"Autobiographies of great nations are written in three manuscripts – a book of deeds, a book of words, and a book of art. Of the three, I would choose the latter as truest testimony." - Sir Kenneth Smith, Great Civilisations

"I must write each day without fail, not so much for the success of the work, as in order not to get out of my routine." - Leo Tolstoy

I have never believed that one should wait until one is inspired because I think the pleasures of not writing are so great that if you ever start indulging them you will never write again. - John Updike

"The life of every man is a diary in which he means to write one story, and writes another; and his humblest hour is when he compares the volume as it is with what he vowed to make it." - J.M. Barrie, Peter Pan

Poetry is the shadow cast by our streetlight imaginations." - Lawrence Ferlinghetti


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Monday, August 5, 2024

The Last Supper, by Lydia Sigourney

Poet Lydia Sigourney (1791-1865)

Wikipedia - Lydia Huntley Sigourney (September 1, 1791 – June 10, 1865), née Lydia Howard Huntley, was an American poet, author, and publisher during the early and mid 19th century. She was commonly known as the "Sweet Singer of Hartford." She had a long career as a literary expert, publishing 52 books and in over 300 periodicals in her lifetime. While some of her works were signed anonymously, most of her works were published with just her married name Mrs. Sigourney. During the lyceum movement that flourished in the United States in the 19th century, women named literary societies and study clubs in her honor.

 



THE LAST SUPPER
A PICTURE BY LEONARDI DA VINCI


Behold that countenance, where grief and love
Blend with ineffable benignity,
And deep, unuttered majesty divine.

        Whose is that eye which seems to read the heart,
And yet to have shed the tear of mortal woe?—
Redeemer, is it thine?—And is this feast,
Thy last on earth?—Why do the chosen few,
Admitted to thy parting banquet, stand
As men transfixed with horror?—

                                                               Ah! I hear
The appalling answer, from those lips divine,
"One of you shall betray me."—

                                                               One of these?—
Who by thy hand was nurtured, heard thy prayers,
Received thy teachings, as the thirsty plant
Turns to the rain of summer?—One of these!—
Therefore, with deep and deadly paleness droops
The loved disciple, as if life's warm spring
Chilled to the ice of death, at such strange shock
Of unimagined guilt.—See, his whole soul
Concentered in his eye, the man who walked
The waves with Jesus, all impetuous prompts
The horror-struck inquiry,—"Is it I?


Lord!—Is it I?" while earnest pressing near,
His brother's lip, in ardent echo seems
Doubting the fearful thought.—With brow upraised,
Andrew absolves his soul of charge so foul,
And springing eager from the table's foot,
Bartholomew bends forward, full of hope,
That by his ear, the Master's awful words
Had been misconstrued.—To the side of Christ,
James in the warmth of cherished friendship clings,
Yet trembles as the traitor's image steals
Into his throbbing heart:—while he, whose hand
In sceptic doubt was soon to probe the wounds
Of Him he loved, points upward to invoke
The avenging God.—Philip, with startled gaze,
Stands in his crystal singleness of soul,
Attesting innocence, while Matthew's voice
Repeating fervently the Master's words
Rouses to agony the listening group,
Who, half incredulous with terror, seem
To shudder at his accents.

                                                  All the twelve
With strong emotion strive, save one false breast
By Mammon seared, which brooding o'er its gain,
Weighs thirty pieces with the Saviour's blood.
Son of perdition!—dost thou freely breathe
In such pure atmosphere?—And canst thou hide,
'Neath the cold calmness of that settled brow,
The burden of a deed whose very name
Thus strikes thy brethren pale?—

                                                             But can it be
That the strange power of this soul-harrowing scene
Is the slight pencil's witchery?—I would speak
Of him who pour'd such bold conception forth
O'er the dead canvas.—But I dare not muse,
Now, of a mortal's praise.—Subdued I stand


In thy sole, sorrowing presence, Son of God!—
I feel the breathing of those holy men,
From whom thy gospel, as on angel's wing
Went out, through all the earth.—I see how deep
Sin in the soul may lurk, and fain would kneel
Low at thy blessed feet, and trembling ask—
"Lord!—is it I?"

                                   For who may tell, what dregs
Do slumber in his breast.—Thou, who didst taste
Of man's infirmities, yet bar his sins
From thine unspotted soul, forsake us not,
In our temptations, but so guide our feet,
That our Last Supper in this world may lead
To that immortal banquet by thy side,
Where there is no betrayer.


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For further reading on the DaVinci's Last Supper go here - 


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