"Autobiographies of great nations are written in three manuscripts – a book of deeds, a book of words, and a book of art. Of the three, I would choose the latter as truest testimony." - Sir Kenneth Smith, Great Civilisations

"I must write each day without fail, not so much for the success of the work, as in order not to get out of my routine." - Leo Tolstoy

I have never believed that one should wait until one is inspired because I think the pleasures of not writing are so great that if you ever start indulging them you will never write again. - John Updike

"The life of every man is a diary in which he means to write one story, and writes another; and his humblest hour is when he compares the volume as it is with what he vowed to make it." - J.M. Barrie, Peter Pan

Poetry is the shadow cast by our streetlight imaginations." - Lawrence Ferlinghetti


[Note - If any article requires updating or correction please notate this in the comment section. Thank you. - res]


Tuesday, January 16, 2024

R.E. Slater - A Country Idyll (prose)



A Country Idyll
(prose)

by R.E. Slater


Today is one of those really cold wintry days in Michigan where time is a given and outdoor adventures are kept to a minimum unless you have the proper warm flannelled clothes, heavy coat, thick boots, hat, and scarf, and the personal ability to endure the cold and actually enjoy it. 

 

Myself, though I am growing old, I still love winter, its wonder, solitude, silence, and ferocity. The worse it gets the more I love it. In childhood if there was a raging blizzard blowing and drifting outside I and my brother were in the "teeth of it" as we sledded down our tall hills to then scramble up them, then down, again-and-again until we tired. 

 

And when not sliding we were testing our "daring do" abilities by jumping into deep snowdrifts nineteen feet down trying to hit bottom (we never did) to see if we could scale back up them or fight our way out of their massif miens. But do not worry, those hillside drifts were skinny, more tall than wide. Four feet at best, sometimes more. 

 

Across our hills lay the old 150-year-old barn where the winds would gather to crest the frozen fence lines and blow across the hill tops ringing the wetland below. There, on the hills or up at the barn we could expect 25 to 30 feet of snowdrift four to six foot deep blown lengthwise and down the contour of the hills. When younger we built very long luge runs bored like tunnels through the bottoms of the drifts. And within their interiors we built one and two-person snow rooms from early morning until late at night when the bunny rabbits hopped about, and we could watch them like gophers from our dens. Later, when older, we learned how to "bust through their tops" with a snowmobile gunning the engine straight up the big hills, then slamming the drift front-on, trying to carry 30 or so feet of air before landing on the downward side of the sloped hill. 

 

We had a lot of fun during the winters. Dad would plow the drives and stack large snow piles by the dilapidated chicken coop or barn and as the plowed snow grew higher and higher in height and girth we waited and waited until pulling out the iron shovel-spades from nearby garage, began carving out our own majestic snow castle; or play king-on-the-hill like we did at school, to be pushed down rolling all the way to the bottom of the massive snow pile. 

 

And on icy days when not using our Radio Flyer metal-runner sleds on the hills, we would glide across the flat icy fields steering around tufted island of wild grasses where the snow gave in and stopped our fun. Sometimes we ran a hundred feet and sometimes we never stopped until we reached the icicled fence lines. It was a lot of fun. 



And then there were the holidays of Christmas and forced winter school closures where we waxed luxuriant to play board games through the morning till bored then bundled up to visit our grand old grandma next door bereft of granddad back when we were too young to understand. 

 

She would watch us slide down her chimney's "coal shute" built into the house as an anchorage to the outer chimney; or make labyrinthine mazes with our booted feet, scooting across the crusty snow working around-and-around or, in-and-out, then play catch-me-tag as we scampered about the maze trying to catch one another. 

 

When cold, we would fly into the old farmhouse's back "work room" or "ready room" where dad, his brothers and sisters, and my uncles and aunts five generations back, would gather to dress for the fields and dairy barns; or undress and clean up after a long day of farming and husbandry. 

 

Most days, we flew in to warm up our little bodies. Which delighted grandma no end. We would peel off our wet outer clothes and iced-up buckle boots to be lured within to Graham Crackers and milk as we explored again the old house with its framed pictures and family rooms. 

 

And on special days when coming indoors we might find grandma working about two very large, vat-like, and rounded laundry tubs filled with steaming hot water rising about her fragile frame and filling the ready-room with much need heat. There we would watch with child-like eyes grandma move about the tubs stirring the wet clothes in the hot waters or winding them through a sturdy pre-1930s hand wringer before clothes pinning all to a strung line about the clapboard room. 

 

She always gave a wry, toothy smile from her diminutive figure clad in thin gingham dress before measuring ourselves to her frame shoulder to shoulder to see if we might be as tall as she! By age ten we had caught up with our beloved "second mom" before scampering down the cement floor hall to a back anteroom where an inside - and importantly, an unfrozen hand pump served up the best of coldest waters in a speckled blue enameled tin cup. 

 

We lived in paradise and didn't even know it... 



And if our busy dad wasn't on the roads policing or, up at the fire barns cleaning up the ash soot of the fire equipment and trucks after a fire, or driving our school bus morning and afternoon, we might find him up at cold barn in the dark of night servicing the plow tractor so it would be ready for use. He would add oil, gas, grease, check the tire chains, and always place a trickle charger on the battery to keep it in good health on cold nights. 

 

Looking around the night-filled blackened barn lay hundred-year whatnot and older, inexplicable, paraphernalia. The kind of stuff you see in Midwest antique stores. To us, it was junk, much used, and never removed by the hands that had placed it there years and years and years ago. There it lay with thick dust upon it underneath a mouldy atmosphere of age. 

 

While dad worked, we would climb up a rickety wooden rung ladder nailed into the beams which rose above the iron implements of plow, disk or tractor, thirty feet into the air, then fling upon a heavy 3' X 3'-foot double planked door to gain entry into the loft. Within, what once held hay now held more disused antiques. On summer days the space was filled with floating/wafting dust motes... but in the black, only the shafts of light from the dim bulb below gained entry through the upper planked floor. 

 

One especially good memory I have is that on the worst of the winter storms or summer gales, I would brave the elements to gain the barn, squeeze through between the jammed tractor doors, and sit in the loft above listening to the old barn groan and moan telling me of its hoary memories as I might imagine them from the dissolute litter lying about me. 



In my mid-twenties I sadly tore down the old wood barn. We were selling all our homesteaded acreage as all my relatives were dying or too old to keep the farm with their day jobs. We had already sold the old sixty-foot Quonset steel barn which held the dairy herd below under heavy planked floor. It had been disassembled and rebuilt north of us on an active pig farm. Forty years later I was blessed to walk within its structure at the consent of the owner who had torn it down, and with my cousin and wife, we fell silent and simply listened to the movement of the old iron beams swaying and creaking for a while. It was the finest of symphonies to our humble hearts and ears. 

 

As I took down my heritage, I first removed the attached-and-slated corn crib then proceeded to remove the ancient, boarded siding and overlapping ribs. Dad wanted all the old nails removed and bucketed, which took some time. Once stripped of naked of cladding I next tried to undowel the 6/8" wooden tendon pins and the massive 14/16" beam pins to no avail. Worse, I could see all the work down 150 years ago by my ancestor who had hand-adzed each beam across the length of all four of its sides. This was truly a labor I did not like nor one I had wished to do. 

 

Watching, my dad and his brother (my uncle) suggested pulling down the structure with the old tractor. It was an old, rusted Farmall M that had been well cared for and never spent one night outside in the rain or snow. We strapped a length of chains to the back frame of the tractor then commenced tugging-and-pulling 8 of the 12 main upright beams holding everything up: Imagine walking alongside a broken, tottering structure to attach chains to several corner and side beams... we left the interior beams alone of course. 

 

One by one we broke the bottoms of the grand, noble, upright beams, until the whole skeleton finally gave in along with the falling tinned plated roof. In our moment of glory, we each found a deep sadness which comes from living too long. I have grieved for years over the loss of our pioneered land, our farm buildings, my grandparents, and the many overwhelming memories of family and friends working the fields and gardens together, picnicking, hunting, or playing baseball on the hay fields.  

 

We lived in paradise and didn't even know it... 



To grant homage to the pre-industrial, agrarian pioneering days of yesteryear, I was listening one winter day in early December to my schoolteacher read to me in second of third grade the wintry idyll, Snowbound, by John Greenleaf Whittier. As I sat at my old fold-top desk listening to the verse's tones and lights I felt a deep, inner affinity for the words and imagery being read. 

 

Here, as my own generations had done for many years, in this simple one-room school built 150 years ago by my ancestors; where I walked every morning and mid-afternoon across the hay and grain fields, and dairy pastures; climbing up-and-over the boxed-wired rotting fence posts and lines; or drawing through the barbed-wired and rusted post fence lines; grudgingly wading through wet morning dews of field clover with my lunchbox in one hand and books in the other; where my pants, thin socks, and worn shoes took all morning to dry; here, I fell in love with a well-scripted verse by a poet I never knew. And though I have tried my own hand at this written art I realize it is only for the gifted few who have the muse and verve within the souls which might spill their words across the gilded page welling-up deeply held, visceral feelings we thought had long died within us long ago. 

 

So, here, at the start of January's dark wintry days and blacker, moonless nights, is a poem you may, or may not like. But at the poetry site I am directing you too, you may find other poems to explore, read, muse, or share.


 

To cold and wintry travellers

seeking comfort the warming

fires at day's end, clothed

socked feet, flannel shirt,

bound round 'versed dreams,

of fairer days when yesteryear's

youth was nigh;

wreathed loss loves forged

lingering fortitudes well-scented in

benighted, florid moments,

tranced distant memories dulled

the intervening years of a lived

life, yearning a christening trove

of beloved sights and sounds,

dear smells and touch, stirring

living eye and soul long forgotten

trysts which once enflamed a

child's heart it's first footfalls

of wandering adventure, lit a

grandfather's kind eye's hearty

embrace granting permission to

live one's best possible life

before holding yon next

generation of beating hearts,

flying hands, and happy feet,

pinching weathered ears, or

wrinkled elbows for fun,

assurance, and fond farewell.


R.E. Slater

January 16, 2024

Rev. May 1, 2024


*To Wes, my heart and soul, and

  to Levi and Titus, my faraway loves...


@copyright R.E. Slater Publications

all rights reserved



John Greenleaf Whittier - Snowbound, A Winter Idyl



Tuesday, January 9, 2024

R.E. Slater - Bind the Hands that Bind Our Time



Bind the Hands that Bind Our Time

by R.E. Slater


Seize the time... Live now!
Make now always the most precious time.
Now will never come again!

- Jean-Luc Picard,
Picard, S3E6 Dominion


Tic-Toc, Tic-Toc, goes the ancient clock...

"Were we doomed 'ere ever we were born,
by the hands of time o'er mere hands of flesh?
To live and die without meaning or end,
no less animal but no mere men?

If born to suffer, born to lose, what then is life?
Knit in weakened flesh and earthly bone,
birthed an innocence so simple, so stout,
so broken and frail worlds without end?

Tic-Toc, Tic-Toc, goes the ancient clock...

Here lies mystery in riddle, rhyme without sense,
whether if man's fragility driven desperation,
so soon dependent on creation's graces,
so soon revealing his fleshly wonts and races.

The ancient eons ever turbulent and chaotic,
set in strife, in hazard, draught or cold,
yet persisted frail earthly frames,
all onslaughts seeking ruinous aims.

Human clans working together or apart,
sharing dreams of a neverland's start,
daring doom death's empty wastelands,
knowing sun and moon and barren strands.

Tic-Toc, Tic-Toc, goes the ancient clock...

"All good things must come to an end."
Whether bourne stillborn or fulfilled,
mortal struggles to despair's daily lost,
no brute beast but becoming man.

Whether true or not conflicts each soul,
to admit meaning in lost or lost of meaning.
Or, when facing weakness, error, or mistake,
might redeem the time, perhaps one's life?

tic-toc, tic-toc, tic-toc....

What then is mortal worth to hidden destiny?
Is man but unsolvable puzzle till pulled apart?
Viscerally rent from head to toe, heart and soul,
to "Weep, Weep, Weep," whilst doom pervades?

Was it perhaps blessed, or wretched, desire
that joined survival to life's vanity's fair?
Yielding strengths, wisdom, talent, and flaws,
we each must face ourselves when facing life.

tic-toc, tic-toc, tic-toc....

For a little while, what is and was, lays hidden,
to earthly eye, raised hand, torn heart and soul,
unseen till world's end when all unseen tells
remembered stories of tragedy and suffering.

tic-toc, tic-toc, tic-toc....

Shall we then say, or cease to say,
"All good things lie at the hands of a clock?"
Wound by death's hands, doomed from birth,
or rewound by mortal hands fighting doom?

Or, "Might time be unwound as life winds forward?"
When falling back upon one's ancient self,
to fight an ancient battle against all bitter ends,
refusing death in lost rhyme to riddle?

tic-toc, tic-toc, tic-toc....

"Which is stronger and which the weaker?
Can love rule or doth hate win?"

Perhaps to "Live by Love" might bind death's
too willing hands when living each moment
as becomed and becoming miracle and mystery
to life's unending rhymes and riddles?

Perhaps embracing the thought or belief,
"To live by love in weakness and loss,
or in trouble and toil... All things humble,
or valiant may yet redeem unredeeming time.

tic-toc, tic-toc, tic-toc....


R.E. Slater
January 9, 2024
revised January 10, 2024

@copyright R.E. Slater Publications
all rights reserved





Kintsugi
by Deeee, April 2017

I was broken.

Shattered remains of what I used to be.
Random misaligned pieces, sprawled all over the floor, crushed more by whomever would walk over them.

And then you came.
And you saw.
Each piece you knew was a part of something greater.
"Something beautiful," you said.

You helped me pick up the pieces, ignoring the cuts on your hands.
You kept me safe, so noone else would hurt me.
You found a broken girl, but you saw *Kintsugi.



Kintsugi:
the Japanese Art of Golden Repair
by Mollie Grant, April 2016

I want to know
    what it feels like
        for reconciliation
            to wash over
                my fault lines.

Take my cracks
    and paint them
    with gold.
        Let me glimmer,
                           gleam,
                               and glow
                                          redemption.

Illuminate my mistakes
    and let my skeleton
        frame out a museum
            of triumph.



Clock Poems



Clock Poems from DiscoverPoetry.com



The Kitchen Clock
by anonymous


Listen to the kitchen clock!
To itself it ever talks,
From its place it never walks;
"Tick-tock-tick-tock:"
Tell me what it says.

"I'm a very patient clock,
Never moved by hope or fear,
Though I've stood for many a year;
Tick-tock-tick-tock:"
That is what it says.

"I'm a very truthful clock:
People say about the place,
Truth is written on my face;
Tick-tock-tick-tock:"
That is what it says.

"I'm a most obliging clock;
If you wish to hear me strike,
You may do it when you like;
Tick-tock-tick-tock:"
That is what it says.

"I'm a very friendly clock;
For this truth to all I tell,
Life is short, improve it well;
Tick-tock-tick-tock:"
That is what it says.

What a talkative old clock!
Let us see what it will do
When the hour hand reaches two;
"Ding-ding—tick-tock:"
That is what it says.



My Alarm Clock
by Amos Russel Wells


There's a little dumpy sergeant that calls me to the fray,
Arousing me from slumber at five o'clock each day.
At five o'clock precisely he hammers at my door,
And breaks in forty pieces my most delightful snore.

This little dumpy sergeant, so prompt and so precise,
He calls me once with vigor, but he never calls me twice.
If I choose not to hear him and shut my eyes again,
Why, I may wake myself up at—nine o'clock or ten.

There's another little sergeant, who hammers on my heart;
Who pommels me so briskly he makes me sting and smart.
While I lie down in darkness and shut my eyes to sin,
This little sergeant, Conscience, awakes me with his din.

But ah, this little sergeant, so prompt and so precise,
He also seldom calls me but once or twice or thrice.
"Wake up!" he cries, "arouse you, or sleep forevermore!"
Ah, heed the little sergeant while he is at the door!



The Sundial, Conscientious Objector
by Amos Russel Wells


The Sundial said to the Daylight-Saving Clock:
"I stand for Truth as steady as a rock.
Nothing but the Truth do I dare to testify;
Men may bid me cheat, but I will—not—lie.
Lying is a mortal sin, cheating is a crime;
I alone of all the world keep the proper time."

The Daylight-Saving Clock to the Sundial said:
"When the sun goes down you are dead, dead, dead.
Tied like a log to this rolling ball,
Only half of time do you tell at all.
I testify to the Truth of Health,
Speak the Truth of Happiness, tell the Truth of Wealth.

Yours is the Truth of a dull routine,
Just the Truth of Matter, of the Sun Machine.
Your literal Truth is crudely wrought;
Mine is the Truth of the Higher Thought."

But the Sundial still, in a manner proudly wise,
Sticks to the Truth in a World of Lies.The Old House Clock



The Old House Clock
by Anonymous


Oh! the old, old clock of the household stock,
Was the brightest thing, and neatest;
Its hands, though old, had a touch of gold,
And its chimes rang still the sweetest;
'T was a monitor, too, though its words were few,
Yet they lived, though nations altered;
And its voice, still strong, warned old and young,
When the voice of friendship faltered:
"Tick! tick!" it said, "quick, quick, to bed:
For ten I've given warning;
Up! up! and go, or else you know,
You'll never rise soon in the morning!"

A friendly voice was that old, old clock,
As it stood in the corner smiling,
And blessed the time with merry chime,
The wintry hours beguiling;
But a cross old voice was that tiresome clock,
As it called at daybreak boldly;
When the dawn looked gray o'er the misty way,
And the early air looked coldly:
"Tick! tick!" it said, "quick out of bed:
For five I've given warning;
You'll never have health, you'll never have wealth,
Unless you're up soon in the morning!"

Still hourly the sound goes round and round,
With a tone that ceases never:
While tears are shed for bright days fled,
And the old friends lost forever!
Its heart beats on, though hearts are gone
That beat like ours, though stronger;
Its hands still move, though hands we love
Are clasped on earth no longer!
"Tick! tick!" it said, "to the churchyard bed,
The grave hath given warning;
Up! up! and rise, and look at the skies,
And prepare for a heavenly morning!"



The Old Clock
by Anonymous


In the old, old hall the old clock stands,
And round and round move the steady hands;
With its tick, tick, tick, both night and day,
While seconds and minutes pass away.

At the old, old clock oft wonders
Nell, For she can't make out what it has to tell;
She has ne'er yet read, in prose or rhyme,
That it marks the silent course of time.

When I was a child, as Nell is now,
And long ere Time had wrinkled my brow,
The old, old clock both by night and day
Said,—"Tick, tick, tick!" Time passes away.



Grandfather's Clock
by Henry C. Work


My grandfather's clock was too tall for the shelf,
So it stood ninety years on the floor;
It was taller by half than the old man himself,
Though it weighed not a pennyweight more.
It was bought on the morn of the day that he was born,
And was always his treasure and pride,
But it stopped short ne'er to go again
When the old man died.

In watching its pendulum swing to and fro,
Many hours had he spent while a boy;
And in childhood and manhood the clock seemed to know
And to share both his grief and his joy,
For it struck twenty-four when he entered at the door,
With a blooming and beautiful bride,
But it stopped short never to go again
When the old man died.

My grandfather said that of those he could hire,
Not a servant so faithful he found,
For it wasted no time and had but one desire,
At the close of each week to be wound.
And it kept in its place, not a frown upon its face,
And its hands never hung by its side.
But it stopped short never to go again
When the old man died.



The Old Clock
by John Charles McNeill


All day low clouds and slanting rain
Have swept the woods and dimmed the plain.
Wet winds have swayed the birch and oak,
And caught and swirled away the smoke,
But, all day long, the wooden clock
Went on, Nic-noc, nic-noc.

When deep at night I wake with fear,
And shudder in the dark to hear
The roaring storm's unguided strength,
Peace steals into my heart at length,
When, calm amid the shout and shock,
I hear, Nic-noc, nic-noc.

And all the winter long 't is I
Who bless its sheer monotony—
Its scorn of days, which cares no whit
For time, except to measure it:
The prosy, dozy, cosy clock,
Nic-noc, nic-noc, nic-noc!



To My Watch
by Hannah Flagg Gould


Say, what busy tenant inhabits thy breast,
Affording thy hands not a moment of rest,
While prompting thy voice to the ceaseless "tick, tick,"
As if thou wert ever repeating "quick, quick,"
And gives thee no time, while thy work thus pursuing,
To tell what so quick must be done, or is doing?

"The same little genius so busy with me
Is he, who is constantly watching by thee;
Whose task was assigned at thine earliest breath,
Thy minutes to count, till he leaves thee in death.
Art thou busy or idle, awake or in slumber,
He still keeps his vigils, still adds to the number.

"I pause not to name thee thy work, it is true,
For I know not the things thou may'st yet have to do,
But the watch-word I give is to make thee take heed
How time ever flies, and how matchless its speed:
Thou may'st read in my face how thy minutes are wasting,
And thou to that bourne, where they end, art still hasting.

"For my diligent hands no repose will I ask:
They, ever employed, just accomplish their task;
Yet, I know they will rest, when to motionless clay
That hand shall be changed that hath wound me to-day;
For my pulse will be stopped, and my voice cease repeating
My one, only word, when thy heart stills its beating.

"When low in the earth my loved mistress shall sleep,
Thy watch will be given to another to keep,
I shall rouse from my slumbers my work to resume,
While, silent and cold, lies thy dust in the tomb,
Far from time and from me, when thy spirit is proving
What here it performed, while my finger was moving."



A clock stopped — not the mantel's
by Emily Dickinson


A clock stopped — not the mantel's;
Geneva's farthest skill
Can't put the puppet bowing
That just now dangled still.

An awe came on the trinket!
The figures hunched with pain,
Then quivered out of decimals
Into degreeless noon.

It will not stir for doctors,
This pendulum of snow;
The shopman importunes it,
While cool, concernless No

Nods from the gilded pointers,
Nods from the seconds slim,
Decades of arrogance between
The dial life and him.



'T was later when the summer went
by Emily Dickinson


'T was later when the summer went
Than when the cricket came,
And yet we knew that gentle clock
Meant nought but going home.

'T was sooner when the cricket went
Than when the winter came,
Yet that pathetic pendulum
Keeps esoteric time.



John Curzon's Watch
by Amos Russel Wells


Have you heard of John Curzon, of Poland?
A wonderful artisan, he!
A watchmaker equalled in no land,
As you, I am sure, will agree.

For the Czar of the Russias, to try him,
Commanded a watch for his fob,
And bade that his envoy supply him
With all he might use in the job.

So the messenger brought some wood chippings,
Some glass that was smashed in a fall,
Copper nails and some bits of wire clippings,
And a cracked china cup; that was all!

John Curzon, this rubbish receiving,
Contrived, with no other to aid,—
it is true, though it seems past believing,—
A watch that was perfectly made!

The case—it was formed of the china.
The works were patched up from the rest.
it was worthy a rez or rigina;
And Curzon had won in the test!

So, my lad, with no money and no land,
And Fate as severe as the Czar,
Just think you are Curzon of Poland,
And conquer—from things as they are!



The Old Clock on the Stairs
by Henry Wadsworth Longfellow


Somewhat back from the village street
Stands the old-fashioned country-seat.
Across its antique portico
Tall poplar-trees their shadows throw;
And from its station in the hall
An ancient timepiece says to all, —
"Forever — never!
Never — forever!"

Half-way up the stairs it stands,
And points and beckons with its hands
From its case of massive oak,
Like a monk, who, under his cloak,
Crosses himself, and sighs, alas!
With sorrowful voice to all who pass, —
"Forever — never!
Never — forever!"

By day its voice is low and light;
But in the silent dead of night,
Distinct as a passing footstep's fall,
It echoes along the vacant hall,
Along the ceiling, along the floor,
And seems to say, at each chamber-door, —
"Forever — never!
Never — forever!"

Through days of sorrow and of mirth,
Through days of death and days of birth,
Through every swift vicissitude
Of changeful time, unchanged it has stood,
And as if, like God, it all things saw,
It calmly repeats those words of awe, —
"Forever — never!
Never — forever!"

In that mansion used to be
Free-hearted Hospitality;
His great fires up the chimney roared;
The stranger feasted at his board;
But, like the skeleton at the feast,
That warning timepiece never ceased, —
"Forever — never!
Never — forever!"

There groups of merry children played,
There youths and maidens dreaming strayed;
O precious hours! O golden prime,
And affluence of love and time!
Even as a miser counts his gold,
Those hours the ancient timepiece told, —
"Forever — never!
Never — forever!"

From that chamber, clothed in white,
The bride came forth on her wedding night;
There, in that silent room below,
The dead lay in his shroud of snow;
And in the hush that followed the prayer,
Was heard the old clock on the stair, —
"Forever — never!
Never — forever!"

All are scattered now and fled,
Some are married, some are dead;
And when I ask, with throbs of pain,
"Ah! when shall they all meet again?"
As in the days long since gone by,
The ancient timepiece makes reply, —
"Forever — never!
Never — forever!"

Never here, forever there,
Where all parting, pain, and care,
And death, and time shall disappear, —
Forever there, but never here!
The horologe of Eternity
Sayeth this incessantly, —
"Forever — never!
Never — forever!"



Winding the Clock
by Edgar A. Guest


When I was but a little lad, my old Grandfather said
That none should wind the clock but he, and so, at time for bed,
He'd fumble for the curious key kept high upon the shelf
And set aside that little task entirely for himself.

In time Grandfather passed away, and so that duty fell
Unto my Father, who performed the weekly custom well;
He held that clocks were not to be by careless persons wound,
And he alone should turn the key or move the hands around.

I envied him that little task, and wished that I might be
The one to be entrusted with the turning of the key;
But year by year the clock was his exclusive bit of care
Until the day the angels came and smoothed his silver hair.

To-day the task is mine to do, like those who've gone before
I am a jealous guardian of that round and glassy door,
And 'til at my chamber door God's messenger shall knock
To me alone shall be reserved the right to wind the clock



The Dumb Old Clock
by Mary Stevenson


The old clock stands at the head of the stairs,
Rickety, crazy and dumb;
It has served its time for an age that is past,
Yes, an age that is dumb and dead.

For years it has chimed out the hours of time,
As it stood in the quaint old room;
Reminding its hearers, in mournful tone,
Of the dreadful day of doom.

It has gazed on that circle that used to collect,
In winter when evenings were long;
Around the old cookstove, so rusty and cracked,
It has heard those sweet anthems of song.

It has looked on them all, but where are they now,
Each form that there used to be found;
Ah, ask of old time, he has tucked them away,
In a cold narrow bed 'neath the ground.

When the last closed her eyes in the long sleep of death,
The old clock grew moody and dumb;
Nor could threats or entreaties e'er rouse it again,
But silent it stood in its gloom.

Then why should the old clock go plodding along,
Since the friends of its youth are no more;
In the land of the stranger it knows not the song,
Let it hang up its harp on the shore.

And we'll cherish it still for the good it has done,
In its services year after year;
And put it away, tho' now it won't run,
It is yet to my heart no less dear.

And when tired and weary I long to forget,
The present with sorrow and care;
Then in silence I'll visit, and there sit and think,
By the clock at the head of the stair.



The Happy Little Clock
by Annette Wynne


In my garret room, I'm never quite alone,
I have a small companion all my own,
A cunning round-faced merry little elf,
My little China clock upon the shelf.
It's tick, tick, ticking all the day,
How I love its cheery steady little way,
It keeps my garret room
Free from sprites of fear and gloom,
The happy little clock upon the shelf.

It calls me every morning to my work,
In rain or shine it never tries to shirk;
The cozy little, honest little elf,
The busy little clock upon the shelf;
O it's tick, tick, ticking day and night,
It ticks its "honest best" with all its might;
I shall never lack a friend
When my daytime labors end
With my little China clock upon the shelf.