Aldous Huxley - Bio, Quotes, and Select Video

 

Aldous Huxley quotes
600+ found on link - http://www.goodreads.com/author/quotes/3487.Aldous_Huxley

“Facts do not cease to exist because they are ignored.”

 - Aldous Huxley, Complete Essays 2, 1926-29

 

“After silence, that which comes nearest to expressing the inexpressible is music.”

 - Aldous Huxley, Music at Night and Other Essays

 

“Words can be like X-rays if you use them properly -- they’ll go through anything. You read and you’re pierced.”

 - Aldous Huxley, Brave New World

“Maybe this world is another planet’s hell.”

 - Aldous Huxley

“But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.”

 - Aldous Huxley, Brave New World

 

“Actual happiness always looks pretty squalid in comparison with the overcompensations for misery. And, of course, stability isn't nearly so spectacular as instability. And being contented has none of the glamour of a good fight against misfortune, none of the picturesqueness of a struggle with temptation, or a fatal overthrow by passion or doubt. Happiness is never grand.”

 - Aldous Huxley, Brave New World

 

“The more powerful and original a mind, the more it will incline towards the religion of solitude.”

 - Aldous Huxley

 

“I want to know what passion is. I want to feel something strongly.”

 - Aldous Huxley, Brave New World

 

“I wanted to change the world. But I have found that the only thing one can be sure of changing is oneself.”

 - Aldous Huxley, Point Counter Point

 

“An intellectual is a person who has discovered something more interesting than sex.”

 - Aldous Huxley

 

“The real hopeless victims of mental illness are to be found among those who appear to be most normal. "Many of them are normal because they are so well adjusted to our mode of existence, because their human voice has been silenced so early in their lives, that they do not even struggle or suffer or develop symptoms as the neurotic does." They are normal not in what may be called the absolute sense of the word; they are normal only in relation to a profoundly abnormal society. Their perfect adjustment to that abnormal society is a measure of their mental sickness. These millions of abnormally normal people, living without fuss in a society to which, if they were fully human beings, they ought not to be adjusted.”

 - Aldous Huxley, Brave New World Revisited

 

“If one's different, one's bound to be lonely.”

 - Aldous Huxley, Brave New World

 

“You shall know the truth and the truth shall make you mad.”

 - Aldous Huxley

 

“There are things known and there are things unknown, and in between are the doors of perception.”

 - Aldous Huxley

 

“That men do not learn very much from the lessons of history is the most important of all the lessons that history has to teach.”

 - Aldous Huxley, Collected Essays

 

“I like being myself. Myself and nasty.”

 - Aldous Huxley, Brave New World

“Experience is not what happens to a man; it is what a man does with what happens to him.”

 - Aldous Huxley, Texts & Pretexts: An Anthology With Commentaries

 

“I am I, and I wish I weren't.”

 - Aldous Huxley, Brave New World

 

“Most human beings have an almost infinite capacity for taking things for granted. That men do not learn very much from the lessons of history is the most important of all the lessons of history.”

 - Aldous Huxley

 

“The secret of genius is to carry the spirit of the child into old age, which means never losing your enthusiasm.”

 - Aldous Huxley

 

“All that happens means something; nothing you do is ever insignificant.”

 - Aldous Huxley, Crome Yellow

 

“Chastity—the most unnatural of all the sexual perversions, he added parenthetically, out of Remy de Gourmont.”

 - Aldous Huxley, Eyeless in Gaza

 

“The deepest sin against the human mind is to believe things without evidence.”

 - Aldous Huxley

 

“Chronic remorse, as all the moralists are agreed, is a most undesirable sentiment. If you have behaved badly, repent, make what amends you can and address yourself to the task of behaving better next time. On no account brood over your wrongdoing. Rolling in the muck is not the best way of getting clean.”

 - Aldous Huxley, Brave New World

 

“Consistency is contrary to nature, contrary to life. The only completely consistent people are the dead.”

 - Aldous Huxley, Do What You Will: Twelve Essays

 

“Happiness is not achieved by the conscious pursuit of happiness; it is generally the by-product of other activities.”

 - Aldous Huxley

 

“Every man's memory is his private literature.”

 - Aldous Huxley

 

“To travel is to discover that everyone is wrong about other countries.”

 - Aldous Huxley

 

“Man is so intelligent that he feels impelled to invent theories to account for what happens in the world. Unfortunately, he is not quite intelligent enough, in most cases, to find correct explanations. So that when he acts on his theories, he behaves very often like a lunatic.”

 - Aldous Huxley

 

“Ironically enough, the only people who can hold up indefinitely under the stress of modern war are psychotics. Individual insanity is immune to the consequences of collective insanity.”

 - Aldous Huxley, Brave New World Revisited

 

 

 

Biography

Wikipedia

http://en.wikipedia.org/wiki/Aldous_Huxley

Aldous Leonard Huxley /ˈhʌksli/ (26 July 1894 – 22 November 1963) was an English writer and a prominent member of the famous Huxley family. Best known for his novels including Brave New World and a wide-ranging output of essays, Huxley also edited the magazine Oxford Poetry, and published short stories, poetry, travel writing, film stories and scripts. He spent the later part of his life in the United States, living in Los Angeles from 1937 until his death.
 

Huxley was a humanist, pacifist, and satirist. He later became interested in spiritual subjects such as parapsychology and philosophical mysticism,^[1][2] in particular Vivekananda's Neo-Vedanta and Universalism.^[3] He is also well known for his use of psychedelic drugs.

 

By the end of his life Huxley was widely acknowledged as one of the pre-eminent intellectuals of his time.^[4]

 

 

 

 

Biography.com

http://www.biography.com/people/aldous-huxley-9348198

 

Aldous Huxley was born July 26, 1894, in Godalming, England. He published his first book in 1916 and worked on the periodical Athenaeum 1919–1921. Thereafter he devoted himself largely to his own writing and spent much of his time in Italy until the late 1930s, when he settled in California. He established himself as a major author in his first two published novels, Crome Yellow and Antic Hay.

 

 

 

EGS.edu

http://www.egs.edu/library/aldous-huxley/biography/

 

Aldous Huxley, was a British writer. He was born on July 26, 1894 and died on November 22, 1963. He would become most specifically known to the public for his novels, and especially his fifth one, Brave New World, written in 1931 and published in 1932. Aldous Huxley was born on July 26th 1894 in Godalming in the Surrey county in southern England. He would be the son of the English schoolteacher and writer Leonard Huxley (1860 - 1933) and of Julia Arnold (1862 - 1908). More than literature, however, Aldous Huxley would in fact be born into a family of renowned scientists, with two of his three brothers, Julian and Andrew, who would be eminent biologists and a grandfather, Thomas Henry Huxley, who would be a famous, controversial naturalist in his time, nicknamed as “Darwin’s Bulldog”.

Aldous Huxley would come to be known mostly as a novelist and essayist but he would also write some short stories, poetry, travelogues and even film scripts. In his novels and essays Aldous Huxley would always play the role of a critical observer of accepted traditions, customs, social norms and ideals. Importantly, he would be concerned in his writings with the potentially harmful applications of so-called scientific progress to mankind.

At the age of 14 Aldous Huxley would lose his mother and he himself would subsequently become ill in 1911 with a disease that would leave him virtually blind. As if all of this was note enough, his other brother, Noel, would kill himself in 1914. Because of his sight he would not be able to do the scientific research that had attracted him earlier. Aldous Huxley would then turn himself to literature. It is important to note that in spite of a partial remission, his eyesight would remain poor for the rest of his life. This would not, however prevent him from obtaining a degree in English literature with high praises.

While continuing his education at Balliol College, one of the institutions at Oxford University in England, Aldous Huxley would not longer be financially supported by his father, which would make him having to earn living. For a brief period in 1918, he would be employed as a clerk of the Air Ministry, which would convince him that he does not want a career in either administration or business. As result, his need for money would lead him to apply his literary talents. It is around those days that he would become friends with the famous writer D.H. Lawrence (1885 - 1930) at Oxford.

Aldous Huxley would finish his first novel, which he would never publish, at the age of seventeen, and he would decisively turn to writing at the age of twenty. At that point he would publish poems and also become a journalist and art critic. This would allow him to frequently travel and mingle with the European intelligentsia of the time. He would meet surrealists in Paris and would as a result of all of this write many literary essays. Aldous Huxley were to be deeply concerned about the important changes occurring at the time in Western civilization. They would prompt him to write great novels in the 1930s about the serious threats posed by the combination of power and technical progress, as well as about what he identified as a drift in parapsychology: behaviorism (as in his Brave New World). Additionally he would write against war and nationalism, as in Eyeless in Gaza (1936), for example.

One of his most known novels, and arguably his most important, would be Brave New World. Aldous Huxley would write it in only four months. It is important to note that at that time Adolf Hitler (1889 - 1945) was not yet in power in Germany and that the Stalinist purges had not yet begun. Aldous Huxley had therefore not been able to tap into the reality of his time the dictatorial future he would have the foresight to write about before it had happened. Indeed here Aldous Huxley imagined a society that would use genetics and cloning in order to condition and control individuals. In this future society all children are conceived in test tubes. They are genetically conditioned to belong to one of the five categories of populations, from the most intelligent to the stupidest.

 

Brave New World would also delineate what the perfect dictatorship would look like. It would have the appearance of a democracy, but would basically be a prison without walls in which the prisoners would not even dream of escaping. It would essentially be, as Aldous Huxley tells us, a system of slavery where, through entertainment and consumption the slaves “would love their servitude”. To many this would and still does resonate with the contemporary status quo. The title of the book comes from Shakespeare’s The Tempest (1610 - 1611), Act 5 Scene 1. Aldous Huxley’s novel would in fact eventually be made into a film in 1998. Although this one contains many elements from the book, the film would however portray a rather different storyline.

In 1937 he would write a book of essays entitled Ends and Means: an Enquiry Into the Nature of Ideals and Into the Methods Employed for Their Realization in which he would explore some of the same themes:

“A democracy which makes or even effectively prepares for modern, scientific war must necessarily cease to be democratic. No country can be really well prepared for modern war unless it is governed by a tyrant, at the head of a highly trained and perfectly obedient bureaucracy.”

In 1958 Aldous Huxley would publish Brave New World Revisited, a collection of essays in which he would think critically about the threats of overpopulation, excessive bureaucracy, as well as some hypnosis techniques for personal freedom. While Aldous Huxley’s early works would clearly be focused on defending a kind of humanism, he would become more and more interested in spiritual questions. He would particularly become interested in parapsychology and mysticism, which would be a subject matter on which he would also write a lot about. It is not really surprising, therefore, that in 1938 Aldous Huxley would become a friend of religious philosopher Jiddu Krishnamurti (1895 - 1986), considered by some to be a mystique himself, largely because of his early association with the Theosophical Society, from which he would powerfully break away from. In any case, Huxley would become a great admirer of this one’s teachings and would encourage him to put his insights in writings. Aldous Huxley would even write the forward for Jiddu Krishnamurti’s The First and Last Freedom (1954). Tellingly, Huxley would state after having listened to one of Krishnamurti’s talks:

 

“... the most impressive thing I have listened to. It was like listening to a discourse of the Buddha - such power, such intrinsic authority...”

In 1937, the writer would move to California and became a screenwriter for Hollywood. At the same time he would continue writing novels and essays, including the satirical novel After Many a Summer (1939) and Ape and Essence (1948). In 1950 the American Academy of Arts and Letters would award him the prestigious Award of Merit for the Novel, a prize that had also been bestowed to illustrious writers such as Ernest Hemingway (1899 - 1961) and Thomas Mann (1875 - 1955). Aldous Huxley would also be the author of an essay on the environment that would greatly inspire future ecological movements.

The 1950s would be a time of experiences with psychedelic drugs for him, especially LSD and mescaline, from which he would write the collection of essays The Doors of Perception (1954), which would become a narrative worshipped by hippies. The book would also inspire the famous singer Jim Morrison (1943 - 1971), to call his band “The Doors”. Aldous Huxley himself had found the title of the book in William Blake’s (1757 - 1827) The Marriage of Heaven and Hell:

“If the doors of perception were cleansed everything would appear to man as it is, infinite.”

By the end of his life Aldous Huxley would be considered by many as a visionary thinker. The so-called “New Age” school of thought would often quote his mystical writings and studies of hallucinogens, and in fact it continues to do so today. Considered one of the greatest English writers having written 47 books, Aldous Huxley would die at the age of 69 in Los Angeles on November 22 1963, the same day as President John F. Kennedy’s assassination. Aldous Huxley would be cremated and his ashes would be buried in the family vault in the UK.

 

Aldous Huxley interviewed by Mike Wallace : 1958 (Full)

 

 

 

 

Aldous Huxley on human thought and expression

(lecture on language)

 

 

 

 

Aldous Huxley - Speech at UC Berkeley, The Ultimate Revolution 1962

 

 

 

 

 

 

 

Thomas Merton Quotes & Sayings

 

Love Always Wins

 

“Love is our true destiny. We do not find the meaning of life by ourselves alone - we find it with another.” ~ Thomas Merton, Love and Living

 

"In technological society, in which the means of communication and signification have become fabulously versatile, and are at the point of an even more prolific development, thanks to the computer with its inexhaustible memory and its capacity for immediate absorption and organization of facts, the very nature and use of communication itself becomes unconsciously symbolic. Though he now has the capacity to communicate anything, anywhere, instantly, man finds himself with nothing to say. Not that there are not many things he could communicate, or should attempt to communicate. He should, for instance, be able to meet with his fellow man and discuss ways of building a peaceful world. He is incapable of this kind of confrontation. Instead of this, he has intercontinental ballistic missiles which can deliver nuclear death to tens of millions of people in a few moments. This is the most sophisticated message modern man has, apparently, to convey to his fellow man. It is, of course, a message about himself, his alienation from himself, and his inability to come to terms with life.“ ~ Thomas Merton, Love and Living

 

“If I had a message to my contemporaries it is surely this: Be anything you like, be madmen, drunks, and bastards of every shape and form, but at all costs avoid one thing: success . . . If you are too obsessed with success, you will forget to live. If you have learned only how to be a success, your life has probably been wasted.” ~ Thomas Merton, Love and Living

 

 

 

 

Wikipedia Bio (Link)

 

Thomas Merton, O.C.S.O. (January 31, 1915 – December 10, 1968), was an Anglo-American Catholic writer and mystic. A Trappist monk of the Abbey of Gethsemani, Kentucky, he was a poet, social activist, and student of comparative religion. In 1949, he was ordained to the priesthood and given the name Father Louis.

 

Merton wrote more than 70 books, mostly on spirituality, social justice and a quiet pacifism, as well as scores of essays and reviews, including his best-selling autobiography, The Seven Storey Mountain (1948), which sent scores of World War II veterans, students, and even teenagers flocking to monasteries across the US, and was also featured in National Review's list of the 100 best non-fiction books of the century. Merton was a keen proponent of interfaith understanding. He pioneered dialogue with prominent Asian spiritual figures, including the Dalai Lama, the Japanese writer D.T. Suzuki, and the Vietnamese monk Thich Nhat Hanh. Merton has also been the subject of several biographies.

 

Merton's influence has grown since his death and he is widely recognized as an important 20th-century Catholic mystic and thinker. Interest in his work contributed to a rise in spiritual exploration beginning in the 1960s and 1970s in the United States. Merton's letters and diaries reveal the intensity with which their author focused on social justice issues, including the civil rights movement and proliferation of nuclear arms. He had prohibited their publication for 25 years after his death. Publication raised new interest in Merton's life.

 





 

“My Lord God, I have no idea where I am going. I do not see the road ahead of me. I cannot know for certain where it will end. Nor do I really know myself, and the fact that I think that I am following your will does not mean that I am actually doing so. But I believe that the desire to please you does in fact please you. And I hope I have that desire in all that I am doing. I hope that I will never do anything apart from that desire. And I know that if I do this you will lead me by the right road though I may know nothing about it. Therefore will I trust you always though I may seem to be lost and in the shadow of death. I will not fear, for you are ever with me, and you will never leave me to face my perils alone.”  ~ Thomas Merton, Thoughts in Solitude 

 



Thomas Merton, The Way of Chuang Tzu





~ Thomas Merton, No Man Is an Island



 

“The beginning of love is the will to let those we love be perfectly themselves, the resolution not to twist them to fit our own image. If in loving them we do not love what they are, but only their potential likeness to ourselves, then we do not love them: we only love the reflection of ourselves we find in them” ~ Thomas Merton, No Man Is an Island

 

“You do not need to know precisely what is happening, or exactly where it is all going. What you need is to recognize the possibilities and challenges offered by the present moment, and to embrace them with courage, faith and hope.” ~ Thomas Merton

 

“If you want to identify me, ask me not where I live, or what I like to eat, or how I comb my hair, but ask me what I am living for, in detail, ask me what I think is keeping me from living fully for the thing I want to live for.” ~ Thomas Merton

 

“To be grateful is to recognize the Love of God in everything He has given us - and He has given us everything. Every breath we draw is a gift of His love, every moment of existence is a grace, for it brings with it immense graces from Him. ~ Thomas Merton

 

Gratitude therefore takes nothing for granted, is never unresponsive, is constantly awakening to new wonder and to praise of the goodness of God. For the grateful person knows that God is good, not by hearsay but by experience. And that is what makes all the difference.” ~ Thomas Merton

 

“Our job is to love others without stopping to inquire whether or not they are worthy. That is not our business and, in fact, it is nobody's business. What we are asked to do is to love, and this love itself will render both ourselves and our neighbors worthy.” ~ Thomas Merton

 

“Do not depend on the hope of results. You may have to face the fact that your work will be apparently worthless and even achieve no result at all, if not perhaps results opposite to what you expect. As you get used to this idea, you start more and more to concentrate not on the results, but on the value, the rightness, the truth of the work itself. You gradually struggle less and less for an idea and more and more for specific people. In the end, it is the reality of personal relationship that saves everything.” ~ Thomas Merton

 

 

 

 

“The more you try to avoid suffering, the more you suffer, because smaller and more insignificant things begin to torture you, in proportion to your fear of being hurt. The one who does most to avoid suffering is, in the end, the one who suffers most.” ~ Thomas Merton, The Seven Storey Mountain

 

“Finally I am coming to the conclusion that my highest ambition is to be what I already am. That I will never fulfill my obligation to surpass myself unless I first accept myself, and if I accept myself fully in the right way, I will already have surpassed myself.” ~ Thomas Merton

 

“If a man is to live, he must be all alive, body, soul, mind, heart, spirit.” ~ Thomas Merton, Thoughts in Solitude

 

“Anxiety is the mark of spiritual insecurity.” ~ Thomas Merton

 

“Instead of hating the people you think are war-makers, hate the appetites and disorder in your own soul, which are the causes of war. If you love peace, then hate injustice, hate tyranny, hate greed - but hate these things in yourself, not in another.” ~ Thomas Merton

 

“Our idea of God tells us more about ourselves than about Him.” ~ Thomas Merton

 

 

 

 

“Love seeks one thing only: the good of the one loved. It leaves all the other secondary effects to take care of themselves. Love, therefore, is its own reward.” ~ Thomas Merton

 

“Solitude is a way to defend the spirit against the murderous din of our materialism.” ~ Thomas Merton

 

“A man knows when he has found his vocation when he stops thinking about how to live and begins to live.” ~ Thomas Merton

 

“Peace demands the most heroic labor and the most difficult sacrifice. It demands greater heroism than war. It demands greater fidelity to the truth and a much more perfect purity of conscience.” ~ Thomas Merton

 

“But there is greater comfort in the substance of silence than in the answer to a question.” ~ Thomas Merton

 

“Souls are like athletes, that need opponents worthy of them, if they are to be tried and extended and pushed to the full use of their powers, and rewarded according to their capacity.” ~ Thomas Merton, The Seven Storey Mountain

 

“Keeping a journal has taught me that there is not so much new in your life as you sometimes think. When you re-read your journal you find out that your latest discovery is something you already found out five years ago. Still, it is true that one penetrates deeper and deeper into the same ideas and the same experiences.” ~ Thomas Merton, The Sign of Jonas

 

“If you write for God you will reach many men and bring them joy. If you write for men--you may make some money and you may give someone a little joy and you may make a noise in the world, for a little while. If you write for yourself, you can read what you yourself have written and after ten minutes you will be so disgusted that you will wish that you were dead.” ~ Thomas Merton, Seeds of Contemplation

 

“Life is this simple: we are living in a world that is absolutely transparent and the divine is shining through it all the time. This is not just a nice story or a fable, it is true.” ~ Thomas Merton

 

 

 

 

“To allow oneself to be carried away by a multitude of conflicting concerns, to surrender to too many demands, to commit oneself to too many projects, to want to help everyone in everything, is to succumb to the violence of our times.” ~ Thomas Merton

 

“Only the man who has had to face despair is really convinced that he needs mercy. Those who do not want mercy never seek it. It is better to find God on the threshold of despair than to risk our lives in a complacency that has never felt the need of forgiveness. A life that is without problems may literally be more hopeless than one that always verges on despair.” ~ Thomas Merton, No Man Is an Island

 

“By reading the scriptures I am so renewed that all nature seems renewed around me and with me. The sky seems to be a pure, a cooler blue, the trees a deeper green. The whole world is charged with the glory of God and I feel fire and music under my feet.” ~ Thomas Merton

 

“Reason is in fact the path to faith, and faith takes over when reason can say no more.” ~ Thomas Merton
 

 

 

Amazon Link

 

 

 

 

 

 

 

 

Thomas Merton with his students at Bellarmine University



 

 

 

 

 

 

 

 

 

 

 

 

R.E. Slater - A Second Sight (a poem)

Photo: Edward James

A Second Sight

by R.E. Slater

There is no second sight in passage,

we grope towards futures blind,

hopeful, brave, unknowing,

believing kinder days lie ahead.

And on that morning's final day,

when death doth come arising,

may it be quick, incautious, merciful,

met like any other day's mourning.

As there is an end to life in death,

so is there an end to death in life,

each measuring the other's half,

testing vigor, strength, and soul.

Meeting winter’s end with fairer spring,

waking small flowers to rise and greet,

each one blessed, unique, e'er frail,

refrains to tomorrow’s hope reshaped.


- R.E. Slater

October 15, 2013
In honor of my father's passing this day
*Adapted, “Head in the Clouds”

@copyright R.E. Slater Publications
all rights reserved

Untitled Poem

"Head in the Clouds"

There is no second sight.

We grope towards our future blind
It's kinder that way.

On the mourning of her final day,
she came to her death clear-eyed,
brave, unknowing.

And when the snow melts,
spring has come,
there is an end to war.

One small flower
blessed, unique,
will flower no more.

Walt Whitman - "Leaves of Grass" with Introduction



Frontispiece of the 1883 edition of Leaves of Grass.

Bartleby

In 1855 Whitman published at his own expense a volume of 12 poems, Leaves of Grass, which he had begun working on probably as early as 1847. It was criticized because of Whitman’s exaltation of the body and sexual love and also because of its innovation in verse form—that is, the use of free verse in long rhythmical lines with a natural, “organic” structure. See also the companion volume: Prose Works.


Wikipedia

Leaves of Grass is a poetry collection by the American poet Walt Whitman (1819–1892). Though the first edition was published in 1855, Whitman spent his entire life writing Leaves of Grass,^[1] revising it in several editions until his death. Among the poems in the collection are "Song of Myself", "I Sing the Body Electric", "Out of the Cradle Endlessly Rocking", and in later editions, Whitman's elegy to the assassinated President Abraham Lincoln, "When Lilacs Last in the Dooryard Bloom'd".

Overview

This book is notable for its discussion of delight in sensual pleasures during a time when such candid displays were considered immoral. Where much previous poetry, especially English, relied on symbolism, allegory, and meditation on the religious and spiritual, Leaves of Grass (particularly the first edition) exalted the body and the material world. Influenced by Ralph Waldo Emerson and the Transcendentalist movement, itself an offshoot of Romanticism, Whitman's poetry praises nature and the individual human's role in it. However, much like Emerson, Whitman does not diminish the role of the mind or the spirit; rather, he elevates the human form and the human mind, deeming both worthy of poetic praise.


Poetry Foundation

Walt Whitman (1819-1892) is America’s world poet—a latter-day successor to Homer, Virgil, Dante, and Shakespeare. In Leaves of Grass (1855), he celebrated democracy, nature, love, and friendship. This monumental work chanted praises to the body as well as to the soul, and found beauty and reassurance even in death.

Along with Emily Dickinson, Whitman is regarded as one of America’s most significant nineteenth century poets. Born on Long Island, Whitman grew up in Brooklyn and received limited formal education. His occupations during his lifetime included printer, schoolteacher, reporter, and editor.  Whitman’s self-published Leaves of Grass was inspired in part by his travels through the American frontier and by his admiration for Ralph Waldo Emerson. This important publication underwent eight subsequent editions during his lifetime as Whitman expanded and revised the poetry and added more to the original collection of twelve poems. Emerson himself declared the first edition was “the most extraordinary piece of wit and wisdom that America has yet contributed.”

Whitman published his own enthusiastic review of Leaves of Grass. Critics and readers alike, however, found both Whitman’s style and subject matter unnerving. According to The Longman Anthology of Poetry, “Whitman received little public acclaim for his poems during his lifetime for several reasons:  his openness regarding sex, his self-presentation as a rough working man, and his stylistic innovations.” A poet who “abandoned the regular meter and rhyme patterns” of his contemporaries, Whitman was “influenced by the long cadences and rhetorical strategies of Biblical poetry.” Upon publishing Leaves of Grass, Whitman was subsequently fired from his job with the Department of the Interior. Despite his mixed critical reception in the U.S., he was favorably received in England, with Dante Gabriel Rossetti and Algernon Charles Swinburne among the British writers who celebrated his work.

During the Civil War, Whitman worked as a clerk in Washington, DC. For three years, he visited soldiers during his spare time, dressing wounds and giving solace to the injured. These experiences led to the poems in his 1865 publication, Drum-Taps, which includes, “When Lilacs Last in the Dooryard Bloom’d,” Whitman’s elegy for President Lincoln.

After suffering a serious stroke in 1873, Whitman moved to his brother’s home in Camden, New Jersey. While his poetry failed to garner popular attention from his American readership during his lifetime, over 1,000 people came to view his funeral. And as the first writer of a truly American poetry, Whitman’s legacy endures. According to The Longman Anthology of Poetry, Whitman’s “ambition, expansiveness, and embrace of all the high and low features of American life influenced many poets of the twentieth century, including D.H. Lawrence, William Carlos Williams, Hart Crane, and Allen Ginsberg.”

Leaves of Grass (Boston: Thayer and Eldridge,
year 85 of the States, 1860) (New York Public Library)


http://whitmanarchive.org

Many of Whitman's books, letters, and manuscripts, may be read at the Walt Whitman Archive, a digital edition directed by Ed Folsom and Kenneth M. Price at the University of Nebraska-Lincoln.

 

 

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Walt Whitman (1819–1892).  Leaves of Grass.  1900.

 

14. Walt Whitman

1 I CELEBRATE myself;
And what I assume you shall assume;
For every atom belonging to me, as good belongs to you.
I loafe and invite my Soul;
I lean and loafe at my ease, observing a spear of summer grass.	5
Houses and rooms are full of perfumes—the shelves are crowded with perfumes;
I breathe the fragrance myself, and know it and like it;
The distillation would intoxicate me also, but I shall not let it.
The atmosphere is not a perfume—it has no taste of the distillation—it is odorless;
It is for my mouth forever—I am in love with it;	10
I will go to the bank by the wood, and become undisguised and naked;
I am mad for it to be in contact with me.
2 The smoke of my own breath;
Echoes, ripples, buzz’d whispers, love-root, silk-thread, crotch and vine;
My respiration and inspiration, the beating of my heart, the passing of blood and air through my lungs;	15
The sniff of green leaves and dry leaves, and of the shore, and dark-color’d sea-rocks, and of hay in the barn;
The sound of the belch’d words of my voice, words loos’d to the eddies of the wind;
A few light kisses, a few embraces, a reaching around of arms;
The play of shine and shade on the trees as the supple boughs wag;
The delight alone, or in the rush of the streets, or along the fields and hill-sides;	20
The feeling of health, the full-noon trill, the song of me rising from bed and meeting the sun.
Have you reckon’d a thousand acres much? have you reckon’d the earth much?
Have you practis’d so long to learn to read?
Have you felt so proud to get at the meaning of poems?
Stop this day and night with me, and you shall possess the origin of all poems;	25
You shall possess the good of the earth and sun—(there are millions of suns left;)
You shall no longer take things at second or third hand, nor look through the eyes of the dead, nor feed on the spectres in books;
You shall not look through my eyes either, nor take things from me:
You shall listen to all sides, and filter them from yourself.
3 I have heard what the talkers were talking, the talk of the beginning and the end;	30
But I do not talk of the beginning or the end.
There was never any more inception than there is now,
Nor any more youth or age than there is now;
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now.	35
Urge, and urge, and urge;
Always the procreant urge of the world.
Out of the dimness opposite equals advance—always substance and increase, always sex;
Always a knit of identity—always distinction—always a breed of life.
To elaborate is no avail—learn’d and unlearn’d feel that it is so.	40
Sure as the most certain sure, plumb in the uprights, well entretied, braced in the beams,
Stout as a horse, affectionate, haughty, electrical,
I and this mystery, here we stand.
Clear and sweet is my Soul, and clear and sweet is all that is not my Soul.
Lack one lacks both, and the unseen is proved by the seen,	45
Till that becomes unseen, and receives proof in its turn.
Showing the best, and dividing it from the worst, age vexes age;
Knowing the perfect fitness and equanimity of things, while they discuss I am silent, and go bathe and admire myself.
Welcome is every organ and attribute of me, and of any man hearty and clean;
Not an inch, nor a particle of an inch, is vile, and none shall be less familiar than the rest.	50
I am satisfied—I see, dance, laugh, sing:
As the hugging and loving Bed-fellow sleeps at my side through the night, and withdraws at the peep of the day, with stealthy tread,
Leaving me baskets cover’d with white towels, swelling the house with their plenty,
Shall I postpone my acceptation and realization, and scream at my eyes,
That they turn from gazing after and down the road,	55
And forthwith cipher and show me a cent,
Exactly the contents of one, and exactly the contents of two, and which is ahead?
4 Trippers and askers surround me;
People I meet—the effect upon me of my early life, or the ward and city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old and new,	60
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks, or of myself, or ill-doing, or loss or lack of money, or depressions or exaltations;
Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events;
These come to me days and nights, and go from me again,	65
But they are not the Me myself.
Apart from the pulling and hauling stands what I am;
Stands amused, complacent, compassionating, idle, unitary;
Looks down, is erect, or bends an arm on an impalpable certain rest,
Looking with side-curved head, curious what will come next;	70
Both in and out of the game, and watching and wondering at it.
Backward I see in my own days where I sweated through fog with linguists and contenders;
I have no mockings or arguments—I witness and wait.
5 I believe in you, my Soul—the other I am must not abase itself to you;
And you must not be abased to the other.	75
Loafe with me on the grass—loose the stop from your throat;
Not words, not music or rhyme I want—not custom or lecture, not even the best;
Only the lull I like, the hum of your valved voice.
I mind how once we lay, such a transparent summer morning;
How you settled your head athwart my hips, and gently turn’d over upon me,	80
And parted the shirt from my bosom-bone, and plunged your tongue to my bare-stript heart,
And reach’d till you felt my beard, and reach’d till you held my feet.
Swiftly arose and spread around me the peace and knowledge that pass all the argument of the earth;
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own;	85
And that all the men ever born are also my brothers, and the women my sisters and lovers;
And that a kelson of the creation is love;
And limitless are leaves, stiff or drooping in the fields;
And brown ants in the little wells beneath them;
And mossy scabs of the worm fence, and heap’d stones, elder, mullen and poke-weed.	90
6 A child said, What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is, any more than he.
I guess it must be the flag of my disposition, out of hopeful green stuff woven.
Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer, designedly dropt,	95
Bearing the owner’s name someway in the corners, that we may see and remark, and say, Whose?
Or I guess the grass is itself a child, the produced babe of the vegetation.
Or I guess it is a uniform hieroglyphic;
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white;	100
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same.
And now it seems to me the beautiful uncut hair of graves.
Tenderly will I use you, curling grass;
It may be you transpire from the breasts of young men;
It may be if I had known them I would have loved them;	105
It may be you are from old people, and from women, and from offspring taken soon out of their mothers’ laps;
And here you are the mothers’ laps.
This grass is very dark to be from the white heads of old mothers;
Darker than the colorless beards of old men;
Dark to come from under the faint red roofs of mouths.	110
O I perceive after all so many uttering tongues!
And I perceive they do not come from the roofs of mouths for nothing.
I wish I could translate the hints about the dead young men and women,
And the hints about old men and mothers, and the offspring taken soon out of their laps.
What do you think has become of the young and old men?	115
And what do you think has become of the women and children?
They are alive and well somewhere;
The smallest sprout shows there is really no death;
And if ever there was, it led forward life, and does not wait at the end to arrest it,
And ceas’d the moment life appear’d.	120
All goes onward and outward—nothing collapses;
And to die is different from what any one supposed, and luckier.
7 Has any one supposed it lucky to be born?
I hasten to inform him or her, it is just as lucky to die, and I know it.
I pass death with the dying, and birth with the new-wash’d babe, and am not contain’d between my hat and boots;	125
And peruse manifold objects, no two alike, and every one good;
The earth good, and the stars good, and their adjuncts all good.
I am not an earth, nor an adjunct of an earth;
I am the mate and companion of people, all just as immortal and fathomless as myself;
(They do not know how immortal, but I know.)	130
Every kind for itself and its own—for me mine, male and female;
For me those that have been boys, and that love women;
For me the man that is proud, and feels how it stings to be slighted;
For me the sweet-heart and the old maid—for me mothers, and the mothers of mothers;
For me lips that have smiled, eyes that have shed tears;	135
For me children, and the begetters of children.
Undrape! you are not guilty to me, nor stale, nor discarded;
I see through the broadcloth and gingham, whether or no;
And am around, tenacious, acquisitive, tireless, and cannot be shaken away.
8 The little one sleeps in its cradle;	140
I lift the gauze, and look a long time, and silently brush away flies with my hand.
The youngster and the red-faced girl turn aside up the bushy hill;
I peeringly view them from the top.
The suicide sprawls on the bloody floor of the bed-room;
I witness the corpse with its dabbled hair—I note where the pistol has fallen.	145
The blab of the pave, the tires of carts, sluff of boot-soles, talk of the promenaders;
The heavy omnibus, the driver with his interrogating thumb, the clank of the shod horses on the granite floor;
The snow-sleighs, the clinking, shouted jokes, pelts of snowballs;
The hurrahs for popular favorites, the fury of rous’d mobs;
The flap of the curtain’d litter, a sick man inside, borne to the hospital;	150
The meeting of enemies, the sudden oath, the blows and fall;
The excited crowd, the policeman with his star, quickly working his passage to the centre of the crowd;
The impassive stones that receive and return so many echoes;
What groans of over-fed or half-starv’d who fall sun-struck, or in fits;
What exclamations of women taken suddenly, who hurry home and give birth to babes;	155
What living and buried speech is always vibrating here—what howls restrain’d by decorum;
Arrests of criminals, slights, adulterous offers made, acceptances, rejections with convex lips;
I mind them or the show or resonance of them—I come, and I depart.
9 The big doors of the country barn stand open and ready;
The dried grass of the harvest-time loads the slow-drawn wagon;	160
The clear light plays on the brown gray and green intertinged;
The armfuls are pack’d to the sagging mow.
I am there—I help—I came stretch’d atop of the load;
I felt its soft jolts—one leg reclined on the other;
I jump from the cross-beams, and seize the clover and timothy,	165
And roll head over heels, and tangle my hair full of wisps.
10 Alone, far in the wilds and mountains, I hunt,
Wandering, amazed at my own lightness and glee;
In the late afternoon choosing a safe spot to pass the night,
Kindling a fire and broiling the fresh-kill’d game;	170
Falling asleep on the gather’d leaves, with my dog and gun by my side.
The Yankee clipper is under her sky-sails—she cuts the sparkle and scud;
My eyes settle the land—I bend at her prow, or shout joyously from the deck.
The boatmen and clam-diggers arose early and stopt for me;
I tuck’d my trowser-ends in my boots, and went and had a good time:	175
(You should have been with us that day round the chowder-kettle.)
I saw the marriage of the trapper in the open air in the far west—the bride was a red girl;
Her father and his friends sat near, cross-legged and dumbly smoking—they had moccasins to their feet, and large thick blankets hanging from their shoulders;
On a bank lounged the trapper—he was drest mostly in skins—his luxuriant beard and curls protected his neck—he held his bride by the hand;
She had long eyelashes—her head was bare—her coarse straight locks descended upon her voluptuous limbs and reach’d to her feet.	180
The runaway slave came to my house and stopt outside;
I heard his motions crackling the twigs of the woodpile;
Through the swung half-door of the kitchen I saw him limpsy and weak,
And went where he sat on a log, and led him in and assured him,
And brought water, and fill’d a tub for his sweated body and bruis’d feet,	185
And gave him a room that enter’d from my own, and gave him some coarse clean clothes,
And remember perfectly well his revolving eyes and his awkwardness,
And remember putting plasters on the galls of his neck and ankles;
He staid with me a week before he was recuperated and pass’d north;
(I had him sit next me at table—my fire-lock lean’d in the corner.)	190
11 Twenty-eight young men bathe by the shore;
Twenty-eight young men, and all so friendly:
Twenty-eight years of womanly life, and all so lonesome.
She owns the fine house by the rise of the bank;
She hides, handsome and richly drest, aft the blinds of the window.	195
Which of the young men does she like the best?
Ah, the homeliest of them is beautiful to her.
Where are you off to, lady? for I see you;
You splash in the water there, yet stay stock still in your room.
Dancing and laughing along the beach came the twenty-ninth bather;	200
The rest did not see her, but she saw them and loved them.
The beards of the young men glisten’d with wet, it ran from their long hair:
Little streams pass’d all over their bodies.
An unseen hand also pass’d over their bodies;
It descended tremblingly from their temples and ribs.	205
The young men float on their backs—their white bellies bulge to the sun—they do not ask who seizes fast to them;
They do not know who puffs and declines with pendant and bending arch;
They do not think whom they souse with spray.
12 The butcher-boy puts off his killing clothes, or sharpens his knife at the stall in the market;
I loiter, enjoying his repartee, and his shuffle and break-down.	210
Blacksmiths with grimed and hairy chests environ the anvil;
Each has his main-sledge—they are all out—(there is a great heat in the fire.)
From the cinder-strew’d threshold I follow their movements;
The lithe sheer of their waists plays even with their massive arms;
Over-hand the hammers swing—over-hand so slow—over-hand so sure:	215
They do not hasten—each man hits in his place.
13 The negro holds firmly the reins of his four horses—the block swags underneath on its tied-over chain;
The negro that drives the dray of the stone-yard—steady and tall he stands, pois’d on one leg on the string-piece;
His blue shirt exposes his ample neck and breast, and loosens over his hip-band;
His glance is calm and commanding—he tosses the slouch of his hat away from his forehead;	220
The sun falls on his crispy hair and moustache—falls on the black of his polish’d and perfect limbs.
I behold the picturesque giant, and love him—and I do not stop there;
I go with the team also.
In me the caresser of life wherever moving—backward as well as forward slueing;
To niches aside and junior bending.	225
Oxen that rattle the yoke and chain, or halt in the leafy shade! what is that you express in your eyes?
It seems to me more than all the print I have read in my life.
My tread scares the wood-drake and wood-duck, on my distant and day-long ramble;
They rise together—they slowly circle around.
I believe in those wing’d purposes,	230
And acknowledge red, yellow, white, playing within me,
And consider green and violet, and the tufted crown, intentional;
And do not call the tortoise unworthy because she is not something else;
And the jay in the woods never studied the gamut, yet trills pretty well to me;
And the look of the bay mare shames silliness out of me.	235
14 The wild gander leads his flock through the cool night;
Ya-honk! he says, and sounds it down to me like an invitation;
(The pert may suppose it meaningless, but I listen close;
I find its purpose and place up there toward the wintry sky.)
The sharp-hoof’d moose of the north, the cat on the house-sill, the chickadee, the prairie-dog,	240
The litter of the grunting sow as they tug at her teats,
The brood of the turkey-hen, and she with her half-spread wings;
I see in them and myself the same old law.
The press of my foot to the earth springs a hundred affections;
They scorn the best I can do to relate them.	245
I am enamour’d of growing out-doors,
Of men that live among cattle, or taste of the ocean or woods,
Of the builders and steerers of ships, and the wielders of axes and mauls, and the drivers of horses;
I can eat and sleep with them week in and week out.
What is commonest, cheapest, nearest, easiest, is Me;	250
Me going in for my chances, spending for vast returns;
Adorning myself to bestow myself on the first that will take me;
Not asking the sky to come down to my good will;
Scattering it freely forever.
15 The pure contralto sings in the organ loft;	255
The carpenter dresses his plank—the tongue of his foreplane whistles its wild ascending lisp;
The married and unmarried children ride home to their Thanksgiving dinner;
The pilot seizes the king-pin—he heaves down with a strong arm;
The mate stands braced in the whale-boat—lance and harpoon are ready;
The duck-shooter walks by silent and cautious stretches;	260
The deacons are ordain’d with cross’d hands at the altar;
The spinning-girl retreats and advances to the hum of the big wheel;
The farmer stops by the bars, as he walks on a First-day loafe, and looks at the oats and rye;
The lunatic is carried at last to the asylum, a confirm’d case,
(He will never sleep any more as he did in the cot in his mother’s bed-room;)	265
The jour printer with gray head and gaunt jaws works at his case,
He turns his quid of tobacco, while his eyes blurr with the manuscript;
The malform’d limbs are tied to the surgeon’s table,
What is removed drops horribly in a pail;
The quadroon girl is sold at the auction-stand—the drunkard nods by the bar-room stove;	270
The machinist rolls up his sleeves—the policeman travels his beat—the gate-keeper marks who pass;
The young fellow drives the express-wagon—(I love him, though I do not know him;)
The half-breed straps on his light boots to complete in the race;
The western turkey-shooting draws old and young—some lean on their rifles, some sit on logs,
Out from the crowd steps the marksman, takes his position, levels his piece;	275
The groups of newly-come immigrants cover the wharf or levee;
As the woolly-pates hoe in the sugar-field, the overseer views them from his saddle;
The bugle calls in the ball-room, the gentlemen run for their partners, the dancers bow to each other;
The youth lies awake in the cedar-roof’d garret, and harks to the musical rain;
The Wolverine sets traps on the creek that helps fill the Huron;	280
The squaw, wrapt in her yellow-hemm’d cloth, is offering moccasins and bead-bags for sale;
The connoisseur peers along the exhibition-gallery with half-shut eyes bent sideways;
As the deck-hands make fast the steamboat, the plank is thrown for the shore-going passengers;
The young sister holds out the skein, while the elder sister winds it off in a ball, and stops now and then for the knots;
The one-year wife is recovering and happy, having a week ago borne her first child;	285
The clean-hair’d Yankee girl works with her sewing-machine, or in the factory or mill;
The nine months’ gone is in the parturition chamber, her faintness and pains are advancing;
The paving-man leans on his two-handed rammer—the reporter’s lead flies swiftly over the note-book—the sign-painter is lettering with red and gold;
The canal boy trots on the tow-path—the book-keeper counts at his desk—the shoemaker waxes his thread;
The conductor beats time for the band, and all the performers follow him;	290
The child is baptized—the convert is making his first professions;
The regatta is spread on the bay—the race is begun—how the white sails sparkle!
The drover, watching his drove, sings out to them that would stray;
The pedler sweats with his pack on his back, (the purchaser higgling about the odd cent;)
The camera and plate are prepared, the lady must sit for her daguerreotype;	295
The bride unrumples her white dress, the minute-hand of the clock moves slowly;
The opium-eater reclines with rigid head and just-open’d lips;
The prostitute draggles her shawl, her bonnet bobs on her tipsy and pimpled neck;
The crowd laugh at her blackguard oaths, the men jeer and wink to each other;
(Miserable! I do not laugh at your oaths, nor jeer you;)	300
The President, holding a cabinet council, is surrounded by the Great Secretaries;
On the piazza walk three matrons stately and friendly with twined arms;
The crew of the fish-smack pack repeated layers of halibut in the hold;
The Missourian crosses the plains, toting his wares and his cattle;
As the fare-collector goes through the train, he gives notice by the jingling of loose change;	305
The floor-men are laying the floor—the tinners are tinning the roof—the masons are calling for mortar;
In single file, each shouldering his hod, pass onward the laborers;
Seasons pursuing each other, the indescribable crowd is gather’d—it is the Fourth of Seventh-month—(What salutes of cannon and small arms!)
Seasons pursuing each other, the plougher ploughs, the mower mows, and the winter-grain falls in the ground;
Off on the lakes the pike-fisher watches and waits by the hole in the frozen surface;	310
The stumps stand thick round the clearing, the squatter strikes deep with his axe;
Flatboatmen make fast, towards dusk, near the cottonwood or pekan-trees;
Coon-seekers go through the regions of the Red river, or through those drain’d by the Tennessee, or through those of the Arkansaw;
Torches shine in the dark that hangs on the Chattahoochee or Altamahaw;
Patriarchs sit at supper with sons and grandsons and great-grandsons around them;	315
In walls of adobie, in canvas tents, rest hunters and trappers after their day’s sport;
The city sleeps, and the country sleeps;
The living sleep for their time, the dead sleep for their time;
The old husband sleeps by his wife, and the young husband sleeps by his wife;
And these one and all tend inward to me, and I tend outward to them;	320
And such as it is to be of these, more or less, I am.
16 I am of old and young, of the foolish as much as the wise;
Regardless of others, ever regardful of others,
Maternal as well as paternal, a child as well as a man,
Stuff’d with the stuff that is coarse, and stuff’d with the stuff that is fine;	325
One of the Great Nation, the nation of many nations, the smallest the same, and the largest the same;
A southerner soon as a northerner—a planter nonchalant and hospitable, down by the Oconee I live;
A Yankee, bound by my own way, ready for trade, my joints the limberest joints on earth, and the sternest joints on earth;
A Kentuckian, walking the vale of the Elkhorn, in my deer-skin leggings—a Louisianian or Georgian;
A boatman over lakes or bays, or along coasts—a Hoosier, Badger, Buckeye;	330
At home on Kanadian snow-shoes, or up in the bush, or with fishermen off Newfoundland;
At home in the fleet of ice-boats, sailing with the rest and tacking;
At home on the hills of Vermont, or in the woods of Maine, or the Texan ranch;
Comrade of Californians—comrade of free north-westerners, (loving their big proportions;)
Comrade of raftsmen and coalmen—comrade of all who shake hands and welcome to drink and meat;	335
A learner with the simplest, a teacher of the thoughtfullest;
A novice beginning, yet experient of myriads of seasons;
Of every hue and caste am I, of every rank and religion;
A farmer, mechanic, artist, gentleman, sailor, quaker;
A prisoner, fancy-man, rowdy, lawyer, physician, priest.	340
I resist anything better than my own diversity;
I breathe the air, but leave plenty after me,
And am not stuck up, and am in my place.
(The moth and the fish-eggs are in their place;
The suns I see, and the suns I cannot see, are in their place;	345
The palpable is in its place, and the impalpable is in its place.)
17 These are the thoughts of all men in all ages and lands—they are not original with me;
If they are not yours as much as mine, they are nothing, or next to nothing;
If they are not the riddle, and the untying of the riddle, they are nothing;
If they are not just as close as they are distant, they are nothing.	350
This is the grass that grows wherever the land is, and the water is;
This is the common air that bathes the globe.
18 With music strong I come—with my cornets and my drums,
I play not marches for accepted victors only—I play great marches for conquer’d and slain persons.
Have you heard that it was good to gain the day?	355
I also say it is good to fall—battles are lost in the same spirit in which they are won.
I beat and pound for the dead;
I blow through my embouchures my loudest and gayest for them.
Vivas to those who have fail’d!
And to those whose war-vessels sank in the sea!	360
And to those themselves who sank in the sea!
And to all generals that lost engagements! and all overcome heroes!
And the numberless unknown heroes, equal to the greatest heroes known.
19 This is the meal equally set—this is the meat for natural hunger;
It is for the wicked just the same as the righteous—I make appointments with all;	365
I will not have a single person slighted or left away;
The kept-woman, sponger, thief, are hereby invited;
The heavy-lipp’d slave is invited—the venerealee is invited:
There shall be no difference between them and the rest.
This is the press of a bashful hand—this is the float and odor of hair;	370
This is the touch of my lips to yours—this is the murmur of yearning;
This is the far-off depth and height reflecting my own face;
This is the thoughtful merge of myself, and the outlet again.
Do you guess I have some intricate purpose?
Well, I have—for the Fourth-month showers have, and the mica on the side of a rock has.	375
Do you take it I would astonish?
Does the daylight astonish? Does the early redstart, twittering through the woods?
Do I astonish more than they?
This hour I tell things in confidence;
I might not tell everybody, but I will tell you.	380
20 Who goes there? hankering, gross, mystical, nude;
How is it I extract strength from the beef I eat?
What is a man, anyhow? What am I? What are you?
All I mark as my own, you shall offset it with your own;
Else it were time lost listening to me.	385
I do not snivel that snivel the world over,
That months are vacuums, and the ground but wallow and filth;
That life is a suck and a sell, and nothing remains at the end but threadbare crape, and tears.
Whimpering and truckling fold with powders for invalids—conformity goes to the fourth-remov’d;
I wear my hat as I please, indoors or out.	390
Why should I pray? Why should I venerate and be ceremonious?
Having pried through the strata, analyzed to a hair, counsell’d with doctors, and calculated close,
I find no sweeter fat than sticks to my own bones.
In all people I see myself—none more, and not one a barleycorn less;
And the good or bad I say of myself, I say of them.	395
And I know I am solid and sound;
To me the converging objects of the universe perpetually flow;
All are written to me, and I must get what the writing means.
I know I am deathless;
I know this orbit of mine cannot be swept by the carpenter’s compass;	400
I know I shall not pass like a child’s carlacue cut with a burnt stick at night.
I know I am august;
I do not trouble my spirit to vindicate itself or be understood;
I see that the elementary laws never apologize;
(I reckon I behave no prouder than the level I plant my house by, after all.)	405
I exist as I am—that is enough;
If no other in the world be aware, I sit content;
And if each and all be aware, I sit content.
One world is aware, and by far the largest to me, and that is myself;
And whether I come to my own to-day, or in ten thousand or ten million years,	410
I can cheerfully take it now, or with equal cheerfulness I can wait.
My foothold is tenon’d and mortis’d in granite;
I laugh at what you call dissolution;
And I know the amplitude of time.
21 I am the poet of the Body;	415
And I am the poet of the Soul.
The pleasures of heaven are with me, and the pains of hell are with me;
The first I graft and increase upon myself—the latter I translate into a new tongue.
I am the poet of the woman the same as the man;
And I say it is as great to be a woman as to be a man;	420
And I say there is nothing greater than the mother of men.
I chant the chant of dilation or pride;
We have had ducking and deprecating about enough;
I show that size is only development.
Have you outstript the rest? Are you the President?	425
It is a trifle—they will more than arrive there, every one, and still pass on.
I am he that walks with the tender and growing night;
I call to the earth and sea, half-held by the night.
Press close, bare-bosom’d night! Press close, magnetic, nourishing night!
Night of south winds! night of the large few stars!	430
Still, nodding night! mad, naked, summer night.
Smile, O voluptuous, cool-breath’d earth!
Earth of the slumbering and liquid trees;
Earth of departed sunset! earth of the mountains, misty-topt!
Earth of the vitreous pour of the full moon, just tinged with blue!	435
Earth of shine and dark, mottling the tide of the river!
Earth of the limpid gray of clouds, brighter and clearer for my sake!
Far-swooping elbow’d earth! rich, apple-blossom’d earth!
Smile, for your lover comes!
Prodigal, you have given me love! Therefore I to you give love!	440
O unspeakable, passionate love!
22 You sea! I resign myself to you also—I guess what you mean;
I behold from the beach your crooked inviting fingers;
I believe you refuse to go back without feeling of me;
We must have a turn together—I undress—hurry me out of sight of the land;	445
Cushion me soft, rock me in billowy drowse;
Dash me with amorous wet—I can repay you.
Sea of stretch’d ground-swells!
Sea breathing broad and convulsive breaths!
Sea of the brine of life! sea of unshovell’d yet always-ready graves!	450
Howler and scooper of storms! capricious and dainty sea!
I am integral with you—I too am of one phase, and of all phases.
Partaker of influx and efflux I—extoller of hate and conciliation;
Extoller of amies, and those that sleep in each others’ arms.
I am he attesting sympathy;	455
(Shall I make my list of things in the house, and skip the house that supports them?)
I am not the poet of goodness only—I do not decline to be the poet of wickedness also.
Washes and razors for foofoos—for me freckles and a bristling beard.
What blurt is this about virtue and about vice?
Evil propels me, and reform of evil propels me—I stand indifferent;	460
My gait is no fault-finder’s or rejecter’s gait;
I moisten the roots of all that has grown.
Did you fear some scrofula out of the unflagging pregnancy?
Did you guess the celestial laws are yet to be work’d over and rectified?
I find one side a balance, and the antipodal side a balance;	465
Soft doctrine as steady help as stable doctrine;
Thoughts and deeds of the present, our rouse and early start.
This minute that comes to me over the past decillions,
There is no better than it and now.
What behaved well in the past, or behaves well to-day, is not such a wonder;	470
The wonder is, always and always, how there can be a mean man or an infidel.
23 Endless unfolding of words of ages!
And mine a word of the modern—the word En-Masse.
A word of the faith that never balks;
Here or henceforward, it is all the same to me—I accept Time, absolutely.	475
It alone is without flaw—it rounds and completes all;
That mystic, baffling wonder I love, alone completes all.
I accept reality, and dare not question it;
Materialism first and last imbuing.
Hurrah for positive science! long live exact demonstration!	480
Fetch stonecrop, mixt with cedar and branches of lilac;
This is the lexicographer—this the chemist—this made a grammar of the old cartouches;
These mariners put the ship through dangerous unknown seas;
This is the geologist—this works with the scalpel—and this is a mathematician.
Gentlemen! to you the first honors always:	485
Your facts are useful and real—and yet they are not my dwelling;
(I but enter by them to an area of my dwelling.)
Less the reminders of properties told, my words;
And more the reminders, they, of life untold, and of freedom and extrication,
And make short account of neuters and geldings, and favor men and women fully equipt,	490
And beat the gong of revolt, and stop with fugitives, and them that plot and conspire.
24 Walt Whitman am I, a Kosmos, of mighty Manhattan the son,
Turbulent, fleshy and sensual, eating, drinking and breeding;
No sentimentalist—no stander above men and women, or apart from them;
No more modest than immodest.	495
Unscrew the locks from the doors!
Unscrew the doors themselves from their jambs!
Whoever degrades another degrades me;
And whatever is done or said returns at last to me.
Through me the afflatus surging and surging—through me the current and index.	500
I speak the pass-word primeval—I give the sign of democracy;
By God! I will accept nothing which all cannot have their counterpart of on the same terms.
Through me many long dumb voices;
Voices of the interminable generations of slaves;
Voices of prostitutes, and of deform’d persons;	505
Voices of the diseas’d and despairing, and of thieves and dwarfs;
Voices of cycles of preparation and accretion,
And of the threads that connect the stars—and of wombs, and of the father-stuff,
And of the rights of them the others are down upon;
Of the trivial, flat, foolish, despised,	510
Fog in the air, beetles rolling balls of dung.
Through me forbidden voices;
Voice of sexes and lusts—voices veil’d, and I remove the veil;
Voices indecent, by me clarified and transfigur’d.
I do not press my fingers across my mouth;	515
I keep as delicate around the bowels as around the head and heart;
Copulation is no more rank to me than death is.
I believe in the flesh and the appetites;
Seeing, hearing, feeling, are miracles, and each part and tag of me is a miracle.
Divine am I inside and out, and I make holy whatever I touch or am touch’d from;	520
The scent of these arm-pits, aroma finer than prayer;
This head more than churches, bibles, and all the creeds.
If I worship one thing more than another, it shall be the spread of my own body, or any part of it.
Translucent mould of me, it shall be you!
Shaded ledges and rests, it shall be you!	525
Firm masculine colter, it shall be you.
Whatever goes to the tilth of me, it shall be you!
You my rich blood! Your milky stream, pale strippings of my life.
Breast that presses against other breasts, it shall be you!
My brain, it shall be your occult convolutions.	530
Root of wash’d sweet flag! timorous pond-snipe! nest of guarded duplicate eggs! it shall be you!
Mix’d tussled hay of head, beard, brawn, it shall be you!
Trickling sap of maple! fibre of manly wheat! it shall be you!
Sun so generous, it shall be you!
Vapors lighting and shading my face, it shall be you!	535
You sweaty brooks and dews, it shall be you!
Winds whose soft-tickling genitals rub against me, it shall be you!
Broad, muscular fields! branches of live oak! loving lounger in my winding paths! it shall be you!
Hands I have taken—face I have kiss’d—mortal I have ever touch’d! it shall be you.
I dote on myself—there is that lot of me, and all so luscious;	540
Each moment, and whatever happens, thrills me with joy.
O I am wonderful!
I cannot tell how my ankles bend, nor whence the cause of my faintest wish;
Nor the cause of the friendship I emit, nor the cause of the friendship I take again.
That I walk up my stoop! I pause to consider if it really be;	545
A morning-glory at my window satisfies me more than the metaphysics of books.
To behold the day-break!
The little light fades the immense and diaphanous shadows;
The air tastes good to my palate.
Hefts of the moving world, at innocent gambols, silently rising, freshly exuding,	550
Scooting obliquely high and low.
Something I cannot see puts upward libidinous prongs;
Seas of bright juice suffuse heaven.
The earth by the sky staid with—the daily close of their junction;
The heav’d challenge from the east that moment over my head;	555
The mocking taunt, See then whether you shall be master!
25 Dazzling and tremendous, how quick the sun-rise would kill me,
If I could not now and always send sun-rise out of me.
We also ascend, dazzling and tremendous as the sun;
We found our own, O my Soul, in the calm and cool of the daybreak.	560
My voice goes after what my eyes cannot reach;
With the twirl of my tongue I encompass worlds, and volumes of worlds.
Speech is the twin of my vision—it is unequal to measure itself;
It provokes me forever;
It says sarcastically, Walt, you contain enough—why don’t you let it out, then?	565
Come now, I will not be tantalized—you conceive too much of articulation.
Do you not know, O speech, how the buds beneath you are folded?
Waiting in gloom, protected by frost;
The dirt receding before my prophetical screams;
I underlying causes, to balance them at last;	570
My knowledge my live parts—it keeping tally with the meaning of things,
HAPPINESS—which, whoever hears me, let him or her set out in search of this day.
My final merit I refuse you—I refuse putting from me what I really am;
Encompass worlds, but never try to encompass me;
I crowd your sleekest and best by simply looking toward you.	575
Writing and talk do not prove me;
I carry the plenum of proof, and everything else, in my face;
With the hush of my lips I wholly confound the skeptic.
26 I think I will do nothing now but listen,
To accrue what I hear into myself—to let sounds contribute toward me.	580
I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals;
I hear the sound I love, the sound of the human voice;
I hear all sounds running together, combined, fused or following;
Sounds of the city, and sounds out of the city—sounds of the day and night;
Talkative young ones to those that like them—the loud laugh of work-people at their meals;	585
The angry base of disjointed friendship—the faint tones of the sick;
The judge with hands tight to the desk, his pallid lips pronouncing a death-sentence;
The heave’e’yo of stevedores unlading ships by the wharves—the refrain of the anchor-lifters;
The ring of alarm-bells—the cry of fire—the whirr of swift-streaking engines and hose-carts, with premonitory tinkles, and color’d lights;
The steam-whistle—the solid roll of the train of approaching cars;	590
The slow-march play’d at the head of the association, marching two and two,
(They go to guard some corpse—the flag-tops are draped with black muslin.)
I hear the violoncello (’tis the young man’s heart’s complaint;)
I hear the key’d cornet—it glides quickly in through my ears;
It shakes mad-sweet pangs through my belly and breast.	595
I hear the chorus—it is a grand opera;
Ah, this indeed is music! This suits me.
A tenor large and fresh as the creation fills me;
The orbic flex of his mouth is pouring and filling me full.
I hear the train’d soprano—(what work, with hers, is this?)	600
The orchestra whirls me wider than Uranus flies;
It wrenches such ardors from me, I did not know I possess’d them;
It sails me—I dab with bare feet—they are lick’d by the indolent waves;
I am exposed, cut by bitter and angry hail—I lose my breath,
Steep’d amid honey’d morphine, my windpipe throttled in fakes of death;	605
At length let up again to feel the puzzle of puzzles,
And that we call BEING.
27 To be, in any form—what is that?
(Round and round we go, all of us, and ever come back thither;)
If nothing lay more develop’d, the quahaug in its callous shell were enough.	610
Mine is no callous shell;
I have instant conductors all over me, whether I pass or stop;
They seize every object and lead it harmlessly through me.
I merely stir, press, feel with my fingers, and am happy;
To touch my person to some one else’s is about as much as I can stand.	615
28 Is this then a touch? quivering me to a new identity,
Flames and ether making a rush for my veins,
Treacherous tip of me reaching and crowding to help them,
My flesh and blood playing out lightning to strike what is hardly different from myself;
On all sides prurient provokers stiffening my limbs,	620
Straining the udder of my heart for its withheld drip,
Behaving licentious toward me, taking no denial,
Depriving me of my best, as for a purpose,
Unbuttoning my clothes, holding me by the bare waist,
Deluding my confusion with the calm of the sunlight and pasture-fields,	625
Immodestly sliding the fellow-senses away,
They bribed to swap off with touch, and go and graze at the edges of me;
No consideration, no regard for my draining strength or my anger;
Fetching the rest of the herd around to enjoy them a while,
Then all uniting to stand on a headland and worry me.	630
The sentries desert every other part of me;
They have left me helpless to a red marauder;
They all come to the headland, to witness and assist against me.
I am given up by traitors;
I talk wildly—I have lost my wits—I and nobody else am the greatest traitor;	635
I went myself first to the headland—my own hands carried me there.
You villian touch! what are you doing? My breath is tight in its throat;
Unclench your floodgates! you are too much for me.
29 Blind, loving, wrestling touch! sheath’d, hooded, sharp-tooth’d touch!
Did it make you ache so, leaving me?	640
Parting, track’d by arriving—perpetual payment of perpetual loan;
Rich, showering rain, and recompense richer afterward.
Sprouts take and accumulate—stand by the curb prolific and vital:
Landscapes, projected, masculine, full-sized and golden.
30 All truths wait in all things;	645
They neither hasten their own delivery, nor resist it;
They do not need the obstetric forceps of the surgeon;
The insignificant is as big to me as any;
(What is less or more than a touch?)
Logic and sermons never convince;	650
The damp of the night drives deeper into my soul.
Only what proves itself to every man and woman is so;
Only what nobody denies is so.
A minute and a drop of me settle my brain;
I believe the soggy clods shall become lovers and lamps,	655
And a compend of compends is the meat of a man or woman,
And a summit and flower there is the feeling they have for each other,
And they are to branch boundlessly out of that lesson until it becomes omnific,
And until every one shall delight us, and we them.
31 I believe a leaf of grass is no less than the journey-work of the stars,	660
And the pismire is equally perfect, and a grain of sand, and the egg of the wren,
And the tree-toad is a chef-d’oeuvre for the highest,
And the running blackberry would adorn the parlors of heaven,
And the narrowest hinge in my hand puts to scorn all machinery,
And the cow crunching with depress’d head surpasses any statue,	665
And a mouse is miracle enough to stagger sextillions of infidels,
And I could come every afternoon of my life to look at the farmer’s girl boiling her iron tea-kettle and baking shortcake.
I find I incorporate gneiss, coal, long-threaded moss, fruits, grains, esculent roots,
And am stucco’d with quadrupeds and birds all over,
And have distanced what is behind me for good reasons,	670
And call anything close again, when I desire it.
In vain the speeding or shyness;
In vain the plutonic rocks send their old heat against my approach;
In vain the mastodon retreats beneath its own powder’d bones;
In vain objects stand leagues off, and assume manifold shapes;	675
In vain the ocean settling in hollows, and the great monsters lying low;
In vain the buzzard houses herself with the sky;
In vain the snake slides through the creepers and logs;
In vain the elk takes to the inner passes of the woods;
In vain the razor-bill’d auk sails far north to Labrador;	680
I follow quickly, I ascend to the nest in the fissure of the cliff.
32 I think I could turn and live with animals, they are so placid and self-contain’d;
I stand and look at them long and long.
They do not sweat and whine about their condition;
They do not lie awake in the dark and weep for their sins;	685
They do not make me sick discussing their duty to God;
Not one is dissatisfied—not one is demented with the mania of owning things;
Not one kneels to another, nor to his kind that lived thousands of years ago;
Not one is respectable or industrious over the whole earth.
So they show their relations to me, and I accept them;	690
They bring me tokens of myself—they evince them plainly in their possession.
I wonder where they get those tokens:
Did I pass that way huge times ago, and negligently drop them?
Myself moving forward then and now and forever,
Gathering and showing more always and with velocity,	695
Infinite and omnigenous, and the like of these among them;
Not too exclusive toward the reachers of my remembrancers;
Picking out here one that I love, and now go with him on brotherly terms.
A gigantic beauty of a stallion, fresh and responsive to my caresses,
Head high in the forehead, wide between the ears,	700
Limbs glossy and supple, tail dusting the ground,
Eyes full of sparkling wickedness—ears finely cut, flexibly moving.
His nostrils dilate, as my heels embrace him;
His well-built limbs tremble with pleasure, as we race around and return.
I but use you a moment, then I resign you, stallion;	705
Why do I need your paces, when I myself out-gallop them?
Even, as I stand or sit, passing faster than you.
33 O swift wind! O space and time! now I see it is true, what I guessed at;
What I guess’d when I loaf’d on the grass;
What I guess’d while I lay alone in my bed,	710
And again as I walk’d the beach under the paling stars of the morning.
My ties and ballasts leave me—I travel—I sail—my elbows rest in the sea-gaps;
I skirt the sierras—my palms cover continents;
I am afoot with my vision.
By the city’s quadrangular houses—in log huts—camping with lumbermen;	715
Along the ruts of the turnpike—along the dry gulch and rivulet bed;
Weeding my onion-patch, or hoeing rows of carrots and parsnips—crossing savannas—trailing in forests;
Prospecting—gold-digging—girdling the trees of a new purchase;
Scorch’d ankle-deep by the hot sand—hauling my boat down the shallow river;
Where the panther walks to and fro on a limb overhead—where the buck turns furiously at the hunter;	720
Where the rattlesnake suns his flabby length on a rock—where the otter is feeding on fish;
Where the alligator in his tough pimples sleeps by the bayou;
Where the black bear is searching for roots or honey—where the beaver pats the mud with his paddle-shaped tail;
Over the growing sugar—over the yellow-flower’d cotton plant—over the rice in its low moist field;
Over the sharp-peak’d farm house, with its scallop’d scum and slender shoots from the gutters;	725
Over the western persimmon—over the long-leav’d corn—over the delicate blue-flower flax;
Over the white and brown buckwheat, a hummer and buzzer there with the rest;
Over the dusky green of the rye as it ripples and shades in the breeze;
Scaling mountains, pulling myself cautiously up, holding on by low scragged limbs;
Walking the path worn in the grass, and beat through the leaves of the brush;	730
Where the quail is whistling betwixt the woods and the wheat-lot;
Where the bat flies in the Seventh-month eve—where the great gold-bug drops through the dark;
Where flails keep time on the barn floor;
Where the brook puts out of the roots of the old tree and flows to the meadow;
Where cattle stand and shake away flies with the tremulous shuddering of their hides;	735
Where the cheese-cloth hangs in the kitchen—where andirons straddle the hearth-slab—where cobwebs fall in festoons from the rafters;
Where trip-hammers crash—where the press is whirling its cylinders;
Wherever the human heart beats with terrible throes under its ribs;
Where the pear-shaped balloon is floating aloft, (floating in it myself, and looking composedly down;)
Where the life-car is drawn on the slip-noose—where the heat hatches pale-green eggs in the dented sand;	740
Where the she-whale swims with her calf, and never forsakes it;
Where the steam-ship trails hind-ways its long pennant of smoke;
Where the fin of the shark cuts like a black chip out of the water;
Where the half-burn’d brig is riding on unknown currents,
Where shells grow to her slimy deck—where the dead are corrupting below;	745
Where the dense-starr’d flag is borne at the head of the regiments;
Approaching Manhattan, up by the long-stretching island;
Under Niagara, the cataract falling like a veil over my countenance;
Upon a door-step—upon the horse-block of hard wood outside;
Upon the race-course, or enjoying picnics or jigs, or a good game of base-ball;	750
At he-festivals, with blackguard jibes, ironical license, bull-dances, drinking, laughter;
At the cider-mill, tasting the sweets of the brown mash, sucking the juice through a straw;
At apple-peelings, wanting kisses for all the red fruit I find;
At musters, beach-parties, friendly bees, huskings, house-raisings:
Where the mocking-bird sounds his delicious gurgles, cackles, screams, weeps;	755
Where the hay-rick stands in the barn-yard—where the dry-stalks are scattered—where the brood-cow waits in the hovel;
Where the bull advances to do his masculine work—where the stud to the mare—where the cock is treading the hen;
Where the heifers browse—where geese nip their food with short jerks;
Where sun-down shadows lengthen over the limitless and lonesome prairie;
Where herds of buffalo make a crawling spread of the square miles far and near;	760
Where the humming-bird shimmers—where the neck of the long-lived swan is curving and winding;
Where the laughing-gull scoots by the shore, where she laughs her near-human laugh;
Where bee-hives range on a gray bench in the garden, half hid by the high weeds;
Where band-neck’d partridges roost in a ring on the ground with their heads out;
Where burial coaches enter the arch’d gates of a cemetery;	765
Where winter wolves bark amid wastes of snow and icicled trees;
Where the yellow-crown’d heron comes to the edge of the marsh at night and feeds upon small crabs;
Where the splash of swimmers and divers cools the warm noon;
Where the katy-did works her chromatic reed on the walnut-tree over the well;
Through patches of citrons and cucumbers with silver-wired leaves;	770
Through the salt-lick or orange glade, or under conical firs;
Through the gymnasium—through the curtain’d saloon—through the office or public hall;
Pleas’d with the native, and pleas’d with the foreign—pleas’d with the new and old;
Pleas’d with women, the homely as well as the handsome;
Pleas’d with the quakeress as she puts off her bonnet and talks melodiously;	775
Pleas’d with the tune of the choir of the white-wash’d church;
Pleas’d with the earnest words of the sweating Methodist preacher, or any preacher—impress’d seriously at the camp-meeting:
Looking in at the shop-windows of Broadway the whole forenoon—flatting the flesh of my nose on the thick plate-glass;
Wandering the same afternoon with my face turn’d up to the clouds,
My right and left arms round the sides of two friends, and I in the middle:	780
Coming home with the silent and dark-cheek’d bush-boy—(behind me he rides at the drape of the day;)
Far from the settlements, studying the print of animals’ feet, or the moccasin print;
By the cot in the hospital, reaching lemonade to a feverish patient;
Nigh the coffin’d corpse when all is still, examining with a candle:
Voyaging to every port, to dicker and adventure;	785
Hurrying with the modern crowd, as eager and fickle as any;
Hot toward one I hate, ready in my madness to knife him;
Solitary at midnight in my back yard, my thoughts gone from me a long while;
Walking the old hills of Judea, with the beautiful gentle God by my side;
Speeding through space—speeding through heaven and the stars;	790
Speeding amid the seven satellites, and the broad ring, and the diameter of eighty thousand miles;
Speeding with tail’d meteors—throwing fire-balls like the rest;
Carrying the crescent child that carries its own full mother in its belly;
Storming, enjoying, planning, loving, cautioning,
Backing and filling, appearing and disappearing;	795
I tread day and night such roads.
I visit the orchards of spheres, and look at the product:
And look at quintillions ripen’d, and look at quintillions green.
I fly the flight of the fluid and swallowing soul;
My course runs below the soundings of plummets.	800
I help myself to material and immaterial;
No guard can shut me off, nor law prevent me.
I anchor my ship for a little while only;
My messengers continually cruise away, or bring their returns to me.
I go hunting polar furs and the seal—leaping chasms with a pike-pointed staff—clinging to topples of brittle and blue.	805
I ascend to the foretruck;
I take my place late at night in the crow’s-nest;
We sail the arctic sea—it is plenty light enough;
Through the clear atmosphere I stretch around on the wonderful beauty;
The enormous masses of ice pass me, and I pass them—the scenery is plain in all directions;	810
The white-topt mountains show in the distance—I fling out my fancies toward them;
(We are approaching some great battle-field in which we are soon to be engaged;
We pass the colossal outposts of the encampment—we pass with still feet and caution;
Or we are entering by the suburbs some vast and ruin’d city;
The blocks and fallen architecture more than all the living cities of the globe.)	815
I am a free companion—I bivouac by invading watchfires.
I turn the bridegroom out of bed, and stay with the bride myself;
I tighten her all night to my thighs and lips.
My voice is the wife’s voice, the screech by the rail of the stairs;
They fetch my man’s body up, dripping and drown’d.	820
I understand the large hearts of heroes,
The courage of present times and all times;
How the skipper saw the crowded and rudderless wreck of the steam-ship, and Death chasing it up and down the storm;
How he knuckled tight, and gave not back one inch, and was faithful of days and faithful of nights,
And chalk’d in large letters, on a board, Be of good cheer, we will not desert you:	825
How he follow’d with them, and tack’d with them—and would not give it up;
How he saved the drifting company at last:
How the lank loose-gown’d women look’d when boated from the side of their prepared graves;
How the silent old-faced infants, and the lifted sick, and the sharp-lipp’d unshaved men:
All this I swallow—it tastes good—I like it well—it becomes mine;	830
I am the man—I suffer’d—I was there.
The disdain and calmness of olden martyrs;
The mother, condemn’d for a witch, burnt with dry wood, her children gazing on;
The hounded slave that flags in the race, leans by the fence, blowing, cover’d with sweat;
The twinges that sting like needles his legs and neck—the murderous buckshot and the bullets;	835
All these I feel, or am.
I am the hounded slave, I wince at the bite of the dogs,
Hell and despair are upon me, crack and again crack the marksmen;
I clutch the rails of the fence, my gore dribs, thinn’d with the ooze of my skin;
I fall on the weeds and stones;	840
The riders spur their unwilling horses, haul close,
Taunt my dizzy ears, and beat me violently over the head with whip-stocks.
Agonies are one of my changes of garments;
I do not ask the wounded person how he feels—I myself become the wounded person;
My hurts turn livid upon me as I lean on a cane and observe.	845
I am the mash’d fireman with breast-bone broken;
Tumbling walls buried me in their debris;
Heat and smoke I inspired—I heard the yelling shouts of my comrades;
I heard the distant click of their picks and shovels;
They have clear’d the beams away—they tenderly lift me forth.	850
I lie in the night air in my red shirt—the pervading hush is for my sake;
Painless after all I lie, exhausted but not so unhappy;
White and beautiful are the faces around me—the heads are bared of their fire-caps;
The kneeling crowd fades with the light of the torches.
Distant and dead resuscitate;	855
They show as the dial or move as the hands of me—I am the clock myself.
I am an old artillerist—I tell of my fort’s bombardment;
I am there again.
Again the long roll of the drummers;
Again the attacking cannon, mortars;	860
Again, to my listening ears, the cannon responsive.
I take part—I see and hear the whole;
The cries, curses, roar—the plaudits for well-aim’d shots;
The ambulanza slowly passing, trailing its red drip;
Workmen searching after damages, making indispensable repairs;	865
The fall of grenades through the rent roof—the fan-shaped explosion;
The whizz of limbs, heads, stone, wood, iron, high in the air.
Again gurgles the mouth of my dying general—he furiously waves with his hand;
He gasps through the clot, Mind not me—mind—the entrenchments.
34 Now I tell what I knew in Texas in my early youth;	870
(I tell not the fall of Alamo,
Not one escaped to tell the fall of Alamo,
The hundred and fifty are dumb yet at Alamo;)
’Tis the tale of the murder in cold blood of four hundred and twelve young men.
Retreating, they had form’d in a hollow square, with their baggage for breastworks;	875
Nine hundred lives out of the surrounding enemy’s, nine times their number, was the price they took in advance;
Their colonel was wounded and their ammunition gone;
They treated for an honorable capitulation, receiv’d writing and seal, gave up their arms, and march’d back prisoners of war.
They were the glory of the race of rangers;
Matchless with horse, rifle, song, supper, courtship,	880
Large, turbulent, generous, handsome, proud, and affectionate,
Bearded, sunburnt, drest in the free costume of hunters,
Not a single one over thirty years of age.
The second First-day morning they were brought out in squads, and massacred—it was beautiful early summer;
The work commenced about five o’clock, and was over by eight.	885
None obey’d the command to kneel;
Some made a mad and helpless rush—some stood stark and straight;
A few fell at once, shot in the temple or heart—the living and dead lay together;
The maim’d and mangled dug in the dirt—the newcomers saw them there;
Some, half-kill’d, attempted to crawl away;	890
These were despatch’d with bayonets, or batter’d with the blunts of muskets;
A youth not seventeen years old seiz’d his assassin till two more came to release him;
The three were all torn, and cover’d with the boy’s blood.
At eleven o’clock began the burning of the bodies:
That is the tale of the murder of the four hundred and twelve young men.	895
35 Would you hear of an old-fashion’d sea-fight?
Would you learn who won by the light of the moon and stars?
List to the story as my grandmother’s father, the sailor, told it to me.
Our foe was no skulk in his ship, I tell you, (said he;)
His was the surly English pluck—and there is no tougher or truer, and never was, and never will be;	900
Along the lower’d eve he came, horribly raking us.
We closed with him—the yards entangled—the cannon touch’d;
My captain lash’d fast with his own hands.
We had receiv’d some eighteen pound shots under the water;
On our lower-gun-deck two large pieces had burst at the first fire, killing all around, and blowing up overhead.	905
Fighting at sun-down, fighting at dark;
Ten o’clock at night, the full moon well up, our leaks on the gain, and five feet of water reported;
The master-at-arms loosing the prisoners confined in the afterhold, to give them a chance for themselves.
The transit to and from the magazine is now stopt by the sentinels,
They see so many strange faces, they do not know whom to trust.	910
Our frigate takes fire;
The other asks if we demand quarter?
If our colors are struck, and the fighting is done?
Now I laugh content, for I hear the voice of my little captain,
We have not struck, he composedly cries, we have just begun our part of the fighting.	915
Only three guns are in use;
One is directed by the captain himself against the enemy’s mainmast;
Two, well served with grape and canister, silence his musketry and clear his decks.
The tops alone second the fire of this little battery, especially the main-top;
They hold out bravely during the whole of the action.	920
Not a moment’s cease;
The leaks gain fast on the pumps—the fire eats toward the powder-magazine.
One of the pumps has been shot away—it is generally thought we are sinking.
Serene stands the little captain;
He is not hurried—his voice is neither high nor low;	925
His eyes give more light to us than our battle-lanterns.
Toward twelve at night, there in the beams of the moon, they surrender to us.
36 Stretch’d and still lies the midnight;
Two great hulls motionless on the breast of the darkness;
Our vessel riddled and slowly sinking—preparations to pass to the one we have conquer’d;	930
The captain on the quarter-deck coldly giving his orders through a countenance white as a sheet;
Near by, the corpse of the child that serv’d in the cabin;
The dead face of an old salt with long white hair and carefully curl’d whiskers;
The flames, spite of all that can be done, flickering aloft and below;
The husky voices of the two or three officers yet fit for duty;	935
Formless stacks of bodies, and bodies by themselves—dabs of flesh upon the masts and spars,
Cut of cordage, dangle of rigging, slight shock of the soothe of waves,
Black and impassive guns, litter of powder-parcels, strong scent,
Delicate sniffs of sea-breeze, smells of sedgy grass and fields by the shore, death-messages given in charge to survivors,
The hiss of the surgeon’s knife, the gnawing teeth of his saw,	940
Wheeze, cluck, swash of falling blood, short wild scream, and long, dull, tapering groan;
These so—these irretrievable.
37 O Christ! This is mastering me!
In at the conquer’d doors they crowd. I am possess’d.
I embody all presences outlaw’d or suffering;	945
See myself in prison shaped like another man,
And feel the dull unintermitted pain.
For me the keepers of convicts shoulder their carbines and keep watch;
It is I let out in the morning, and barr’d at night.
Not a mutineer walks handcuff’d to jail, but I am handcuff’d to him and walk by his side;	950
(I am less the jolly one there, and more the silent one, with sweat on my twitching lips.)
Not a youngster is taken for larceny, but I go up too, and am tried and sentenced.
Not a cholera patient lies at the last gasp, but I also lie at the last gasp;
My face is ash-color’d—my sinews gnarl—away from me people retreat.
Askers embody themselves in me, and I am embodied in them;	955
I project my hat, sit shame-faced, and beg.
38 Enough! enough! enough!
Somehow I have been stunn’d. Stand back!
Give me a little time beyond my cuff’d head, slumbers, dreams, gaping;
I discover myself on the verge of a usual mistake.	960
That I could forget the mockers and insults!
That I could forget the trickling tears, and the blows of the bludgeons and hammers!
That I could look with a separate look on my own crucifixion and bloody crowning.
I remember now;
I resume the overstaid fraction;	965
The grave of rock multiplies what has been confided to it, or to any graves;
Corpses rise, gashes heal, fastenings roll from me.
I troop forth replenish’d with supreme power, one of an average unending procession;
Inland and sea-coast we go, and we pass all boundary lines;
Our swift ordinances on their way over the whole earth;	970
The blossoms we wear in our hats the growth of thousands of years.
Eleves, I salute you! come forward!
Continue your annotations, continue your questionings.
39 The friendly and flowing savage, Who is he?
Is he waiting for civilization, or past it, and mastering it?	975
Is he some south-westerner, rais’d out-doors? Is he Kanadian?
Is he from the Mississippi country? Iowa, Oregon, California? the mountains? prairie-life, bush-life? or from the sea?
Wherever he goes, men and women accept and desire him;
They desire he should like them, touch them, speak to them, stay with them.
Behavior lawless as snow-flakes, words simple as grass, uncomb’d head, laughter, and naiveté,	980
Slow-stepping feet, common features, common modes and emanations;
They descend in new forms from the tips of his fingers;
They are wafted with the odor of his body or breath—they fly out of the glance of his eyes.
40 Flaunt of the sunshine, I need not your bask,—lie over!
You light surfaces only—I force surfaces and depths also.	985
Earth! you seem to look for something at my hands;
Say, old Top-knot! what do you want?
Man or woman! I might tell how I like you, but cannot;
And might tell what it is in me, and what it is in you, but cannot;
And might tell that pining I have—that pulse of my nights and days.	990
Behold! I do not give lectures, or a little charity;
When I give, I give myself.
You there, impotent, loose in the knees!
Open your scarf’d chops till I blow grit within you;
Spread your palms, and lift the flaps of your pockets;	995
I am not to be denied—I compel—I have stores plenty and to spare;
And anything I have I bestow.
I do not ask who you are—that is not so important to me;
You can do nothing, and be nothing, but what I will infold you.
To cotton-field drudge or cleaner of privies I lean;	1000
On his right cheek I put the family kiss,
And in my soul I swear, I never will deny him.
On women fit for conception I start bigger and nimbler babes;
(This day I am jetting the stuff of far more arrogant republics.)
To any one dying—thither I speed, and twist the knob of the door;	1005
Turn the bed-clothes toward the foot of the bed;
Let the physician and the priest go home.
I seize the descending man, and raise him with resistless will.
O despairer, here is my neck;
By God! you shall not go down! Hang your whole weight upon me.	1010
I dilate you with tremendous breath—I buoy you up;
Every room of the house do I fill with an arm’d force,
Lovers of me, bafflers of graves.
Sleep! I and they keep guard all night;
Not doubt—not decease shall dare to lay finger upon you;	1015
I have embraced you, and henceforth possess you to myself;
And when you rise in the morning you will find what I tell you is so.
41 I am he bringing help for the sick as they pant on their backs;
And for strong upright men I bring yet more needed help.
I heard what was said of the universe;	1020
Heard it and heard it of several thousand years:
It is middling well as far as it goes,—But is that all?
Magnifying and applying come I,
Outbidding at the start the old cautious hucksters,
Taking myself the exact dimensions of Jehovah,	1025
Lithographing Kronos, Zeus his son, and Hercules his grandson;
Buying drafts of Osiris, Isis, Belus, Brahma, Buddha,
In my portfolio placing Manito loose, Allah on a leaf, the crucifix engraved,
With Odin, and the hideous-faced Mexitli, and every idol and image;
Taking them all for what they are worth, and not a cent more;	1030
Admitting they were alive and did the work of their days;
(They bore mites, as for unfledg’d birds, who have now to rise and fly and sing for themselves;)
Accepting the rough deific sketches to fill out better in myself— bestowing them freely on each man and woman I see;
Discovering as much, or more, in a framer framing a house;
Putting higher claims for him there with his roll’d-up sleeves, driving the mallet and chisel;	1035
Not objecting to special revelations—considering a curl of smoke, or a hair on the back of my hand, just as curious as any revelation;
Lads ahold of fire-engines and hook-and-ladder ropes no less to me than the Gods of the antique wars;
Minding their voices peal through the crash of destruction,
Their brawny limbs passing safe over charr’d laths—their white foreheads whole and unhurt out of the flames:
By the mechanic’s wife with her babe at her nipple interceding for every person born;	1040
Three scythes at harvest whizzing in a row from three lusty angels with shirts bagg’d out at their waists;
The snag-tooth’d hostler with red hair redeeming sins past and to come,
Selling all he possesses, traveling on foot to fee lawyers for his brother, and sit by him while he is tried for forgery;
What was strewn in the amplest strewing the square rod about me, and not filling the square rod then;
The bull and the bug never worship’d half enough;	1045
Dung and dirt more admirable than was dream’d;
The supernatural of no account—myself waiting my time to be one of the Supremes;
The day getting ready for me when I shall do as much good as the best, and be as prodigious:
By my life-lumps! becoming already a creator;
Putting myself here and now to the ambush’d womb of the shadows.	1050
42 A call in the midst of the crowd;
My own voice, orotund, sweeping, and final.
Come my children;
Come my boys and girls, my women, household, and intimates;
Now the performer launches his nerve—he has pass’d his prelude on the reeds within.	1055
Easily written, loose-finger’d chords! I feel the thrum of your climax and close.
My head slues round on my neck;
Music rolls, but not from the organ;
Folks are around me, but they are no household of mine.
Ever the hard, unsunk ground;	1060
Ever the eaters and drinkers—ever the upward and downward sun—ever the air and the ceaseless tides;
Ever myself and my neighbors, refreshing, wicked, real;
Ever the old inexplicable query—ever that thorn’d thumb—that breath of itches and thirsts;
Ever the vexer’s hoot! hoot! till we find where the sly one hides, and bring him forth;
Ever love—ever the sobbing liquid of life;	1065
Ever the bandage under the chin—ever the tressels of death.
Here and there, with dimes on the eyes, walking;
To feed the greed of the belly, the brains liberally spooning;
Tickets buying, taking, selling, but in to the feast never once going;
Many sweating, ploughing, thrashing, and then the chaff for payment receiving;	1070
A few idly owning, and they the wheat continually claiming.
This is the city, and I am one of the citizens;
Whatever interests the rest interests me—politics, wars, markets, newspapers, schools,
Benevolent societies, improvements, banks, tariffs, steamships, factories, stocks, stores, real estate, and personal estate.
The little plentiful mannikins, skipping around in collars and tail’d coats,	1075
I am aware who they are—(they are positively not worms or fleas.)
I acknowledge the duplicates of myself—the weakest and shallowest is deathless with me;
What I do and say, the same waits for them;
Every thought that flounders in me, the same flounders in them.
I know perfectly well my own egotism;	1080
I know my omnivorous lines, and will not write any less;
And would fetch you, whoever you are, flush with myself.
No words of routine are mine,
But abruptly to question, to leap beyond, yet nearer bring:
This printed and bound book—but the printer, and the printing-office boy?	1085
The well-taken photographs—but your wife or friend close and solid in your arms?
The black ship, mail’d with iron, her mighty guns in her turrets—but the pluck of the captain and engineers?
In the houses, the dishes and fare and furniture—but the host and hostess, and the look out of their eyes?
The sky up there—yet here, or next door, or across the way?
The saints and sages in history—but you yourself?	1090
Sermons, creeds, theology—but the fathomless human brain,
And what is reason? and what is love? and what is life?
43 I do not despise you, priests;
My faith is the greatest of faiths, and the least of faiths,
Enclosing worship ancient and modern, and all between ancient and modern,	1095
Believing I shall come again upon the earth after five thousand years,
Waiting responses from oracles, honoring the Gods, saluting the sun,
Making a fetish of the first rock or stump, powwowing with sticks in the circle of obis,
Helping the lama or brahmin as he trims the lamps of the idols,
Dancing yet through the streets in a phallic procession—rapt and austere in the woods, a gymnosophist,	1100
Drinking mead from the skull-cup—to Shastas and Vedas admirant—minding the Koran,
Walking the teokallis, spotted with gore from the stone and knife, beating the serpent-skin drum,
Accepting the Gospels—accepting him that was crucified, knowing assuredly that he is divine,
To the mass kneeling, or the puritan’s prayer rising, or sitting patiently in a pew,
Ranting and frothing in my insane crisis, or waiting dead-like till my spirit arouses me,	1105
Looking forth on pavement and land, or outside of pavement and land,
Belonging to the winders of the circuit of circuits.
One of that centripetal and centrifugal gang, I turn and talk, like a man leaving charges before a journey.
Down-hearted doubters, dull and excluded,
Frivolous, sullen, moping, angry, affected, dishearten’d, atheistical;	1110
I know every one of you—I know the sea of torment, doubt, despair and unbelief.
How the flukes splash!
How they contort, rapid as lightning, with spasms, and spouts of blood!
Be at peace, bloody flukes of doubters and sullen mopers;
I take my place among you as much as among any;	1115
The past is the push of you, me, all, precisely the same,
And what is yet untried and afterward is for you, me, all, precisely the same.
I do not know what is untried and afterward;
But I know it will in its turn prove sufficient, and cannot fail.
Each who passes is consider’d—each who stops is consider’d—not a single one can it fail.	1120
It cannot fail the young man who died and was buried,
Nor the young woman who died and was put by his side,
Nor the little child that peep’d in at the door, and then drew back, and was never seen again,
Nor the old man who has lived without purpose, and feels it with bitterness worse than gall,
Nor him in the poor house, tubercled by rum and the bad disorder,	1125
Nor the numberless slaughter’d and wreck’d—nor the brutish koboo call’d the ordure of humanity,
Nor the sacs merely floating with open mouths for food to slip in,
Nor anything in the earth, or down in the oldest graves of the earth,
Nor anything in the myriads of spheres—nor one of the myriads of myriads that inhabit them,
Nor the present—nor the least wisp that is known.	1130
44 It is time to explain myself—Let us stand up.
What is known I strip away;
I launch all men and women forward with me into THE UNKNOWN.
The clock indicates the moment—but what does eternity indicate?
We have thus far exhausted trillions of winters and summers;	1135
There are trillions ahead, and trillions ahead of them.
Births have brought us richness and variety,
And other births will bring us richness and variety.
I do not call one greater and one smaller;
That which fills its period and place is equal to any.	1140
Were mankind murderous or jealous upon you, my brother, my sister?
I am sorry for you—they are not murderous or jealous upon me;
All has been gentle with me—I keep no account with lamentation;
(What have I to do with lamentation?)
I am an acme of things accomplish’d, and I an encloser of things to be.	1145
My feet strike an apex of the apices of the stairs;
On every step bunches of ages, and larger bunches between the steps;
All below duly travel’d, and still I mount and mount.
Rise after rise bow the phantoms behind me;
Afar down I see the huge first Nothing—I know I was even there;	1150
I waited unseen and always, and slept through the lethargic mist,
And took my time, and took no hurt from the fetid carbon.
Long I was hugg’d close—long and long.
Immense have been the preparations for me,
Faithful and friendly the arms that have help’d me.	1155
Cycles ferried my cradle, rowing and rowing like cheerful boatmen;
For room to me stars kept aside in their own rings;
They sent influences to look after what was to hold me.
Before I was born out of my mother, generations guided me;
My embryo has never been torpid—nothing could overlay it.	1160
For it the nebula cohered to an orb,
The long slow strata piled to rest it on,
Vast vegetables gave it sustenance,
Monstrous sauroids transported it in their mouths, and deposited it with care.
All forces have been steadily employ’d to complete and delight me;	1165
Now on this spot I stand with my robust Soul.
45 O span of youth! Ever-push’d elasticity!
O manhood, balanced, florid, and full.
My lovers suffocate me!
Crowding my lips, thick in the pores of my skin,	1170
Jostling me through streets and public halls—coming naked to me at night,
Crying by day Ahoy! from the rocks of the river—swinging and chirping over my head,
Calling my name from flower-beds, vines, tangled underbrush,
Lighting on every moment of my life,
Bussing my body with soft balsamic busses,	1175
Noiselessly passing handfuls out of their hearts, and giving them to be mine.
Old age superbly rising! O welcome, ineffable grace of dying days!
Every condition promulges not only itself—it promulges what grows after and out of itself,
And the dark hush promulges as much as any.
I open my scuttle at night and see the far-sprinkled systems,	1180
And all I see, multiplied as high as I can cipher, edge but the rim of the farther systems.
Wider and wider they spread, expanding, always expanding,
Outward and outward, and forever outward.
My sun has his sun, and round him obediently wheels,
He joins with his partners a group of superior circuit,	1185
And greater sets follow, making specks of the greatest inside them.
There is no stoppage, and never can be stoppage;
If I, you, and the worlds, and all beneath or upon their surfaces, were this moment reduced back to a pallid float, it would not avail in the long run;
We should surely bring up again where we now stand,
And as surely go as much farther—and then farther and farther.	1190
A few quadrillions of eras, a few octillions of cubic leagues, do not hazard the span, or make it impatient;
They are but parts—anything is but a part.
See ever so far, there is limitless space outside of that;
Count ever so much, there is limitless time around that.
My rendezvous is appointed—it is certain;	1195
The Lord will be there, and wait till I come, on perfect terms;
(The great Camerado, the lover true for whom I pine, will be there.)
46 I know I have the best of time and space, and was never measured, and never will be measured.
I tramp a perpetual journey—(come listen all!)
My signs are a rain-proof coat, good shoes, and a staff cut from the woods;	1200
No friend of mine takes his ease in my chair;
I have no chair, no church, no philosophy;
I lead no man to a dinner-table, library, or exchange;
But each man and each woman of you I lead upon a knoll,
My left hand hooking you round the waist,	1205
My right hand pointing to landscapes of continents, and a plain public road.
Not I—not any one else, can travel that road for you,
You must travel it for yourself.
It is not far—it is within reach;
Perhaps you have been on it since you were born, and did not know;	1210
Perhaps it is every where on water and on land.
Shoulder your duds, dear son, and I will mine, and let us hasten forth,
Wonderful cities and free nations we shall fetch as we go.
If you tire, give me both burdens, and rest the chuff of your hand on my hip,
And in due time you shall repay the same service to me;	1215
For after we start, we never lie by again.
This day before dawn I ascended a hill, and look’d at the crowded heaven,
And I said to my Spirit, When we become the enfolders of those orbs, and the pleasure and knowledge of everything in them, shall we be fill’d and satisfied then?
And my Spirit said, No, we but level that life, to pass and continue beyond.
You are also asking me questions, and I hear you;	1220
I answer that I cannot answer—you must find out for yourself.
Sit a while, dear son;
Here are biscuits to eat, and here is milk to drink;
But as soon as you sleep, and renew yourself in sweet clothes, I kiss you with a good-bye kiss, and open the gate for your egress hence.
Long enough have you dream’d contemptible dreams;	1225
Now I wash the gum from your eyes;
You must habit yourself to the dazzle of the light, and of every moment of your life.
Long have you timidly waded, holding a plank by the shore;
Now I will you to be a bold swimmer,
To jump off in the midst of the sea, rise again, nod to me, shout, and laughingly dash with your hair.	1230
47 I am the teacher of athletes;
He that by me spreads a wider breast than my own, proves the width of my own;
He most honors my style who learns under it to destroy the teacher.
The boy I love, the same becomes a man, not through derived power, but in his own right,
Wicked, rather than virtuous out of conformity or fear,	1235
Fond of his sweetheart, relishing well his steak,
Unrequited love, or a slight, cutting him worse than sharp steel cuts,
First-rate to ride, to fight, to hit the bull’s eye, to sail a skiff, to sing a song, or play on the banjo,
Preferring scars, and the beard, and faces pitted with small-pox, over all latherers,
And those well tann’d to those that keep out of the sun.	1240
I teach straying from me—yet who can stray from me?
I follow you, whoever you are, from the present hour;
My words itch at your ears till you understand them.
I do not say these things for a dollar, or to fill up the time while I wait for a boat;
It is you talking just as much as myself—I act as the tongue of you;	1245
Tied in your mouth, in mine it begins to be loosen’d.
I swear I will never again mention love or death inside a house,
And I swear I will never translate myself at all, only to him or her who privately stays with me in the open air.
If you would understand me, go to the heights or water-shore;
The nearest gnat is an explanation, and a drop or motion of waves a key;	1250
The maul, the oar, the hand-saw, second my words.
No shutter’d room or school can commune with me,
But roughs and little children better than they.
The young mechanic is closest to me—he knows me well;
The woodman, that takes his axe and jug with him, shall take me with him all day;	1255
The farm-boy, ploughing in the field, feels good at the sound of my voice;
In vessels that sail, my words sail—I go with fishermen and seamen, and love them.
The soldier camp’d, or upon the march, is mine;
On the night ere the pending battle, many seek me, and I do not fail them;
On the solemn night (it may be their last,) those that know me, seek me.	1260
My face rubs to the hunter’s face, when he lies down alone in his blanket;
The driver, thinking of me, does not mind the jolt of his wagon;
The young mother and old mother comprehend me;
The girl and the wife rest the needle a moment, and forget where they are;
They and all would resume what I have told them.	1265
48 I have said that the soul is not more than the body,
And I have said that the body is not more than the soul;
And nothing, not God, is greater to one than one’s self is,
And whoever walks a furlong without sympathy, walks to his own funeral, drest in his shroud,
And I or you, pocketless of a dime, may purchase the pick of the earth,	1270
And to glance with an eye, or show a bean in its pod, confounds the learning of all times,
And there is no trade or employment but the young man following it may become a hero,
And there is no object so soft but it makes a hub for the wheel’d universe,
And I say to any man or woman, Let your soul stand cool and composed before a million universes.
And I say to mankind, Be not curious about God,	1275
For I, who am curious about each, am not curious about God;
(No array of terms can say how much I am at peace about God, and about death.)
I hear and behold God in every object, yet understand God not in the least,
Nor do I understand who there can be more wonderful than myself.
Why should I wish to see God better than this day?	1280
I see something of God each hour of the twenty-four, and each moment then;
In the faces of men and women I see God, and in my own face in the glass;
I find letters from God dropt in the street—and every one is sign’d by God’s name,
And I leave them where they are, for I know that wheresoe’er I go,
Others will punctually come forever and ever.	1285
49 And as to you Death, and you bitter hug of mortality, it is idle to try to alarm me.
To his work without flinching the accoucheur comes;
I see the elder-hand, pressing, receiving, supporting;
I recline by the sills of the exquisite flexible doors,
And mark the outlet, and mark the relief and escape.	1290
And as to you, Corpse, I think you are good manure—but that does not offend me;
I smell the white roses sweet-scented and growing,
I reach to the leafy lips—I reach to the polish’d breasts of melons.
And as to you Life, I reckon you are the leavings of many deaths;
(No doubt I have died myself ten thousand times before.)	1295
I hear you whispering there, O stars of heaven;
O suns! O grass of graves! O perpetual transfers and promotions!
If you do not say anything, how can I say anything?
Of the turbid pool that lies in the autumn forest,
Of the moon that descends the steeps of the soughing twilight,	1300
Toss, sparkles of day and dusk! toss on the black stems that decay in the muck!
Toss to the moaning gibberish of the dry limbs.
I ascend from the moon, I ascend from the night;
I perceive that the ghastly glimmer is noonday sunbeams reflected;
And debouch to the steady and central from the offspring great or small.	1305
50 There is that in me—I do not know what it is—but I know it is in me.
Wrench’d and sweaty—calm and cool then my body becomes;
I sleep—I sleep long.
I do not know it—it is without name—it is a word unsaid;
It is not in any dictionary, utterance, symbol.	1310
Something it swings on more than the earth I swing on;
To it the creation is the friend whose embracing awakes me.
Perhaps I might tell more. Outlines! I plead for my brothers and sisters.
Do you see, O my brothers and sisters?
It is not chaos or death—it is form, union, plan—it is eternal life—it is HAPPINESS.	1315
51 The past and present wilt—I have fill’d them, emptied them,
And proceed to fill my next fold of the future.
Listener up there! Here, you! What have you to confide to me?
Look in my face, while I snuff the sidle of evening;
Talk honestly—no one else hears you, and I stay only a minute longer.	1320
Do I contradict myself?
Very well, then, I contradict myself;
(I am large—I contain multitudes.)
I concentrate toward them that are nigh—I wait on the door-slab.
Who has done his day’s work? Who will soonest be through with his supper?	1325
Who wishes to walk with me?
Will you speak before I am gone? Will you prove already too late?
52 The spotted hawk swoops by and accuses me—he complains of my gab and my loitering.
I too am not a bit tamed—I too am untranslatable;
I sound my barbaric yawp over the roofs of the world.	1330
The last scud of day holds back for me;
It flings my likeness after the rest, and true as any, on the shadow’d wilds;
It coaxes me to the vapor and the dusk.
I depart as air—I shake my white locks at the runaway sun;
I effuse my flesh in eddies, and drift it in lacy jags.	1335
I bequeathe myself to the dirt, to grow from the grass I love;
If you want me again, look for me under your boot-soles.
You will hardly know who I am, or what I mean;
But I shall be good health to you nevertheless,
And filter and fibre your blood.	1340
Failing to fetch me at first, keep encouraged;
Missing me one place, search another;
I stop somewhere, waiting for you. Walt Whitman, 1819–1892