William Wordsworth - Ode: Intimations of Immortality

William Wordsworth, Poet

Ode on Intimations of Immortality

from Recollections of Early Childhood

William Wordsworth, 1770 - 1850

 There was a time when meadow, grove, and stream,
The earth, and every common sight
                 To me did seem
            Apparelled in celestial light,
The glory and the freshness of a dream.
It is not now as it hath been of yore;—
             Turn wheresoe’er I may,
              By night or day,
The things which I have seen I now can see no more.

            The rainbow comes and goes,
            And lovely is the rose;
            The moon doth with delight
     Look round her when the heavens are bare;
            Waters on a starry night
            Are beautiful and fair;
     The sunshine is a glorious birth;
     But yet I know, where’er I go,
That there hath past away a glory from the earth.

Now, while the birds thus sing a joyous song,
     And while the young lambs bound
            As to the tabor’s sound,
To me alone there came a thought of grief:
A timely utterance gave that thought relief,
            And I again am strong.
The cataracts blow their trumpets from the steep,—
No more shall grief of mine the season wrong:
I hear the echoes through the mountains throng.
The winds come to me from the fields of sleep,
            And all the earth is gay;
                Land and sea
     Give themselves up to jollity,
            And with the heart of May
     Doth every beast keep holiday;—
                Thou child of joy,
Shout round me, let me hear thy shouts, thou happy
        Shepherd-boy!

Ye blesséd Creatures, I have heard the call
     Ye to each other make; I see
The heavens laugh with you in your jubilee;
     My heart is at your festival,
       My head hath its coronal,
The fulness of your bliss, I feel—I feel it all.
         O evil day! if I were sullen
         While Earth herself is adorning
              This sweet May-morning;
         And the children are culling
              On every side
         In a thousand valleys far and wide
         Fresh flowers; while the sun shines warm,
And the babe leaps up on his mother’s arm:—
         I hear, I hear, with joy I hear!
         —But there’s a tree, of many, one,
A single field which I have look’d upon,
Both of them speak of something that is gone:
              The pansy at my feet
              Doth the same tale repeat:
Whither is fled the visionary gleam?
Where is it now, the glory and the dream?

Our birth is but a sleep and a forgetting;
The Soul that rises with us, our life’s Star,
          Hath had elsewhere its setting
               And cometh from afar;
          Not in entire forgetfulness,
          And not in utter nakedness,
But trailing clouds of glory do we come
               From God, who is our home:
Heaven lies about us in our infancy!
Shades of the prison-house begin to close
               Upon the growing Boy,
But he beholds the light, and whence it flows,
               He sees it in his joy;
The Youth, who daily farther from the east
     Must travel, still is Nature’s priest,
          And by the vision splendid
          Is on his way attended;
At length the Man perceives it die away,
And fade into the light of common day.

Earth fills her lap with pleasures of her own;
Yearnings she hath in her own natural kind,
And, even with something of a mother’s mind,
               And no unworthy aim,
          The homely nurse doth all she can
To make her foster-child, her inmate, Man,
               Forget the glories he hath known,
And that imperial palace whence he came.

Behold the Child among his new-born blisses,
A six years’ darling of a pigmy size!
See, where ‘mid work of his own hand he lies,
Fretted by sallies of his mother’s kisses,
With light upon him from his father’s eyes!
See, at his feet, some little plan or chart,
Some fragment from his dream of human life,
Shaped by himself with newly-learned art;
          A wedding or a festival,
          A mourning or a funeral;
               And this hath now his heart,
          And unto this he frames his song:
               Then will he fit his tongue
To dialogues of business, love, or strife;
          But it will not be long
          Ere this be thrown aside,
          And with new joy and pride
The little actor cons another part;
Filling from time to time his ‘humorous stage’
With all the Persons, down to palsied Age,
That life brings with her in her equipage;
          As if his whole vocation
          Were endless imitation.

Thou, whose exterior semblance doth belie
          Thy soul’s immensity;
Thou best philosopher, who yet dost keep
Thy heritage, thou eye among the blind,
That, deaf and silent, read’st the eternal deep,
Haunted for ever by the eternal Mind,—
          Mighty Prophet! Seer blest!
          On whom those truths rest
Which we are toiling all our lives to find,
In darkness lost, the darkness of the grave;
Thou, over whom thy Immortality
Broods like the day, a master o’er a slave,
A Presence which is not to be put by;
          To whom the grave
Is but a lonely bed, without the sense of sight
Of day or the warm light,
A place of thoughts where we in waiting lie;
Thou little child, yet glorious in the might
Of heaven-born freedom on thy being’s height,
Why with such earnest pains dost thou provoke
The years to bring the inevitable yoke,
Thus blindly with thy blessedness at strife?
Full soon thy soul shall have her earthly freight,
And custom lie upon thee with a weight
Heavy as frost, and deep almost as life!
          0 joy! that in our embers
          Is something that doth live,
          That Nature yet remembers
          What was so fugitive!
The thought of our past years in me doth breed
Perpetual benediction: not indeed
For that which is most worthy to be blest,
Delight and liberty, the simple creed
Of Childhood, whether busy or at rest,
With new-fledged hope still fluttering in his breast:—
          —Not for these I raise
          The song of thanks and praise;
     But for those obstinate questionings
     Of sense and outward things,
     Fallings from us, vanishings,
     Blank misgivings of a creature
Moving about in worlds not realized,
High instincts, before which our mortal nature
Did tremble like a guilty thing surprised:
     But for those first affections,
     Those shadowy recollections,
          Which, be they what they may,
Are yet the fountain-light of all our day,
Are yet a master-light of all our seeing;
     Uphold us—cherish—and have power to make
Our noisy years seem moments in the being
Of the eternal Silence: truths that wake,
               To perish never;
Which neither listlessness, nor mad endeavour,
               Nor man nor boy,
Nor all that is at enmity with joy,
Can utterly abolish or destroy!
   Hence, in a season of calm weather
          Though inland far we be,
Our souls have sight of that immortal sea
               Which brought us hither;
          Can in a moment travel thither—
And see the children sport upon the shore,
And hear the mighty waters rolling evermore.

Then, sing, ye birds, sing, sing a joyous song!
          And let the young lambs bound
          As to the tabor’s sound!
     We, in thought, will join your throng,
          Ye that pipe and ye that play,
          Ye that through your hearts to-day
          Feel the gladness of the May!
What though the radiance which was once so bright
Be now for ever taken from my sight,
     Though nothing can bring back the hour
Of splendour in the grass, of glory in the flower;
          We will grieve not, rather find
          Strength in what remains behind;
          In the primal sympathy
          Which having been must ever be;
          In the soothing thoughts that spring
          Out of human suffering;
          In the faith that looks through death,
In years that bring the philosophic mind.

And 0, ye Fountains, Meadows, Hills, and Groves,
Forebode not any severing of our loves!
Yet in my heart of hearts I feel your might;
I only have relinquish’d one delight
To live beneath your more habitual sway;
I love the brooks which down their channels fret
Even more than when I tripp’d lightly as they;
The innocent brightness of a new-born day
               Is lovely yet;
The clouds that gather round the setting sun
Do take a sober colouring from an eye
That hath kept watch o’er man’s mortality;
Another race hath been, and other palms are won.
   Thanks to the human heart by which we live,
   Thanks to its tenderness, its joys, and fears,
   To me the meanest flower that blows can give
   Thoughts that do often lie too deep for tears.

- William Wordsworth

Ode: Intimations of Immortality, by William Wordsworth

About the Author

William Wordsworth, who rallied for “common speech” within poems and argued against the poetic biases of the period, wrote some of the most influential poetry in Western literature, including his most famous work, The Prelude, which is often considered to be the crowning achievement of English romanticism. - poetry.org

Wikipedia Bio - William Wordsworth (7 April 1770 – 23 April 1850) was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literaturewith their joint publication Lyrical Ballads (1798).

Wordsworth's magnum opus is generally considered to be The Prelude, a semiautobiographical poem of his early years that he revised and expanded a number of times. It was posthumously titled and published, before which it was generally known as "the poem to Coleridge".[1] Wordsworth was Britain's Poet Laureate from 1843 until his death in 1850.[2]

Biography

On April 7, 1770, William Wordsworth was born in Cockermouth, Cumbria, England. Wordsworth’s mother died when he was eight—this experience shapes much of his later work. Wordsworth attended Hawkshead Grammar School, where his love of poetry was firmly established and, it is believed, he made his first attempts at verse. While he was at Hawkshead, Wordsworth’s father died leaving him and his four siblings orphans. After Hawkshead, Wordsworth studied at St. John’s College in Cambridge and before his final semester, he set out on a walking tour of Europe, an experience that influenced both his poetry and his political sensibilities. While touring Europe, Wordsworth came into contact with the French Revolution. This experience as well as a subsequent period living in France, brought about Wordsworth’s interest and sympathy for the life, troubles, and speech of the “common man.” These issues proved to be of the utmost importance to Wordsworth’s work. Wordsworth’s earliest poetry was published in 1793 in the collections An Evening Walkand Descriptive Sketches. While living in France, Wordsworth conceived a daughter, Caroline, out of wedlock; he left France, however, before she was born. In 1802, he returned to France with his sister on a four-week visit to meet Caroline. Later that year, he married Mary Hutchinson, a childhood friend, and they had five children together. In 1812, while living in Grasmere, two of their children—Catherine and John—died.

Equally important in the poetic life of Wordsworth was his 1795 meeting with the poet Samuel Taylor Coleridge. It was with Coleridge that Wordsworth published the famous Lyrical Balladsin 1798. While the poems themselves are some of the most influential in Western literature, it is the preface to the second edition that remains one of the most important testaments to a poet’s views on both his craft and his place in the world. In the preface Wordsworth writes on the need for “common speech” within poems and argues against the hierarchy of the period which valued epic poetry above the lyric.

Wordsworth’s most famous work, The Prelude (1850), is considered by many to be the crowning achievement of English romanticism. The poem, revised numerous times, chronicles the spiritual life of the poet and marks the birth of a new genre of poetry. Although Wordsworth worked on The Prelude throughout his life, the poem was published posthumously. Wordsworth spent his final years settled at Rydal Mount in England, travelling and continuing his outdoor excursions. Devastated by the death of his daughter Dora in 1847, Wordsworth seemingly lost his will to compose poems. William Wordsworth died at Rydal Mount on April 23, 1850, leaving his wife Mary to publish The Prelude three months later.

- poets.org