Even in game playing there can be found a poetry of skill in task, a cleverness in design, beauty in motion, and a symmetry of balance between harmony and discord. - R.E. Slater
The best part was that I never read any spoilers or watched any previews. I came at the series unknowing what adventures lay ahead. - R.E. Slater
Ars Technica is proud to present our extended interview with Cyan Worlds co-founder Rand Miller. Miller takes us on a deep dive, recounting the development of one of the best selling PC games of all time, Myst.
Ages Visited | Ages Mentioned |
I remember reading my first MYST book selected from our beach rental's bookshelf while on vacation. I spent half the night reading its pages while our young kids slumbered peacefully after a long day of play. As I read I didn't understanding what I was reading though I was certainly intrigued by its storyline. When I had read up to page 124 I immediately stopped. I had gotten the entire storyline wrong! It came a'sudden as my first perplexing "aha" moment was forming. With a sadness and delight I knew I had to reread all those pages again; which I did the next evening. I had gotten it all wrong and quite misunderstood the entire idea behind "Myst: The Book of Atrus."
Thus began my love affair with the MYST books and the games as they came out one-by-one over the years till finally stopping as my now grown children began to enter high school. The best part was that I never read any spoilers or watched any previews. I came at the series unknowing what adventures lay ahead.- R.E. Slater
by Rand Miller , Robyn Miller, et al. | Nov 2, 1995
The Book of Ti'Ana
by Rand Miller and David Wingrove | Jan 1, 1900
by Rand Miller and David Wingrove | Nov 6, 1997
by Rand Miller , Robyn Miller, et al. | Sep 1, 2004
Myst in Retrospect: A Journey Through the Ages
by John Allie | Jun 1, 2017
Follows Atrus, his early youth with his grandmother Ti'ana, meeting his father Gehn, his study of the Art, and the events that lead up to where he meets his wife, Catherine in Riven and their journey to the island of Myst.
Set before the events of the first book, we learn about the origins of Atrus's family, his grandfather Aitrus with his parents Kahlis and Tasera, and Aitrus's meeting and marrying Ti'ana and raising their son Gehn.
Atrus, the last D'ni known to be alive, together with his wife Catherine and helpers finally manage to open the crumbled exit of the room in K'veer and gain access to all D'ni, setting out to find old linking books and survivors of the Fall.
Soundtracks for the games were originally composed and really enhance the atmosphere while playing. Myst and Riven are available individually while the others originally came with collector's editions of the games.
The Myst Reader
 | |
| Author | Rand Miller Robyn Miller David Wingrove |
|---|---|
| Publisher | Hyperion |
Publication date | September 1, 2004[1] |
| ISBN | 1-4013-0781-7 |
The Myst Reader is a collection of three novels based on the Myst series of adventure games. The collection was published in September 2004 and combines three works previously published separately: The Book of Atrus (1995), The Book of Ti'ana (1996), and The Book of D'ni (1997).[2] The novels were each written by British science-fiction writer David Wingrove with assistance from Myst's creators, Rand and Robyn Miller.
Each novel centers on the family of Atrus, a scientist and explorer who has the ability to write special books which serve as links to other worlds, known as Ages. This ability, known as the Art, was practiced extensively by an ancient civilization known as the D'ni, who were only mentioned briefly in the original Myst game. The plot of each book reveals more of the Myst back-story and the workings of the D'ni.
Upon release, reception of the novels have been mixed. Many reviewers expressed surprise that a novel based on a videogame worked; others found the prose dull and uninteresting, or that the book could not stand on its own without the game. The individual books sold well, with The Book of Atrus making USA Today's Best-Selling Books list.[3] At least two more novels were planned; a sample of the first, The Book of Marrim, was packaged with an edition of Myst V: End of Ages
Background
Myst co-creators and brothers Rand and Robyn Miller often created fictional worlds and stories as young children.[4] Their vision was refined by the works of fantasy and science fiction writers such as J. R. R. Tolkien, Robert A. Heinlein, and Isaac Asimov; Star Wars offered them a glimpse at an exciting, fully realized fictional world.[4] Younger brother Robyn began working on a children's novel called Dunnyhut; though he never completed the work, elements from the story influenced aspects of Myst's story.[5]
The video game Myst tells the story of a special book which serves as a link to a world known as Myst. Myst is the home of an explorer named Atrus, who lives on the island with his wife Catherine and two sons, Sirrus and Achenar. An unnamed protagonist drops into Myst and finds the island strangely deserted.[3] As the player explores Myst, they discover Sirrus and Achenar trapped inside two books. Both swear that their parents are dead due to the machinations of the other brother, and instruct the player to repair their books so they can be freed. In truth, Atrus and Catherine are merely imprisoned, and both Sirrus and Achenar are guilty of growing power-hungry and destroying Atrus' books. The player frees Atrus, leading to the events of the sequel Riven.
The Millers began the game's development by sketching out puzzles and each individual world the player would explore in the game. As the brothers were conceptualizing the various worlds, they also wrote down pieces of the story.[5] At some point in the development of these bits of story, Robyn explained in an interview, "We started realizing this story is actually something we thought the public would enjoy, so we started pressing to make [the novel] happen."[5] Buoyed by strong sales of the video game, publisher Hyperion signed a three-novel, US$1 million deal with the brothers.[6]
The Miller brothers wrote the entire first novel, but were unsatisfied with the result; the Millers pointed out that writing a character for a novel is much harder than writing the characters of a game.[4] Hyperion recruited author David Wingrove to assist with the project; the Millers ended up giving Wingrove a detailed draft, and the author rewrote the entire book.[5] The book's design was made to fit the themes of the game; the novels are made to look like journals found in Myst, with embossed covers and pages darkened as though with time and use.[4]
To promote the release of The Book of Atrus, the Millers embarked on an eleven-city book tour.[3] The publicity stemming from the book and game surprised the Millers, who remained unaccustomed to their new-found fame. "The excitement is in talking to people who've walked through our world," Rand Miller said in an interview. "But we're not used to signing books - we're a bit out of our element."[7]
Plot
Book of Atrus
The Book of Atrus serves as a prequel to the events of the eponymous first game in the Myst series, and introduces both new characters and old characters seen in the games. The book's protagonist is Atrus. He is raised by his grandmother Anna after his mother dies and his father abandons him. Eventually, Atrus' father Gehn returns from his explorations of the ruins of the D'ni empire and enlists Atrus to come follow him back to the fallen city. Gehn teaches Atrus the Art, a skill the D'ni used to create special books which allow transport between worlds known as Ages. Atrus is awed by the Art at first, but he is horrified when he witnesses Gehn's manipulation and dismissive attitude to the inhabitants of the Ages. He also comes to understand Gehn's selfish, cold cruelty and his own power-hungry nature; Gehn believes that he creates the Ages he writes, instead of creating links to preexisting universes. Gehn destroys Atrus' first Age, Inception, because it does not follow Gehn's style of writing. After attempting to escape his father, Gehn traps Atrus in a locked chamber in D'ni, with the only escape to Gehn's own Age of Riven. On Riven Atrus falls in love with a villager named Catherine.
Catherine and Atrus hatch a plan to trap Gehn on Riven. Gehn is stranded when Atrus and Catherine destroy all linking books on Riven, escaping by using a book Ti'ana wrote for them, leading to the Age of Myst. Atrus drops the Myst linking book into a massive disturbance on Riven known as the Star Fissure; the book falls through the fissure to be picked up by the Stranger in Myst. The closing words of the book are the opening narrative from the video game.[8]
Book of Ti'ana
The Book of Ti'ana takes place earlier than The Book of Atrus. The first part of the book focuses on life of Atrus' grandfather Aitrus with his parents Kahlis and Tasera, Aitrus' meeting with Ti'ana, and the birth of their son Gehn. The book also explains the destruction of the D'ni civilization. Two D'ni, Veovis and A'Gaeris, plot to destroy their civilization, which they believe has been corrupted. Veovis and A'Gaeris create a plague which wipes out many of the D'ni and follows them through the Ages. Veovis is murdered by A'Gaeris for refusing to write an Age where the two of them would have been worshipped as gods, and Aitrus sacrifices himself in order to lure A'Gaeris to an unstable Age, killing them both.
Book of D'ni
In The Book of D'ni, Atrus opens the crumbled exit of the room in K'veer, where he had been imprisoned by Gehn, and gains access to the rest of D'ni. Atrus and his team set out to find linking books and search for D'ni survivors. Eventually, Atrus and the rest of the D'ni plan on rebuilding the civilization, but this plan is put to a halt when a book leading to a great lost Age called Terahnee is found. Terahnee is a sister Age to D'ni and is populated by descendants of the same ancestors as the D'ni.
At first sight, Terahnee seems like a Utopia. Everyone lives in sumptuous palaces, and nobody goes hungry; in reality, the society is run by slave labor. After writing new Ages, the Terahnee people capture the inhabitants to use as slaves, considering themselves gods over their Ages. The Terahnee people are taught not to 'see' the slaves; only the servants interact with the lower orders. The Terahnee are suddenly stricken by a plague the D'ni brought with them; Atrus and his companions help the Age's slaves recover and create a new society before returning to D'ni and sealing up the path to Terahnee.
Reception
Reception to the Myst novels has been mixed. Sybil Steinberg of Publishers Weekly reviewed The Book of Atrus and stated that Wingrove's achievement of a "rollicking adventure tale" was improbable, given that previous game-to-book attempts had failed horribly.[9] Booklist also gave the book a positive review, stating that the plot was predictable but the book served its purpose "to either introduce readers to the game, or supply players with back stories".[10] A reviewer for New Scientist called the story "a good, light read for the holiday season."[11]
Other reviewers felt that the novel could not stand on its own, and relied on the games to maintain relevancy.[12] Albert Kim of Entertainment Weekly also gave the novel a mediocre score, saying the main issue that doomed The Book of Atrus was that it removed the mystery from Myst. "Much of the game's charm is derived from its eeriness, a haunting aura that is lost in the text," Kim wrote.[13] Fantasy and Science Fiction stated that the prose was not up to the task of bringing the characters to life.[14] Steinberg later stated that with the books "bereft of the game's dazzling graphics and its hypnotic interactive dimension", the second and third novels plodded along with boring prose.[15]
Despite the mixed reviews, the Myst novels sold well. The Book of Atrus reached a top spot of 176 on USA Today's Best-Selling Books list.[3] More than 450,000 copies of Book of Atrus and Book of Ti'ana have been sold. A fourth and fifth Myst novel were planned. The first, entitled Myst: The Book of Marrim, was announced in 2004; a preview of the novel was packaged in the Myst V: End of Ages special edition.[16] A group of independent filmmakers adapted The Book of Ti'ana into a screenplay, with the blessing of the Millers.[17] The project later stalled.[18]
References
- ^ Miller, Rand (September 2004). The Myst Reader, Books 1-3: Three Books in One Volume. ISBN 1401307817.
- ^ Cook, Brad (April 1, 2001). "The Lost Ages: Myst 3 Revealed (page 2)". Apple, Inc. Retrieved June 3, 2008.
- ^ a b c d USA Today (November 19, 1995). "Inventors of 'Myst' reflect on multimedia megahit". San Antonio Express-News.
- ^ a b c d Gardner, Fran (November 7, 1995). "Book by Myst Brothers Unveils Atrus' world before the game". The Oregonian. p. E1.
- ^ a b c d Lovece, Frank (November 26, 1995). "Read 'Myst'y for Me". Newsday. p. 28.
- ^ Snider, Mike (November 14, 1995). "Creative Miller brothers pursue 'Myst' opportunities". USA Today. p. D10.
- ^ Staff (October 23, 1995). "Sneak Peek at the Week: Focus on Books". The Atlanta Constitution. p. D1.
- ^ Staff (December 3, 1995). "Books in Brief". Roanoke Times & World News. p. F4.
- ^ Steinberg, Sybil (October 16, 1995). "Fiction -- Myst: The Book of Atrus by Rand Miller and Robyn Miller with David Wingrove". Publishers Weekly. 242 (42): 46.
- ^ Duncan, Melanie (November 1995). "Science fiction -- Myst: The Book of Atrus". Booklist. 92 (5): 458.
- ^ Staff (December 23, 1995). "Beyond the fanzine". New Scientist. p. 67.
- ^ Burgess, Edwin (October 1995). "Fiction -- Myst: The Book of Atrus". Edwin B. Library Journal. 120 (16): 120.
- ^ Kim, Albert (October 20, 1995). "Book Review: Game Over". Entertainment Weekly. Archived from the original on June 7, 2011. Retrieved June 12, 2008.
- ^ West, Michelle (July 1996). "Guilty pleasures -- Myst: The Book of Atrus". Fantasy & Science Fiction. 91 (1): 43–48.
- ^ Steinberg, Sybil (October 27, 1997). "Myst: The Book of D'ni". Publishers Weekly. 244 (44): 56–58.
- ^ Chan, Chris (November 10, 2005). "Challenging puzzles and mysteries". New Straits Times. p. 18.
- ^ Crigger, Laura. "Myst Opportunity". 1UP.com. Archived from the original on September 27, 2012. Retrieved May 29, 2008.
- ^ Shaw-Williams, H (October 7, 2014). "'Myst' TV Series Being Developed by Legendary". Screen Rant. Valnet, Inc. Archived from the original on January 14, 2015. Retrieved March 29, 2018.
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Myst ([the game] series)
| Myst | |
|---|---|
 | |
| Developer(s) | Cyan Worlds (Myst, Riven, Uru, V) Presto Studios (III) Ubisoft (IV) |
| Publisher(s) | Brøderbund (1993–1996) Red Orb Entertainment (1997–2000) Ubisoft (2000–2007) Cyan Worlds (2008–) |
| Creator(s) | Rand Miller Robyn Miller |
| Platform(s) | Windows/Mac PCs, various video game consoles, iPhone, Android |
| First release | Myst (1993)[1] |
| Latest release | Myst (2020)[2] |
Myst is a franchise centered on a series of adventure video games. The first game in the series, Myst, was released in 1993 by brothers Rand and Robyn Miller and their video game company Cyan, Inc. The first sequel to Myst, Riven, was released in 1997 and was followed by three more direct sequels: Myst III: Exile in 2001, Myst IV: Revelation in 2004, and Myst V: End of Ages in 2005. A spinoff featuring a multiplayer component, Uru: Ages Beyond Myst, was released in 2003 and followed by two expansion packs.
Myst's story concerns an explorer named Atrus who has the ability to write books that serve as links to other worlds, known as Ages. This practice of creating linking books was developed by an ancient civilization known as the D'ni, whose society crumbled after being ravaged by disease. The player takes the role of an unnamed person referred to as the Stranger and assists Atrus by traveling to other Ages and solving puzzles. Over the course of the series, Atrus writes a new Age for the D'ni survivors to live on, and players of the games set the course the civilization will follow.
The brothers developed Myst after producing award-winning games for children. Drawing on childhood stories, the brothers spent months designing the Ages players would investigate. The name Myst came from Jules Verne's novel The Mysterious Island. After Riven was released, Robyn left Cyan to pursue other projects, and Cyan began developing Uru; developers Presto Studios and Ubisoft created Exile and Revelation before Cyan returned to complete the series with End of Ages. Myst and its sequels were critical and commercial successes, selling more than twelve million copies; the games drove sales of personal computers and CD-ROM drives as well as attracting casual gamers with its nonviolent, methodical gameplay. The video games' success has led to three published novels in addition to soundtracks, a comic series, and television and movie pitches.
Story
Myst's story begins with the arrival of a people known as the D'ni on Earth, almost 10,000 years ago. The D'ni /dəˈniː/ are an ancient race who used a special skill to create magical books that serve as portals to the worlds they describe, known as Ages. The D'ni build a great city and thriving civilization in caverns. A young geologist from the surface, Anna, stumbled upon the D'ni civilization. Learning the D'ni language, Anna becomes known as Ti'ana and marries a D'ni named Aitrus; the couple have a son named Gehn. Soon after, D'ni is ravaged by a plague created by a man named A'Gaeris. Aitrus sacrifices himself to save his wife and child, killing A'Gaeris while Ti'ana and Gehn escape to the surface as the D'ni civilization falls.[3]
Ti'ana raises Gehn until he runs away as a teenager, learning the D'ni Art of writing descriptive books. Ti'ana also cares for Gehn's son, Atrus, until Gehn arrives to teach Atrus the Art. Atrus realizes that his father is reckless and power-hungry, and with the help of Ti'ana and a young woman, Catherine, Atrus traps Gehn on his Age of Riven with no linking books. Atrus and Catherine marry and have two children, Sirrus and Achenar. The brothers grow greedy, and, after plundering their father's Ages, they trap Catherine on Riven. When Atrus returns to investigate, the brothers strand him in a D'ni cavern before they themselves are trapped by special "prison" books. Through the help of a Stranger, Atrus is freed and sends his benefactor to Riven to retrieve Catherine from the clutches of Gehn.[3] Sirrus and Achenar are punished for their crimes by being imprisoned in separate Ages until they reform.[4]
Atrus writes a new Age called Releeshahn for the D'ni survivors to rebuild their civilization as he and Catherine settle back on Earth, raising a daughter named Yeesha. As Atrus prepares to take the Stranger to Releeshahn, a mysterious man named Saavedro appears and steals the Releeshahn Descriptive Book. The Stranger follows Saavedro through several Ages (which were used to train Sirrus and Achenar in the art of writing Ages) before finally recovering the book. Ten years later, Atrus asks for the Stranger's help in determining if his sons have repented after their lengthy imprisonment; the Stranger saves Yeesha from Sirrus's machinations, but Sirrus and a repentant Achenar are killed. D'ni is not fully restored until the creatures the D'ni enslaved, known as the Bahro, are freed.
Games
| Game | ||||
|---|---|---|---|---|
| Release year | Developer | Platforms | ||
| Myst | 1993 | Cyan, Inc. | 3DO, AmigaOS, CD-i, iOS, Jaguar CD, Mac OS, Nintendo DS, Nintendo 3DS, PlayStation, PSP, Saturn, Windows, Windows Mobile, Android | |
| The first game in the Myst series was the eponymous Myst, developed by Cyan, Inc. and Brøderbund. Originally released in 1993 for Macintosh and PC platforms, the game was later ported or remade for the Saturn, Windows, Jaguar CD, 3DO, CD-i, PlayStation, AmigaOS, PSP, Nintendo DS, Nintendo 3DS and iPhone. In Myst, players travel across Ages using a point-and-click interface, using the mouse to interact with puzzle objects such as switches or gears.[5] | ||||
| Riven | 1997 | Cyan, Inc. | Mac OS, PlayStation, Saturn, Windows, iOS, Android | |
| Flush with the success of Myst, Cyan moved to a new office and began work on Riven, which was released in 1997. Like Myst, Riven was a commercial and critical success, selling more than 4.5 million units.[6] | ||||
| Myst III: Exile | 2001 | Presto Studios | Mac OS, Mac OS X, PlayStation 2, Windows, Xbox | |
| The third game of the series, Myst III: Exile, was developed by Presto Studios and published by Ubisoft in 2001. Exile continued with the frame-based method of player movement, but used a game engine to allow a 360-degree field of view from any point.[7] Exile was a commercial success (though not to the extent of Myst or Riven),[8] selling millions of units. | ||||
| Uru: Ages Beyond Myst | 2003 | Cyan Worlds | Windows | |
| Uru: Ages Beyond Myst was a departure from the previous games in the series, featuring graphics rendered in real time and a third-person camera. Through avatar customization, players could create their own character to solve puzzles and uncover story information.[9] Uru was to ship with a massively multiplayer online portion, Uru Live, but the initial release was canceled shortly before the single-player aspect was released. Uru Live was rereleased in several incarnations, being canceled each time. Cyan Worlds currently operates the servers for latest iteration of the MMO, MO:ULagain, which is free to play. The running costs are covered through player donations. Though initially well-received, Uru was considered a financial disappointment. Its expansion packs and originality earned the title a cult following.[10] In 2011, Cyan Worlds and OpenUru.org announced the release of Myst Online's client and 3ds Max plugin under the GNU GPL v3 license.[11] | ||||
| Myst IV: Revelation | 2004 | Ubisoft | Mac OS X, Windows, Xbox | |
| Myst IV: Revelation was produced entirely by Ubisoft, and marked a return to the prerendered graphics of Exile.[12] Since the studio had little experience with such games, Ubisoft hired new employees who had experience in the field.[13] The game was seen as an improvement over Uru,[14][15] and was favorably received upon release. | ||||
| Myst V: End of Ages | 2005 | Cyan Worlds | Windows, Mac OS X | |
| Cyan returned to develop Myst V: End of Ages, billed as the final game in the series.[16] As with Uru, End of Ages featured graphics rendered in real time, allowing uninhibited player movement. Three control methods were offered to players, similar to those respectively used in Myst, Exile and Uru.[17] The game was judged a fitting end to the series, though a lack of financial backing for new, non-Myst projects nearly caused Cyan to shut down before the release of the game.[18] | ||||
Development
Myst was originally conceptualized by brothers Rand and Robyn Miller. The Millers had created fictional worlds and stories as young children, influenced by the works of authors such as J. R. R. Tolkien, Robert A. Heinlein, and Isaac Asimov.[19] They formed a video game company together called Cyan, Inc.; their first game, called The Manhole, won the Software Publishers Association award in 1988 for best use of the digital medium. Cyan produced other games, aimed at children; the Millers eventually decided their next project would be made for adults.[20]
The brothers spent months designing the Ages comprising the game,[21] which were influenced by earlier whimsical "worlds" Cyan had made for children's games.[22] The game's name, as well as the overall solitary and mysterious atmosphere of the island, was inspired by the book The Mysterious Island by Jules Verne.[20] Robyn's unfinished novel, Dunnyhut, influenced aspects of Myst's story,[23] which was developed bit by bit as the brothers conceptualized the various worlds.[23] As development progressed, the Millers realized that they would need to have even more story and history than would be revealed in the game itself.[22] Realizing that fans would enjoy getting a deeper look at the story not in the games, the Millers produced a rough draft of what would become a novel, Myst: The Book of Atrus.[23]
After the enormous response to Myst, work quickly began on the next Myst game. Cyan moved from their garage to a new office and hired additional programmers, designers, and artists.[24] The game was to ship in late 1996, but the release was pushed back a year.[25] Development costs were between $5 and $10 million, many times Myst's budget.[26] After the release of Riven, Robyn Miller left the company to pursue other projects, while Rand stayed behind to work on a Myst franchise.[27]
While Rand Miller stated Cyan would not make another sequel to Myst, Mattel (then the owner of the Myst franchise) offered the task of developing a sequel to several video game companies who created detailed story proposals and technology demonstrations.[28] Presto Studios, makers of the Journeyman Project adventure games, was hired to develop Myst III. Presto spent millions developing the game and used the studio's entire staff to complete the project, which took two and a half years to develop.[28] Soon after Myst III: Exile was released, Presto was shut down,[29] and Exile publisher Ubisoft developed the sequel, Myst IV: Revelation, internally.[30] Meanwhile, Cyan produced the spinoff title Uru: Ages Beyond Myst, which included an aborted multiplayer component allowing players to cooperatively solve puzzles.
Cyan returned to produce what was billed as the final game in the series,[16] discarding live action sequences embedded in prerendered graphics for a world rendered in real time. The actors' faces were turned into textures and mapped onto digital characters, with the actor's actions synchronized by motion capture. Shortly before release, Cyan closed down development,[31] although this did not impact the release of the game; the company was able to rehire its employees a few weeks later, and continued to work on non-Myst projects[16] and an attempted resurrection of Uru's multiplayer component, Myst Online. Servers paid for by donation were set up in 2010, and the game went open-source in 2011.
Among the detailed elements of the Myst universe Cyan created was the language and culture of the D'ni. The civilization's numbers and writing first appeared in Riven, and were important to solving some of the game's puzzles.[32] The D'ni language was the language presented in various games and novels of the Myst franchise, created by Richard A. Watson. Several online D'ni dictionaries have been developed as part of the ongoing fan-based culture associated with the game.[33]
Music
The music for each game in the Myst series has fallen to various composers. Originally, the Millers believed that any music or sound besides ambient noise would distract the player from the game and ruin the sense of reality; Myst, therefore, was to have no music at all. A sound test eventually persuaded the developers that music heightened the sense of immersion rather than lessening it, and as such Robyn Miller composed 40 minutes of synthesized music for the game.[21] He would also produce the music for Riven, which featured leitmotifs for each of the main characters. Virgin Records bought the rights to the music and produced the soundtracks,[34] which were released in 1998.
For Myst III: Exile and Myst IV: Revelation, composer Jack Wall created the music, developing a more active musical style different from Miller's ambient themes. Wall looked at the increasing complexity of games as an opportunity to give players a soundtrack with as much force as a movie score,[35] and tried to create a distinctive sound that was still recognizable as Myst music.[6] In Revelation, Wall adapted the themes for the recurring characters of Myst,[36] and collaborated with Peter Gabriel, who provided a song to the game as well as voicework.[37]
The music for Uru: Ages Beyond Myst and Myst V: End of Ages was composed by Tim Larkin, who had gotten involved in the series doing sound design for Riven.[38] Larkin stepped away from his background as a jazz composer and musician to create music with less structure and without a definite beginning and end.[39] Larkin created different music depending on the location, giving each setting and Age a distinctive tone.[38] For End of Ages, Larkin was unable to afford a full orchestra to perform his score, so he combined individual instrumentation with an array of synthesizers.[40]
Adaptations
Rand and Robyn Miller both wanted to develop Myst's back story into novels. After the success of Myst, publisher Hyperion signed a three-book, US$1 million deal with the brothers. David Wingrove worked from the Miller brothers' story outlines. The three books — Myst: The Book of Atrus, Myst: The Book of Ti'ana, and Myst: The Book of D'ni — were released in 1995, 1996, and 1997, respectively.[41] The books were later packaged together as The Myst Reader. A fourth novel, Myst: The Book of Marrim, was planned but has not surfaced.
Cyan partnered with Dark Horse Comics in 1993 to release a four-part comic series called Myst: The Book of Black Ships. The series would have focused on Atrus and his young sons, taking place before the events of Myst. The first issue was released on September 3, 1997,[42] but further books were canceled after Cyan decided the first issue did not live up to expectations.[41] Another comic, Myst #0: Passages, was later released online.[41]
Various proposals for films and television series based on the franchise were planned or rumored but never came to fruition. They include:
- The Sci Fi Channel announced a TV miniseries in 2002,[43] but it never materialized. According to Rand Miller, none of the various proposals met Cyan's approval, or were too formulaic or silly.[44]
- Independent filmmakers Patrick McIntire and Adrian Vanderbosch wanted to produce a motion picture based on the story revealed in the Myst novels and in 2006 sent a DVD proposal to Cyan[45] The film was set to be based on the novel Myst: The Book of Ti'ana,[46] but no longer appears to be in production.[47]
- In 2014, Legendary Entertainment announced that it was developing a television series based on Myst, but nothing came of it.[48]
In May 2015, Unwritten: Adventures in the Ages of MYST and Beyond was published by Inkworks Productions as an authorized,[49] Myst-based pencil-and-paper role-playing game. Unwritten was built on the popular Fate Core RPG system with a focus on investigation and non-violent adventure. Two small supplements exist as background for game-players: The D'Ni Primer explaining the history of the D'Ni, and The Myst Saga giving a chronology of the Myst series.
In 2016, Cyan Worlds released the Kickstarter-backed Obduction. While Obduction is not narratively linked to Myst, the game was considered by Rand Miller to be a spiritual successor to the Myst series, borrowing several of its themes and puzzle-design approaches, as well as incorporating full-motion video in homage to Myst. Robyn, who had left Cyan before this point, collaborated to help score the game and take on the role of one of the in-game characters.[50]
In anticipation of the first game's 25th anniversary in September 2018, Cyan Worlds secured the necessary rights to release all of the Myst games, updated for modern Windows systems with assistance of GOG.com to be released as a collected physical collectors edition.[51] Further, Cyan launched a Kickstarter in April 2018 to provide digital copies of the seven games as well as backer rewards including a simulated Linking Book, using an LCD screen inserted into a book binding.[52] The Kickstarter was successfully funded, bringing in US$2.8 million on a US$250,000 target goal.[53]
On June 26, 2019, Village Roadshow Entertainment Group announced that they have acquired the rights to the franchise and plans to expand its mythology to develop a multi-platform universe that includes movies and TV series. They will work alongside Miller and his brother Ryan as well as Isaac Testerman and Yale Rice of Delve Media.[54]
Reception and impact
| Game | Metacritic[55] | GameRankings[56] |
|---|---|---|
| Myst | n/a | 82.57% |
| Riven | 83% | 84.60% |
| Myst III: Exile | 83% | 77.07% |
| Uru: Ages Beyond Myst | 79% | 76.19% |
| Uru: The Path of the Shell | 72% | 67.69% |
| Uru: Complete Chronicles | n/a | 84.67% |
| Myst IV: Revelation | 82% | 81.72% |
| Myst V: End of Ages | 80% | 79.82% |
| Myst Online: Uru Live (GameTap) | 78% | 82.67% |
Overall, the Myst series has been critically and commercially successful. Rand and Robyn Miller were expecting Myst to perform as well as previous Cyan titles, making enough money to fund the next project.[57] Instead, Myst sold more than six million units, becoming the top-selling PC game of all time until The Sims surpassed Myst sales in 2002.[58] The first three games in the series have sold more than twelve million copies.
1UP.com writer Jeremy Parish noted that there have been two main opinions of Myst's slow, puzzle-based gameplay; "Fans consider Myst an elegant, intelligent game for grown-ups, while detractors call it a soulless stroll through a digital museum, more art than game."[59] Game industry executives were confused by Myst's success, not understanding how an "interactive slide show" turned out to be a huge hit. Online magazine writer Russell Pitts of The Escapist called Myst "unlike anything that had come before, weaving video almost seamlessly into a beautifully rendered world, presenting a captivating landscape filled with puzzles and mystery. In a game market dominated by Doom clones and simulators, Myst took us by the hand and showed us the future of gaming. It took almost a decade for anyone to follow its lead."[60] Critics from Wired and Salon considered the games approaching the level of art,[61][62] while authors Henry Jenkins and Lev Manovich pointed out the series as exemplifying the promise of new media to create unseen art forms.[63][64]
The series caused a major shift in the adventure game genre. Unlike previous games, Myst attempted to keep players immersed in the world by removing all information not associated with the fictional world itself—no explanatory text, inventory, or score counters.[65] Myst has also been cited as the reason for the decline of the adventure game genre; eager to capitalize on Myst's success, publishers churned out mediocre Myst clones, which flooded the market.[66] By Exile's release, games like Myst were considered to be an "antiquated" form of gaming by some critics.[67]
The title was widely credited as one of the first games to appeal not just to hardcore gamers but to casual players and demographics that generally did not play games, such as women.[27] Myst's lack of conventional game elements—violence, dying, and failure—appealed to nongamers and those contemplating buying a computer.[68] The Millers' decision to develop Myst for the nascent CD-ROM format helped boost interest and adoption of disc drives.[69]
The game inspired a CD parody game called Pyst, written by comedian Peter Bergman and featured John Goodman in video scenes.[70] Players traveled across the spoiled island of Myst after millions of players walked over it, with the parody game poking fun at elements of the prototype.[71]
Fan conventions
The game has spawned annual fan conventions around the world. Mysterium has been held since 2000, which grew out of the plans of a small group of fans who wanted to meet in person. Approximately 200 people attended the meeting in Spokane, Washington, which was held at the headquarters of Cyan Worlds, developers of the game. Subsequent conventions have been more formally planned, involving presentations and live music.[72] Similar to Mysterium, Mystralia is a gathering for Australia and New Zealand and has been held since 2005.
References
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- ^ a b Pham, Alex (May 17, 2001). "Game Design; Adding Texture, Detail to Miller Brothers' Legacy". Los Angeles Times. p. T4.
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- ^ Odelius, Dwight (January 8, 2004). "Game is magical and immersive - and nonviolent". Houston Chronicle. p. 3.
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External links
