Ernest Lawrence Thayer - Casey at the Bat

CASEY AT THE BAT

The San Francisco Examiner - June 3, 1888

by Ernest Lawrence Thayer

The outlook wasn't brilliant for the Mudville nine that day:

The score stood four to two, with but one inning more to play,

And then when Cooney died at first, and Barrows did the same,

A pall-like silence fell upon the patrons of the game.

A straggling few got up to go in deep despair. The rest

Clung to the hope which springs eternal in the human breast;

They thought, "If only Casey could but get a whack at that--

We'd put up even money now, with Casey at the bat."

But Flynn preceded Casey, as did also Jimmy Blake,

And the former was a hoodoo, while the latter was a cake;

So upon that stricken multitude grim melancholy sat,

For there seemed but little chance of Casey getting to the bat.

But Flynn let drive a single, to the wonderment of all,

And Blake, the much despised, tore the cover off the ball;

And when the dust had lifted, and men saw what had occurred,

There was Jimmy safe at second and Flynn a-hugging third.

Then from five thousand throats and more there rose a lusty yell;

It rumbled through the valley, it rattled in the dell;

It pounded on the mountain and recoiled upon the flat,

For Casey, mighty Casey, was advancing to the bat.

There was ease in Casey's manner as he stepped into his place;

There was pride in Casey's bearing and a smile lit Casey's face.

And when, responding to the cheers, he lightly doffed his hat,

No stranger in the crowd could doubt 'twas Casey at the bat.

Ten thousand eyes were on him as he rubbed his hands with dirt;

Five thousand tongues applauded when he wiped them on his shirt;

Then while the writhing pitcher ground the ball into his hip,

Defiance flashed in Casey's eye, a sneer curled Casey's lip.

And now the leather-covered sphere came hurtling through the air,

And Casey stood a-watching it in haughty grandeur there.

Close by the sturdy batsman the ball unheeded sped--

"That ain't my style," said Casey. "Strike one!" the umpire said.

From the benches, black with people, there went up a muffled roar,

Like the beating of the storm-waves on a stern and distant shore;

"Kill him! Kill the umpire!" shouted someone on the stand;

And it's likely they'd have killed him had not Casey raised his hand.

With a smile of Christian charity great Casey's visage shone;

He stilled the rising tumult; he bade the game go on;

He signaled to the pitcher, and once more the dun sphere flew;

But Casey still ignored it and the umpire said, "Strike two!"

"Fraud!" cried the maddened thousands, and echo answered "Fraud!"

But one scornful look from Casey and the audience was awed.

They saw his face grow stern and cold, they saw his muscles strain,

And they knew that Casey wouldn't let that ball go by again.

The sneer is gone from Casey's lip, his teeth are clenched in hate,

He pounds with cruel violence his bat upon the plate;

And now the pitcher holds the ball, and now he lets it go,

And now the air is shattered by the force of Casey's blow.

Oh, somewhere in this favoured land the sun is shining bright,

The band is playing somewhere, and somewhere hearts are light;

And somewhere men are laughing, and somewhere children shout,

But there is no joy in Mudville--mighty Casey has struck out.

Casey at the Bat by Ernest Thayer
From the Baseball Almanac - http://www.baseball-almanac.com/poetry/po_case.shtml

It all started in 1885 when George Hearst decided to run for state senator in California. To self-promote his brand of politics, Hearst purchased the San Francisco Examiner. At the completion of the election, Hearst gave the newspaper to his son, William Randolph Hearst.

William, who had experience editing the Harvard Lampoon while at Harvard College, took to California three Lampoon staff members. One of those three was Ernest L. Thayer who signed his humorous Lampoon articles with the pen name Phin.

In the June 3, 1888 issue of The Examiner, Phin appeared as the author of the poem we all know as Casey at the Bat. The poem received very little attention and a few weeks later it was partially republished in the New York Sun, though the author was now known as Anon.

A New Yorker named Archibald Gunter clipped out the poem and saved it as a reference item for a future novel. Weeks later Gunter found another interesting article describing an upcoming performance at the Wallack Theatre by comedian De Wolf Hopper - who was also his personal friend. The August 1888 show (exact date is unknown) had members from the New York and Chicago ball clubs in the audience and the clipping now had a clear and obvious use.

Gunter shared Casey at the Bat with Hopper and the perfomance was nothing short of legendary. Baseball Almanac is pleased to present the single most famous baseball poem ever written.

"Love has its sonnets galore. War has its epics in heroic verse. Tragedy
its sombre story in measured lines. Baseball has Casey at the Bat."

- Albert Spalding

	The "audio moment" below is the actual voice of De Wolf Hopper and you will hear some slight variations in his delivery. Casey at the Bat - DeWolf Hopper - 1906 Victor First Prize Record http://www.youtube.com/watch?v=X8fTrc9Cymk When William De Wolf Hopper performed the poem at Wallack's Theatre, on Broadway and 30th Street in New York City, players from the New York Giants and Chicago White Stockings were guests in the auditorium. Ernest Lawrence Thayer actually wrote three versions of Casey at the Bat — the first printing, a self-corrupted version, and the revised version.

Wikiepedia Info on Poem - http://en.wikipedia.org/wiki/Casey%27s_Revenge#Sequels

"Casey at the Bat: A Ballad of the Republic Sung in the Year 1888" is a baseball poem written in 1888 by Ernest Thayer. First published in The San Francisco Examiner on June 3, 1888, it was later popularized by DeWolf Hopper in many vaudeville performances.

The poem was originally published anonymously (under the pen name "Phin", based on Thayer's college nickname, "Phineas"). The author's identity was not widely known at first. A number falsely claimed to have authored the poem, and Thayer's efforts to set the record straight were often ignored.

Sequels

http://en.wikipedia.org/wiki/Casey%27s_Revenge#Sequels

"Casey's Revenge", by Grantland Rice (1907), gives Casey another chance against the pitcher who had struck him out in the original story. It was written in 1906, and its first known publication was in the quarterly magazine The Speaker in June 1907, under the pseudonym of James Wilson^[17]. In this version, Rice cites the nickname "Strike-Out Casey", hence the influence on Casey Stengel's name. Casey's team is down three runs by the last of the ninth, and once again Casey is down to two strikes—with the bases full this time. However, he connects, hits the ball so far that it is never found, and the final stanza reads:

Oh! somewhere in this favored land dark clouds may hide the sun;

And somewhere bands no longer play and children have no fun;

And somewhere over blighted loves there hangs a heavy pall;

But Mudville hearts are happy now--for Casey hit the ball.

In response to the popularity of the 1946 Walt Disney, Disney released a sequel, "Casey Bats Again" (1954), in which Casey's nine daughters redeem his reputation.

In 1988, on the 100th anniversary of the poem, Sports Illustrated writer Frank Deford constructed a fanciful story (later expanded to book form) which posited Katie Casey, the subject of the song "Take Me Out to the Ball Game", as being the daughter of the famous slugger from the poem.

In 2010, Ken Eagle wrote “The Mudville Faithful,” covering a century of the Mudville nine's ups and downs since Casey struck out. Faithful fans still root for the perpetually losing team, and are finally rewarded by a trip to the World Series, led by Casey's great-grandson who is also named Casey. 

Casey’s Revenge Grantland Rice (first published in The Nashville Tennessean, 1907) Grantland Rice (November 1, 1880 – July 13, 1954) was an early 20th century American sportswriter known for his elegant prose. His writing was published in newspapers around the country and broadcast on the radio. There were saddened hearts in Mudville for a week or even more; There were muttered oaths and curses—every fan in town was sore. “Just think,” said one, “how soft it looked with Casey at the bat, And then to think he’d go and spring a bush league trick like that!” All his past fame was forgotten—he was now a hopeless “shine.” They called him “Strike-Out Casey,” from the mayor down the line; And as he came to bat each day his bosom heaved a sigh, While a look of hopeless fury shone in mighty Casey’s eye. He pondered in the days gone by that he had been their king, That when he strolled up to the plate they made the welkin ring; But now his nerve had vanished, for when he heard them hoot He “fanned” or “popped out” daily, like some minor league recruit. He soon began to sulk and loaf, his batting eye went lame; No home runs on the score card now were chalked against his name; The fans without exception gave the manager no peace, For one and all kept clamoring for Casey’s quick release. The Mudville squad began to slump, the team was in the air; Their playing went from bad to worse—nobody seemed to care. “Back to the woods with Casey!” was the cry from Rooters’ Row. “Get some one who can hit the ball, and let that big dub go!” The lane is long, some one has said, that never turns again, And Fate, though fickle, often gives another chance to men; And Casey smiled; his rugged face no longer wore a frown— The pitcher who had started all the trouble came to town. All Mudville had assembled—ten thousand fans had come To see the twirler who had put big Casey on the bum; And when he stepped into the box, the multitude went wild; He doffed his cap in proud disdain, but Casey only smiled. “Play ball!” the umpire’s voice rang out, and then the game began. But in that throng of thousands there was not a single fan Who thought that Mudville had a chance, and with the setting sun Their hopes sank low—the rival team was leading “four to one.” The last half of the ninth came round, with no change in the score; But when the first man up hit safe, the crowd began to roar; The din increased, the echo of ten thousand shouts was heard When the pitcher hit the second and gave “four balls” to the third. Three men on base —nobody out —three runs to tie the game! A triple meant the highest niche in Mudville’s hall of fame; But here the rally ended and the gloom was deep as night, When the fourth one “fouled to catcher” and the fifth “flew out to right.” A dismal groan in chorus came; a scowl was on each face When Casey walked up, bat in hand, and slowly took his place; His bloodshot eyes in fury gleamed, his teeth were clenched in hate; He gave his cap a vicious hook and pounded on the plate. But fame is fleeting as the wind and glory fades away; There were no wild and woolly cheers, no glad acclaim this day; They hissed and groaned and hooted as they clamored: “Strike him out!” But Casey gave no outward sign that he had heard this shout. The pitcher smiled and cut one loose —across the plate it sped; Another hiss, another groan. “Strike one!” the umpire said. Zip! Like a shot the second curve broke just below the knee. “Strike two!” the umpire roared aloud; but Casey made no plea. No roasting for the umpire now —his was an easy lot; But here the pitcher whirled again—was that a rifle shot? A whack, a crack, and out through the space the leather pellet flew, A blot against the distant sky, a speck against the blue. Above the fence in center field in rapid whirling flight The sphere sailed on —the blot grew dim and then was lost to sight. Ten thousand hats were thrown in air, ten thousand threw a fit, But no one ever found the ball that mighty Casey hit. O, somewhere in this favored land dark clouds may hide the sun, And somewhere bands no longer play and children have no fun! And somewhere over blighted lives there hangs a heavy pall, But Mudville hearts are happy now, for Casey hit the ball.