Francis Scott Fitzgerald Biography
Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940) was an American author of novels and short stories, whose works are the paradigm writings of the Jazz Age, a term he coined himself. He is widely regarded as one of the greatest American writers of the 20th century.
Fitzgerald is considered a member of the "Lost Generation" of the 1920s. He finished four novels: This Side of Paradise, The Beautiful and Damned, Tender Is the Night, and his most famous, The Great Gatsby. A fifth, unfinished novel, The Love of the Last Tycoon, was published posthumously.
Fitzgerald also wrote many short stories that treat themes of youth and promise along with despair and age.
The Great Gatsby has been the basis for numerous films of the same name, spanning nearly 90 years; 1926, 1949, 1974, 2000, and an upcoming 2013 adaption.
In 1958 his life from 1937–1940 was dramatized in Beloved Infidel.
by Francis Scott Fitzgerald
THE last light wanes and drifts across the land,
The low, long land, the sunny land of spires.
The ghosts of evening tune again their lyres
And wander singing, in a plaintive band
Down the long corridors of trees. Pale fires
Echo the night from tower top to tower.
Oh sleep that dreams and dream that never tires,
Press from the petals of the lotus-flower
Something of this to keep, the essence of an hour!
The low, long land, the sunny land of spires.
The ghosts of evening tune again their lyres
And wander singing, in a plaintive band
Down the long corridors of trees. Pale fires
Echo the night from tower top to tower.
Oh sleep that dreams and dream that never tires,
Press from the petals of the lotus-flower
Something of this to keep, the essence of an hour!
No more to wait the twilight of the moon
In this sequestrated vale of star and spire;
For one, eternal morning of desire
Passes to time and earthy afternoon.
Here, Heracletus, did you build of fire
And changing stuffs your prophecy far hurled
Down the dead years; this midnight I aspire
To see, mirrored among the embers, curled
In flame, the splendor and the sadness of the world.
In this sequestrated vale of star and spire;
For one, eternal morning of desire
Passes to time and earthy afternoon.
Here, Heracletus, did you build of fire
And changing stuffs your prophecy far hurled
Down the dead years; this midnight I aspire
To see, mirrored among the embers, curled
In flame, the splendor and the sadness of the world.
* * * * * * *
SLEEP OF A UNIVERSITY
by: F. Scott Fitzgerald (1896-1940)
WATCHING through the long, dim hours
Like statued Mithras, stand ironic towers;
Their haughty lines severe by light
Are softened and gain tragedy at night.
Self-conscious, cynics of their charge,
Proudly they challenge the dreamless world at large.
From pseudo-ancient Nassau Hall, the bell
Crashes the hour, as if to pretend "All's well!"
Over the campus then the listless breeze
Floats along drowsily, filtering through the trees,
Whose twisted branches seem to lie
Like point d'Alencon lace against the sky
Of soft gray-black -- a gorgeous robe
Buttoned with stars, hung over a tiny globe.
With life far-off, peace sits supreme:
The college slumbers in a fatuous dream,
While, watching through the moonless hours
Like statued Mithras, stand the ironic towers.
Their haughty lines severe by light
Are softened and gain tragedy at night.
Self-conscious, cynics of their charge,
Proudly they challenge the dreamless world at large.
From pseudo-ancient Nassau Hall, the bell
Crashes the hour, as if to pretend "All's well!"
Over the campus then the listless breeze
Floats along drowsily, filtering through the trees,
Whose twisted branches seem to lie
Like point d'Alencon lace against the sky
Of soft gray-black -- a gorgeous robe
Buttoned with stars, hung over a tiny globe.
With life far-off, peace sits supreme:
The college slumbers in a fatuous dream,
While, watching through the moonless hours
Like statued Mithras, stand the ironic towers.
* * * * * * *
RAIN BEFORE DAWN
by: F. Scott Fitzgerald (1896-1940)
HE dull, faint patter in the drooping hours
Drifts in upon my sleep and fills my hair
With damp; the burden of the heavy air
Is strewn upon me where my tired soul cowers,
Shrinking like some lone queen in empty towers
Dying. Blind with unrest I grow aware:
The pounding of broad wings drifts down the stair
And sates me like the heavy scent of flowers.
I lie upon my heart. My eyes like hands
Grip at the soggy pillow. Now the dawn
Tears from her wetted breast the splattered blouse
Of night; lead-eyed and moist she straggles o'er the lawn,
Between the curtains brooding stares and stands
Like some drenched swimmer -- Death's within the house!
Drifts in upon my sleep and fills my hair
With damp; the burden of the heavy air
Is strewn upon me where my tired soul cowers,
Shrinking like some lone queen in empty towers
Dying. Blind with unrest I grow aware:
The pounding of broad wings drifts down the stair
And sates me like the heavy scent of flowers.
I lie upon my heart. My eyes like hands
Grip at the soggy pillow. Now the dawn
Tears from her wetted breast the splattered blouse
Of night; lead-eyed and moist she straggles o'er the lawn,
Between the curtains brooding stares and stands
Like some drenched swimmer -- Death's within the house!
*"Rain Before Dawn" is reprinted from the
Nassau Literary Magazine, February, 1917
* * * * * * *
On A Play Twice Seen
by F. Scott Fizgerald
HERE in the figured dark I watch once more;
There with the curtain rolls a year away,
A year of years — There was an idle day
Of ours, when happy endings didn't bore
Our unfermented souls, and rocks held ore:
Your little face beside me, wide-eyed, gay,
Smiled its own repertoire, while the poor play
Reached me as a faint ripple reaches shore.
There with the curtain rolls a year away,
A year of years — There was an idle day
Of ours, when happy endings didn't bore
Our unfermented souls, and rocks held ore:
Your little face beside me, wide-eyed, gay,
Smiled its own repertoire, while the poor play
Reached me as a faint ripple reaches shore.
Yawning and wondering an evening through
I watch alone — and chatterings of course
Spoil the one scene which somehow did have charms;
You wept a bit, and I grew sad for you
Right there, where Mr. X defends divorce
And What's-Her-Name falls fainting in his arms.
I watch alone — and chatterings of course
Spoil the one scene which somehow did have charms;
You wept a bit, and I grew sad for you
Right there, where Mr. X defends divorce
And What's-Her-Name falls fainting in his arms.
by F. Scott Fitzgerald
WE leave to-night . . .
Silent, we filled the still, deserted street,
A column of dim gray,
And ghosts rose startled at the muffled beat
Along the moonless way;
The shadowy shipyards echoed to the feet
That turned from night and day.
A column of dim gray,
And ghosts rose startled at the muffled beat
Along the moonless way;
The shadowy shipyards echoed to the feet
That turned from night and day.
And so we linger on the windless decks,
See on the spectre shore
Shades of a thousand days, poor gray-ribbed wrecks . . .
Oh, shall we then deplore
Those futile years!
See on the spectre shore
Shades of a thousand days, poor gray-ribbed wrecks . . .
Oh, shall we then deplore
Those futile years!
See how the sea is white!
The clouds have broken and the heavens burn
To hollow highways, paved with gravelled light
The churning of the waves about the stern
Rises to one voluminous nocturne,
. . . We leave to-night.
The clouds have broken and the heavens burn
To hollow highways, paved with gravelled light
The churning of the waves about the stern
Rises to one voluminous nocturne,
. . . We leave to-night.
* * * * * * *
Marching Streets
by Francis Scott Fitzgerald
Death slays the moon and the long dark deepens,
Hastens to the city, to the drear stone-heaps,
Films all eyes and whispers on the corners,
Whispers to the corners that the last soul sleeps.
Hastens to the city, to the drear stone-heaps,
Films all eyes and whispers on the corners,
Whispers to the corners that the last soul sleeps.
Gay grow the streets now torched by yellow lamplight,
March all directions with a long sure tread.
East, west they wander through the blinded city,
Rattle on the windows like the wan-faced dead.
March all directions with a long sure tread.
East, west they wander through the blinded city,
Rattle on the windows like the wan-faced dead.
Ears full of throbbing, a babe awakens startled,
Sends a tiny whimper to the still gaunt room.
Arms of the mother tighten round it gently,
Deaf to the patter in the far-flung gloom.
Sends a tiny whimper to the still gaunt room.
Arms of the mother tighten round it gently,
Deaf to the patter in the far-flung gloom.
Old streets hoary with dear, dead foot-steps
Loud with the tumbrils of a gold old age
Young streets sand-white still unheeled and soulless,
Virgin with the pallor of the fresh-cut page.
Loud with the tumbrils of a gold old age
Young streets sand-white still unheeled and soulless,
Virgin with the pallor of the fresh-cut page.
Black streets and alleys, evil girl and tearless,
Creeping leaden footed each in thin, torn coat,
Wine-stained and miry, mire choked and winding,
Wind like choking fingers on a white, full throat.
Creeping leaden footed each in thin, torn coat,
Wine-stained and miry, mire choked and winding,
Wind like choking fingers on a white, full throat.
White lanes and pink lanes, strung with purpled roses,
Dance along the distance weaving o'er the hills,
Beckoning the dull streets with stray smiles wanton,
Strung with purpled roses that the stray dawn chills.
Dance along the distance weaving o'er the hills,
Beckoning the dull streets with stray smiles wanton,
Strung with purpled roses that the stray dawn chills.
Here now they meet tiptoe on the corner,
Kiss behind the silence of the curtained dark;
Then half unwilling run between the houses,
Tracing through the pattern that the dim lamps mark.
Kiss behind the silence of the curtained dark;
Then half unwilling run between the houses,
Tracing through the pattern that the dim lamps mark.
Steps break steps and murmur into running,
Death upon the corner spills the edge of dawn
Dull the torches waver and the streets stand breathless;
Silent fades the marching and the night-noon's gone.
Death upon the corner spills the edge of dawn
Dull the torches waver and the streets stand breathless;
Silent fades the marching and the night-noon's gone.
by Francis Scott Fitzgerald
WATCHING through the long, dim hours
Like statued Mithras, stand ironic towers;
Their haughty lines severe by light
Are softened and gain tragedy at night.
Self-conscious, cynics of their charge,
Proudly they challenge the dreamless world at large.
Like statued Mithras, stand ironic towers;
Their haughty lines severe by light
Are softened and gain tragedy at night.
Self-conscious, cynics of their charge,
Proudly they challenge the dreamless world at large.
From pseudo-ancient Nassau Hall, the bell
Crashes the hour, as if to pretend 'All's well!'
Over the campus then the listless breeze
Floats along drowsily, filtering through the trees,
Whose twisted branches seem to lie
Like point d'Alencon lace against the sky
Of soft gray-black — a gorgeous robe
Buttoned with stars, hung over a tiny globe.
Crashes the hour, as if to pretend 'All's well!'
Over the campus then the listless breeze
Floats along drowsily, filtering through the trees,
Whose twisted branches seem to lie
Like point d'Alencon lace against the sky
Of soft gray-black — a gorgeous robe
Buttoned with stars, hung over a tiny globe.
With life far-off, peace sits supreme:
The college slumbers in a fatuous dream,
While, watching through the moonless hours
Like statued Mithras, stand the ironic towers.
The college slumbers in a fatuous dream,
While, watching through the moonless hours
Like statued Mithras, stand the ironic towers.
* * * * * * *
A POEM AMORY SENT TO ELEANOR
AND WHICH HE CALLED "SUMMER STORM"
by: F. Scott Fitzgerald (1896-1940)
FAINT winds, and a song fading and leaves falling,
Faint winds, and far away a fading laughter . . .
And the rain and over the fields a voice calling . . .
One gray blown cloud scurries and lifts above,
Slides on the sun and flutters there to waft her
Sisters on. The shadow of a dove
Falls on the cote, the trees are filled with wings;
And down the valley through the crying trees
The body of the darker storm flies; brings
With its new air the breath of sunken seas
And slender tenuous thunder . . .
But I wait . . .
Wait for the mists and for the blacker rain--
Heavier winds that stir the veil of fate,
Happier winds that pile her hair;
Again
They tear me, teach me, strew the heavy air
Upon me, winds that I know, and storm.
There was a summer every rain was rare;
There was a season every wind was warm . . .
And now you pass me in the mist . . . your hair
Rain-blown about you, damp lips curved once more
In that wild irony, that gay despair
That made you old when we have met before;
Wraith-like you drift on out before the rain,
Across the fields, blown with the stemless flowers,
With your old hopes, dead leaves and loves again--
Dim as a dream and wan with all old hours
(Whispers will creep into the growing dark . . .
Tumult will die over the trees)
Now night
Tears from her wetted breast the splattered blouse
Of day, glides down the dreaming hills, tear-bright,
To cover with her hair the eerie green . . .
Love for the dusk . . . Love for the glistening after;
Quiet the trees to their last tops . . . serene . . .
Faint winds, and far away a fading laughter . . .
And the rain and over the fields a voice calling . . .
One gray blown cloud scurries and lifts above,
Slides on the sun and flutters there to waft her
Sisters on. The shadow of a dove
Falls on the cote, the trees are filled with wings;
And down the valley through the crying trees
The body of the darker storm flies; brings
With its new air the breath of sunken seas
And slender tenuous thunder . . .
But I wait . . .
Wait for the mists and for the blacker rain--
Heavier winds that stir the veil of fate,
Happier winds that pile her hair;
Again
They tear me, teach me, strew the heavy air
Upon me, winds that I know, and storm.
There was a summer every rain was rare;
There was a season every wind was warm . . .
And now you pass me in the mist . . . your hair
Rain-blown about you, damp lips curved once more
In that wild irony, that gay despair
That made you old when we have met before;
Wraith-like you drift on out before the rain,
Across the fields, blown with the stemless flowers,
With your old hopes, dead leaves and loves again--
Dim as a dream and wan with all old hours
(Whispers will creep into the growing dark . . .
Tumult will die over the trees)
Now night
Tears from her wetted breast the splattered blouse
Of day, glides down the dreaming hills, tear-bright,
To cover with her hair the eerie green . . .
Love for the dusk . . . Love for the glistening after;
Quiet the trees to their last tops . . . serene . . .
Faint winds, and far away a fading laughter . . .
*"A Poem Amory Sent to Eleanor and which he called 'Summer Storm'" is reprinted
from "This Side of Paradise." F. Scott Fitzgerald. New York: Scribners, 1920.
* * * * * * *
A POEM THAT ELEANOR SENT AMORY SEVERAL YEARS LATER
by: F. Scott Fitzgerald (1896-1940)
HERE, Earth-born, over the lilt of the water,
Lisping its music and bearing a burden of light,
Bosoming day as a laughing and radiant daughter . . .
Here we may whisper unheard, unafraid of the night.
Walking alone . . . was is splendor, or what, we were bound with,
Deep in the time when summer lets down her hair?
Shadows we loved and the patterns they covered the ground with
Tapestries, mystical, faint in the breathless air.
That was the day . . . and the night for another story,
Pale as a dream and shadowed with penciled trees--
Ghosts of the stars came by who had sought for glory,
Whispered to us of peace in the plaintive breeze,
Whispered of old dead faiths that the day had shattered,
Youth the penny that bought delight of the moon;
That was the urge that we knew and the language that mattered
That was the debt that was paid to the userer June.
Here, deepest of dreams, by the waters that bring not
Anything back of the past that we need not know,
What if the light is but sun and the little streams sing not,
We are together, it seems . . . I have loved you so . . .
What did the last night hold, with the summer over,
Drawing us back to the home in the changing glade?
What leered out of the dark in the ghostly clover?
God! . . . till you stirred in your sleep . . . and were wild afraid . . .
Well . . . we have passed . . . we are chronicle now to the eerie.
Curious metal from meteors that failed in the sky;
Earth-born the tireless is stretched by the water, quite weary,
Close to this ununderstandable changeling that's I . . .
Fear is an echo we traced to Security's daughter;
Now we are faces and voices . . . and less, too soon,
Whispering half-love over the lilt of the water . . .
Youth the penny that bought delight of the moon.
Lisping its music and bearing a burden of light,
Bosoming day as a laughing and radiant daughter . . .
Here we may whisper unheard, unafraid of the night.
Walking alone . . . was is splendor, or what, we were bound with,
Deep in the time when summer lets down her hair?
Shadows we loved and the patterns they covered the ground with
Tapestries, mystical, faint in the breathless air.
That was the day . . . and the night for another story,
Pale as a dream and shadowed with penciled trees--
Ghosts of the stars came by who had sought for glory,
Whispered to us of peace in the plaintive breeze,
Whispered of old dead faiths that the day had shattered,
Youth the penny that bought delight of the moon;
That was the urge that we knew and the language that mattered
That was the debt that was paid to the userer June.
Here, deepest of dreams, by the waters that bring not
Anything back of the past that we need not know,
What if the light is but sun and the little streams sing not,
We are together, it seems . . . I have loved you so . . .
What did the last night hold, with the summer over,
Drawing us back to the home in the changing glade?
What leered out of the dark in the ghostly clover?
God! . . . till you stirred in your sleep . . . and were wild afraid . . .
Well . . . we have passed . . . we are chronicle now to the eerie.
Curious metal from meteors that failed in the sky;
Earth-born the tireless is stretched by the water, quite weary,
Close to this ununderstandable changeling that's I . . .
Fear is an echo we traced to Security's daughter;
Now we are faces and voices . . . and less, too soon,
Whispering half-love over the lilt of the water . . .
Youth the penny that bought delight of the moon.
*"A Poem That Eleanor Sent Amory Several Years Later" is reprinted
from "This Side of Paradise." F. Scott Fitzgerald. New York: Scribners, 1920.
* * * * * * *
F. SCOTT FITZGERALD:
A BIBLIOGRAPHY
POETRY
- Poems 1911-1940 (1981)
PLAYS
- Fie! Fie! Fi-Fi! (1914)
- The Evil Eye (1915)
- Safety First (1916)
- The Vegetable (1923)
- F. Scott Fitzgerald's St. Paul Plays (1978)
- F. Scott Fitzgerald's Screenplay for Eric Maria Remarque's Three Comrades (1978)
- Babylon Revisited: The Screenplay (1993)
- Fie! Fie! Fi-Fi! A Facsimile of the 1914 Acting Script and the Musical Score (1996)
SHORT STORIES
- Flappers and Philosophers (1920)
- Tales of the Jazz Age (1922)
- All the Sad Young Men (1926)
- Taps at Reveille (1935)
- The Crack-Up (1945)
- The Stories of F. Scott Fitzgerald (1951)
- Afternoon of an Author (1957)
- The Pat Hobby Stories (1962)
- The Apprentice Fiction of F. Scott Fitzgerald (1965)
- Dearly Beloved (1970)
- The Basil and Josephine Stories (1973)
- Bits of Paradise (1973)
- The Price Was High (1979)
- The Short Stories of F. Scott Fitzgerald (1989)
- Before Gatsby: The First Twenty-Six Stories (2001)
NOVELS
OTHER WORKS
- The Letters of F. Scott Fitzgerald (1964)
- Thoughtbook of Francis Scott Key Fitzgerald (1965)
- F. Scott Fitzgerald in His Own Time: A Miscellany (1971)
- Dear Scott/Dear Max: The Fitzgerald-Perkins Correspondence (1971)
- As Ever, Scott Fitz------: Letters Between F. Scott Fitzgerald and His Literary Agent Harold Ober 1919-1940 (1972)
- F. Scott Fitzgerald's Ledger (1973)
- Preface to This Side of Paradise (1975)
- The Cruise of the Rolling Junk (1976)
- The Notebooks of F. Scott Fitzgerald (1978)
- Correspondance of F. Scott Fitzgerald (1980)
- Inscriptions (1988)
- F. Scott Fitzgerald: A Life in Letters (1994)
- F. Scott Fitzgerald on Authorship (1996)
- F. Scott Fitzgerald: The Princeton Years (1996)
BIOGRAPHIES/CRITICISM
- A Student's Guide to F. Scott Fitzgerald, Eva Weisbrod. (Enslow Publishers, 2004).
- F. Scott Fitzgerald in the Twenty-First Century: Centennial Essays, Ruth Prigozy. (Univ Alabama Press, 2003).
- Fitzgerald-Wilson-Hemingway: Language and Experience, Ronald Berman. (Univ of Alabama Press, 2003).
- Spark Notes The Great Gatsby (2003)
- Some Sort of Epic Grandeur: The Life of F. Scott Fitzgerald, Bruccoli & Smith. (Univ of South Carolina Press, 2002).
- F. Scott Fitzgerald: Voice of the Jazz Age, Caroline Evensen Lazo. (Lerner, 2002).
- Ashes to Ashes: Mourning and Social Difference in F. Scott Fitzgerald's Fiction, Jonathan Schiff. (Susquehanna Univ, 2001).
- Literary Masters: F. Scott Fitzgerald, Judith S. Baughman & Matthew J. Bruccoli. (Gale Group, 2000).
- F. Scott Fitzgerald, Harold Bloom. (Chelsea House, 1999)
- F. Scott Fitzgerald A to Z: The Essential Reference to His Life and Work, Mary Jo Tate. (Facts on File, 1998).
- F. Scott Fitzgerald in Minnesota: Toward the Summit, David Page & John J. Koblas. (North Star Press, 1996).
- Intimate Lies: F. Scott Fitzgerald and Sheilagh Graham, Robert Westbrook. (Harper Collins, 1995).
- Scottie, The Daughter of...: The Life of Frances Scott Fitzgerald Lanahan Smith, Eleanor Lanahan. (Harper Collins, 1995).
- The Great Gatsby and Modern Times, Ronald Berman. (Univ of Illinois Press, 1994).
- Scott Fitzgerald: A Biography, Jeffrey Meyers. (Harper Collins, 1994).
- I'm Sorry about the Clock: Chronology, Composition, and Narrative Technique in The Great Gatsby, Thomas A. Pendleton. (Susquehanna Univ Press, 1993).
- F. Scott Fitzgerald, Andrew Hook. (Arnold, 1992).
- The Great Gatsby: The Limits of Wonder, Richard Lehan. (Twayne, 1990).
- The Novels of F. Scott Fitzgerald, John B. Chambers. (St. Martin's Press, 1989).
- Image Patterns in the Novels of F. Scott Fitzgerald, Dan Seiters. (Univ Michigan Press, 1986).
- Against the Current: As I Remember F. Scott Fitzgerald, Frances Kroll Ring. (Ellis/Creative Arts, 1985).
- F. Scott Fitzgerald, Andre LeVot. (Doubleday, 1983).
- F. Scott Fitzgerald and the Art of Social Fiction, Brian Way. (St. Martin's Press, 1980).
- Scott Fitzgerald: Crisis in an American Identity, Thomas J. Stavola. (Barnes & Noble, 1979).
- F. Scott Fitzgerald in Minnesota: His Homes and Haunts, John J. Koblas. (Minnesota Historical Press, 1978).
- Candles and Carnival Lights: The Catholic Sensibility of F. Scott Fitzgerald, Joan M. Allen. (New York University Press, 1978).
- The Real F. Scott Fitzgerald: Thirty-Five Years Later, Sheilah Graham. (Grosset & Dunlap, 1976).
- A Concordance to F. Scott Fitzgerald's The Great Gatsby, Andrew T. Crosland. (Gale Research, 1975).
- The Romantic Egoists: A Pictorial Autobiography from the Scrapbooks and Albums of F. Scott and Zelda Fitzgerald, Scottie Fitzgerald Smith. (Scribner's, 1974).
- F. Scott Fitzgerald and the American Dream, William A. Fahey. (Crowell, 1973).
- Scott Fitzgerald and His World, Arthur Mizener. (Putnam, 1972).
- Crazy Sundays: F. Scott Fitzgerald in Hollywood, Aaron Latham. (Viking Press, 1971).
- F. Scott Fitzgerald: A Study of the Stories, John A. Higgins. (St. John's University Press, 1971).
- The Golden Moment: The Novels of F. Scott Fitzgerald, Milton R. Stern. (Univ of Illinois Press, 1970).
- F. Scott Fitzgerald and the Craft of Fiction, Richard D. Lehan. (Southern Illinois Univ Press, 1966).
- The Art of F. Scott Fitzgerald, Sergio Perosa. (Univ of Michigan Press, 1965).
- F. Scott Fitzgerald: A Critical Portrait, Henry Dan Piper. (Rinehart & Winston, 1965).
- Scott Fitzgerald, K.G. Cross. (Grove, 1964).
- F. Scott Fitzgerald: His Art and His Technique, James E. Miller. (New York Univ Press, 1964).
- The Composition of Tender Is the Night, Bruccoli. (Univ of Pittsburge Press, 1963).
- F. Scott Fitzgerald, Kenneth Eble. (Twayne, 1963).
- Scott Fitzgerald, Andrew Turnbull. (Scribner's, 1962).
- The Great Gatsby: A Study, Frederick J. Hoffman. (Scribner's, 1962).
- F. Scott Fitzgerald, Charles E. Shain. (Univ of Minnesota Press, 1961).
- F. Scott Fitzgerald: Poems - An index of poems by F. Scott Fitzgerald.
- F. Scott Fitzgerald: One-Act Plays - A collection of short plays by Fitzgerald.
- F. Scott Fitzgerald Quotes - A collection of quotes from his writings.
- Purchase books by F. Scott Fitzgerald
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