"Autobiographies of great nations are written in three manuscripts – a book of deeds, a book of words, and a book of art. Of the three, I would choose the latter as truest testimony." - Sir Kenneth Smith, Great Civilisations

"I must write each day without fail, not so much for the success of the work, as in order not to get out of my routine." - Leo Tolstoy

I have never believed that one should wait until one is inspired because I think the pleasures of not writing are so great that if you ever start indulging them you will never write again. - John Updike

"The life of every man is a diary in which he means to write one story, and writes another; and his humblest hour is when he compares the volume as it is with what he vowed to make it." - J.M. Barrie, Peter Pan

Poetry is the shadow cast by our streetlight imaginations." - Lawrence Ferlinghetti


[Note - If any article requires updating or correction please notate this in the comment section. Thank you. - res]


Sunday, November 5, 2023

R.E. Slater - Autumn Wonder + Other Fall Poems


@copyright R.E. Slater Publications


Autumn wonders
Makes me happy
Rolling and tumbling
On crunchy leaves
Smelling their colors
Hearing their crinkles
Beauty bursting all around.

R.E. Slater
November 4, 2023

@copyright R.E. Slater Publications
all rights reserved




When the leaves
are on the ground
I like to make
a pile of them
way up to my knees.

- Anon




Red, yellow, orange, and brown,
Leaves are falling all around,
See them dancing in the wind,
Twisting, falling, fairykins,
Swooshing, blowing, here and there,
Happy, running, dervish flares!


R.E. Slater
November 4, 2023

@copyright R.E. Slater Publications
all rights reserved



@copyright R.E. Slater Publications


Leaves
by Elsie N. Brady

How silently they tumble down
And come to rest upon the ground
To lay a carpet, rich and rare,
Beneath the trees without a care,
Content to sleep, their work well done,
Colors gleaming in the sun.

At other times, they wildly fly
Until they nearly reach the sky.
Twisting, turning through the air
Till all the trees stand stark and bare.
Exhausted, drop to earth below
To wait, like children, for the snow.



Theme in Yellow


I spot the hills
With yellow balls in autumn.
I light the prairie cornfields
Orange and tawny gold clusters
And I am called pumpkins.
On the last of October
When dusk is fallen
Children join hands
And circle round me
Singing ghost songs
And love to the harvest moon;
I am a jack-o'-lantern
With terrible teeth
And the children know
I am fooling.


@copyright R.E. Slater Publications


Nothing Gold Can Stay


Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.


@copyright R.E. Slater Publications


To Autumn


Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o'er-brimm'd their clammy cells.

Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
Drows'd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.

Where are the songs of spring? Ay, Where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.


@copyright R.E. Slater Publications


Fall, leaves, fall


Fall, leaves, fall; die, flowers, away;
Lengthen night and shorten day;
Every leaf speaks bliss to me
Fluttering from the autumn tree.
I shall smile when wreaths of snow
Blossom where the rose should grow;
I shall sing when night’s decay
Ushers in a drearier day.


@copyright R.E. Slater Publications


SONNET 73:
That time of year thou
mayst in me behold


That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruin'd choirs, where late the sweet birds sang.
In me thou see'st the twilight of such day
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death's second self, that seals up all in rest.
In me thou see'st the glowing of such fire
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire,
Consum'd with that which it was nourish'd by.
This thou perceiv'st, which makes thy love more strong,
To love that well which thou must leave ere long.


@copyright R.E. Slater Publications


The Heat of Autumn Poem


The heat of autumn
is different from the heat of summer.
One ripens apples, the other turns them to cider.
One is a dock you walk out on,
the other the spine of a thin swimming horse
and the river each day a full measure colder.
A man with cancer leaves his wife for his lover.
Before he goes she straightens his belts in the closet,
rearranges the socks and sweaters inside the dresser
by color. That's autumn heat:
her hand placing silver buckles with silver,
gold buckles with gold, setting each
on the hook it belongs on in a closet soon to be empty,
and calling it pleasure.



First Fall


I’m your guide here. In the evening-dark
morning streets, I point and name.
Look, the sycamores, their mottled,
paint-by-number bark. Look, the leaves
rusting and crisping at the edges.
I walk through Schiller Park with you
on my chest. Stars smolder well
into daylight. Look, the pond, the ducks,
the dogs paddling after their prized sticks.
Fall is when the only things you know
because I’ve named them
begin to end. Soon I’ll have another
season to offer you: frost soft
on the window and a porthole
sighed there, ice sleeving the bare
gray branches. The first time you see
something die, you won’t know it might
come back. I’m desperate for you
to love the world because I brought you here.


@copyright R.E. Slater Publications


Poem


Fall a scrimmage of yellow leaves today
All over Lincoln Park
like the mask of the Yellow Mule who travels between the next
world and Tibet inside its house of glass in the Field
Museum by the lake.
I am carrying the night.
I am carrying it as if it were a dark blue dish with stars
for the dinner of the Dalai Lama.
It is the sky two nights ago;
Its voluptuous rich blue looks almost black before the word
for blue had been invented;
The clouds like continents, like huge, majestic prehistoric
creatures moving in a dance;
The stars are brilliant ants. They may have died
a billion years ago.
I feel so happy. It is as if I'm with my wife who's making
sculpture miles and miles away on Ada Street.
I like everything about her.
The way an angel, say, might look upon this early autumn scene
and love everything about it for its reality—
These trees flanking the lagoon at Fullerton are quiet as green fish,
The pale khaki maple leaf lying on the ground, its veins
intricate as the practice of a Tartar cavalry,
Its delicacy like the penis of a cuttlefish,
The grass pale lime and brown as dreams when they are turning brown
Is almost ghostly,
The way the family album on the table in the living room has
a gallery of ghosts.
There is only wonder.
Like the wonder in the worn thighbone of the dinosaur
We're allowed to touch
As often as we want on the Main Floor of the Field Museum.
I bike along the lake and watch
The whiplash of the waves and think,
I didn't have to be here in the first place: I could have been
a star:
Or cuttlefish. The shadow of that tree. Or been one of the
bees of oblivion
In any ordinary orgasm.
If there were no moon our hearts could take its place.



Autumn


Shorter and shorter now the twilight clips
The days, as though the sunset gates they crowd,
And Summer from her golden collar slips
And strays through stubble-fields, and moans aloud,

Save when by fits the warmer air deceives,
And, stealing hopeful to some sheltered bower,
She lies on pillows of the yellow leaves,
And tries the old tunes over for an hour.

The wind, whose tender whisper in the May
Set all the young blooms listening through th’ grove,
Sits rustling in the faded boughs to-day
And makes his cold and unsuccessful love.

The rose has taken off her tire of red—
The mullein-stalk its yellow stars have lost,
And the proud meadow-pink hangs down her head
Against earth’s chilly bosom, witched with frost.

The robin, that was busy all the June,
Before the sun had kissed the topmost bough,
Catching our hearts up in his golden tune,
Has given place to the brown cricket now.

The very cock crows lonesomely at morn—
Each flag and fern the shrinking stream divides—
Uneasy cattle low, and lambs forlorn
Creep to their strawy sheds with nettled sides.

Shut up the door: who loves me must not look
Upon the withered world, but haste to bring
His lighted candle, and his story-book,
And live with me the poetry of Spring.


@copyright R.E. Slater Publications


November for Beginners


Snow would be the easy
way out—that softening
sky like a sigh of relief
at finally being allowed
to yield. No dice.
We stack twigs for burning
in glistening patches
but the rain won’t give.

So we wait, breeding
mood, making music
of decline. We sit down
in the smell of the past
and rise in a light
that is already leaving.
We ache in secret,
memorizing

a gloomy line
or two of German.
When spring comes
we promise to act
the fool. Pour,
rain! Sail, wind,
with your cargo of zithers!

November 1981


@copyright R.E. Slater Publications


Sunday, October 8, 2023

Missing You Poetry











I AM LEARNING HOW TO LIVE
by Jamey Wysocki

I am learning how to live
In a new way
Since that day
You were taken away.

I am learning how to live
With the things left unsaid
Knowing I got to say them
With every tear that I shed.

I am learning how to live
By embracing the pain
Knowing that you live on
Through the memories that remain.

I am learning how to live
Knowing I will never again see your face
And I have peace knowing
You’re in a better place.

I am learning how to live
Knowing you’re in God’s care
It gives me the strength to move on
And makes the pain much easier to bear.



TIS A FEARFUL THING
by Yehuda HaLevi (1075 – 1141)

‘Tis a fearful thing
to love what death can touch.
A fearful thing
to love, to hope, to dream, to be –
to be,
And oh, to lose.
A thing for fools, this,
And a holy thing,
a holy thing
to love.
For your life has lived in me,
your laugh once lifted me,
your word was gift to me.
To remember this brings painful joy.
‘Tis a human thing, love,
a holy thing, to love
what death has touched.



SANCTUM
by Beulah B. Malkin

I built a tiny garden
In a corner of my heart
I kept it just for lovely things
And bade all else depart
And ever was there music
And flowers blossomed fair;
And never was it perfect
Until you entered there



DAYDREAM
by Shanike Priyananda

Every moment I spent with you
Was like a beautiful dream come true
It was the best dream I ever saw
More colorful than a rainbow
Your pretty voice is echoing in my ear
The splendid sound I ever hear
No Nightingale’s song
Can compare to your glamorous tone
Those alighting brown eyes
As bright as twinkling stars in the sky
I always wanted to hold your hand
Between my arms close to my heart
My wish was to hug you hard
And listen to the beat of your heart

I can still feel your smell
The wonderful charming spell
You taught me about love
Your love made my life alive
Whenever I see your face
My whole heart fills with grace
My life was like a dark cold night
You were the only luminaire warming light
My dream was to see your smile
And walk with you all over this glorious isle
You were the queen of my dream worlds
I don’t know how to explain my feelings in words
But, when you leave me alone with the feeling of spleen
I could realize that was just a daydream.





Wednesday, September 27, 2023

Doxologies of Praise

 


Doxology: God . . . tell me how


Beyond the beyond, you lurk behind the start
Of the times. Mystery is the skin that wraps
Your body (if you have one). In the pillar of
Cloud and the blazing bush, we heard you speak.
Like imprints, your footpaths are engraved on
The faces of rocks. Horeb said he accommodated you
And Nebo testifies to your visit. Red Sea said
your finger tickled a parting across like a barber’s
Clipper and like the wall of Jericho, permit you.
If I get you looking at me, God!
I’ll chat you with a billion lips of “how?” How?
After Okopi, did you pass life as a gas into the
Cave of Adam’s nose? A statue for multiplication.
And how did you carve him? Like an artist, you are?
A sculptor? Perhaps, a form-er. Perhaps, a build-er
Yet, your name isn’t Bob but a beautiful bard
You are. As a create-or. Tell me something, God!
Dear God, tell me how. How did you wire the
Bulbs you affixed on the chest of this vast
Canopy that marks the parting between you
And Cosmos? How did you put the bright smile
On the face of the sun and the dim fluorescence
As the countenance of the moon? How did you
Levitate land from the belly of the deep? When
After the fish, we fry for food and maggots munch
On man, will you hold me by hand and survey
Your cubicle to tell me how?


* * * * * * * *


Doxology:
Praise God From Whom All Blessings Flow
(with lyrics)


Video Comment - My mom sang this to me when I was a little kid in my room. I must of been around 5? I don’t remember how old I was exactly, but I do remember how she sung it. I have a plaque with the words of this song hung on my wall in my room. I remember asking her what it was, as I never knew. She told me that it was a song. I asked her to sing it, so she did. I was little, but I still remember to this day in exact detail of that moment in my room. I remembered each note in my mother’s voice. The way the gentle sunlight flowed through my room and shined upon her. 12 years later, I still remember looking up at her singing this beautiful song. Knowing what that plaque in my room finally meant. I even remember the exact pitch, and could sing it in the exact key my mother sang it in all those years ago. I only just searched the song 12 years after to see if my memory held true. It did. The thing is, I only heard this song sung that one time. And I remembered it. At 5... 5 year olds don’t do that people. I like to think of that moment as the most special moment given to me by God in my life. And how I can vividly recall how my mother looked that day with the sunlight on her hair, and how she sung the song, in her beautiful voice. I’ve never experienced anything like that since. It’s a memory that I hold so dear to my heart. And I felt that God was in the room at the moment. Like he was the sunlight shining on my mom. I think he was.


* * * * * * * *


amazon link

Doxology: Poems in Praise of the Living God
by David Siefert

In Doxology, Dave Siefert pours out praise to God for his many blessings and points the reader to the need for faith in Jesus Christ alone for eternal salvation.

DOXOLOGY brings encouragement to those facing difficult circumstances, and gives hope to those who are spiritually searching.



* * * * * * * *



Cloudnine Fairmane c9fm Jun 2022

CLOUDNINE'S TWENTY SEVEN PSALM OF DOXOLOGY
TO ADORE THY LORD GOD!



1 Make holy his glorious name and adore His powerful word.

2 Sing praises unto thee. And let every breathing creatures tremble at His footstool.

3 The Earth and everythang found therein. Lift on high His glorification and sing adoration unto the supreme Spirit of thy Lord.

4 Hallelujah! Thy Lord reingth till eternal.

5 From all entities through entities.

6 For He has magnified Himself and manifested Himself through every wondrous works of His hands.

7 Ruler of the universe, His glorious crafts exists even beyond the miutiverse.

8 Underneath Earth and above the skies may thy Almighty God be adored.

9 His right hand through seas His breathe roared the waters.

10 His voice quake the Earth and the foundation of the universe wary.

11 He looked and lightening from His eyes revealed the secret place of the wicked.

12 Let thy Lord be praised. He has smitten the jaws of His enemies.

13 Even Lucifer and his angels.

14 Thy Lord reignth till eternal.

15 Blessed be thy Lord our God; with psalms and doxologies thy Lord be worshipped. Selah!


When I think of all His awesome doings
all  around, my heart does praise.
And may it be count worthy before the Almighty.

#gad #praise #adoration #doxology #psalm
Cloudnine Fairmane c9fm

Written by Cloudnine Fairmane c9fm  28/M/Nigeria
     

* * * * * * * *



Cloudnine Fairmane c9fm Nov 2021

CLOUDNINE'S TWENTY SIXTH SONG OF 
DOXOLOGY: "TO BLESS THY LORD"


Let God be
praised and let
Himself praise Himself.
Let His people
joyfully praise Him,
and let the whole
world and its hosts
and the firmament
and its bodies
laud Him praises,
He who was
and who is to come
He who reinth for
evermore, word
without end. And from
the east pole
of the earth, to the
north of the
south reaching the
west, laud His praises.
In the deepest
part of the sea
sing Joyfully
doxologies of
glorification and
adoration to
worship Him
beneath the earth
and underneath His
throne were twenty
and four holy spirits proclaiming His
praises for He his
worthy to be magnified.
Praised be thy
Lord our
God till eternal.
Amen !


* * * * * * * *




The Best-Known Hymn in History
Why We Keep Singing ‘The Doxology’

Article by 
Executive Editor, desiringGod.org


Praise God from whom all blessings flow;
Praise him all creatures here below;
Praise him above, ye heav’nly host;
Praise Father, Son, and Holy Ghost.

These 25 words, known to many around the world today as “The Doxology,” comprise what is likely the single best-known verse of all Christian hymnology and poetry.

On the surface, these lyrics are surprisingly modest and memorable. Few of us remember first hearing them, and few recall straining to learn them. Yet, as simple and accessible as these four lines are, Christians have been singing them now for more than three centuries. Because simple doesn’t mean shallow. Plain does not exclude profound. Which is one of the striking truths at the heart of our faith — and one of the great evidences for its truth — from the Gospel of John, to the early creeds, to the most widely known and enduring lyrics we share with the global church today.

“The greatest realities about God and his world can be captured in the humblest of terms.”

The greatest realities about God and his world, when understood aright, can be captured in the humblest of terms, even as they are bottomless in their depth. And yet we find an enduring quality in “The Doxology” absent from many of our passing modern choruses. Substance hides in the brevity and singability. Though short, the hymn is a coherent progression, rather than a loosely connected attempt at memorable phrases, and turns on the profound theological truths of God’s aseity and generosity, and God as Trinity.

Morning, Evening, Midnight

Thomas Ken (1637–1711), who crafted these plain and profound words in the late 1600s, wrote them as the final and “doxological” stanza of three hymns he published, first for students at Winchester College at Oxford University.

Ken, who was an Anglican minister, royal chaplain, and eventually bishop, first penned verses for his students at Winchester to sing upon arising in the morning, and at bedtime each evening. Later he added a third hymn, to rehearse at midnight, were students to have trouble sleeping. Each hymn was a confession of faith, and an invocation of divine blessing, tailored to its particular moment of the day. And each hymn ended with the same 25-word doxological verse in praise of God, three in one.

Ken’s hymns have by no means been lost today. However, it is his final verse — our beloved “Doxology” — that has endured, so well-known is it that it needs no placeholder in our hymnbooks. Christians the world over simply know it, almost without fail — both Ken’s timeless words and the tune, which Ken did not write, but which much later began to accompany the song. The tune, called Old One-Hundredth, originally designed to accompany the singing of Psalm 134, and later Psalm 100, first appeared in the Geneva Psalter in 1551 and was written by Louis Bourgeois (1510–1561), who served as head of choirs and music, alongside famous pastor and theologian John Calvin.

Source of All Good

What, then, has been the power of these 25 words? Why have they endured, and for many become one of the most basic and repeated expressions of the Christian faith?

For one, our God is indeed the one from whom all genuine blessings flow. He himself is the Blessed One (1 Timothy 1:116:15), the only one in whom is fullness of joy and pleasures forever (Psalm 16:11). Yet, unshakably happy as he is, he is not a God inclined to keep to himself but gives generously. He is happy enough to be outgoing.

God delights to give, to overflow with joy, to bless his creatures and share his own happiness in them and then with them. He is the giver of “every good gift and every perfect gift” (James 1:17). “From him and through him and to him are all things. To him be glory forever. Amen” (Romans 11:36).

Three in One

This blessed God is also sovereign over all. He is both the singular source of all true good, and he is the Almighty. He is the Creator and Sustainer of all nature, and all the heavenly hosts above, and “all creatures here below.” Here and there, above and below, he is God and “does all that he pleases” (Psalm 115:3). As the great humbled king of Babylon learned to declare in his own doxology, our God “does according to his will among the host of heaven and among the inhabitants of the earth; and none can stay his hand” (Daniel 4:35).

“God is glorified in our heartfelt expression of praise. God made us for praise. He made us for doxology.”

Still, this God, utterly complete in goodness and power, has revealed himself to his people. He is one and three — one God, three persons, working in history to redeem and restore his people from their sin and rebellion. He is a God three times for us in a great salvation, which is arranged by the Father, accomplished by the Son, and applied by the Spirit.

And so, we praise him as three in one, and one in three, just as we baptize “in the name of the Father and of the Son and of the Holy Spirit” (Matthew 28:19), and pray with the apostle, “The grace of the Lord Jesus Christ and the love of God and the fellowship of the Holy Spirit be with you all” (2 Corinthians 13:14).

Our Joy, His Glory

Praise Father, Son, and Holy Ghost. “The Doxology” has served as a ready-made form, and occasion, for Christians to connect the very purposes of God in all he does with our heart’s deepest desire. God made our hearts to ache for happiness. And he made the world, and us, to glorify him. And in this act of praise (which “The Doxology” directs and assists), our souls both rejoice and go public in expressing their delight in him.

God is glorified in our heartfelt expression of praise. God made us for praise. He made us for doxology. He made the world that he might be praised. And these simple yet profound words serve that simple yet most profound human act of devotion — and all the more when we join our voices and sing together.