"Autobiographies of great nations are written in three manuscripts – a book of deeds, a book of words, and a book of art. Of the three, I would choose the latter as truest testimony." - Sir Kenneth Smith, Great Civilisations

"I must write each day without fail, not so much for the success of the work, as in order not to get out of my routine." - Leo Tolstoy

I have never believed that one should wait until one is inspired because I think the pleasures of not writing are so great that if you ever start indulging them you will never write again. - John Updike

"The life of every man is a diary in which he means to write one story, and writes another; and his humblest hour is when he compares the volume as it is with what he vowed to make it." - J.M. Barrie, Peter Pan

Poetry is the shadow cast by our streetlight imaginations." - Lawrence Ferlinghetti


[Note - If any article requires updating or correction please notate this in the comment section. Thank you. - res]


Monday, September 5, 2011

R.E. Slater - Jars of Clay (a poem)




Jars of Clay
by R.E. Slater



Is there a reconciliation that may be found

At the weathered hands of Father Time -

Where hearts are broken beyond remits

Groaning loving-care’s clarion chimes?

Ringing o' ringing in the halls of wear

Unheard a dulled ear’s deaf stirrings -

Unwearied ensnaring grasping fares

Soon ruined a dark reef’s moorings?

Then away, away, come away at once

To faith’s fraught shoals and lauded lands -

Where sycamore trees arise tall bonded communions

And butterscotch'd groves flow o’er grace’s rolling strands.

Bathed in rosetted fugues of cherry blossoms perfuming sweet airs

And there lie 'twining amid the hallowing silences of shrouded black boles -

In spellbound hush o'er lush verdant swards of pilloried souls risen all-glorious

Whence plucked from death’s withering hands and unsparing scythe unreaped.

Lifting as thrice bound sonatas upon forgiveness’ flutes of fruit’d harmonies

Bursting unfettered lo discord’s mighty lairs of chaining darkness -

Ruptured from cold earth's torn despairs and chiming griefs

Forever moored a glad Fellowship’s eternal fortresses.

Nay, if ever a reconciliation ere be found in thee

Pray fall Incarnate Love unsparingly -

Poured from yielded earthen jars of knelling clays

Birthing sweet ambrosial nectars remitting parched souls a’thirst.


                                                                                                  - R.E. Slater
                                                                                                      Sept – Nov, 2011

                                                                                                                                                                                            @copyright R.E. Slater Publications

                                                                                                                                                            all rights reserved


The rich black boles of blooming cherry trees

AUTHOR’S NOTES

I have written and re-written this verse attempting to purge its sealed mysteries into sight for us poor earth-bound souls faithless and benighted in humanity’s withholding cloths of fleshly concerns and mortal pales. I wanted to fashion a poem that collided intense descriptions with lurid imagery, and against irregularly compressed metaphors, again, and again, and again, until we wearied of the words and could only read it numbed and lost within the verse’s sublimity.

I further wished to avoid reading this poem in tripping verse, or in everyday rhyming parlance, and have broken up the meter just enough to momentarily pause the eyes and arrest our attentions. There is, however, a slight cadence that can be found within its phrases when initiated by breathing stops and pauses. I also imposed an uncommon structure onto it that would mash together its sacred thoughts into a blinding composition of white light whose prismatic rainbow is only seen when read more thoughtfully.

Lastly, I wished to convey life’s greater adventures found within the rich compositions of everyday joys and wonders, beheld in the arts, in sound and canvas, horticulture and nature, sacred communions and worship. How each abounds to us at the Divine’s hand as they can abound from ourselves to one another’s hands when practicing the arts of service to one another. For is not the heart of creation like that of its Creator?

Hence, we may deliver life - against death’s imposing grip - when seeking to help and assist those near to us in common ways. Through the simplicities of listening, sharing, respecting, loving. We do this in the knowledge that we are chosen vessels brought into this life to enrich one-another’s lives - however beggarly they may first appear to our sight or circumstances. For it is not the vessel itself that brings life’s fullness to bear, but the ambrosial nectars that that vessel holds within which enriches friendships and fallow, wheel and fortune.

Curiously, this poem’s thematic elements blend in with its visual shape, and when later discovering this I made both one, into a visual poem about becoming jars of clay. For it is in the very act of service to others - and only then - that our true purpose may be found in acts of sharing with one another in a community of common-use pottery. Some dinged up and battered, others enriched and ornate. But no matter, it is the nectars within the vessel that gives all-and-one joy and usefulness. And yet, there are some pots that are cracked, and others that leak, that can give no service to anyone until bound-up and restored into service’s assembly. The metaphor extends even further when considering unused dusty bowls and unwashed pots unprepared for service to anyone until discovered and re-purposed by a fellowship’s divine.

For should we disdain the use of our talents and abilities, powers and resources, knowledge and connections, it is to give harm to our societies forever fraught with greed and ambition, pride and jealousy, unkindness and sin. But to become vessels that pour out grace and mercy, humility and kindness, courageousness and truth, is to present a society of men and women strengthened into living, organic fortresses immovable, beauteous and inviting.

So then, it is not how pretty the pot… nor how banged-up and unpainted the bowl or jar…. Value is not found in the thing itself. But in the vessel’s use and service. A simple thing to explain but one forever misunderstood in practice and practicalities. Be then mere “jars of clay” become vessels useful for service.

R.E. Slater
Nov 7, 2011


But now, O LORD, you are our Father;
we are the clay, and you are our potter;
we are all the work of your hand.

                                                  - Isaiah 64.8

But we have this treasure in jars of clay,
to show that the surpassing power
belongs to God and not to us.

                                                              - 2 Corinthians 4.7


Cherry Blossoms





Wednesday, August 31, 2011

Eels - Hey Man (Now You're Really Living)

 
 
 



 
Eels - Hey Man (Now You're Really Living)



EELS LYRICS
Hey Man (Now You'Re Really Living) Ringtone Send "Hey Man (Now You'Re Really Living)" Ringtone to your Cell Hey Man (Now You'Re Really Living) Ringtone

"Hey Man (Now You'Re Really Living)"

Do you know what it's like to fall on the floor
And cry your guts out 'til you got no more
Hey man now you're really living

Have you ever made love to a beautiful girl
Made you feel like it's not such a bad world
Hey man now you're really living

Now you're really giving everything
And you're really getting all you gave
Now you're really living what
This life is all about

Well i just saw the sun rise over the hill
Never used to give me much of a thrill
But hey man now you're really living

Do you know what it's like to care too much
'bout someone that you're never gonna get to touch
Hey man now you're really living

Have you ever sat down in the fresh cut grass
And thought about the moment and when it will pass
Hey man now you're really living

Now you're really giving everything
And you're really getting all you gave
Now you're really living what
This life is all about

Now what would you say if i told you that
Everyone thinks you're a crazy old cat
Hey man now you're really living

Do you know what it's like to fall on the floor
And cry your guts out 'til you got no more
Hey man now you're really living

Have you ever made love to a beautiful girl
Made you feel like it's not such a bad world
Hey man now you're really living

People sing
Do you know what it's like to fall on the floor
And cry your guts out 'til you got no more
Hey man now you're really living

Just saw the sun rise over the hill
Never used to give me much of a thrill
But hey man now i'm really living





Tuesday, August 30, 2011

Awesome Indie quotes

all credit is due this very awesome indie site - http://www.ohsoindie.com/home



I wanted your secret to be about me.
Like mine was about you.
But it wasn't.
'My body is a cage that
keeps me from dancing with the one I love.'


A careless bird is complicated,
an empty nest still leaves a space.'


'They might get a little better air
if they turned themselves into a cloud.'


"You look so good in the clothes of a poser
And when you smiled all the kids fell apart here
I know a place where it's warm and it's dry, dear
Let me take you there"



I'd like to see you undone.
Youth's the most unfaithful mistress.

Still we forge ahead to miss her.
Rushing our moment to shine.



I want to buy you a lot of pretty things
and shyly offer them to you one at a time.



I wish we'd always wake up new.
Refreshed and born again
with nothing left to lose.



Because if seeing is believeing,
then believe that we have lost our eyes.



While you are away
My heart comes undone
Slowly unravels
In a ball of yarn.



Not knowing how to think,
I scream aloud, begin to sink,
My legs and arms are broken down,
With envy for the solid ground,

I'm reaching for the life within me,
How can one man stop his ending,

I thought of just your face,
Relaxed, and floated into space.



And I found this boy, he had a girlfriend at home,
But I swear I didn´t know for sure, and he said wait don´t go,
can I walk you home, to your hotel or so.



I think i'm a little bit in love with you,
But only if you're a little bit, little bit,
Little bit, In lalalala love with me.




I'm a bad boy cause I don't even miss her,
I'm a bad boy for breakin her heart,
And I'm free, free fallin, fallin.




Words are very unnecessary
They can only do harm,
Enjoy the silence...




You know that I could use somebody,
Someone like you and all you know,
And how you speak.



This is how it works,
You're young until you're not,
You love until you don't,
You try until you can't,
You laugh until you cry,
You cry until you laugh,
And everyone must breathe,
Until their dying breath.


On the radio,
We heard November Rain,
That solo's real long,

But it's a pretty song,
We listened to it twice,

Cause the DJ was asleep.


Tell me am I right to think that there could be nothing better,
Than making you my bride and slowly growing old together?
Don't you feed me lies about some idealistic future,
Your heart won't heal right if you keep tearing out the sutures.


Those three words,
Are said too much,
They're not enough.



That's why I copy and paste into your folder with your name,
it'd be more than I can take if I just told you, told you what I feel.



You talk too much.
Maybe that's your way,
Of breaking up the silence,
That fills you up.


I know that we're takin' chances,
you told me life was a risk,
but I just have one last question...
will it be my heart or will it be his?


I think separation is ok,
You’re no star to guide me anyway.



You are my sweetest downfall,
I loved you first.



And tomorrow there's no school,
So lets go drink some more Red Bull,
And not get home 'till about 6:00 o'clock.






*for more awesome Indie/Emo/Alternative quotes from songs and elsewhere
go to this very cool Indie site - http://www.ohsoindie.com/indie-quotes


**for more awesome Indie Music - http://www.ohsoindie.com/indie-music







Thursday, August 25, 2011

Ethel Waxham - The American West




The American West


I know a land where the gray hills lie

Eternally still, under the sky,

Where all the might of suns and moons

That pass in the quiet of nights and noons

Leave never a sign of the flight of time

On the long sublime horizon line.







Tuesday, August 23, 2011

Sappho - Selected Poems and Fragments

http://www.poetryintranslation.com/PITBR/Greek/Sappho.htm#_Toc76357041

Translated by A. S. Kline © 2005 All Rights Reserved
This work may be freely reproduced, stored, and transmitted, electronically or otherwise, for any non-commercial purpose.

Sappho - http://en.wikipedia.org/wiki/Sappho
(play /ˈsæf/; Attic Greek Σαπφώ [sapːʰɔː], Aeolic Greek Ψάπφω [psapːʰɔː]) was an Ancient Greek poet, born on the island of Lesbos. Later Greeks included her in the list of nine lyric poets. Her birth was sometime between 630 and 612 BC, and it is said that she died around 570 BC, but little is known for certain about her life. The bulk of her poetry, which was well-known and greatly admired throughout antiquity, has been lost, but her immense reputation has endured through surviving fragments.

Contents

‘Glittering-Minded deathless Aphrodite’3
‘Be here, by me’4
‘Come to me here from Crete’5
‘The stars around the beautiful moon’6
‘He is dying, Cytherea, your tender Adonis,’7
‘Some say horsemen, some say warriors’8
‘Stand up and look at me, face to face’9
‘Love shook my heart’10
‘He’s equal with the Gods, that man’11
‘But you, O Dika, wreathe lovely garlands in your hair,’12
Fragments, on Love and Desire. 13
Fragments, on the Muses. 16
‘I have a daughter, golden’18
‘Hesperus, you bring back again’19
‘Girls, you be ardent for the fragrant-blossomed’
‘The Moon is down’20


‘Glittering-Minded deathless Aphrodite’


Glittering-Minded deathless Aphrodite,
I beg you, Zeus’s daughter, weaver of snares,
Don’t shatter my heart with fierce
Pain, goddess,

But come now, if ever before
You heard my voice, far off, and listened,
And left your father’s golden house,
And came,

Yoking your chariot. Lovely the swift
Sparrows that brought you over black earth
A whirring of wings through mid-air
Down the sky.

They came. And you, sacred one,
Smiling with deathless face, asking
What now, while I suffer: why now
I cry out to you, again:

What now I desire above all in my
Mad heart. ‘Whom now, shall I persuade
To admit you again to her love,
Sappho, who wrongs you now?

If she runs now she’ll follow later,
If she refuses gifts she’ll give them.
If she loves not, now, she’ll soon
Love against her will.’

Come to me now, then, free me
From aching care, and win me
All my heart longs to win. You,
Be my friend.




‘Be here, by me’

Be here, by me,
Lady Hera, I pray
Who answered the Atreides,
Glorious kings.

They gained great things
There, and at sea,
And came towards Lesbos,
Their home path barred

Till they called to you, to Zeus
Of suppliants, to Dionysus, Thyone’s
Lovely child: be kind now,
Help me, as you helped them…




‘Come to me here from Crete’

Come to me here from Crete,

To this holy temple, where
Your lovely apple grove stands,
And your altars that flicker
With incense.

And below the apple branches, cold
Clear water sounds, everything shadowed
By roses, and sleep that falls from
Bright shaking leaves.

And a pasture for horses blossoms
With the flowers of spring, and breezes
Are flowing here like honey:
Come to me here,

Here, Cyprian, delicately taking
Nectar in golden cups
Mixed with a festive joy,
And pour.




‘The stars around the beautiful moon’

The stars around the beautiful moon
Hiding their glittering forms
Whenever she shines full on earth….
Silver….




‘He is dying, Cytherea, your tender Adonis,’

He is dying, Cytherea, your tender Adonis,
What should we do?
Beat your breasts, girls, tear your tunics…




‘Some say horsemen, some say warriors’

Some say horsemen, some say warriors,
Some say a fleet of ships is the loveliest
Vision in this dark world, but I say it’s
What you love.

It’s easy to make this clear to everyone,
Since Helen, she who outshone
All others in beauty, left
A fine husband,

And headed for Troy
Without a thought for
Her daughter, her dear parents…
Led astray….

And I recall Anaktoria, whose sweet step
Or that flicker of light on her face,
I’d rather see than Lydian chariots
Or the armed ranks of the hoplites.




‘Stand up and look at me, face to face’

Stand up and look at me, face to face
My friend,
Unloose the beauty of your eyes.....




‘Love shook my heart’

Love shook my heart,
Like the wind on the mountain
Troubling the oak-trees.




‘He’s equal with the Gods, that man’

He’s equal with the Gods, that man
Who sits across from you,
Face to face, close enough, to sip
Your voice’s sweetness,

And what excites my mind,
Your laughter, glittering. So,
When I see you, for a moment,
My voice goes,

My tongue freezes. Fire,
Delicate fire, in the flesh.
Blind, stunned, the sound
Of thunder, in my ears.

Shivering with sweat, cold
Tremors over the skin,
I turn the colour of dead grass,
And I’m an inch from dying.




‘But you, O Dika, wreathe lovely garlands in your hair,’

But you, O Dika, wreathe lovely garlands in your hair,
Weave shoots of dill together, with slender hands,
For the Graces prefer those who are wearing flowers,
And turn away from those who go uncrowned.




Fragments, on Love and Desire

I

…..You burn me…..

II

Remembering those things
We did in our youth…

…Many, beautiful things…

III

…Again and again…because those
I care for best, do me
Most harm…

IV

You came, and I was mad for you
And you cooled my mind that burned with longing…

V

Once long ago I loved you, Atthis,
A little graceless child you seemed to me

VI

Nightingale, herald of spring
With a voice of longing….

VII

Eros, again now, the loosener of limbs troubles me,
Bittersweet, sly, uncontrollable creature….

VII

………..but you have forgotten me…

VIII

You and my servant Eros….
IX
Like the sweet-apple reddening high on the branch,
High on the highest, the apple-pickers forgot,
Or not forgotten, but one they couldn’t reach…

X

Neither for me the honey
Nor the honeybee…

XI

Come from heaven, wrapped in a purple cloak…

XII
Of all the stars, the loveliest…
XIII

I spoke to you, Aphrodite, in a dream….

XIV

Yet I am not one who takes joy in wounding,
Mine is a quiet mind….

XV

Like the mountain hyacinth, the purple flower
That shepherds trample to the ground…

XVI

Dear mother, I cannot work the loom
Filled, by Aphrodite, with love for a slender boy…




Fragments, on the Muses

I

And when you are gone there will be no memory
Of you and no regret. For you do not share
The Pierian roses, but unseen in the house of Hades
You will stray, breathed out, among the ghostly dead.

II

The Muses have filled my life
With delight.
And when I die I shall not be forgotten.

III

And I say to you someone will remember us
In time to come….

IV

Here now the delicate Graces
And the Muses with beautiful hair…

V

It’s not right, lament in the Muses’ house…
….that for us is not fitting….

VI

Here now, again, Muses, leaving the golden…

VII

Surpassing, like the singer of Lesbos, those elsewhere…




‘I have a daughter, golden’

I have a daughter, golden,
Beautiful, like a flower -
Kleis, my love -
And I would not exchange her for
All the riches of Lydia......




‘Hesperus, you bring back again’

Hesperus, you bring back again
What the dawn light scatters,
Bringing the sheep: bringing the kid:
Bringing the little child back to its mother.




‘Girls, you be ardent for the fragrant-blossomed’

Girls, you be ardent for the fragrant-blossomed
Muses’ lovely gifts, for the clear melodious lyre:
But now old age has seized my tender body,
Now my hair is white, and no longer dark.

My heart’s heavy, my legs won’t support me,
That once were fleet as fawns, in the dance.


I grieve often for my state; what can I do?
Being human, there’s no way not to grow old.


Rosy-armed Dawn, they say, love-smitten,
Once carried Tithonus off to the world’s end:
Handsome and young he was then, yet at last
Grey age caught that spouse of an immortal wife.




‘The Moon is down’

The Moon is down,
The Pleiades. Midnight,
The hours flow on,
I lie, alone.




Saturday, August 20, 2011

John Keats - Biography

John Keats, 1795-1821
http://www.online-literature.com/keats/

Biography written by C. D. Merriman for Jalic Inc.
Copyright Jalic Inc. 2007. All Rights Reserved.


John Keats (1795-1821), renowned poet of the English Romantic Movement, wrote some of the greatest English language poems including "La Belle Dame Sans Merci", "Ode To A Nightingale", and "Ode On a Grecian Urn":
O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou sayst,
"Beauty is truth, truth beauty,--that is all
Ye know on earth, and all ye need to know."
John Keats was born on 31 October 1795 in Moorgate, London, England, the first child born to Frances Jennings (b.1775-d.1810) and Thomas Keats (d.1804), an employee of a livery stable. He had three siblings: George (1797-1841), Thomas (1799-1818), and Frances Mary "Fanny" (1803-1889). After leaving school in Enfield, Keats went on to apprentice with Dr. Hammond, a surgeon in Edmonton. After his father died in a riding accident, and his mother died of tuberculosis, John and his brothers moved to Hampstead. It was here that Keats met Charles Armitage Brown (1787-1842) who would become a great friend. Remembering his first meeting with him, Brown writes "His full fine eyes were lustrously intellectual, and beaming (at that time!)". Much grieved by his death, Brown worked for many years on his memoir and biography, Life of John Keats (1841). In it Brown claims that it was not until Keats read Edmund Spencer's Faery Queen that he realised his own gift for the poetic. Keats was an avid student in the fields of medicine and natural history, but he then turned his attentions to the literary works of such authors as William Shakespeare and Geoffrey Chaucer.

Keats had his poems published in the magazines of the day at the encouragement of many including James Henry Leigh Hunt Esq. (1784-1859), editor of the Examiner and to whom Keats dedicated his first collection Poems (1817). It includes "To My Brother George", "O Solitude! If I Must With Thee Dwell", and "Happy is England! I Could Be Content". Upon its appearance a series of personal attacks directed at Keats ensued in the pages of Blackwood's Magazine. Despite the controversy surrounding his life, Keats's literary merit prevailed. That same year Keats met Percy Bysshe Shelley who would also become a great friend. When Shelley invited the ailing Keats to stay with him and his family in Italy, he declined. When Shelley's body was washed ashore after drowning, a volume of Keats's poetry was found in his pocket.

Having worked on it for many months, Keats finished his epic poem comprising four books, Endymion: A Poetic Romance--"A thing of beauty is a joy for ever"--in 1818. That summer he travelled to the Lake District of England and on to Ireland and Scotland on a walking tour with Brown. They visited the grave of Robert Burns and reminisced upon John Milton's poetry. While he was not aware of the seriousness of it, Keats was suffering from the initial stages of the deadly infectious disease tuberculosis. He cut his trip short and upon return to Hampstead immediately tended to his brother Tom who was then in the last stages of the disease. After Tom's death in December of 1818, Keats lived with Brown.

Early one morning I was awakened in my bed by a pressure on my hand. It was Keats, who came to tell me his brother was no more. I said nothing, and we both remained silent for awhile, my hand fast locked in his. At length, my thoughts returning from the dead to the living, I said--'Have 'nothing more to do with those lodgings,--and 'alone too. Had you not better live with me?' He paused, pressed my hand warmly, and replied,-'I think it would be better.' From that moment he was my inmate. 
- Life of John Keats by Charles Armitage Brown, 1841
Around this time Keats met, fell in love with, and became engaged to eighteen year old Frances "Fanny" Brawne (1800-1865). He wrote one of his more famous sonnets to her titled "Bright Star, would I were steadfast as thou art". While their relationship inspired much spiritual development for Keats, it also proved to be tempestuous, filled with the highs and lows from jealousy and infatuation of first love. Brown was not impressed and tried to provide some emotional stability to Keats. Many for a time were convinced that Fanny was the cause of his illness, or, used that as an excuse to try to keep her away from him. For a while even Keats entertained the possibility that he was merely suffering physical manifestations of emotional anxieties--but after suffering a hemorrhage he gave Fanny permission to break their engagement. She would hear nothing of it and by her word provided much comfort to Keats in his last days that she was ultimately loyal to him.

Although 1819 proved to be his most prolific year of writing, Keats was also in dire financial straits. His brother George had borrowed money he could ill-afford to part with. His earning Fanny's mother's approval to marry depended on his earning as a writer and he started plans with his publisher John Taylor (1781-1864) for his next volume of poems. At the beginning of 1820 Keats started to show more pronounced signs of the deadly tuberculosis that had killed his mother and brother. After a lung hemorrhage, Keats calmly accepted his fate, and he enjoyed several weeks of respite under Brown's watchful eye. As was common belief at the time that bleeding a patient was beneficial to healing, Keats was bled and given opium to relieve his anxiety and pain. He was at times put on a starvation diet, then at other times prescribed to eat meat and drink red wine to gain strength. Despite these ill-advised good-intentions, and suffering increasing weakness and fever, Keats was able to emerge from his fugue and organise the publication of his next volume of poetry.

Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820) includes some of his best-known and oft-quoted works: "Hyperion", "To Autumn", and "Ode To A Nightingale". "Nightingale" evokes all the pain and suffering that Keats experienced during his short life-time: the death of his mother; the physical anguish he saw as a young apprentice tending to the sick and dying at St. Guy's Hospital; the death of his brother; and ultimately his own physical and spiritual suffering in love and illness. Keats lived to see positive reviews of Lamia, even in Blackwood's magazine. But the positivity was not to last long; Brown left for Scotland and the ailing Keats lived with Hunt for a time. But it was unbearable to him and only exacerbated his condition--he was unable to see Fanny, so, when he showed up at the Brawne's residence in much emotional agitation, sick, and feverish, they could not refuse him. He enjoyed a month with them, blissfully under the constant care of his beloved Fanny. Possibly bolstered by his finally having unrestricted time with her, and able to imagine a happy future with her, Keats considered his last hope of recovery of a rest cure in the warm climes of Italy. As a parting gift Fanny gave him a piece of marble which she had often clasped to cool her hand. In September of 1820 Keats sailed to Rome with friend and painter Joseph Severn (1793-1879, who was unaware of his circumstances with Fanny and the gravity of his health.

Keats put on a bold front but it soon became apparent to Severn that he was terminally ill. They stayed in rooms on the Piazza Navona near the Spanish Steps, and enjoyed the lively sights and sounds of the people and culture, but Keats soon fell into a deep depression. When his attending doctor James Clark (1788-1870) finally voiced aloud the grim prognosis, Keats's medical background came to the fore and he longed to end his life and avoid the humiliating physical and mental torments of tuberculosis. By early 1821 he was confined to bed, Severn a devoted nurse. Keats had resolved not to write to Fanny and would not read a letter from her for fear of the pain it would cause him, although he constantly clasped her marble. During bouts of coughing, fever, nightmares, Keats also tried to cheer his friend, who held him till the end.

John Keats died on 23 February 1821 in Rome, Italy, and now rests in the Protestant Cemetery in Rome, by the pyramid of Caius Cestius, near his friend Shelley. His epitaph reads "Here lies one whose name was writ in water", inspired by the line "all your better deeds, Shall be in water writ" from Francis Beaumont (1584-1616) and John Fletcher's (1579-1625) five act play Philaster or: Love Lies A-bleeding. Just a year later, Shelley was buried in the same cemetery, not long after he had written "Adonais" (1821) in tribute to his friend;
I weep for Adonais--he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: "With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!"


- Adonais by Shelley, 1821
Fanny Brawne married in 1833 and died at the age of sixty-five. English poet and friend of Brown's, Richard Monckton Milnes (1809-1885) wrote Life, Letters, and Literary Remains of John Keats (1848). During his lifetime and since, John Keats inspired numerous other authors, poets, and artists, and remains one of the most widely read and studied 19th century poets.



List of poems by John Keats
Odes
  • Ode to Fancy
  • Ode - (Bards of Passion and of Mirth)
  • Lines on the Mermaid Tavern
  • Robin Hood - To a Friend
  • Ode to Apollo

Other poems by John Keats
  • I stood tiptoe upon a little hill
  • Specimen of an induction to a poem
  • Calidore - a fragment
  • To Some Ladies
  • On Receiving a Curious Shell, and a Copy of Verses from the Same Ladies
  • To - Georgiana Augusta Wylie, afterwards Mrs. George Keats
  • To Hope
  • Imitation of Spenser
  • Three Sonnets on Woman
  • On Death
  • Women, Wine, and Snuff
  • Fill For Me a Brimming Bowl
  • To a Young Lady who Sent Me a Laurel Crown
  • On Receiving a Laurel Crown from Leigh Hunt
  • To the Ladies who Saw me Crown'd
  • Hymn to Apollo

Epistles
  • To George Felton Mathew
  • To My Brother George
  • To Charles Cowden Clarke

Sonnets
  • To My Brother George
  • To - [Had I a man's fair form, then might my sighs]
  • Written on the Day that Mr. Leigh Hunt left Prison
  • How many bards gild the lapses of time!
  • To a Friend Who Sent Me Some Roses
  • To G. A. W. [Georgiana Augusta Wylie]
  • O Solitude! if I must with thee dwell
  • To My Brothers
  • Keen, fitful gusts are whisp'ring here and there
  • To one who has been long in city pent
  • On Leaving Some Friends at an Early Hour
  • Addressed to Haydon
  • On the Grasshopper and Cricket
  • To Koscuisko
  • Happy is England! I could be content
  • Sonnet on Peace
  • Sonnet to Byron
  • Sonnet to Chatterton
  • Sonnet to Spenser

Endymion
  • Book I
  • Book II
  • Book III
  • Book IV

Lamia
  • Lamia - part 1
  • Lamia - part 2

Hyperion - A Fragment
  • Hyperion - Book I
  • Hyperion - Book II
  • Hyperion - Book III