was even more unexpected. He was gone at age 27. The same age that claimed the lives of several famous musicians. He was young. Way too young. My father was not a musician and neither a famous person. Cancer doesn’t pick its victims. He was gone when I was young, and I learned what a funeral was because of him. I was 8 and half, old enough to miss him for a lifetime. Had he died before, I wouldn’t have memories. I would feel no pain. But I wouldn’t have a father in my life. And I had a father.

I had a father who was both firm and fun. Someone who would tell a joke before grounding me. That way, I wouldn’t feel so bad. Someone who kissed me on the forehead before I went to sleep. A habit which I passed on to my children. Someone who forced me to support the same football team he supported, and who explained things better than my mother. Do you know what I mean? A father like that is someone to be missed.

He never told me he was going to die. Even when he was lying on a hospital bed with tubes all over him, he didn’t say a word. My father made plans for the next year even though he knew he wouldn’t be around in the next month. Next year, we would go fishing, we would travel, we would visit places we’ve never been. Next year would be an amazing year. We lived the same dream.

I believe — actually I’m sure — he thought this should bring luck. He was a superstitious man. Thinking about the future was the way he found to keep hope alive. The bastard made me laugh until the very end. He knew about it. He didn’t tell me. He didn’t see me crying.

And suddenly, the next year was over before it even started.

My mother picked me up at school and we went to the hospital. The doctor told the news with all the sensitivity that doctors lose over the years. My mother cried. She did have a tiny bit of hope. As I said before, everyone does. I felt the blow. What does it mean? Wasn’t it just a regular disease, the kind of disease doctors heal with a shot? I hated you, dad. I felt betrayed. I screamed with anger in the hospital, until I realized my father was not around to ground me. I cried.

Then, my father was once again a father to me. With a shoebox under her arm, a nurse came by to comfort me. The box was full of sealed envelopes, with sentences where the address should be. I couldn’t understand exactly what was going on. The nurse then handed me a letter. The only letter that was out of the box.

“Your dad asked me to give you this letter. He spent the whole week writing these, and he wants you read it. Be strong.” the nurse said, holding me.

The envelope read "WHEN I’M GONE". I opened it.


Son,

If you’re reading this, I’m dead. I’m sorry. I knew I was going to die.

I didn’t want to tell you what was going to happen, I didn’t want to see you crying. Well, it looks like I’ve made it. I think that a man who’s about to die has the right to act a little bit selfish.

Well, as you can see, I still have a lot to teach you. After all, you don’t know crap about anything. So I wrote these letters for you. You must not open them before the right moment, OK? This is our deal.

I love you. Take care of your mom. You’re the man of the house now.

Love, dad.

PS: I didn’t write letters to your mom. She’s got my car.


He made me stop crying with his bad handwriting. Printing was not easy back then. His ugly writing, which I barely understood, made me feel calm. It made me smile. That’s how my father did things. Like the joke before the grounding.

That box became the most important thing in the world for me. I told my mother not to open it. Those letters were mine and no one else could read them. I knew all the life moments written on the envelopes by heart. But it took a while for these moments to happen. And I forgot about it.

Seven years later, after we moved to a new place, I had no idea where I put the box. I couldn’t remember it. And when we don’t remember something, we usually don’t care about it. If something goes lost in your memory, It doesn’t mean you lost it. It simply doesn’t exist anymore. It’s like change in the pockets of your trousers.

And so it happened. My teenage years and my mother’s new boyfriend triggered what my father had anticipated a long time before. My mother had several boyfriends, and I always understood it. She never married again. I don’t know why, but I like to believe that my father had been the love of her life. This boyfriend, however, was worthless. I thought she was humiliating herself by dating him. He had no respect for her. She deserved something a lot better than a guy she met at a bar.

I still remember the slap she gave me after I pronounced the word “bar”. I’ll admit that I deserved it. I learned that over the years. At the time, when my skin was still burning from the slap, I remembered the box and the letters. I remembered a specific letter, which read "WHEN YOU HAVE THE WORST FIGHT EVER WITH YOUR MOM."

I ransacked my bedroom looking for it, which earned me another slap in the face. I found the box inside a suitcase lying on top of the wardrobe. The limbo. I looked through the letters, and realized that I had forgotten to open "WHEN YOU HAVE YOUR FIRST KISS". I hated myself for doing that, and I decided that would be the next letter I’d open. "WHEN YOU LOSE YOUR VIRGINITY" came right next in the pack, a letter I was hoping to open really soon. Eventually I found what I was looking for.


Now apologize to her.

I don’t know why you’re fighting and I don’t know who’s right. But I know your mother. So a humble apology is the best way to get over this. I’m talking about a down-on-your-knees apology.

She’s your mother, kid. She loves you more than anything in this world. Do you know that she went through natural birth because someone told her that it would be the best for you? Have you ever seen a woman giving birth? Do you need a bigger proof of love than that?

Apologize. She’ll forgive you.

Love, dad.


My father was not a great writer, he was just a bank clerk. But his words had a great impact on me. They were words that carried more wisdom than all of my 15 years of age at the time. (That wasn’t very hard to achieve, though).

I rushed to my mother’s room and opened the door. I was crying when she turned her head to look me in the eyes. She was also crying. I don’t remember what she yelled at me. Probably something like “What do you want?” What I do remember is that I walked towards her holding the letter my father wrote. I held her in my arms, while my hands crumpled the old paper. She hugged me, and we both stood in silence.

My father’s letter made her laugh a few minutes later. We made peace and talked a little about him. She told me about some of his most eccentric habits, such as eating salami with strawberries. Somehow, I felt he was sitting right next to us. Me, my mother and a piece of my father, a piece he left for us, on a piece of paper. It felt good.

It didn’t take long before I read "WHEN YOU LOSE YOUR VIRGINITY."


Congratulations, son.

Don’t worry, it gets better with time. It always sucks the first time. Mine happened with an ugly woman…who was also a prostitute.

My biggest fear is that you’d ask your mother what virginity is after reading what’s on the letter. Or even worse, reading what I just wrote without knowing what jerking off is (you know what it is, right?). But that’s none of my business.

Love, dad.


My father followed me through my entire life. He was with me, even though he was not near me. His words did what no one else could: they gave me strength to overcome countless challenging moments in my life.

He would always find a way to put a smile on my face when things looked grim, or clear my mind during those angry moments.

"WHEN YOU GET MARRIED" made me feel very emotional. But not so much as "WHEN YOU BECOME A FATHER."


Now you’ll understand what real love is, son. You’ll realize how much you love her, but real love is something you’ll feel for this little thing over there. I don’t know if it’s a boy or a girl. I’m just a corpse, I’m not a fortune teller.

Have fun. It’s a great thing. Time is gonna fly now, so make sure you’ll be around. Never miss a moment, they never come back. Change diapers, bathe the baby, be a role model to this child. I think you have what it takes to be an amazing father, just like me.


The most painful letter I read in my entire life was also the shortest letter my father wrote. While he wrote those four words, I believe he suffered just as much as I did living through that moment. It took a while, but eventually I had to open "WHEN YOUR MOTHER IS GONE."


She is mine now.


A joke. A sad clown hiding his sadness with a smile on his makeup. It was the only letter that didn’t make me smile, but I could see the reason.

I always kept the deal I had made with my father. I never read letters before their time. With the exception of "WHEN YOU REALIZE YOU’RE GAY." Since I never thought I’d have to open this one, I decided to read it. It was one of the funniest letters, by the way.


What can I say? I’m glad I’m dead.

Now, all joking aside, being half-dead made me realize that we care too much about things that don’t matter much. Do you think that changes anything, son?

Don’t be silly. Be happy.


I would always wait for the next moment, the next letter. The next lesson my father would teach me. It’s amazing what a 27 year old man can teach to an 85 year old senior like me.

Now that I am lying on a hospital bed, with tubes in my nose and my throat thanks to this damn cancer, I run my fingers on the faded paper of the only letter I didn’t open. The sentence "WHEN YOUR TIME COMES" is barely visible on the envelope.

I don’t want to open it. I’m scared. I don’t want to believe that my time is near. It’s a matter of hope, you know? No one believes they’re gonna die.

I take a deep breath, opening the envelope.


Hello, son. I hope you’re an old man now.

You know, this letter was the easiest to write, and the first I wrote. It was the letter that set me free from the pain of losing you. I think your mind becomes clearer when you’re this close to the end. It’s easier to talk about it.

In my last days here I thought about the life I had. I had a brief life, but a very happy one. I was your father and the husband of your mother. What else could I ask for? It gave me peace of mind. Now you do the same.

My advice for you: you don’t have to be afraid.

PS: I miss you