Wendell Berry - The Mad Farmer

The Contrarian-Agrarian

Manifesto: The Mad Farmer Liberation Front

by Wendell Berry

Love the quick profit, the annual raise,

vacation with pay. Want more

of everything ready-made. Be afraid

to know your neighbors and to die.

And you will have a window in your head.

Not even your future will be a mystery

any more. Your mind will be punched in a card

and shut away in a little drawer.

The Mad Farmer 1

When they want you to buy something

they will call you. When they want you

to die for profit they will let you know.

So, friends, every day do something

that won’t compute. Love the Lord.

Love the world. Work for nothing.

Take all that you have and be poor.

Love someone who does not deserve it.

Denounce the government and embrace

the flag. Hope to live in that free

republic for which it stands.

Give your approval to all you cannot

understand. Praise ignorance, for what man

has not encountered he has not destroyed.

Ask the questions that have no answers.

The Mad Farmer 2

Invest in the millennium. Plant sequoias.

Say that your main crop is the forest

that you did not plant,

that you will not live to harvest.

Say that the leaves are harvested

when they have rotted into the mold.

Call that profit. Prophesy such returns.

Put your faith in the two inches of humus

that will build under the trees

every thousand years.

Listen to carrion — put your ear

close, and hear the faint chattering

of the songs that are to come.

Expect the end of the world. Laugh.

Laughter is immeasurable. Be joyful

though you have considered all the facts.

The Mad Farmer 3

So long as women do not go cheap

for power, please women more than men.

Ask yourself: Will this satisfy

a woman satisfied to bear a child?

Will this disturb the sleep

of a woman near to giving birth?

Go with your love to the fields.

Lie easy in the shade. Rest your head

in her lap. Swear allegiance

to what is nighest your thoughts.

As soon as the generals and the politicos

can predict the motions of your mind,

lose it. Leave it as a sign

to mark the false trail, the way

you didn’t go. Be like the fox

who makes more tracks than necessary,

some in the wrong direction.

Practice resurrection.

“Manifesto: The Mad Farmer Liberation Front” from The Country of Marriage, Harcourt Brace Jovanovich, Inc. 1973. Also published by Counterpoint Press in The Selected Poems of Wendell Berry, 1999; The Mad Farmer Poems, 2008; New Collected Poems, 2012.

Amazon Blurb

During the otherwise quiet course of his life as a poet, Wendell Berry has become “mad” at what contemporary society has made of its land, its communities, and its past. This anger reaches its peak in the poems of the Mad Farmer, an open-ended sequence he's found himself impelled to continue against his better instincts. These poems can take the shape of manifestos, meditations, insults, Whitmanic fits and ravings-these are often funny in spite of themselves. The Mad Farmer is a character as necessary, perhaps, as he is regrettable.

We have here gathered the individual poems from Berry's various collections to offer the teachings and bitcheries of this amazing American voice. After the great success of the lovely Window Poems, Bob Baris of the Press on Scroll Road, returns to design and produce an edition illustrated with etchings by Abigail Rover. His hand-press pages will be off-set for our trade edition.

Ed McClanahan offers an introduction wherein he clears up the inspiration behind the Mad Farmer himself. McClanahan also manages to take more credit than he is clearly due. Then Berry weighs in with an apology-and characteristic exaggeration. James Baker Hall and William Kloefkorn offer poems here that also show how the Mad Farmer has escaped into the work of others.

The whole is a wonderful testimony to the power of anger and humor to bring even the most terrible consequences into a focus otherwise impossible to obtain.

Wendell Berry - A Timbered Choir

A Timbered Choir

by Wendell Berry

Even while I dreamed I prayed that what I saw was only fear and no foretelling,

for I saw the last known landscape destroyed for the sake

of the objective, the soil bludgeoned, the rock blasted.

Those who had wanted to go home would never get there now.

I visited the offices where for the sake of the objective the planners planned

at blank desks set in rows. I visited the loud factories

where the machines were made that would drive ever forward

toward the objective. I saw the forest reduced to stumps and gullies; I saw

the poisoned river, the mountain cast into the valley;

I came to the city that nobody recognized because it looked like every other city.

I saw the passages worn by the unnumbered

footfalls of those whose eyes were fixed upon the objective.

Their passing had obliterated the graves and the monuments

of those who had died in pursuit of the objective

and who had long ago forever been forgotten, according

to the inevitable rule that those who have forgotten forget

that they have forgotten. Men, women, and children now pursued the objective

as if nobody ever had pursued it before.





The races and the sexes now intermingled perfectly in pursuit of the objective.

the once-enslaved, the once-oppressed were now free

to sell themselves to the highest bidder

and to enter the best paying prisons

in pursuit of the objective, which was the destruction of all enemies,

which was the destruction of all obstacles, which was the destruction of all objects,

which was to clear the way to victory, which was to clear the way to promotion, to salvation, 

to progress,

to the completed sale, to the signature

on the contract, which was to clear the way

to self-realization, to self-creation, from which nobody who ever wanted to go home

would ever get there now, for every remembered place

had been displaced; the signposts had been bent to the ground and covered over.





Every place had been displaced, every love

unloved, every vow unsworn, every word unmeant

to make way for the passage of the crowd

of the individuated, the autonomous, the self-actuated, the homeless

with their many eyes opened toward the objective

which they did not yet perceive in the far distance,

having never known where they were going,

having never known where they came from.

Amazon link

Amazon Blurb

Berry’s Sabbath poems embrace much that is elemental to human life--beauty, death, peace, and hope.In his preface to the collection, Berry writes about the growing audience for public poetry readings. While he sees poetry in the public eye as a good thing, Berry asks us to recognize the private life of the poem. These Sabbath poems were written "in silence, in solitude, and mainly out of doors," and tell us about "moments when heart and mind are open and aware."Many years of writing have won Wendell Berry the affection of a broad public. He is beloved for his quiet, steady explorations of nature, his emphasis on finding good work to do in the world, and his faith in the solace of family, memory, and community. His poetry is assured and unceasingly spiritual; its power lies in the strength of the truths revealed.

Wendell Berry - What We Need Is Here & The Peace of Wild Things

What We Need Is Here

What We Need Is Here

- Wendell Berry

Geese appear high over us,

pass, and the sky closes. Abandon,

as in love or sleep, holds

them to their way, clear

in the ancient faith: what we need

is here. And we pray, not

for new earth or heaven, but to be

quiet in heart, and in eye,

clear. What we need is here.

The Peace of Wild Things

The Peace of Wild Things
- Wendell Berry

When despair grows in me
and I wake in the night at the least sound
in fear of what my life and my children's lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting for their light. For a time
I rest in the grace of the world, and am free. 

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Amazon Blurb

The Selected Poems of Wendell Berry gathers one hundred poems written between 1957 and 1996. Chosen by the author, these pieces have been selected from each of nine previously published collections. The rich work in this volume reflects the development of Berry’s poetic sensibility over four decades. Focusing on themes that have occupied his work for years--land and nature, family and community, tradition as the groundwork for life and culture-- The Selected Poems of Wendell Berry celebrates the broad range of this vital and transforming poet.

Wendell Berry

The Peace of Wild Things

Wendell Berry - The Country of Marriage

The Country of Marriage

               by Wendell Berry

I.

I dream of you walking at night along the streams
of the country of my birth, warm blooms and the nightsongs
of birds opening around you as you walk.
You are holding in your body the dark seed of my sleep.

II.

This comes after silence. Was it something I said
that bound me to you, some mere promise
or, worse, the fear of loneliness and death?
A man lost in the woods in the dark, I stood
still and said nothing. And then there rose in me,
like the earth's empowering brew rising
in root and branch, the words of a dream of you
I did not know I had dreamed. I was a wanderer
who feels the solace of his native land
under his feet again and moving in his blood.
I went on, blind and faithful. Where I stepped
my track was there to steady me. It was no abyss
that lay before me, but only the level ground.

III.

Sometimes our life reminds me
of a forest in which there is a graceful clearing
and in that opening a house,
an orchard and garden,
comfortable shades, and flowers
red and yellow in the sun, a pattern
made in the light for the light to return to.
The forest is mostly dark, its ways
to be made anew day after day, the dark
richer than the light and more blessed,
provided we stay brave
enough to keep on going in.

IV.

How many times have I come to you out of my head
with joy, if ever a man was,
for to approach you I have given up the light
and all directions. I come to you
lost, wholly trusting as a man who goes
into the forest unarmed. It is as though I descend
slowly earthward out of the air. I rest in peace
in you, when I arrive at last.

V.

Our bond is no little economy based on the exchange
of my love and work for yours, so much for so much
of an expendable fund. We don't know what its limits are--
that puts us in the dark. We are more together
than we know, how else could we keep on discovering
we are more together than we thought?
You are the known way leading always to the unknown,
and you are the known place to which the unknown is always
leading me back. More blessed in you than I know,
I possess nothing worthy to give you, nothing
not belittled by my saying that I possess it.
Even an hour of love is a moral predicament, a blessing
a man may be hard up to be worthy of. He can only
accept it, as a plant accepts from all the bounty of the light
enough to live, and then accepts the dark,
passing unencumbered back to the earth, as I
have fallen tine and again from the great strength
of my desire, helpless, into your arms.

VI.

What I am learning to give you is my death
to set you free of me, and me from myself
into the dark and the new light. Like the water
of a deep stream, love is always too much. We
did not make it. Though we drink till we burst
we cannot have it all, or want it all.
In its abundance it survives our thirst.
In the evening we come down to the shore
to drink our fill, and sleep, while it
flows through the regions of the dark.
It does not hold us, except we keep returning
to its rich waters thirsty. We enter,
willing to die, into the commonwealth of its joy.

VII.

I give you what is unbounded, passing from dark to dark,
containing darkness: a night of rain, an early morning.
I give you the life I have let live for the love of you:
a clump of orange-blooming weeds beside the road,
the young orchard waiting in the snow, our own life
that we have planted in the ground, as I
have planted mine in you. I give you my love for all
beautiful and honest women that you gather to yourself
again and again, and satisfy--and this poem,
no more mine than any man's who has loved a woman.

Amazon link

Amazon Blurb

First published in 1971, The Country of Marriage is Wendell Berry's fifth volume of poetry. What he calls "an expansive metaphor" is "a farmer's relationship to his land as the basic and central relation of humanity to creation." "Similarly, marriage is the basic and central community tie; it begins and stands for the relation we have to family and to the larger circles of human association. And these relationships are in turn basic to, and may stand for, our relationship to God and to the sustaining mysteries and powers of creation."