"Autobiographies of great nations are written in three manuscripts – a book of deeds, a book of words, and a book of art. Of the three, I would choose the latter as truest testimony." - Sir Kenneth Smith, Great Civilisations

"I must write each day without fail, not so much for the success of the work, as in order not to get out of my routine." - Leo Tolstoy

I have never believed that one should wait until one is inspired because I think the pleasures of not writing are so great that if you ever start indulging them you will never write again. - John Updike

"The life of every man is a diary in which he means to write one story, and writes another; and his humblest hour is when he compares the volume as it is with what he vowed to make it." - J.M. Barrie, Peter Pan

Poetry is the shadow cast by our streetlight imaginations." - Lawrence Ferlinghetti


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Tuesday, April 26, 2011

Robert W. Service - The Cremation of Sam McGee



From The Songs of a Sourdough

"The Spell of the Yukon and Other Verses"

The Cremation of Sam McGee
by Robert W. Service, 1907



There are strange things done in the midnight sun
      By the men who moil for gold;
The Arctic trails have their secret tales
      That would make your blood run cold;
The Northern Lights have seen queer sights,
      But the queerest they ever did see
Was that night on the marge of Lake Lebarge
      I cremated Sam McGee.

Now Sam McGee was from Tennessee, where the cotton blooms and blows.
Why he left his home in the South to roam ‘round the Pole, God only knows.
He was always cold, but the land of gold seemed to hold him like a spell;
Though he’d often say in his homely way that “he’d sooner live in hell.”

On a Christmas Day we were mushing our way over the Dawson trail.
Talk of your cold! through the parka’s fold it stabbed like a driven nail.
If our eyes we’d close, then the lashes froze till sometimes we couldn’t see;
It wasn’t much fun, but the only one to whimper was Sam McGee.

And that very night, as we lay packed tight in our robes beneath the snow,
And the dogs were fed, and the stars o’erhead were dancing heel and toe,
He turned to me, and “Cap,” says he, “I’ll cash in this trip, I guess;
And if I do, I’m asking that you won’t refuse my last request.”

Well, he seemed so low that I couldn’t say no; then he says with a sort of moan:
“It’s the cursed cold, and it’s got right hold till I’m chilled clean through to the bone.
Yet ‘taint being dead--it’s my awful dread of the icy grave that pains;
So I want you to swear that, foul or fair, you’ll cremate my last remains.”

A pal’s last need is a thing to heed, so I swore I would not fail;
And we started on at the streak of dawn; but God! he looked ghastly pale.
He crouched on the sleigh, and he raved all day of his home in Tennessee;
And before nightfall a corpse was all that was left of Sam McGee.

There wasn’t a breath in that land of death, and I hurried, horror-driven,
With a corpse half hid that I couldn’t get rid, because of a promise given;
It was lashed to the sleigh, and it seemed to say: “You may tax your brawn and brains,
But you promised true, and it’s up to you to cremate those last remains.”

Now a promise made is a debt unpaid, and the trail has its own stern code.
In the days to come, though my lips were dumb, in my heart how I cursed that load.
In the long, long night, by the lone firelight, while the huskies, round in a ring,
Howled out their woes to the homeless snows—O God! how I loathed the thing.

And every day that quiet clay seemed to heavy and heavier grow;
And on I went, though the dogs were spent and the grub was getting low;
The trail was bad, and I felt half mad, but I swore I would not give in;
And I’d often sing to the hateful thing, and it hearkened with a grin.

Till I came to the marge of Lake Lebarge, and a derelict there lay;
It was jammed in the ice, but I saw in a trice it was called the “Alice May.”
And I looked at it, and I thought a bit, and I looked at my frozen chum;
Then “Here,” said I, with a sudden cry, “is my cre-ma-tor-eum.”

Some planks I tore from the cabin floor, and I lit the boiler fire;
Some coal I found that was lying around, and I heaped the fuel higher;
The flames just soared, and the furnace roared—such a blaze you seldom see;
And I burrowed a hole in the glowing coal, and I stuffed in Sam McGee.

Then I made a hike, for I didn’t like to hear him sizzle so;
And the heavens scowled, and the huskies howled, and the wind began to blow.
It was icy cold, but the hot sweat rolled down my cheeks, and I don’t know why;
And the greasy smoke in an inky cloak went streaking down the sky.

I do not know how long in the snow I wrestled with grisly fear;
But the stars came out and they danced about ere again I ventured near;
I was sick with dread, but I bravely said: “I’ll just take a peep inside.
I guess he’s cooked, and it’s time I looked;” . . . then the door I opened wide.

And there sat Sam, looking cool and calm, in the heart of the furnace roar;
And he wore a smile you could see a mile, and he said: “Please close that door.
It’s fine in here, but I greatly fear you’ll let in the cold and storm—
Since I left Plumtree, down in Tennessee, it’s the first time I’ve been warm.”

There are strange things done in the midnight sun
      By the men who moil for gold;
The Arctic trails have their secret tales
      That would make your blood run cold;
The Northern Lights have seen queer sights,
      But the queerest they ever did see
Was that night on the marge of Lake Lebarge
      I cremated Sam McGee.


- Robert W. Service (1874-1958)


Maps of Lake LaBarge






Types of Sternwheelers, Paddleboats, and Steamboats





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Introduction to Poem
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Robert W. Service, a Canadian poet and novelist, was known for his ballads of the Yukon. He wrote this narrative poem which is presented here because it is an outstanding example of how sensory stimuli are emphasized and it has a surprise ending.

Robert William Service was born in Preston, England, on January 16, 1874. He emigrated to Canada at the age of twenty, in 1894, and settled for a short time on Vancouver Island. He was employed by the Canadian Bank of Commerce in Victoria, B.C., and was later transferred to Whitehorse and then to Dawson in the Yukon. In all, he spent eight years in the Yukon and saw and experienced the difficult times of the miners, trappers, and hunters that he has presented to us in verse.

During the Balkan War of 1912-13, Service was a war correspondent to the Toronto Star. He served this paper in the same capacity during World War I, also serving two years as an ambulance driver in the Canadian Army medical corps. He returned to Victoria for a time during World War II, but later lived in retirement on the French Riviera, where he died on September 14, 1958, in Monte Carlo.

Sam McGee was a real person, a customer at the Bank of Commerce where Service worked. The Alice May was a real boat, the Olive May, a derelict on Lake Laberge.

Anyone who has experienced the bitterness of cold weather and what it can do to a man will empathize with Sam McGee’s feelings as expressed by Robert Service in this poem.


The Bard of the Yukon, Robert W. Service

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WikipediaThe Reality Behind the Fiction

More Poems by Robert W. Service - The Poet's Corner

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Discussion of Poem


Introduction

Robert W. Service wrote a lot of poems about the Gold Rush that happened in Alaska and northwestern Canada at the turn of the 19th century. "The Cremation of Sam McGee," however, is probably the most famous of all. It was published in 1907 in a collection called Songs of a Sourdough. Service was born in Scotland, but when he wrote the poem, he had been living in the Yukon (in northwestern Canada) for several years. He based "The Cremation of Sam McGee" on the places he saw, the people he met, and the stories he heard while he lived there. Since it’s publication, the poem has been popular with generations of readers, who love its combination of black humor, adventure, and captivating descriptions of the lives of Yukon prospectors.

Why Should I Care?

There are lots of reasons to love "The Cremation of Sam McGee," but we think its mostly worth your time because it is unusual and super fun. It’s got action, horror, excitement, and a killer punch line. Now, here at Shmoop, we like the fancy poems too, but we especially love an author who can make a poem exciting, accessible, and catchy. We bet that once you read this poem a couple times, you’ll find the words and the images getting stuck in your head. In a way, it’s like a great pop song: short, relatable, and fun to hear again and again. There’s no highfalutin’ philosophizing or super-hard language to get in the way of your enjoyment. If you’re looking for a poem that entertains all ages and does it in style, you definitely don’t need to look any farther than this one.

Summary

The poem is about a freezing-cold winter trip in the Yukon, back in the days of the Klondike Gold Rush. The poem’s speaker tells us a story about his friend, Sam McGee, who freezes to death on the trail.

Sam hates the cold and doesn’t want to be buried in the frozen ground. So, as his dying wish, he asks our speaker to cremate him (which is a fancy way of saying "burn his corpse"). The speaker promises he will, but it’s tough to find a way to do it in the dead of winter. He ends up having a lousy trip, carrying Sam’s frozen corpse until he finds a spot to burn Sam’s body.

He starts to burn Sam, but is pretty grossed out by the whole thing. Then, when he goes to see if Sam is "cooked," he finds his friend alive and well and cozy! Apparently Sam just needed to defrost a little, and the raging fire did the trick.



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