C.S. Lewis - A Grief Observed Quotes

Wikipedia

http://en.wikipedia.org/wiki/A_Grief_Observed

A Grief Observed is a collection of C. S. Lewis's reflections on the experience of bereavement following the death of his wife, Joy Gresham, in 1960. The book was first published in 1961 under the pseudonym N.W. Clerk as Lewis wished to avoid identification as the author. Though republished in 1963 after his death under his own name, the text still refers to his wife as “H” (her first name, which she rarely used, was Helen).^[1]

The book is compiled from the four notebooks which Lewis used to vent and explore his grief. He illustrates the everyday trials of his life without Joy and explores fundamental questions of faith and theodicy. Lewis’s step-son (Joy’s son) Douglas Gresham points out in his 1994 introduction that the indefinite article 'a' in the title makes it clear that Lewis's grief is not the quintessential grief experience at the loss of a loved one, but one individual's perspective among countless others. The book helped inspire a 1985 television movie Shadowlands, as well as a 1993 film of the same name.

Excerpts from A Grief Observed

by C.S. Lewis

note: H. referred to Lewis' wife, "Helen Joy Davidman"

I

At other times it feels like being mildly drunk, or concussed. There is a sort of invisible blanket between the world and me. I find it hard to take in what anyone says. Or perhaps, hard to want to take it in. It is so uninteresting. Yet I want the others to be about me. I dread the moments when the house is empty. If only they would talk to one another and not to me.
*
There are moments, most unexpectedly, when something inside me tries to assure me that I don't really mind so much, not so very much, after all. Love is not the whole of a man's life. I was happy before I ever met H. I've plenty of what are called "resources." People get over these things. Come, I shan't do so badly. One is ashamed to listen to this voice but it seems for a little to be making out a good case. Then comes a sudden job of red-hot memory and all this "commonsense" vanishes like an ant in the mouth of a furnace.
*
Meanwhile, where is God? This is one of the most disquieting symptoms. When you are happy, so happy that you have no sense of needing Him, so happy that you are tempted to feel His claims upon you as an interruption, if you remember yourself and turn to Him with gratitude and praise, you will be--or so it feels--welcomed with open arms. But go to Him when your need is desperate, when all other help is vain, and what do you find? A door slammed in your face, and a sound of bolting and double bolting on the inside. After that, silence. You may as well turn away. The longer you wait, the more emphatic the silence will become.
*
I once read the sentence "I lay awake all night with toothache, thinking about toothache and about lying awake." That's true to life. Part of every misery is, so to speak, the misery's shadow or reflection: the fact that you don't merely suffer but have to keep on thinking about the fact that you suffer. I not only live each endless day in grief, but live each day thinking about living each day in grief.
*

II

Oh God, God, why did you take such trouble to force this creature out of its shell if it is now doomed to crawl back--to be sucked back--into it?
*
You never know how much you really believe anything until its truth or falsehood becomes a matter of life and death to you.
*
Talk to me about the truth of religion and I'll listen gladly. Talk to me about the duty of religion and I'll listen submissively. But don't come talking to me about the consolations of religion or I shall suspect that you don't understand.
*
You could say we are fallen and depraved. We are so depraved that our ideas of goodness count for nothing; or worse than nothing--the very fact that we think something good is presumptive evidence that it is really bad. Now God has in fact--our worse fears are true--all the characteristics we regard as bad: unreasonableness, vanity, vindictiveness, injustice, cruelty. But all these blacks (as they seem to us) are really whites. It's only our depravity makes them look black to us.
*
And grief still feels like fear. Perhaps, more strictly, like suspense. Or like waiting; just hanging about waiting for something to happen.
*

III

You can't see anything properly while your eyes are blurred with tears. you can't, in most things, get what you want if you want it too desperately: anyway, you can't get the best out of it.
*
The time when there is nothing at all in your soul except a cry for help may be just the time when God can't give it: you are like the drowning man who can't be helped because he clutches and grabs. Perhaps your own reiterated cries deafen you to the voice you hoped to hear.
*
On the other hand, "Knock and it shall be opened." But does knocking mean hammering and kicking the door like a maniac? And there's also "To him that hath shall be given." After all, you must have a capacity to receive, or even omnipotence can't give. Perhaps your own passion temporarily destroys the capacity.
*

IV

Sorrow, however, turns out to be not a state but a process.
*
Grief is like a long valley, a winding valley where any bend may reveal a totally new landscape.
*
I ought to have said [about H.] "But also like a garden. Like a nest of gardens, wall within wall, hedge within hedge, more secret, more full of fragrant and fertile life, the further you entered."
*
My idea of God is not a divine idea. It has to be shattered time after time.
*
Not my idea of God, but God. Not my idea of H., but H. Yes, and also not my idea of my neighbor, but my neighbor. For don't we often make this mistake as regards people who are still alive--who are with us in the same room? Talking and acting not to the man himself but to the picture--almost the precis--we've made of Him in our own minds? And he has to depart from it pretty widely before we even notice the fact. In real life--that's one way it differs from novels--his words and acts are, if we observe closely, hardly ever quite "in character," that is in what we call his character. There's always a card in his hand we didn't know about.
*
But then of course I know perfectly well that He can't be used as a road. If you're approaching Him not as the goal but as a road, not as the end but as a means, you're not really approaching Him at all.
*
When I lay these questions before God I get no answer. But a rather special sort of "No answer." It is not the locked door. It is more like a silent, certainly not uncompassionate, gaze. As though He shook His head not in refusal but waiving the question. Like, "Peace, child; you don't understand."
*
Can a mortal ask questions which God finds unanswerable? Quite easily, I should think. All nonsense questions are unanswerable.
*
For this is one of the miracles of love; it gives--to both, but perhaps especially to the woman--a power of seeing through its own enchantments and yet not being disenchanted.
*
Sometimes, Lord, one is tempted to say that if you wanted us to behave like the lilies of the field you might have given us an organization more like theirs. But that, I suppose, is just your grand experiment. Or no; not an experiment, for you have no need to find things out. Rather your grand enterprise. To make an organism which is also a spirit; to make that terrible oxymoron, a "spiritual animal." To take a poor primate, a beast with nerve-ending all over it, a creature with a stomach that wants to be filled, a breeding animal that wants its mate, and say, "Now get on with it. Become a god."

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Related Poetry

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A poem by Petrina Barson

from her book "Now We Are Four"

The Facts of Life

1

In the early days
I felt I wore you
like some logo
on my face.
Amazed only
when the woman at the eggs
could not read your absence
from the creases and
undulations there.
My traitor face -
bland as an egg carton -
did not scream at her.
I wanted to tell her -
standing there reading labels -
of all the things
I was discovering
that I had lost -
each moment cracking open
to find you gone:
only four places at the table;
only three pink sugared biscuits
left in the fridge (you helped
to roll them before boredom
eased you back to Lara
jumping on the sofa);
only two children
in the rear vision mirror;
only one direction
that this blessed life drags us -
heels banging on the road.

2
It's half your little life
since I helped you onto the see-saw
and we tipped laughter
into each others' faces.
Two birthdays gone:
imagination
some failed artist
totally lacking the repertoire
to sketch you at five.
And memory no better:
a three-toothed old lady
driving her trolley full of papers
into the wind.
For you are fading:
this precious pain
that is my ice bridge to you
melting in the grimy flow
of circumstance.
Now I bump into it -
one fact among others -
as the river pulls me
to its own end
gaily ignorant of rocks
and plates of ice
hurling me down rapids -
a bony glissando -
then rolling me over
and showing me
(the bright sky).